Saturday, June 28, 2014

The Gene Harris All Star Big Band - Tribute To Count Basie

Bitrate: 320K/s
Time: 46:10
Size: 105.7 MB
Styles: Big Band
Year: 1987
Art: Front

[3:55] 1. Captain Bill
[7:35] 2. Night Mist Blues
[4:16] 3. Swingin' The Blues
[4:28] 4. When Did You Leave Heaven
[4:51] 5. Blues For Pepper
[4:32] 6. Blue And Sentimental
[4:30] 7. Riled Up
[6:58] 8. The Masquerade Is Over
[5:01] 9. Dejection Blues

A big-band date that slightly predated pianist Gene Harris' association with the Philip Morris Superband, this CD is ostensibly a tribute to the recently deceased Count Basie, but surprisingly, only two of the eight songs ("Swingin' the Blues" and "Blue and Sentimental") were played by Basie, although one original ("Captain Bill") was written in homage of the bandleader. Harris' 16-piece orchestra does bring back the spirit of Basie's band in spots, with a lightly but steadily swinging rhythm section and such soloists as trumpeters Conte Candoli and Jon Faddis and tenors Plas Johnson and Bob Cooper. But in reality, Harris dominates the solo spotlight, and the music (which includes a memorable version of "When Did You Leave Heaven") is a bit predictable. ~Scott Yanow

Tribute To Count Basie

Adam Schroeder - Let's

Bitrate: 320K/s
Time: 60:49
Size: 139.2 MB
Styles: Saxophone jazz
Year: 2014
Art: Front

[6:38] 1. Hello Bright Sunflower
[5:36] 2. In The Middle Of A Kiss
[6:25] 3. Just Clap Your Hands
[5:38] 4. You & I
[6:52] 5. Wrap Your Troubles In Dreams
[5:10] 6. A Hawkeye, A Hoosier, & Two Cali Cats
[1:42] 7. Contemplation (Intro)
[7:02] 8. Patient Endurance, Steady Hope
[5:24] 9. Let's
[6:37] 10. Southside Samba
[3:40] 11. The Smulyan Spectacles

Somewhere between Pepper Adams and Gary Smulyan is that harmonic happy place where you will find one of the finest bari players hanging out, Adam Schroeder. Does anyone remember melody? Adam Schroeder and a band that includes bassist John Clayton, drummer Jeff Hamilton and rising star in guitarist Anthony Wilson ride the groove of a melodic swing and an improvisational mother load of lyrical fun. Jazz was made for dancing and if your top tapping receptors don't seem to be engaged about :30 seconds in then perhaps you are waiting on your autopsy report.

Schroeder is a brilliant technician but most importantly he has the artistic soul of a giant that allows free reign of lyrical intent. The bands chemistry and innate ability to occasionally play follow the leader is deceptively subtle. Make no mistake, this formidable 4tet is a collective that gives no quarter and asks for none in return. This is why we play and enjoy music. The funky Schroeder original "Just Clap Your Hands" speaks for itself. Musicians are notorious for their sense of humor and sometimes they are even funny. The Schroeder smoker "A Hawkeye, A Hoosier, & Two Cali Cats" borders on infectious with an old school swing you just don't hear enough of anymore.

While the fun is off the charts, this is serious business. The music runs the show including stellar covers of "Southside Samba" and a dangerous but delightful reharm of the Stevie Wonder tune "You & I." There are a great many baritone saxophone players working the scene today, problem is there are not that many players that stick with you. Adam Schroeder is an artist that will stay with you long after the final tune. One of the finests instrumentalists I have heard this year and Let's will definitely be on my year end best of 2014!

Let's 

Ed Thigpen Rhythm Features - The Element of Swing

Bitrate: 320K/s
Time: 63:29
Size: 145.3 MB
Styles: Bop, Saxophone jazz
Year: 2002
Art: Front

[6:41] 1. Sweet Mama
[5:41] 2. ETP
[7:26] 3. Hello Joe
[4:32] 4. Emperor Jones
[8:10] 5. Lonnie's Lament
[7:09] 6. Chelsea Bridge
[7:38] 7. Impressionistic
[6:27] 8. Like Blues
[9:40] 9. Street Freak

Ed Thigpen started the group Rhythm Features in 1998 and the second recording by the band adds a special guest, tenor saxophonist Joe Lovano. With each member of the quartet contributing originals, along with a pair of tried-and-true jazz compositions by earlier greats, everything worked very well on this 2001 concert at the Copenhagen Jazzhouse. Thigpen's strutting "Sweet Mama" contrasts with his "ETP," a piece which combines bop with a West Indian flavor in its theme, featuring a burning solo by Lovano. The tenor saxophonist penned the lovely ballad "Emperor Jones" and "Impressionistic," the latter featuring a rare performance by Lovano on bass clarinet, accompanied by Thigpen's sensitive percussion. Bassist Jesper Bodilsen's "Hello Joe" is an easygoing hard bop vehicle, while the racehorse tempo of pianist Carsten Dahl's "Street Freak" clearly energizes the band. The brisk treatment of John Coltrane's "Lonnie's Lament" features Lovano's most soulful playing of the evening, while the mellow interpretation of "Chelsea Bridge" initially shows the influence of the late great Ben Webster, though Lovano's approach to this landmark ballad is very much his own. This very satisfying concert is warmly recommended. ~Ken Dryden

The Element of Swing

Judy Wexler - Under A Painted Sky

Styles: Vocal Jazz
Year: 2011
File: MP3@320K/s
Time: 59:08
Size: 137,0 MB
Art: Front

(4:35)  1. Wonderful Wonderful
(4:38)  2. And How I Hoped For Your Love
(4:19)  3. An Occasional Man
(3:59)  4. Don't Wait Too Long
(5:41)  5. The great City
(7:48)  6. Avec Le Temps
(4:00)  7. A Little Tear
(4:58)  8. Last Time for Love
(4:45)  9. Café
(3:43) 10. Whisper Not
(5:05) 11. Till There Was You
(5:30) 12. Sack Full of Dreams

Few singers would dare dive into music associated with Johnny Mathis, Carmen McRae, Abbey Lincoln and the 1962 film, The Music Man, on the same album; even fewer would be able to pull it off as vocalist Judy Wexler does on Under A Painted Sky. Wexler possesses a voice for the ages, and puts it to good use on a dozen delicious numbers that cover myriad moods and spotlight the stellar instrumentalists in her band. Wexler's prior releases Easy On The Heart (Rhombus, 2005) and Dreams And Shadows (Jazzed Media, 2008)  were elevated by classy arrangements and pianistic underpinnings from pianist Alan Pasqua, and this partnership continues to bear fruit on this project. Pasqua paints pictures of a sunny nature ("Wonderful Wonderful"), crafts spine-tingling settings ("Avec Le Temps") and directs swinging scenes that delight in every way ("The Great City" and "Whisper Not"), leaving Wexler free to fully explore the possibilities that reside within each one of these gems. Wexler's vocals are ebullient and enthusiastic on "Wonderful Wonderful," as the album gets underway, but she isn't all sunshine and splendor. 

She deals in flirty and sensual singing on "An Occasional Man," delivers enthralling vocals of a haunting nature with "Avec Le Temps," touches on the ups-and-downs in the game of love during "And How I Hoped For Your Love," and utters a wise warning about getting sucked into the quicksand of New York's social scene with "The Great City." While Wexler needs no help selling any of these songs, the instrumentalists add volumes to each piece, as they mirror the moods that are established through the arrangements and vocals. Tenor saxophonist Bob Mintzer adds some grit to "The Great City," Bob Sheppard's soprano saxophone swoops and soars with a fine balance between grace and gusto on "Till There Was You," and Walt Fowler 's flugelhorn emphasizes the dream-like state of "Café." Pasqua and guitarist Larry Koonse blend well, whether dealing with Brazilian- laced music ("And How I Hoped For Your Love") or songs of peace and hope ("Sack Full Of Dreams"), and the bass and drums team of Darek Oles and Steve Hass has a terrific hookup in virtually every stylistic setting. While both of Wexler's previous albums were outstanding displays of her vocal talent, Under A Painted Sky is her best yet the third time truly is the charm. ~ Dan Bilawsky   http://www.allaboutjazz.com/under-a-painted-sky-judy-wexler-jazzed-media-review-by-dan-bilawsky.php#.U6d6e7G4OSo
 
Personnel: Judy Wexler: vocals; Alan Pasqua: piano; Darek Oles: bass; Steve Hass: drums; Larry Koonse: guitar; Bob Mintzer: tenor saxophone; Bob Sheppard: soprano saxophone; Walt Fowler: trumper, flugelhorn; Alex Acuna: percussion.

Chie Imaizumi - A Time Of New Beginnings

Styles: Jazz
Year: 2010
File: MP3@320K/s
Time: 62:54
Size: 144,4 MB
Art: Front

(4:07)  1. My Heartfelt Gratitude
(7:20)  2. Information Overload
(7:23)  3. Fear Of The Unknown
(8:39)  4. A Time Of New Beginnings
(6:57)  5. Run For Your Life
(5:49)  6. Today
(7:39)  7. Sharing The Freedom
(8:38)  8. Many Happy Days Ahead
(6:18)  9. Fun & Stupid Song

Composer and arranger Chie Imaizumi's second album, A Time Of New Beginnings, is filled with star players from the jazz world. It's a beautifully crafted, beautifully played album, with a warm and familiar feel to its nine tunes that, at times, creates a real sense of nostalgia. Imaizumi began her musical career in her homeland of Japan, joined Berklee College of Music as a student in 2001 and released her first album, Unfailing Kindness (Capri Records), in 2007. A Time Of New Beginnings is a concept album; and while the narrative strand isn't obvious, this doesn't detract from the quality of the individual tunes.

The band is tremendous a hand-picked collection of great players who not only produce some terrific ensemble performances but who are also, without exception, capable of top quality solos. Randy Brecker guests on "Information Overload," producing a fine trumpet solo that fits the mood of the piece precisely. "My Hearfelt Gratitude" is the album's most overtly nostalgic tune. From pianist Tamir Hendelman's bright and delicate opening notes, the composition conjures images of characters in a cozy TV drama, driving along a sun-drenched coastal highway an episode of Columbo or Murder, She Wrote, perhaps. This sense of time and place is shared, to some extent, by the lovely "Today" and the joyous "Fun & Stupid Song." "Run for Your Life" sounds like the overture to a lighthearted Broadway musical. Guitarist Mike Abbott drives the tune along with some deft chordal play, and the horn section is a delight  trumpeters Greg Gisbert and Terell Stafford trade increasingly energetic solos and, after a powerful solo from drummer Jeff Hamilton, the horn section returns to end the tune with a rhythmic chorus that seems to demand the presence of a high-kicking dance troupe. "Sharing the Freedom" was commissioned by the US Air Force Academy's Falconaires, and performed at the 2008 Monterey Jazz Festival. 

Alto saxophonist Steve Wilson's solo is vibrant and emotive, whole bassist John Clayton's brief solo creates a funky groove, but much of the arrangement lacks bite and, at times, comes close to blandness. Clayton's arco solo on "Fear of the Unknown" is a sad but beautiful performance, matched perfectly by Hendelman. By contrast, "Fun & Stupid Song" is a lively, smile-inducing tune that mixes rhythms and tempos, featuring a great solo from Scott Robinson, who moves seamlessly from sopranino to tenor sax. A sense of familiarity and nostalgia pervades many of the tunes on A Time Of New Beginnings, but the album doesn't sound outdated or old-fashioned. Imaizumi's arrangements, and the musicians' enthusiasm and talent, ensure that the music is fresh, upbeat and, ultimately, optimistic. ~ Bruce Lindsay   http://www.allaboutjazz.com/a-time-of-new-beginnings-chie-imaizumi-capri-records-review-by-bruce-lindsay.php#.U6i7BrG4OSo
 
Personnel: Chie Imaizumi: conductor, arranger; Greg Gisbert: trumpet, flugelhorn; Terrell Stafford: trumpet, flugelhorn; Steve Wilson: alto sax, tenor sax, flute; Scott Robinson: tenor sax, soprano sax, sopranino sax, clarinet, flute; Steve Davis: trombone; Gary Smulyan: baritone sax, bass clarinet; Mike Abbott: guitar; Tamir Hendelman: piano; John Clayton: bass; Jeff Hamilton: drums; Randy Brecker: trumpet (2); Paul Romaine: drums (2, 7, 9).

Ahmad Jamal - I Remember Duke, Hoagy And Strayhorn

Styles: Piano Jazz
Year: 1995
File: MP3@320K/s
Time: 61:56
Size: 142,3 MB
Art: Front

(2:30)  1. My Flower
(5:04)  2. I Got It Bad
(9:17)  3. In A Sentimental Mood
(5:54)  4. Ruby
(4:42)  5. Don't You Know I Care
(4:19)  6. Prelude To A Kiss
(5:51)  7. Do Nothing Til You Hear From Me
(4:37)  8. Chelsea Bridge
(4:26)  9. I Remember Hoagy
(4:34) 10. Skylark
(4:32) 11. Never Let Me Go
(6:06) 12. Goodbye

Ahmad Jamal, in paying tribute to Duke Ellington, Billy Strayhorn, and Hoagy Carmichael, performs nearly every selection on this CD at a very slow tempo. Or at least his sidemen do, since the pianist often plays double-time lines, witty quotes from other songs, and occasional violent outbursts. In general, the music is quite thoughtful and subtle, with plenty of surprising ideas and unusual turns. Carmichael gets stiffed a bit (just two songs counting the "Stardust"-inspired "I Remember Hoagy") and a couple of numbers are departures from the theme (including "My Flower," "Never Let Me Go," and "Goodbye"), but most of the melodies come from the Ellington/Strayhorn songbook. Throughout, Ahmad Jamal (with the assistance of bassist Ephriam Wolfolk and drummer Arti Dixson) shows that he can sound relaxed, alert, and swinging at the slowest of paces, making this a set deserving (and perhaps needing) several listens to appreciate fully. ~ Scott Yanow   http://www.allmusic.com/album/i-remember-duke-hoagy-strayhorn-mw0000174431.

Personnel: Ahmad Jamal (piano); Ephriam Wolfolk (bass); Arti Dixon (drums).

Chu Berry & Lucky Thompson - Giants Of The Tenor Sax

Styles: Saxophone Jazz
Year: 1988
File: MP3@320K/s
Time: 43:19
Size: 99,8 MB
Art: Front

(3:54)  1. Body And Soul
(2:14)  2. Sittin' In
(3:56)  3. Stardust
(2:32)  4. Forty Six West Fifty Two
(3:57)  5. On The Sunny Side Of The Street No. 2
(3:15)  6. My Gal Is Gone
(2:51)  7. Rockin' At Ryans
(2:45)  8. Blowing Up A Breeze
(4:00)  9. On The Sunny Side Of The Street
(3:00) 10. Monday At Minton's
(4:16) 11. Gee, Baby Ain't I Good To You
(3:15) 12. You'd Be Frantic Too
(3:16) 13. Blues Jumped A Rabbit

This Commodore material reissued as an LP culls out tracks from sessions headed by others, but which feature tenor saxophonists Chu Berry and Lucky Thompson. The Chu Berry cuts come from separate Roy Eldridge and Hot Lips Page sets. Hot Lips Page also led the group, which included the Lucky Thompson tracks heard here. Berry was killed at the age of 31 in a car accident. Although he spent most of his performing career in someone else's sax section, there's no telling what heights he might have reached if he lived longer. His version of "Body and Soul" on this album was recorded 11 months to the day prior to Coleman Hawkins', the man usually given the credit for "setting the saxophone free." Yet Berry was as improvisational as Hawkins would later be. In fact, Hawkins probably heard the Berry recording and used its ideas a year later. 

Hawkins was 35 when he recorded his famous rendition; Berry was just 28 when he cut his interpretation, which was never accorded the same magnitude of acknowledgment. This track also features some hot trumpet by Eldridge. Berry also shows his incredible technique on "Stardust." Thompson has four cuts to Berry's nine, but he makes the most of his time. His big, fat tenor sound dominates the four tracks he's on, all tunes by Page. He went on to lead many of his groups, making a name for himself on the center of the jazz universe, 52nd Street in N.Y.C., before moving to Europe where he achieved even greater success. Unfortunately, his later life was marred by mental problems. This fine album has been transferred to CD and is a testimonial to two top tenor saxophone players whose respective careers were shortened by different types of calamitous circumstances. ~ Dave Nathan   http://www.allmusic.com/album/a-giants-of-the-tenor-sax-mw0000201234.

Personnel : Chu Berry, Lucky Thompson (Saxophone); Roy Eldridge, Hot Lips Page (trumpet); Clyde Hart (piano); Sid Catlett (drums).