Monday, October 26, 2015

Ben Paterson - For Once In My Life

Size: 138,9 MB
Time: 59:52
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Hammond Organ
Art: Front

01. Cuban Chant (5:56)
02. I'll Close My Eyes (6:35)
03. 50 Ways To Leave Your Lover (4:13)
04. Cry Me A River (6:01)
05. For Once In My Life (7:47)
06. Decision (3:51)
07. Nutville (4:23)
08. Blues For C.F (4:47)
09. Near Miss (4:59)
10. We'll Be Together Again (4:47)
11. I've Never Been In Love Before (6:27)

For Once in My Life is Ben Paterson's fourth album as a leader but first as an organist. In his native Philadelphia—home to such giants of the Hammond as Jimmy Smith, Shirley Scott, Charles Earland and Joey DeFrancesco—Paterson was known as a pianist. He began doubling on organ while living in Chicago, and by the time he moved to New York City in 2013 was gigging regularly on organ and piano all over Manhattan, from Harlem in the north to Greenwich Village in the south. One of the reasons he made the move to organ, Paterson says, is "I get to be the bassist."

That he does. On the other hand, that doesn't mean Paterson is shy of any rhythmic support on this agreeable session, as his teammates in the trio are the splendid guitarist Peter Bernstein and drummer George Fludas, long a mainstay on the Chicago scene and someone who keeps unerring time while giving Paterson and Bernstein ample space in which to flex their creative muscles. As an organist (as he was as a pianist), Paterson eschews flash for substance, preferring for the most part to let the music speak for itself. Even though the technique is sound, there is little in the way of bombast or running the scales for swaggering's sake. Instead, Paterson shapes his solos with care, using a nimble right hand to underscore his purpose while adding expansive chords when needed.

Fludas has the first word on Ray Bryant's rhythmic "Cubano Chant," the opening theme in a program that encompasses five standards, original compositions by Paul Simon ("50 Ways to Leave Your Lover"), Sonny Rollins ("Decision") and Horace Silver ("Nutville"), and Paterson's "Blues for C.F." and "Near Miss." Besides the title selection, the standards are Billy Reid's "I'll Close My Eyes," Arthur Hamilton's "Cry Me a River," Carl Fischer / Frankie Laine's "We'll Be Together Again" and Frank Loesser's "I've Never Been in Love Before." The trio plays each one close to the vest, drawing out the harmonious assets before plumbing its more innovative depths.

Paterson imparts the melody on every number save "We'll Be Together Again," a showcase for Bernstein's burnished guitar. While he and Paterson are front and center most often, Fludas makes the most of the occasional chance to unveil his chops. The three work well as a team, and For Once in My Life marks an impressive debut for "organist" Ben Paterson. ~by Jack Bowers

Personnel: Ben Paterson: organ; Peter Bernstein: guitar; George Fludas: drums.

For Once In My Life

Elsie Bianchi Trio - The Sweetest Sound

Size: 106,3 MB
Time: 45:26
File: MP3 @ 320K/s
Released: 1965/2015
Styles: Jazz: Swing, Cool Jazz, Vocals
Art: Front

01. Teach Me Tonight (3:11)
02. Fallin' In Love With Love (4:02)
03. Little Bird (3:06)
04. A Sleepin' Bee (3:51)
05. The Shadows Of Paris (4:08)
06. Fiddler On The Roof (3:33)
07. The Sweetest Sound (2:48)
08. Spring Can Really Hang You Up The Most (4:22)
09. Meditation (3:46)
10. Why Did I Choose You (3:50)
11. Little Blues (3:38)
12. Guess Who I Saw Today (5:07)

Swiss singer-pianist Elsie Bianchi may not be a household name, but from the early 1950s through the 60’s she was one of the best jazz singers in Europe. Her sensuous voice and hip phrasing has shades of Anita O’Day. Elsie first gained fame through her appearances at the Zurich Jazz Festival in the early 50’s. Elsie and husband bassist Siro Bianchi toured the USA in 1958-59, playing at the legendary Lighthouse jazz club south of LA. She and Siro then began playing winters in Europe and summers in America before permanently moving to the States. Siro and MPS ‘house drummer’ Charly Antolini make it a tight trio. The standards Teach Me Tonight and Falling in Love show off Bianchi’s sophisticated voice and relaxed piano play, along with some impressive scatting. Elsie sticks to piano on the up tempo Latin Little Bird. There’s the comfortable swing of A Sleepin’ Bee, Mancini’s atmospheric waltz the Shadows of Paris, a jazzy instrumental on Fiddler On The Roof, and the title tune, an up-tempo piece of hopeful love. Spring Can Really Hang You Up The Most is an evocative instrumental ballad. Jobim’s Meditation brings on the bossa groove, and Elsie croons the heart-felt ballad Why Did I Choose You. Little Blues features the composer on piano and the trio in a shuffle groove. The ballad Guess Who I Saw Today tells the story of love betrayed.

The Sweetest Sound

Scott Hamilton & Jeff Hamilton Trio - Hamilton & Hamilton: Live In Bern

Size: 156,7 MB
Time: 67:50
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Mainstream Jazz
Art: Front

01. September In The Rain (Live) (4:50)
02. All Through The Night (Live) (5:39)
03. Watch What Happens (Live) (5:11)
04. Soul Eyes (Live) (4:40)
05. This Can't Be Love (Live) (5:05)
06. There'll Be Some Changes Made (Live) (3:44)
07. Sybille's Day (Live) (5:23)
08. Key Largo (Live) (6:16)
09. Woody 'n' You (Live) (7:11)
10. The Champ (Live) (4:14)
11. Ballad For Very Tired And Very Sad Lotus Eaters (Live) (3:52)
12. You And The Night And The Music (Live) (5:16)
13. Centerpiece (Live) (6:24)

Saxophone master Scott Hamilton and drum maestro Jeff Hamilton have over four decades of experience each in the world of mainstream, swinging, jazz. Despite those many years on the scene Live In Bern is their first release together. It's been a long wait, but it's been worth it.

Before the important discussion—about the music—a word about the band and the album title. This isn't an album by the "Scott Hamilton & Jeff Hamilton Trio"—to be accurate, it's Scott Hamilton with the Jeff Hamilton Trio. Neither, despite the title, does it sound like a live album. It was recorded in Bern—in Marians Jazzroom, during a single session lasting less than eight hours—but while the venue is certainly a club, there's no sense of an audience being present. So "as live" might tell it more like it is.

The sound quality is excellent, from bassist Christof Luty's lower register to Jeff Hamilton's hi-hat, with Scott Hamilton's tenor and Tamir Hendelman's piano coming across with exceptional clarity and warmth. So while the Hamilton brothers (no, they're not, only joking) get name-checked on the CD cover, pianist Hendelman and bassist Luty deserve honorable mentions for their own contributions, which do much to give the tunes a full, rich and above all swinging feel.

There are plenty of familiar standards here—the cool and relaxed swing of "September In The Rain," a slow and dreamy "Key Largo"—but there's also one or two lesser-known (or at least less frequently recorded) tunes. Billy Strayhorn's "Ballad For Very Tired And Very Sad Lotus Eaters" stands out in this exalted company, the melodic and evocative tenor sax floating over an understated accompaniment from the remaining players.

There's just one original number, Jeff Hamilton's "Sybille's Day": a joyful mid-tempo tune driven by the composer's shuffle beat. However, the mix of familiar and not-so-familiar old tunes never sounds tired or hackneyed. This is a wily quartet of musicians whose flair and vivacity jumps out of the speakers, ensuring that this collection of straight-ahead gems sparkles from start to finish. ~by Bruce Lindsay

Personnel: Scott Hamilton: tenor saxophone; Tamir Hendelman: piano; Christof Luty: bass; Jeff Hamilton: drums.

Hamilton & Hamilton Live In Bern

Ann Hampton Callaway - Hope Of Christmas

Size: 121,2 MB
Time: 51:49
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Holidays
Art: Front

01. On Union Street (A Christmas Toast) (4:10)
02. The Hope Of Christmas (4:07)
03. One Star (4:31)
04. Discovery (5:08)
05. I Believe (3:46)
06. I Saw A Sparrow (3:15)
07. Santa Doesn't Like Me (3:36)
08. Christmas Isn't Christmas At All (4:41)
09. I Want To Play Santa (4:27)
10. What Good Is Being Cranky (When It's Christmas Time) (4:02)
11. My Gift Of Thanks (4:18)
12. Fly With The Angels (5:44)

HE HOPE OF CHRISTMAS is a new collection of Christmas songs interpreted by multiplatinum-selling singer, Tony nominated actress, pianist and leading champion of the American songbook, Ann Hampton Callaway, with lyrics by two-time Emmy® Award winner William Schermerhorn, and featuring twenty-nine of the world's best jazz musicians, including Five Play, New York Voices, Hubert Laws, Claudio Roditi, Gerald Albright, The Ted Rosenthal Trio and more.

Hope Of Christmas

Lilly B. Gardner & Daniel Kobialka - Dancing And Romancing With George Gershwin

Size: 127,1 MB
Time: 54:17
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front & Back

01. Our Love Is Here To Stay (4:05)
02. Fascinating Rhythm (4:56)
03. Somebody Loves Me (2:57)
04. Embraceable You (5:11)
05. Love Walked In (4:53)
06. But Not For Me (4:41)
07. They Can't Take That Away From Me (2:19)
08. Shall We Dance (2:40)
09. I've Got A Crush On You (3:09)
10. The Man I Love (5:15)
11. How Long Has This Been Going On (5:13)
12. S'wonderful (4:17)
13. Someone To Watch Over Me (4:36)

Among the many highlights in this album are the atmospheric arrangement given 'Our Love Is Here To Stay,' the seldom heard verse of 'Embraceable You,' the swinging pace of 'Somebody Loves Me,' and the very pretty violin lead on 'Someone To Watch Over Me.' Also noteworthy is the revival of the lesser-known Gershwin song 'Shall We Dance' which is a real delight.

Daniel Kobialka and Lilly Gardner often think as one during these performances, taking turns playing the themes and harmonizing with each other.

Mason Macias is felt, as much as heard on drums and percussion. ~Scott Yanow

Dancing And Romancing With George Gershwin

Terry Blaine with Mark Shane - With Thee I Swing

Bitrate: MP3@320K/s
Time: 78:50
Size: 180.5 MB
Styles: Standards, Vocal jazz, Piano jazz
Year: 1997/2004
Art: Front

[ 9:21] 1. I Never Knew
[ 8:39] 2. It's A Wonderful World
[ 4:02] 3. What A Little Moonlight Can Do
[ 3:48] 4. They Say That Falling In Love Is Wonderful
[ 5:28] 5. Why Don't You Do Right
[ 3:55] 6. Carolina Shout
[ 6:41] 7. St. Louis Blues
[ 2:17] 8. With Thee I Swing!
[ 3:43] 9. Oh, Daddy
[ 4:43] 10. What Is This Thing Called Love
[10:02] 11. I Would Do Most Anything For You
[ 5:46] 12. Medley Dream Dream A Little Dream Of Me
[ 3:31] 13. Getting Some Fun Out Of Life
[ 6:47] 14. Mama Don't Allow It

This live set (recorded at Hamburg, Germany) matches together pianist Mark Shane and vocalist Terry Blaine (who are the co-leaders) with the hot cornetist Ed Polcer, trombonist Tom Artin, clarinetist Allan Vache (who doubles a little on tenor), bassist Phil Flanigan and drummer Ed Metz, Jr. Although Blaine's husky vocals are musical and swinging (best are "What a Little Moonlight Can Do," "St. Louis Blues" and "Mama Don't Allow"), the instrumentals are most memorable. The renditions of "I Never Knew" (which is nearly nine minutes long), the ten-minute version of "I Would Do Most Anything for You," and a speedy "What Is This Thing Called Love" are among the highlights. Polcer in particular is heard throughout in top form, making this a worthwhile acquisition for trad collectors. ~Scott Yanow

With Thee I Swing

Oscar Brown, Jr. - In A New Mood

Bitrate: MP3@320K/s
Time: 34:06
Size: 78.1 MB
Styles: Jazz, Funk, Soul
Year: 1962/1988
Art: Front

[2:38] 1. Where Or When
[2:42] 2. Nobody Knows You When You're Down And Out
[3:41] 3. Mood Indigo
[2:47] 4. Please Send Me Someone To Love
[2:32] 5. Hey There
[3:45] 6. One For My Baby (And One More For The Road)
[2:19] 7. Sixteen Tons
[3:32] 8. God Bless The Child
[2:38] 9. Work Song
[3:12] 10. Go Down Moses
[2:27] 11. It Ain't Necessarily So
[1:49] 12. Straighten Up And Fly Right

Oscar Brown, Jr.'s third recording features the brilliant lyricist/singer performing a dozen standards. Surprisingly, his only writing contribution is the words to "Work Song," easily the most notable performance on this otherwise so-so date. Brown is backed by an unidentified orchestra (only trumpeter Joe Newman, who pops up briefly a few times, is distinctive) on tunes mostly arranged in somewhat anonymous fashion by Ralph Burns. Brown's voice is fine on such numbers as "Where or When," "Mood Indigo," "One for My Baby" and "Straighten Up and Fly Right," but he adds little fresh and new to the material. This is one of his lesser efforts. ~Scott Yanow

In A New Mood

Bill Evans - His Last Concert In Germany

Bitrate: MP3@320K/s
Time: 62:52
Size: 143.9 MB
Styles: Piano jazz, Post bop
Year: 2003
Art: Front

[7:20] 1. Letter To Evan
[6:25] 2. Yet Ne'er Broken
[5:32] 3. Laurie
[7:21] 4. Bill's Hit Tune
[6:19] 5. Knit For Mary F
[8:01] 6. Days Of Wine And Roses
[4:35] 7. Your Story
[4:17] 8. But Beautiful
[5:45] 9. If You Could See Me Now
[7:12] 10. Waltz For Debby

Something musically very significant happened to Bill Evans in the period before he tragically passed away in 1980....his playing moved to another level entirely...and as if to emphasise this, his performance on this recording is simply wonderful....jazz piano really doesn't get any better than this recording.

You can talk as much as you want about all the amazing piano players that have dominated jazz since Bill Evans departed this planet, but I have to say that there really isn't anyone else that I have heard that can capture the true essence of jazz in the way he could. It swings, it's emotional, it's entirely individual, it's without comparison. You know that you are simply listening to real genius...and this album amply demonstrates that we should avidly cherish musicians like this..as they really are few and far between. In a world which celebrates mediocrity as worthy of praise...enjoy a real and true master of his art. A genuine jazz legend...doing what he loved most. Magnificent. ~Peter Sklaroff

His Last Concert In Germany

Gerry & The Pacemakers - The EMI Years: The Best Of Gerry & The Pacemakers

Bitrate: MP3@320K/s
Time: 71:03
Size: 162.7 MB
Styles: AM pop, Merseybeat
Year: 1992
Art: Front

[1:52] 1. How Do You Do It
[2:03] 2. Maybellene
[2:12] 3. I Like It
[1:57] 4. Chills
[2:24] 5. Pretend
[2:35] 6. Jambalaya (On The Bayou)
[2:16] 7. You're The Reason
[1:51] 8. Hello Little Girl
[2:38] 9. You'll Never Walk Alone
[2:08] 10. A Shot Of Rhythm And Blues
[2:26] 11. Slow Down
[2:00] 12. It's All Right
[2:15] 13. I'm The One
[2:33] 14. Don't Let The Sun Catch You Crying
[2:06] 15. You've Got What I Like
[2:14] 16. It's Just Because
[2:02] 17. You You You
[2:22] 18. It's Gonna Be Alright
[2:22] 19. Ferry Cross The Mersey
[2:08] 20. I'll Wait For You
[2:44] 21. Hallelujah, I Love Her So
[2:24] 22. Reelin' And Rockin'
[1:45] 23. Why Oh Why
[2:32] 24. Baby You're So Good To Me
[2:25] 25. Walk Hand In Hand
[2:19] 26. Dreams
[2:34] 27. Give All Your Love To Me
[3:11] 28. I'll Be There
[2:34] 29. La La La
[1:54] 30. Fool To Myself
[2:04] 31. Girl On A Swing

As unfathomable as it seems from the distance of over 40 years, for a few months, Gerry & the Pacemakers were the Beatles' nearest competitors in Britain. Managed (like the Beatles) by Brian Epstein, Gerry Marsden and his band burst out of the gate with three consecutive number one U.K. hits in 1963, "How Do You Do It," "I Like It," and "You'll Never Walk Alone." If the Beatles defined Merseybeat at its best in early 1963, Gerry & the Pacemakers defined the form at its most innocuous, performing bouncy, catchy, and utterly lightweight tunes driven by rhythm guitar and Marsden's chipper vocals. Compared to the Beatles and other British Invasion heavies, they sound quaint indeed. That's not to say the group was trivial; its hits were certainly likable and energetic and are fondly remembered today, even if the musicians lacked the acumen (or earthy image) to develop their style from its relentlessly upbeat and poppy base.

Marsden formed the group in the late '50s featuring himself on guitar and lead vocals, his brother Fred on drums, Les Chadwick on bass, and Arthur Mack on piano (to be replaced in 1961 by Les Maguire). They worked the same Liverpool/Hamburg circuit as the Beatles, and ran neck and neck with their rivals in local popularity. They were signed by Epstein in mid-1962 (the first band to do so besides the Beatles), and began recording for the EMI/Columbia label in early 1963, under the direction of producer George Martin. Their first single was a Mitch Murray tune that Martin had wanted the Beatles to record for their debut, "How Do You Do It?" the Beatles did record a version (found on the Anthology 1 release), but objected to its release, finding it too sappy, and in any case were more interested in recording their own, gutsier original compositions. It suited Marsden's grinning, peppy style well, though, and went to number one before it was displaced from the top spot by the Beatles' third 45, "From Me to You."

The Pacemakers would never vary much from the clattering guitar-dominated pop of their first singles, turning again to Mitch Murray for the follow-up, "I Like It," and remaking an old pop standard for their next effort, "You'll Never Walk Alone." It's not universally known that Gerry Marsden actually wrote much of the band's material, and he penned most of their subsequent hits, including "It's All Right" (their gutsiest and best performance) and "I'm the One." He also wrote "Don't Let the Sun Catch You Cryin'" (sharing credits with the rest of the group) and "Ferry Cross the Mersey," ballads that Martin embellished with light string arrangements, which may (or may not) have helped prepare the producer for deploying strings on Beatles tracks starting in 1965. ~Richie Unterberger

The EMI Years: The Best Of Gerry & The Pacemakers

Marcus Printup - Desire

Styles: Trumpet Jazz
Year: 2013
File: MP3@320K/s
Time: 70:49
Size: 162,4 MB
Art: Front

(8:02)  1. Along the Way
(9:58)  2. El Gato Travieso
(7:51)  3. Desire
(5:46)  4. One Note Samba
(7:29)  5. Visions
(2:33)  6. Melancholia
(7:16)  7. I Can't Help It
(6:13)  8. Bee Dub Blues
(7:37)  9. Rebirth
(7:59) 10. You've Got a Friend

Few husbands relish the sound of their wives harping on in the background but not, I suspect, Mr Marcus Printup, an ace trumpet player, whose wife is an equally accomplished musician in her own right, a classically trained harpist endowed with a virtuoso talent. At first sight the idea of teaming jazz trumpet with harp might seem like something of a novelty. It certainly isn’t common but utilising the harp in a jazz context isn’t without precedent ; one remembers the `Les Jazz Modes` group fronted by French horn player, Julius Watkins and tenor saxist , Charlie Rouse, which intelligently employed the talent of harpist Janet Putman to add ensemble colour. Then there were the recordings made by Dorothy Ashby in which the harp took a front line role in the exposition of both melody and improvisational development.  Notwithstanding these pioneering efforts the harp will never be a mainline jazz instrument, unlike other stringed instruments namely the violin and cello it appears to lack the ability to effect chordal dissonances which are so importance in the tension building process of jazz improvisation. Nevertheless, Mrs Printup makes a convincing case for the harp’s utilisation in this context for no other reason than the smouldering intensity she brings to the deliverance of the seductive themes presented in this superb recording.

Most of the tunes have a Latin-American ambience which benefit from the flamenco like cascades of sound initiated by the harp as well as the lute like harmonies which back the forthright sound of Mr Printup’s trumpet which comes over with the subtlety and power of a latter day Roy Eldridge, in both open and muted formats. Some of these are compositions by Mr and Mrs  but there is also a delicious and memorable version on that familiar Jobim classic, `One Note Samba`. My personal favourites are covers of two Stevie Wonder favourites: `Visions` and `I Can’t Help It` and a wonderful rendition of Carol King’s `You’ve Got a Friend`. Having extolled the virtues of Mrs Printup’s contribution I’m slightly ashamed to say that the track that most arrested my attention is a duet between Marcus and his bassist, Ben Williams, which is a blues of timeless integrity that links all the verities of jazz expression from Armstrong to the young giants of the contemporary pantheon in which Marcus Printup deserves a prominent place.
~ Euan Dixon  http://www.jazzviews.net/marcus-printup---desire.html

Personnel:  Marcus Printup (trumpet);  Riza Printup (harp);  Ben Williams (bass);  E.J. Strickland (drums)

Desire

Kenny Barron - Other Places

Styles: Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 66:42
Size: 152,8 MB
Art: Front

( 5:24)  1. Anywhere
( 6:48)  2. Other Places
( 7:53)  3. Mythology
( 7:59)  4. For Heaven's Sake
( 5:15)  5. Ambrosia
( 6:42)  6. Wildlife
(10:48)  7. I Should Care
( 8:25)  8. Nikara's Song
( 7:25)  9. Hey, It's Me You're Talkin' To

In the 1990s, Kenny Barron was finally recognized as one of jazz's top pianists, recording a series of top-notch and consistently inventive releases. This CD has seven of Barron's originals in which he is teamed with Ralph Moore (tenor and soprano), vibraphonist Bobby Hutcherson, bassist Rufus Reid, drummer Victor Lewis, and sometimes percussionist Mino Cinelu. These fine performances help to define the modern mainstream of the period. In addition, there are a pair of standards ("For Heaven's Sake" and a lengthy version of "I Should Care") that are played as sensitive duets with Reid. Excellent and often exquisite music. ~ Scott Yanow  http://www.allmusic.com/album/other-places-mw0000623067

Personnel: Kenny Barron (piano); Ralph Moore (soprano & tenor saxophones); Bobby Hutchinson (vibraphone); Rufus Reid (acoustic bass); Victor Lewis (drums); Mino Cinelu (percussion).

Other Places

Lou Watson - Taking A Chance On Love

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 42:01
Size: 96,7 MB
Art: Front

(4:06)  1. I Just Found Out About Love
(4:43)  2. Girl Talk
(5:22)  3. Taking A Chance On Love
(5:07)  4. My Romance
(3:32)  5. Just The Two Of Us
(4:05)  6. The Days Of Wine And Roses
(4:22)  7. Send One Your Love
(3:31)  8. Fools Rush In
(2:31)  9. Time After Time
(4:37) 10. My Girl

Vocalist Lou Watson has completed his new CD, “Taking a Chance on Love” for release on the Village Notz Record Label, produced by Grammy-winning producer Jack Kreisberg, and recorded by Grammy-winning engineer Ben Elliott. The CD was arranged by Onaje Allan Gumbs and feature such notables as Bob DeVos on guitar, Marcus McLaurine and Wayne Batchelor on bass, Vince Ector on drums, Roger Byam on saxophones and Emedin Rivera on percussion. The project features many familiar straight-ahead jazz, Brazilian standards and ballads that showcase Lou's very recognizable baritone sound. On this project, Lou does his take on many well known tunes and brings a warm familiarity in the process. Listen and enjoy! http://www.cdbaby.com/cd/louwatson2

Personnel:  Lou Watson (vocal);  Bob DeVos (guitar); Roger Byam (alto saxophone, tenor saxophone); Onaje Allan Gumbs (piano); Emedin Rivera (percussion).

Taking A Chance On Love