Showing posts with label Joel Lyssarides. Show all posts
Showing posts with label Joel Lyssarides. Show all posts

Sunday, October 27, 2024

Joel Lyssarides - Stay Now

Styles: Piano Jazz
Year: 2022
Time: 42:31
File: MP3 @ 320K/s
Size: 98,5 MB
Art: Front

(1:32) 1. As Night Let Down Its Curtain
(2:06) 2. Sommarsnö
(4:36) 3. Cloudberry Hill
(4:05) 4. Is There a Way
(3:12) 5. Gowns of Dark
(4:30) 6. Procession
(5:08) 7. Chimera
(2:49) 8. Stay Now
(2:11) 9. Echoes
(3:10) 10. Down and Out
(5:04) 11. St. Joseph
(4:01) 12. The Last Verse

Joel Lyssarides is a young Swedish pianist who is rapidly gaining renown, not just in Europe, where he was building a live performance career before the COVID-19 pandemic began, but on streaming music services, where his compositions are perfect for playlists with titles like “Peaceful Piano,” “Chilled Jazz” and “Jazz For Study.” His playing is technically flawless, reflecting his classical training at both the Södra Latin College of Music and the Royal Academy of Music in his home country, and his simple, melodic compositions fit well into the subgenre of Nordic piano jazz. You could play them alongside the work of the Esbjorn Svensson Trio, Iro Haarla or any number of other artists.

Lyssarides seems like a romantic at heart, if the early track titles on Stay Now (“As Night Let Down Its Curtain,” “Sommarsnow,” “Cloudberry Hill”) are any indication. But there’s also a spiritual aspect, as evidenced by titles like “Gowns Of Dark,” “Procession” and “St. Joseph.” This isn’t really reflected in the music, though. There’s a gradual rise in energy level over the course of the first two or three tracks, but they all blend together into what feels like a single performance. This is an album that sets a mood and sustains it. Lyssarides’ playing always focuses on the same qualities: rippling, repetitive patterns that land somewhere between Bill Evans and Philip Glass, supported with unobtrusive patience by bassist Niklas Fernqvist and drummer Rasmus Blixt. It’s nice while it’s on, but quickly forgotten when it’s over.
By Philip Freeman https://downbeat.com/reviews/detail/stay-now

Personel: Joel Lyssarides, piano; Niklas Fernqvist, bass; Rasmus Blixt, drums.

Stay Now

Friday, September 27, 2024

Joel Lyssarides/Georgios Prokopiou - Arcs & Rivers

Styles: Jazz
Year: 2024
Time: 40:41
File: MP3 @ 320K/s
Size: 94,1 MB
Art: Front

(3:34) 1. Arcs
(4:51) 2. Anamnesis
(3:07) 3. A Night in Piraeus
(5:25) 4. Echoes
(4:27) 5. Rivers
(2:15) 6. Lyssarides Lament
(6:08) 7. Kamilieriko Road
(4:30) 8. Orange Moon
(3:25) 9. From East to West
(2:55) 10. Zafeirious Solo

It is highly (exceedingly) likely that an album review involving a piano and a bouzouki has never been featured in any high end audio journal. Most will have never heard of this instrument and will utter “It’s all Greek to me”, and they will of course be correct.

Arcs & Rivers is just such an album, but fear not, with the exception of one track that celebrates the ‘Greekness’ associated with the instrument, the album will not evoke memories of long hot days on a magical Aegean isle.

This album is the result of musical curiosity, Joel Lyssarides (piano) went and heard Georgios Prokopiou (bouzouki) playing live in Stockholm, spoke to him afterwards, and they arranged to meet for a session and have forged a musical partnership. Both musicians come are of Greek origin but are residents of Stockholm.

The musical journeys taken by Lyssarides and Prokopiou could not have been more different to one another, while Lyssarides has made his name from accompanying mezzo-soprano Anne Sophie von Otter as well as being a contributor to the excellent Esbjörn Svensson tribute e.s.t. 30, commemorative album, Prokopiou had a less salubrious start and honed his skills playing his bouzouki at seedy clubs in Athens from the age of 10.

The result of this meeting of stark different musical backgrounds is a charming short album that in deference to the promos is far from being anything close to jazz, instead it offers melodious sounds that combine essences of ancient European music with hints of ‘nearly country music’ (the banjo is a distant relative of the bouzouki after all) with some Greek accents. There are melodys, pace and panache and a very synergetic musical relationship, there is no leader in this band of two.

The bouzouki sound signature is made of using three or four groups of two strings and is mostly at the mid high to high range of the sound scale. When accompanied by a piano that is able to offer syncopating background backup with lower registers, the bouzouki is projected and stands in front of the speakers, listening to the album is akin to a live session in a small space. Arcs & Rivers is a charming album, timed for the arrival of shorter days and a likely to aid lowering the blood pressure during a commute on busy highways and byways.
https://the-ear.net/music/arcs-rivers/

Arcs & Rivers