Friday, October 9, 2015

Allan Vache & Harry Allen - Allan Allen

Bitrate: MP3@320K/s
Time: 68:52
Size: 157.7 MB
Styles: Contemporary jazz, Swing
Year: 2001
Art: Front

[6:19] 1. Lover, Come Back To Me
[5:28] 2. Jive At Five
[5:18] 3. Lake Ponchartrain Blues
[4:27] 4. Allan And Allen
[4:39] 5. Where Are You
[4:05] 6. What Can I Say After I Say I'm Sorry
[3:28] 7. Straighten Up And Fly Right
[4:56] 8. You Go To My Head
[5:51] 9. Tickle Toe
[6:34] 10. Corcovado (Quiet Nights)
[6:11] 11. Ben's Blues
[6:42] 12. Do Nothin' Till You Hear From Me
[4:47] 13. Stealin' Apples

This studio session featuring clarinetist Allan Vache and tenor saxophonist Harry Allen together was a long overdue idea, since they had worked together frequently at jazz festivals and parties; they're joined by a first-class rhythm section of pianist Eddie Higgins, bassist Phil Flanigan, and drummer Eddie Metz. Most of the material consists of familiar standards from the swing era, including the easygoing "Jive at Five," a snappy "Tickle Toe," and a laid-back "Do Nothin' Till You Hear From Me." Flanigan contributed the lively swinger "Allan and Allen," while Higgins wrote the pretty ballad "Lake Ponchartrain Blues." There are also separate features for the two reedmen: Vache's lush, lyrical interpretation of "You Go to My Head" is matched by Allen's gorgeous take of the infrequently heard ballad "Where Are You." Vache also adds a campy (though not exactly memorable) vocal on "Straighten up and Fly Right." This is one of many memorable recordings that has helped to elevate Nagel Heyer into one of the top labels covering mainstream jazz at the beginning of the 21st century. ~Ken Dryden

Allan Allen

The Ray Charles Singers - Young Lovers In Far Away Places

Bitrate: MP3@320K/s
Time: 29:16
Size: 67.0 MB
Styles: Easy Listening
Year: 1964/2011
Art: Front

[3:29] 1. Fsr Away Places
[2:51] 2. It Happened In Monterrey
[6:42] 3. Sunday In Genoa
[2:47] 4. A Foggy Day
[3:12] 5. April In Paris
[3:12] 6. Moon Over Miami
[4:13] 7. Shipboard Romance
[2:46] 8. On A Slow Boat To China

Reaching number three on the pop charts in 1964 with one of the most successful easy listening singles of the '60s, "Love Me with All Your Heart (Cuando Caliente el Sol)," the Ray Charles Singers made numerous genteel albums of choral mood music throughout the '50s and '60s. Although they were led by a man named Ray Charles, this group had no connection whatsoever to Ray Charles the famous soul singer, and certainly no connection whatsoever to soul music. The coincidence of two such different artists sharing the same name led the Ray Charles of the Ray Charles Singers, in fact, to bill himself as "The Other Ray Charles" when he was given a TV credit.

This Ray Charles was born Charles Raymond Offenberg on September 13, 1918 in Chicago. Working in radio, Broadway, and in local bands, he got his major break when he landed a job as an arranger for Perry Como's radio backing group in the late '40s, remaining in that position when Como got a TV program. By the mid-'50s, the group called the Ray Charles Singers replaced the Fontaine Sisters as Como's TV backing ensemble. The Ray Charles Singers recorded on their own for Essex, MGM, and Decca before hitting their commercial stride on Enoch Light's Command label in the '60s, with arrangements emphasizing lush instrumentation and soft, breathy singing.

Young Lovers In Far Away Places

Various - Pure Fire! A Gilles Peterson Impulse Collection

Bitrate: MP3@320K/s
Time: 64:29
Size: 147.6 MB
Styles: Contemporary jazz
Year: 2006
Art: Front

[ 6:11] 1. Michael White - The Blessing Song
[ 5:07] 2. Ray Brown - Enchanted Lady
[ 7:00] 3. Max Roach - Lonesome Lover
[ 6:46] 4. Art Blakey - À La Mode
[ 5:13] 5. Archie Shepp - I Got It Bad (And That Ain't Good)
[ 9:00] 6. John Coltrane - Wise One
[10:09] 7. McCoy Tyner - Three Flowers
[ 5:19] 8. Dave McKay - See You Later
[ 6:15] 9. Oliver Nelson - Patterns
[ 3:25] 10. Yusef Lateef - First Gymnopedie

Despite including two jaw-droppingly featherweight and disposable tracks—Michael White's "The Blessing Song" and Dave Mackay & Vicky Hamilton's "See You Later"—Pure Fire! is a welcome and timely compilation. Not only because of the other nine tracks, most of which are outstanding, but also because of the two offending pieces of la-la land muzak. The album presents, intentionally or otherwise, the most rounded, warts and all, single-disc precis of the Impulse! archive yet.

The work of Coltrane, Pharoah Sanders, Albert Ayler and Archie Shepp is certainly the most important strand of the Impulse! legacy. But people tend to forget that the label covered a much broader field than just firebrand tenor saxophonists, even its mid-1960s/early-1970s heyday. Cool, West Coast, third stream, hard bop, mainstream, big band, astal jazz, blues, modal/free and vocals—and one-of-a-kind Cecil Taylor—were all recorded by the label.

London DJ Gilles Peterson covers several of these strands. Peterson has been a welcome and sunny presence on the British jazz/world/dance scene since the mid-1980s, when he accelerated the zeitgeist with his influential Talkin' Loud And Saying Something events. Here he applies his quirky, non-conformist aesthetic, most memorably, to hard bop (Art Blakey's high torque "Alamode," from The Jazz Messengers, 1961), mainstream (Milt Jackson & Ray Brown's gorgeous "Enchanted Lady," from Memphis Jackson, 1969), thinly veiled agitprop (Max Roach's "Lonesome Lover," from It's Time, 1962), third stream (Yusef Lateef's Erik Satie tribute "First Gymnopedie," from Psychiceotus, 1965), the blues (Archie Shepp's down-home reading of "I Got It Bad And That Ain't Good," from For Losers, 1969), and the classic Coltrane quartet (the achingly beautiful "Wise One," from Crescent, 1964).

A few tracks benefit from the presence of musicianly, emotionally articulate vocalists—China-Lin Sharpe on Shepp's "I Got It Bad" and Abbey Lincoln on Roach's "Lonesome Lover"—but not Mackay & Hamilton's "See You Later" (from Dave Mackay & Vicky Hamilton, 1969) or White's "The Blessing Song" (from Pneuma, 1972). What the anodyne MOR warblers Mackay & Hamilton were ever doing on Impulse! remains a mystery. White's noodling violin on "The Blessing Song," together with the all-over-the-place, cooing vocal choir, is also best forgotten.But it's good to be reminded that Impulse! didn't always get it right. Most of the time, though, the label surely did, and the generally lesser known, upbeat and lyrical tracks featured here will be trips forever. ~Chris May

Milt Jackson & Ray Brown; Yusef Lateef; Max Roach; Art Blakey & The Jazz Messengers; Michael White; McCoy Tyner; Archie Shepp; Oliver Nelson; Dave Mackay & Vicky Hamilton; John Coltrane; Pharoah Sanders.

Pure Fire! A Gilles Peterson Impulse Collection

Dakota Staton - Dynamic!

Bitrate: MP3@320K/s
Time: 41:33
Size: 95.2 MB
Styles: Jazz vocals
Year: 2006
Art: Front

[2:29] 1. Let Me Off Uptown
[2:49] 2. Night Mist
[2:27] 3. Anything Goes
[2:49] 4. When Sunny Gets Blue
[2:08] 5. They All Laughed
[2:46] 6. I Wonder
[2:16] 7. Say It Isn't So, Joe
[2:21] 8. Too Close For Comfort
[3:27] 9. Little Girl Blue
[2:13] 10. It Could Happen To You
[2:42] 11. Some Other Spring
[2:33] 12. Cherokee
[3:07] 13. Invitation
[2:23] 14. The Party's Over
[2:39] 15. The Nearness Of You
[2:16] 16. I'll Remember April

Singer Dakota Staton's follow-up album to The Late Late Show (her big hit) is even better and still stands as one of the highpoints of her career. Backed on some selections by trumpeter Harry "Sweets" Edison and either a rhythm section or an orchestra, Staton (who turned 26 around this time) is heard throughout in peak form. She really tears into "Let Me off Uptown," puts plenty of feeling into "When Sunny Gets Blue" and swings hard on "Cherokee." Other highlights include "They All Laughed," "Say It Ain't So, Joe," "Too Close for Comfort" and "It Could Happen to You." ~Scott Yanow

Dynamic!

Johnny Williams & His Orchestra - Rhythm In Motion / So Nice (with Johnny Desmond)

Bitrate: MP3@320K/s
Time: 68:56
Size: 157.8 MB
Styles: Big band
Year: 2015
Art: Front

[2:45] 1. Fascinatin' Rhythm
[2:42] 2. The Varsity Drag
[3:08] 3. The Surrey With The Fringe On Top
[2:48] 4. Let's Do It
[2:10] 5. Put On A Happy Face
[3:40] 6. Whatever Lola Wants (Lola Gets)
[2:12] 7. Johnny One Note
[3:23] 8. An Occasional Man
[3:13] 9. My Heart Belongs To Daddy
[2:52] 10. Life Is Just A Bowl Of Cherries
[2:22] 11. Sunny Disposish
[2:54] 12. Buckle Down Winsocki
[2:17] 13. All Of You
[2:12] 14. The Last Time I Saw Paris
[2:49] 15. I Can't Get Started
[2:40] 16. I Got Plenty O' Nuttin'
[2:37] 17. It's The Talk Of The Town
[2:16] 18. You'd Be So Nice To Come Home To
[2:18] 19. It Ain't Necessarily So
[2:36] 20. Tenderly
[2:04] 21. This Can't Be Love
[1:55] 22. Old Devil Moon
[2:19] 23. My Happy Time
[2:12] 24. There's A Small Hotel
[2:21] 25. Tuesday's Theme
[2:08] 26. The Black Knight
[1:52] 27. Augie's Great Piano

Rhythm In Motion - Johnny Williams & his Orchestra: Pete Candoli ( tpt ) Ray Triscari ( tpt ) Joe Triscari ( tpt ) Frank Beach ( tpt 0) Vince De Rosa ( fr. Horn ) Dick Perissi ( fr. Horn ) John Cave ( fr. Horn ) Dick Nash ( tmb ) Lloyd Ulyate ( tmb ) Dick Noel ( tmb ) Sam Rice ( tuba ) Harry Klee ( alto / flute ) Ted Nash ( alto / flute ) Justin Gordon ( tnr / flute ) Gene Cipriano ( tnr / flute ) Chuck Gentry ( bar ) Jimmy Rowles ( pno ) Bob Bain ( gtr ) Dorothy Remsen ( harp ) Joe Môn dragon ( bass) Jerry Williams ( drs ) Larry Bunker ( perc. ) Frank Flynn ( perc.) John F. Williams ( perc.) Recorded Hollywood, 28th April 1961.

So Nice with Johnny Desmond: Johnny Desmond ( vocals ) Frank Beach ( tpt ) Don Fagerquist ( tpt ) John Audino ( tpt ) Joe Howard ( tmb ) Ray Sims ( tmb ) Bob Envoldsen ( val. Tmb ) George Roberts ( bass tmb ) Ronnie Lang ( alto / clt ) Herman Gunkler ( alto / clt ) Bill Holman ( tnr ) Gene Cipriano ( tnr 0 Martin Berman ( bar ) Tom Tedesco ( gtr ) Johnny Williams ( pno ) Larry Bunker ( vibes ) Buddy Clark ( bass ) Frank Capp. Recorded Hollywood, 24th February 1958.

Do not make the mistake of thinking this is Johnny Williams the pianist who successfully recorded with Stan Getz and many other major names, this is the johnny Williams who under the name John Williams who had such a success scoring and conducting so many brilliant film scores over a long period.

The album “Rhythm In Motion” which takes up the first twelve tracks of this release was recorded in his career and consists of twelve fairly well known standards recorded over three sessions with an orchestra filled with musicians who were frequent visitors to the studio for this type of recording but do not expect any solos of note from this array of talent. This recording is very much in the same style as recordings by Nelson Riddle and Billy During the same period. Although there is much to admire in the skill and professionalism of the scores and musicianship they are in no way aimed at the jazz fraternity. There are a number of tracks which are interesting including “The Varsity Drag” and “My Heart Belongs To Daddy”, the latter has a fine piano solo by Jimmy Rowles.

The second album “So Nice” features the singer Johnny Desmond who is probably best known for his period with the Glenn Miller Orchestra. He has a rich baritone voice with good phrasing and delivery and it is a mystery why he didn’t have a more successful solo career although he does not have a distinctive style of say Frank Sinatra or Mel Torme. He is at his best on medium tempo numbers and out and out swingers, numbers like “I Can’t Get Started” and “It’s The Talk Of The Town” are a lesson in how to approach a song. Johnny Desmond even made time to compose a song of his own, “My Happy Time” which comes over well on this recording.

Credit must be given to both Johnny Williams and Bill Holman’s for their outstanding arrangements which contribute to the success of this album. The three bonus tracks on the album are composed by Johnny Williams and are at aimed a completely different audience and really have no place on this release.

Rhythm In Motion / So Nice

Lyambiko - Shades Of Delight

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 79:11
Size: 181,6 MB
Art: Front

( 8:03)  1. Moondance
( 5:25)  2. Tenderly
( 4:43)  3. I've Got My Love to Keep Me Warm
( 7:42)  4. Lush Life
( 3:28)  5. Your Mind Is on Vacation (And Your Mouth Is Working Overtime )
( 4:27)  6. Black Coffee
( 6:05)  7. Morning
(12:47)  8. Dindi
( 4:51)  9. Malaika
(15:40) 10. Savannah Suite: Drum and Bass and Bananas/Ilangamo/Afro
( 5:56) 11. Isn't This a Lovely Day

Lyambiko has a diverse repertoire, perhaps due to the singer being part German and part African. For her second recording, she utilizes the same trio as on the first: pianist Marque Lowenthal, bassist Robin Draganic, and drummer Torsten Zwingenberger. The group is tight, versatile, and quite alert, with the music ranging from a few standards (including a touching version of "Dindi," "Tenderly," a swinging "Isn't It a Lovely Day," and the humorous Mose Allison song "Your Mind Is on Vacation and Your Mouth Is Working Overtime") to some wordless vocals that reflect Lyambiko's African heritage. 

On part of the 15-and-a-half-minute "Savannah Suite," Lyambiko plays claves before eventually singing in a haunting fashion. She overdubs her voice on three songs, but the effect accentuates the music rather than seeming excessive. She has a lovely instrument and is definitely an up-and-comer in the jazz world. ~ Scott Yanow  http://www.allmusic.com/album/shades-of-delight-mw0000693329

Personnel: Lyambiko (vocals, claves); Marque Lowenthal (piano, Fender Rhodes piano, synthesizer, shaker); Robin Draganic (acoustic bass); Torsten Zwingenberger (drums, percussion).

Shades Of Delight

Richard Groove Holmes, Gene Ammons - Groovin' With Jug

Styles: Jazz, Hard Bop
Year: 1989
File: MP3@320K/s
Time: 54:09
Size: 124,5 MB
Art: Front

(8:40)  1. Happy Blues (Good Vibrations)
(7:10)  2. Willow Weep For Me
(3:22)  3. Juggin' Around
(7:23)  4. Hittin' the Jug
(9:06)  5. Exactly Like You
(4:17)  6. Groovin' With Jug
(7:53)  7. Morris the Minor
(6:14)  8. Hey You, What's That?

Ironically, Gene "Jug" Ammons tended to be critical of organists; he was quoted as saying that "organ players don't know any changes." However, as critical the Chicago tenor saxman might have been of organists most of them, anyway he did some of his best work in their presence. When you united Ammons with Jack McDuff, Johnny "Hammond" Smith and other B-3 masters in the '60s, the sparks would fly. They certainly fly on this excellent album, which finds Ammons and Richard "Groove" Holmes co-leading a soul-jazz/hard bop organ combo that also includes guitarist Gene Edwards and drummer Leroy Henderson. The quartet is heard in two settings on August 15, 1961 three of the eight selections were produced by Richard Bock in a Los Angeles studio in the afternoon, while the other five were recorded several hours later an L.A. club called the Black Orchid. 

Ammons and Holmes prove to be a strong combination in both settings, although their playing is somewhat looser at the Orchid, where the delights include some slow blues (Ammons' "Hittin' the Jug"), a smoky ballad ("Willow Weep for Me") and a lightning-fast barnburner (Ammons' "Juggin' Around"). However critical Ammons might have been of most organists, it's obvious that he and Holmes share a lot of common ground on Groovin' With Jug. ~ Alex Henderson  http://www.allmusic.com/album/groovin-with-jug-mw0000206027

Personnel: Richard Groove Holmes (organ); Gene Ammons (tenor saxophone); Gene Edwards (guitar); Leroy Henderson (drums).

Groovin' With Jug

Roy Brown - Jazz Is The Music I Play

Styles: Jazz
Year: 2005
File: MP3@320K/s
Time: 32:11
Size: 73,9 MB
Art: Front

(5:21)  1. Stella By Starlight
(5:53)  2. Tenderly
(5:14)  3. Stolen Moments
(7:09)  4. Lush Life
(4:06)  5. Summer in Central Park
(4:25)  6. Blue Train

Roy Brown born in Sacramento ,California was exposed to jazz at the age of 5 by his parents who were big jazz fans . He played a number of instruments including viola, clarinet, alto and Tenor saxophones before settling with the piano , which was his true calling.He studied music throughout Junior High and High School and after some private instruction began playing piano and organ for several churches before branching off into Jazz. Before relocating to the San Francisco bay area he formed his own group which he lead for 7 years. This ensemble included a singer and allowed Brown to feature his original compositions. He released and independently produced a CD entitled "COURAGE" in 1994 on his own label Roday Records followed by another release in 2005 entitled "Jazz Is The Music I Play". 

He has worked and studied with several well known bay area musicians including Mark Levine, Babatunde Lea, Dr. Dee Spencer, Vocalist Frankye Kelly and Jimmy Robinson ,Eric Swinderman and Kamal Saitu.He recently performed internationally with bay area singer Frankye Kelly at ths Jazz Las Casas festival in San Cristobal de las Casas, Chiapas, Mexico July 2005 and The International festival de Jazz. Villahermosa , Mexico, November 2005.  http://www.cdbaby.com/cd/royb1

Jazz Is The Music I Play

Red Callender - Speak Low

Styles: Mainstream Jazz
Year: 2011
File: MP3@320K/s
Time: 43:31
Size: 100,0 MB
Art: Front

(7:27)  1. Speak Low
(4:14)  2. Nice Day
(3:28)  3. In A Sentimental Mood
(5:15)  4. Foggy Day
(3:57)  5. Cris
(2:45)  6. Darn That Dream
(4:00)  7. Gone With The Wind
(3:02)  8. Autumn In New York
(3:10)  9. Lowest
(2:45) 10. I'll Be Around
(3:23) 11. Dedicated to the Blues

In the mid-Fifties Red Callender began working on a series of combos with experimental instrumentations. One line of continuity was his use of tuba, which because of its unexplored potential, was very close to him. His execution is clean, with good tonal definition and technique. He thought the most important thing of all was to be true to yourself, and he felt that everybody had a different message and what everyone had to say was important; communication was the thing. He did all the arrangements and filled them with generous doses of good musical humor. The soloists are heavily featured and the leader plays some of the most engaging and relaxed tuba jazz that has ever appeared on record. http://www.freshsoundrecords.com/speak_low-cd-4849.html

Featuring: Gerald Wilson (tp), Red Callender (tuba), Buddy Collette (fl, cl), Vince DeRosa, Irving Rosenthal (frh), Bob Bain, Billy Bean (g), Gerald Wiggins (p), Red Mitchell (b), Bill Douglass (d)

Speak Low

Oscar Peterson - Perfect Peterson: Best of the Pablo & Telarc Recordings (Disc 2)

Styles: Piano Jazz
Year: 2007
File: MP3@320K/s
Time: 75:24
Size: 173,1 MB
Art: Front

( 8:49)  1. Honeysuckle Rose
(12:09)  2. Kelly's Blues
( 8:55)  3. Wheatland
( 4:50)  4. In A Mellow Tone
( 5:45)  5. Tin Tin Deo
( 8:48)  6. Nighttime
( 6:25)  7. Reunion Blues
( 8:27)  8. Satin Doll
( 7:27)  9. Ja-Da
( 3:47) 10. Morning In Newfoundland

Perfect Peterson: Best of the Pablo & Telarc Recordings (Disc 2)