Thursday, January 23, 2014

Jim Samuel - Now

Size: 75,0 MB
Time: 32:14
File: MP3 @ 320K/s
Released: 2014
Styles: Smooth Jazz
Art: Front

01. Mr. Magic (Feat. Gerald Albright) (4:35)
02. Binney Street (3:38)
03. Serena (Feat. Rob Tardik) (4:24)
04. Off The Tracks (Feat. Gerald Albright) (2:39)
05. Come What May (Feat. Tony Neenan) (3:51)
06. Don't Know Why (4:47)
07. Now (4:14)
08. Now That You're Gone (Feat. Tony Neenan) (4:03)

Outstanding originals, cool covers and intoxicating melodies make now the time to discover this unique brand of Smooth Jazz.

With something for every Smooth Jazz fan, new offers jazz that is more funk and dance than smooth. An album full of melodies that will stay with you long after the music stops thanks to outstanding performances from guest artists Gerald Albright, Rob Tardik and Tony Neenan, NOW is the time to jump on the Jim Samuel bandwagon. You are in for a fun ride!

Now

Sonia Brex - Sonia Brex & Band Live

Size: 111,2 MB
Time: 47:35
File: MP3 @ 320K/s
Released: 2014
Styles: Electronic, Jazz/Pop Vocals, Lounge
Art: Front

01. 17. Marz (4:08)
02. Good Times (4:32)
03. Naif (4:38)
04. Lampada (4:59)
05. Winter In Summer (4:37)
06. Life Like (4:04)
07. La Luna Vera (3:39)
08. Ring My Bell (4:54)
09. A Little Bird (3:40)
10. Fruhling In Berlin (3:26)
11. Play (4:52)

A Sicilian expatriate living in Berlin, Sonia Brex sings and writes cosmopolitan pop songs at once contemporary and yet filled with fleeting memories of music past. The melancholy title track is vaguely bossa nova and flows easily into the electronic, robotic rhythms of the Kraftwerk-conjuring “Frühling in Berlin.” Much of the music is like a dream, strangely familiar but hard to pin down. Brex’ voice is often an expressive blank, but it waxes playful on the upbeat “A Little Bird,” a catchy tune that could be Top-40 in someone’s alternative universe. ~By David Luhrssen

Sonia Brex & Band Live

Tolvan Big Band - Code Red

Bitrate: 320K/s
Time: 61:23
Size: 140.5 MB
Styles: Big band
Year: 2007
Art: Front

[ 7:41] 1. Code Red
[11:20] 2. Cats And Dogs
[ 6:37] 3. The Other Day
[ 7:21] 4. Going Bananas
[ 6:40] 5. Subconscious C
[12:41] 6. Antelope Dance
[ 8:59] 7. Ups And Downs

While the Tolvan Big Band is comprised of Swedish musicians and all seven of the selections that they perform on Code Red are originals (by either leader-altoist Helge Albin, saxophonist Cennet Jonsson, or pianist Jacob Karlzon), the music can easily pass for modern and swinging American big-band jazz. The material is fresh and the solos are lively but there is nothing obviously Swedish or exotic about the music. The musicianship is top-notch and among the soloists are trumpeter Peter Asplund (probably the best known of the musicians outside Sweden), trombonist Vincent Nilsson, and Jonsson, who is showcased on bass clarinet during "Subconscious C." Albin just takes one solo (on "Cats and Dogs") but deserves congratulations for keeping the Tolvan Big Band together since 1979; it was considered a major orchestra in Sweden by 1983 and its music communicates very well to all jazz listeners. ~Scott Yanow

Code Red

Liz Vice - There's A Light

Bitrate: 320K/s
Time: 37:28
Size: 85.8 MB
Styles: R&B, Gospel
Year: 2014
Art: Front

[3:31] 1. Abide
[4:38] 2. Empty Me Out
[5:03] 3. Entrance
[3:56] 4. The Source
[4:17] 5. Truly Today
[2:00] 6. Pure Religion
[3:42] 7. Everything Is Yours
[3:55] 8. All Must Be Well
[4:18] 9. Enclosed By You
[2:03] 10. There's A Light

When I was a kid I would go into the basement and play the “Lion King” soundtrack over and over while I performed a dance alone for hours. Being the middle child of five children in a single parent home allows for one to vanish without anyone noticing.

I wanted to perform. I wanted to be an actress. Growing up poor, being brown little brown girl, didn't lend itself to a lot of opportunities to pursue the dream of acting. I can remember at a very early age waking up to the sound of mother singing “Rise and Shine and give God the glory” when she wanted us up for school - to this day that song kind of drives me crazy, but this early memory just reminds me that I have always been around music.

My absent father is a very talented award winning musician, with his PhD in music, and he is still involved in the music business to this day. Although he has never been a presence in my life, I can’t deny that the musical gene has passed on to me.

Music was all around me, but never something I prayed that God would open doors for me. I was always afraid to sing on stage, and to this day my throat feels as though it’s caving in until I pray the simple prayer: “LORD, sing over me and I will sing over the people.”

One evening I was watching a man perform a cabaret of his favorite Broadway show tunes. As I sat and watched this man perform, I was hit with an image of me sitting in a classroom. The classroom was filled with students and God was standing at the front. He asked, “Who is up for the challenge?” All of the students raised their hands. I kept my hand down, and my head bowed. I didn't want Him to notice that I had decided that whatever He was asking wasn't my calling. The LORD slowly began to walk towards me and tapped on my desk. I look up and He asked again, “Are you up for the challenge?” I sat there and then I nodded yes. Who is going to tell God ‘NO’!?

So here I am, singing. Singing in church, singing with well-known local artists, and even though I can’t claim that the opportunities in music are because of what I've done, I will declare that saying “YES” to God's calling will open your eyes to reasons for why you shouldn't put yourself in a box.

There's A Light

Zoot Sims, Jimmy Raney & Jim Hall - Two Jims & Zoot

Bitrate: 320K/s
Time: 40:11
Size: 92.0 MB
Styles: Saxophone jazz
Year: 1964/2009
Art: Front

[2:50] 1. Hold Me
[4:19] 2. A Primera Vez
[3:06] 3. Presente De Natal
[4:33] 4. Morning Of The Carnival
[4:35] 5. Este Seu Olhar
[3:18] 6. Betaminus
[4:25] 7. Move It
[4:48] 8. All Across The City
[4:20] 9. Coisa Mais Linda
[3:51] 10. How About You

The slightly unusual date Two Jims and a Zoot features tenor saxophonist Zoot Sims interacting with two guitarists (Jimmy Raney and Jim Hall) while given subtle support by bassist Steve Swallow and drummer Osie Johnson. Although the eight selections (none of which caught on as standards) had all been written recently and sometimes display the influence of bossa nova, the quiet performances could pass for 1954 rather than 1964. The cool-toned improvisations and boppish playing have a timeless quality about them although for the time period aspects of this music already sounded a bit old-fashioned. ~Scott Yanow

Two Jims And Zoot 

Jimmy Rosenberg - The One And Only

Bitrate: 320K/s
Time: 68:41
Size: 157.2 MB
Styles: Gypsy jazz guitar
Year: 2013
Art: Front

[3:25] 1. Them There Eyes
[3:30] 2. Coquette
[7:11] 3. I'm In The Mood For Love
[3:06] 4. It Don't Mean A Thing (If It Ain't Got That Swing)
[6:10] 5. Nature Boy
[2:11] 6. I Can't Give You Anything But Love
[3:03] 7. Blues For Ike
[5:24] 8. Embraceable You
[4:38] 9. Donna Lee
[2:05] 10. Valse De Wass
[5:42] 11. Troublant Bolero
[1:59] 12. Limehouse Blues
[1:11] 13. Mystery Pacific
[3:39] 14. Love's Melody
[3:36] 15. Groovin' High
[1:43] 16. Micro
[4:29] 17. September Song
[5:31] 18. The Sheik Of Araby

Eleven years ago three of the greatest acoustic guitar players in the world at that time met in Paris, and recorded one of the most bizarre monster guitar albums ever: Jimmy Rosenberg's "The One And Only", on guitars: Jimmy Rosenberg, Bireli Lagrene and Angelo Debarre! On acoustic guitars!

All three players are European gypsies, and all three started off as professional guitar players at a very young age (10-13), and all three of them were initially inspired by the incredible Django Reinhardt (1910-1953) - the grandfather of all contemporary guitar players. However, they had all developed in different directions: Bireli had toured with a. o. Jaco Pastorious, Angelo Dabarre had done research in traditional gypsy music (extremely virtuoso), but the 17 year old Jimmy Rosenberg took most of his music from his own, seemingly limitless imagination. All three of them were monster players, and highly competitive...

When we met in the studio (I had been there ten years earlier, together with Chet Baker), it was magic from the very first moment: we only had two short days booked, and both Bireli and Angelo were gigging in different jazz clubs in Paris at night, so we had to be extremely efficient! That's not unusual in a jazz recording session, but what these three guys came up with during our recording sessions is no less than fantastic!

They had no time for going into new compositions, so they started jamming on jazz standards - trading choruses with each other, trying to top whatever had been done on acoustic guitars before, and competed in speed, hot licks, imagination and beauty. I have never before, or after, heard anything like what they did those days, and I have spent 25 years together with these guys - they are always good, but that was great!

Most of the tracks on the CD are first takes! Some are second takes, but never more than that. Their plectrum and right hand techniques are a chapter of it's own - they use heavy plectrums, 0'11 strings, and the right hand do not touch the guitar at all while playing - it's perfection par excellence. Both Bireli Lagrene, Angelo Debarre and Jimmy Rosenberg have a very beautiful "tone" in the accoustic guitar, and it's all in the technique, not in the instrument. I have heard Jimmy Rosenberg play on a toy guitar, it sounded much better than most other guitar players on fabulous instruments.

So - in short - you do not know what acoustic guitar can be, if you have not heard these three guys together: Bireli Lagrene and Angelo Debarre together with the possibly greatest acoustic guitar player since Django: Jimmy Rosenberg on his CD "The One And Only" (HCRCD 117).

In the years that has followed, many players have tried to copy the playing on this album, and it has become a reference CD in the genre, but it was during those two days in Paris it was done first.

There is a tragedy hidden in this story: the incredible Jimmy Rosenberg toured the world, and recorded nine amazing CDs, before his drug addiction took over. In 2004, at the age of 24, he finally collapsed on stage during a concert with Hot Club de Norvège (yours truly on guitar), and he has never recovered. Today he is in a closed mental institution, and we should all keep our fingers crossed that Jimmy Rosenberg - one of the greatest guitar players ever - one day will be back.

Yours truly,
Jon Larsen


The One and Only

Karen Johns & Company - Star and Season

Styles: Vocal Jazz
Year: 2008
File: MP3@320K/s
Time: 40:13
Size: 92,4 MB
Art: Front

(3:37)  1. Carry Me Away
(3:46)  2. Night and Day
(3:18)  3. Stars Fell on Alabama
(4:11)  4. While the Moon
(4:18)  5. If
(2:52)  6. Desafinado (Slightly out of Tune)
(4:01)  7. Company Blues
(3:51)  8. Southland Summer
(4:13)  9. Autumn Leaves
(3:10) 10. angels in the snow
(2:53) 11. China Town

Similar to the variation in New England seasons, Karen Johns is equal in the moods that swing from her new, self-released CD, Star and Season. Partnered in life and song with husband James, Ms. Johns and Company has spun a collection of meticulous jazz confections, which delve into a much deserving catalogue of music sheets. Ms. Johns performance portrays numerous dimensions, which are felt on this disc. She captures the lounge seductress within a smoke-filled room with the cut "Night and Day," and then is off in an elegant show tune-esque sway with "China Town," both alluring with a unique stage appeal. I take pleasure in the attitudes of her eclectic voice, a dynamic real time experiment in performance. The lady has authoritative range with her vocals.... Ms. Johns' execution of arrangements can be compared to notes vying for her affection, with the result actually being, the affection becoming ours. The spice of the disc bulks up a bold behavior, with the horn-heavy spin "Carry Me Away," a cool yet brazen Ms. Johns is unleashed for an uplifting feel of loveliness... Note a bit of her scat side flexing its muscles! Star and Season is a compelling disc, one that makes the audience brace themselves. You are drawn to its romantic pitch and pulse, yet the task of defining the artist is indefinably original. The line-up on stage with her, along with guitarist-husband James, in most cases matches her talent precisely. Star and Season has that "chart presence" promise. One thing I can assure you of, the star for any season is present on every spin! ~ Karl Stober  
http://www.jazzreview.com/cd-reviews/jazz-vocals-cd-reviews/star-and-season-by-karen-johns-company.html

Musicians: Karen Johns- vocals, Kevin Sanders- piano-keys, James Johns- guitars- duet vocals on Angels In the Snow, Brook Sutton- bass, Bart Elliott- drums-percussion, Jim Hoke- saxophones-clarinet,Mark Horwitz- flute-trombone, Ben Graves- mandolin

Stephanie Rebecca - Deep Inside of Me

Styles: Vocal Jazz, Bossa Nova
Year: 2013
File: MP3@320K/s
Time: 42:47
Size: 98,7 MB
Art: Front

(3:55)  1. My Romance
(4:08)  2. What'll I Do?
(5:17)  3. Corcovado
(5:23)  4. The Nearness of You
(2:59)  5. The Way You Look Tonight
(7:10)  6. So Many Stars
(2:48)  7. On Green Dolphin Street
(4:34)  8. Fotografia
(3:53)  9. They Can't Take That Away from Me
(2:36) 10. The Very Thought of You

Rhythm Universal Records, recording artist, Stephanie Rebecca, comes out of (believe it or not!), Ketchikan, Alaska, “swinging hard!”  Born in Sitka, Alaska in 1984, Stephanie spent her musical formative years in the vibrant arts community of Ketchikan. Jazz was always a major element in her upbringing, beginning with announcing songs on her Dad’s long running public radio show, “Sunday Jazz.”
Stephanie continued her musical instruction with elementary music teacher and trumpeter, Dale Curtis, and was cultivated by the McPherson Music jazz bands. Stephanie’s vocal talent was first revealed by Ketchikan’s “First City Players’ Jazz Cabaret” performances which involve musicians from New York City coming to the small island of Ketchikan to teach vocal/instrumental jazz workshops to community members.

Relocating to Washington, DC early in 2012, Stephanie began working with vocal coach Alison Crockett on vocal techniques whom she met at the Maryland Summer Jazz Festival.  Later that fall, Stephanie met and began working with jazz artist, band leader, jazz drummer, producer and musical director “EC3” after performing at the HR-57 jazz club.

“Deep Inside of Me” is the culmination of months of collaboration with EC3 and a group of top flight musicians including Mark Saltman (bass), William Knowles and Sammy Manguia (piano), Teddy Baker (tenor sax), Dominique Patrick Noel (percussion), Arch “AT” Thompson (flute), and Clynt Hyson, Dominique Patrick Noel, and Laura Sosa (additional vocals). With the release of this debut CD, 29 year-old Stephanie Rebecca enters the world of professional jazz vocalists singing these great standards hailing back decades before her birth with a panache and style all her own. She is, in the words of many, ‘an old soul’ in a young frame. Stephanie is quickly becoming known as Southeast Alaska’s First Lady of Jazz with her natural delivery of pure rich tones under a tidal current of swing. Still in her twenties, she’s been compared to singers like Sarah Vaughan, Diana Krall, and Norah Jones. Truly a must see and hear!  http://stephanie-rebecca.com/?page_id=19

Martial Solal - NY-1 - Live At The Village Vanguard

Styles: Piano Jazz
Year: 2001
File: MP3@320K/s
Time: 68:22
Size: 156,9 MB
Art: Front

( 5:36)  1. NY-1
(14:06)  2. What Is This Thing Called Love
( 9:11)  3. Suspect Rhythm
( 8:01)  4. Body & Soul
( 7:58)  5. Zag Zig
(12:59)  6. Softly As In A Morning Sunrise
(10:28)  7. Lombardy

Pianist Martial Solal is an overlooked and underrated musician who deserves wider recognition. Nothing could underscore this more than the stellar live recording Solal made at the Village Vanguard a few weeks after the attacks of September 11, 2001. Apparently, the pianist had a rough time getting to New York and without much preparation chose to deal primarily with standards, as if to return to some safe and familiar territory both musically and emotionally. 

"What Is This Thing Called Love" takes on a deeply metaphorical tone through Solal's poignant and minor-sounding intro, and his Art Tatum meets McCoy Tyner version of "Body and Soul" is breathtaking. Backed by the capable and sensitive hands of drummer Bill Stewart and bassist François Moutin, Solal strips melodies to their core statement  including on his original compositions only to extrapolate them to their outermost reaches in his solos. He plays in quick burst of harmonic fury, purposefully dropping notes every few bars. Stylistically, he couldn't have chosen better sparring partners than Stewart and Moutin, who constantly accent Solal's every rhythmic idea. They often sound like three soloists playing at once, as on the original "Suspect Rhythm." One might assume this could lead to chaos, but each member of the trio always seems to be listening deeply to what the others are playing. This is highly creative and cerebral jazz that also succeeds in reaching your soul. ~ Matt Collar   http://www.allmusic.com/album/ny1-mw0000031180

NY-1 Live At The Village Vanguard

Jimmy Forrest - All the Gin Is Gone

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 41:32
Size: 95,5 MB
Art: Front + Back

(4:50)  1. All the Gin Is Gone
(6:45)  2. Laura
(6:35)  3. You Go to My Head
(5:34)  4. Myra
(9:27)  5. Caravan
(3:01)  6. What's New
(5:18)  7. Sunkenfoal

This was the first album that tenor saxophonist Jimmy Forrest made after his R&B phase ended. Particularly notable is that the set served as the recording debut of guitarist Grant Green; completing the band are pianist Harold Mabern, bassist Gene Ramey and drummer Elvin Jones. The top-notch group performs two ballads, "Caravan" and three basic Forrest originals, including the title cut. The music is essentially melodic and blues-based hard bop that looks toward soul-jazz. Everyone sounds in fine form. ~ Scott Yanow   http://www.allmusic.com/album/all-the-gin-is-gone-mw0000676760

All the Gin Is Gone