Sunday, August 30, 2020

Archie Shepp - Gemini

Album: Gemini Disc 1

Styles: Saxophone Jazz
Year: 2007
File: MP3@320K/s
Time: 66:09
Size: 152,9 MB
Art: Front

( 4:17)  1. The Reverse - Alternate Version 1
(10:31)  2. Revolution (Mama Rose)
( 6:05)  3. Burning Bright
( 4:41)  4. Trippin'
( 6:54)  5. Time Stood Still
( 7:25)  6. Intertwining Spirits
( 5:19)  7. La Manzana
( 6:50)  8. Eva
( 5:10)  9. Pannonica
( 4:32) 10. The Reverse
( 4:21) 11. The Reverse - Alternate Version 2

Album: Gemini Disc 2

Time: 41:24
Size: 95,4 MB

(11:08)  1. Hope Two
( 5:30)  2. Call Him
( 7:20)  3. Do You Want to Be Saved
(13:23)  4. Ujaama
( 4:02)  5. Rest Enough

Archie Shepp is a jazz legend. His links to Coltrane and his highly charged mix of out-there sax playing and political comment in the sixties and seventies assure him of a proud place in jazz history. Still going strong, for his 70th birthday he’s released this beautifully packaged, deluxe double CD. The first “The Reverse” is a new studio recording while the second is a live set from five years ago. “The Reverse” contains material in many different styles; blues, gospel, latin and bop. Public Enemy’s Chuck D raps on the title track. But like many birthday parties, while everybody’s having fun, there’s a sloppy atmosphere and some mess. Shepp’s energy is amazing. His playing pushes at the boundaries of tonality (which is a fancy jazz way of saying he occasionally sounds out of tune), with a breathy, raw, wobbly tone, lots of notes, over-blowing and shrieks. Sometimes this works, but occasionally his playing seems at odds with the material, for example on Thelonious Monk’s “Pannonica”. The mix is unbalanced, with Shepp pushed forwards at the expense of the other players; guest guitarist Stephane Guery sounds like he’s playing behind a wall.

Shepp’s singing is an acquired taste. You’ll either love the political, sexually explicit, talking jazz of “Revolution” or you’ll find it curiously old fashioned and tasteless, although Shepp’s soprano sax is on fine, keening form. I prefer the second CD, 'Live in Souillac'. This is a simply recorded live concert from 2002. The driving post-bop of “Hope Two” and “Ujaama” suits Shepp’s intense, over-the-top lines better than some of “The Reverse”, and to be frank, in my humble opinion his playing is better. Amina Claudine Myers contributes two entertaining, warm gospel songs and it all adds up to a very pleasant listen. It seems rude o be lukewarm about a birthday celebration. Hard-core Shepp fans will love this. But if you’re unsure how much you like Shepp, try before you buy. https://www.bbc.co.uk/music/reviews/p4p2/

Personnel: Tenor Saxophone, Soprano Saxophone, Voice – Archie Shepp; Voice [Guest] – Chuck D (tracks: 1-1 to 1-11) Bass – Cameron Brown (tracks: 2-1 to 2-5), Wayne Dockery (tracks: 1-1 to 1-11); Drums – Ronnie Burrage (tracks: 2-1 to 2-5), Steve McCraven (tracks: 1-1 to 1-11); Guitar [Guest] – Stéphane Guery (tracks: 1-1 to 1-11); Piano – Tom McClung (tracks: 1-1 to 1-11); Piano, Voice – Amina Claudine Myers (tracks: 2-1 to 2-5)


Eartha Kitt - The Essential Recordings Disc 1, Disc 2

Album: The Essential Recordings Disc 1

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 59:04
Size: 136,0 MB
Art: Front

(3:33)  1. I Want to Be Evil
(3:01)  2. C'est Si Bon
(3:10)  3. Uska Dara (A Turkish Tale)
(2:43)  4. Under the Bridges of Paris
(3:29)  5. Angelitos Negros
(2:55)  6. Avril au Portugal (The Whispering Serenade)
(3:07)  7. Let's Do It (Let's Fall in Love)
(2:46)  8. Apres Moi
(2:30)  9. If I Love Ya, Then I Need Ya, If I Need Ya, I Want'cha Around
(2:38) 10. Hey Jacque
(3:05) 11. My Heart Belongs to Daddy
(3:47) 12. Lilac Wine (Dance Me a Song)
(3:06) 13. Smoke Gets in Your Eyes
(2:19) 14. My Heart's Delight
(3:01) 15. Looking for a Boy
(2:23) 16. I've Got That Lovin' Bug Itch
(2:27) 17. Fascinating Man
(4:00) 18. Thursday's Child
(2:07) 19. Love Is a Gamble
(2:50) 20. Santa Baby

Album: The Essential Recordings Disc 2

Time: 53:13
Size: 122,6 MB

(2:53)  1. Just an Old Fashioned Girl
(2:31)  2. If I Can't Take It with Me (When I Go)
(2:47)  3. St. Louis Blues
(3:14)  4. Careless Love
(3:13)  5. Beale Street Blues
(3:27)  6. The Memphis Blues
(2:37)  7. Yellow Bird
(2:24)  8. Mack the Knife
(2:17)  9. I'd Rather Be Burned as a Witch
(2:42) 10. Shango
(2:36) 11. A Lady Loves
(2:47) 12. Good Little Girls
(1:53) 13. Diamonds Are a Girl's Best Friend
(2:49) 14. Lola-Lola
(2:40) 15. Love for Sale
(2:18) 16. Whatever Lola Wants Lola Gets
(1:56) 17. Never on a Sunday
(3:22) 18. All I Want Is All There Is and Then Some
(2:34) 19. Do It Again
(2:05) 20. Always True to You in My Fashion

Eartha Kitt was an exotic and uncompromising proposition for the psyche of 1950s America. Although this image may dominate our perception of Eartha Kitt as an artist, it hides a huge talent that lay beneath the outer sheen, and Eartha was to make her name as a talented singer, actress, dancer, cabaret star and political activist.~ Editorial Reviews https://www.amazon.com/Essential-Recordings-EARTHA-KITT/dp/B00OYPBSFS

Eartha Kitt epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centered on her slinky stage presence and her throaty purr of a voice. As much as she enjoyed vamping it up, she also projected the image of an exotic international sophisticate, especially since she sang in several different languages. She brought a definite zest to her torch songs, and favored lyrics that painted her as the Material Girl of her time. Kitt's persona was so vivid and well-developed that she remained easily identifiable well after her early-'50s heyday, and it also helped her find success as an actress in movies, TV, and theater. Even if many remember her best as one of the actresses to play Catwoman on the '60s Batman series, Kitt was always a cabaret performer at heart, one whose act translated best in a live setting. She rose dramatically to fame from a childhood of neglect and poverty, moving from South Carolina to Harlem at age eight to live with an aunt. She toured internationally during her late teens as part of a dance company, and also developed a singing act. Signing with RCA, she scored numerous hits over 1953-1955, including "C'est Si Bon," "I Want to Be Evil," and "Santa Baby," among others; she later branched out into an acting career. Following her sharp criticism of the Vietnam War in 1968, Kitt endured a ten-year blacklisting in America and moved to Europe to make her living. She returned to the U.S. in the '80s and '90s, both as an actress and as a singer on the nightclub circuit. In 2000, she received a third Tony nomination for her work in the musical drama The Wild Party. Kitt continued performing and recording into the 2000s, but was diagnosed with colon cancer in 2006, and passed from the disease in late 2008. ~ Steve Huey https://www.allmusic.com/artist/eartha-kitt-mn0000162930/biography