Sunday, June 28, 2015

Claudia Burson - My Foolish Heart

Bitrate: MP3@320K/s
Time: 51:04
Size: 116.9 MB
Styles: Piano jazz
Year: 2004
Art: Front

[4:27] 1. Black Narcissus
[7:46] 2. Softly As In The Morning Sunrise
[7:20] 3. Little Sunflower
[9:05] 4. My Foolish Heart
[7:02] 5. East Of The Sun
[4:51] 6. Tres Oquideas
[6:02] 7. Street Of Dreams
[4:27] 8. C-Jam Blues

From the first note on this recording it's apparent that Claudia Burson has heard and absorbed the music of the great jazz piano tradition. Her art, however, lies in the fact that althoughthe tradition permeates her music, (shades of Erroll Garner, Bill Evans and McCoy Tyner) Claudia has a unique and instantly recognizable voice. She is a stylist who can breathe new life into a standard, magically infusing her soulfulness and personality into the music.

Claudia's talent was nurtured from her youth. She grew up in Fayetteville, Ark. - the heartland of America - where the corners of Missouri, Kansas, Oklahoma and Arkansas meet. Her interest in music was sparked early on, and she began playing piano at age eight. Classical lessons followed, along with encouragement from her uncle, Kermit Burson, who was a professional guitarist. Claudia's musical training continued through her school years, and upon entering college she studied classical piano with Beatriz Pilapil at the University of Arkansas. In 1976, Claudia enrolled at Berklee School of Music in Boston, followed by a fruitful period of performance in Houston, Texas, where she met and played with people like Don Wilkerson and Arnett Cobb to name a couple.

Since returning to Fayetteville in 1998, Claudia has gained a regional following through her many performances. This CD marks her long-awaited debut recording as a leader. The recording has the advantage of showcasing Claudia with her working rhythm section, Steve Wilkes on drums and Mike Johnson on bass. The extraordinary empathy among these musicians was earned through a regular Sunday brunch gig at the local bistro, Copeland's Famous New Orleans Restaurant, and through countless club dates, festivals, and a featured performance in the Walton Arts Center's Jazz Series. Add to this mix musical cohort and multi-reed player Larry Cangelosi, and you have the quality ingredients for this project. Enough said. Let your ears do the rest! ~ Robert Ginsburg

My Foolish Heart

Ivan Lins - Intimate

Bitrate: MP3@320K/s
Time: 55:48
Size: 127.7 MB
Styles: Brazilian jazz
Year: 2010/2015
Art: Front

[4:31] 1. Tanto Amor (Feat Till Bronner)
[4:16] 2. Arrependimento (Feat Antonio Serrano)
[3:05] 3. Sou Eu
[4:17] 4. No Tomorrow-Acaso (Feat Trijntje Oosterhuis)
[2:53] 5. Nosso Acalando-That's Love (Feat Take 6)
[3:45] 6. Dandara ( Feat Abaqondisi Brothers)
[4:21] 7. Liegaste (Feat Alejandro Sanz & Leonardo Amuedo)
[3:57] 8. Riosun-E A Gente Assim Tao So (Feat Till Bronner)
[3:40] 9. Diadema (Feat Jorge Drexler & Frits Landesbergen)
[5:33] 10. Le Dernier Mot-Bilhete (Feat Laura Fygi & Antonio Serrano)
[3:47] 11. Tchau, Tristeza
[4:46] 12. Meu Espelho-Crystal Clear (Feat Jane Monheit)
[4:35] 13. A Cor Do Por-Do-Sol
[2:14] 14. Maos De Fada (Para Valeria)

van Lins is complete musician, distinguished for his refined harmonies and great arrangements. As the most recorded Brazilian living artist, the composer began playing piano at age eighteen, very influenced by the music he heard in his childhood in the United States, jazz and bossa nova.

His harmonic construction, quite unusual in Brazilian music, is one of the features that would make Ivan Lins become so respected among musicians around the world. He had many successes as a singer and composer as is the case of "Abre Alas", "Somos todos iguais esta noite”, "Começar de novo" (“The Island”), “Vitoriosa”, many of them created by the artistic duo Ivan Lins and Vitor Martins.

The political atmosphere decisively influenced his career in the 70´s and remains and important issue at his work till now. Ivan Lins has released numerous recordings, all over the Globe. Always reflecting contemporary issues , his work is renewed and always brings new musical values and ideals, without losing his originality. From the second half of the 80´s on, Ivan Lins emphasized his international career, especially in the U.S. where he was recorded by major artists such as Sarah Vaughan, Quincy Jones, Ella Fitzgerald, Carmen McRae, Barbra Streisand and many others. In Brazil, Ivan is constantly recorded by many of the great artists, such as Elis Regina, Simone, Gal Costa, Emilio Santiago, Djavan, Chico Buarque, among many others. In 1991, together with Vitor Martins, Ivan founded the record label Velas , an independent and national record company. His label promoted remarkable releases, revealing great new artists such as Guinga, Chico Cesar, Lenine and establishing names such as Edu Lobo, Fatima Guedes and Zizi Possi, among many others. Eclectic in her musical performance, Lins also composed soundtracks for films, besides several tracks and themes for novels and series.

Intimate

Emmy Rossum - Sentimental Journey

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 41:52
Size: 96,9 MB
Art: Front

(3:51)  1. Sentimental Journey
(3:26)  2. The Object of My Affection
(2:19)  3. I'm Looking Over a Four Leaf Clover
(4:09)  4. These Foolish Things (Remind Me of You)
(3:24)  5. I'll Be with You in Apple Blossom Time
(3:13)  6. Summer Wind
(2:16)  7. Many Tears Ago
(3:16)  8. All I Do Is Dream of You
(3:18)  9. Nobody Knows You When You're Down and Out
(4:20) 10. Autumn Leaves (Les Feuilles Mortes)
(3:04) 11. Things
(3:43) 12. Pretty Paper
(1:28) 13. Keep Young and Beautiful [bonus track]

Singer/actress Emmy Rossum is an opera-trained singer best known for her work in the Showtime series Shameless and the 2009 film version of the stage musical Phantom of the Opera. Her 2007 debut album, Inside Out, featured a handful of dreamy, atmospheric original songs that framed her vocals in a kind of glossy mix of adult contemporary and new age pop. The album was an ambitious way to kick off a music career and proved Rossum to be a talented singer with a bent toward left-of-center pop aesthetics. On her 2013 sophomore album, Sentimental Journey, Rossum takes a somewhat more traditional if no less ambitious approach and delivers a series of standards from the '20s through the '60s. Conceptualized around the idea of taking her listeners on a journey through a calendar year, each song was picked to relate the emotions or general feeling about its accorded month. Essentially, Rossum has crafted an old-timey album of American popular song that once again showcases her trained vocal chops and knack for relating a song's emotionally resonant meaning. Included are such songs as "I'm Looking Over a Four Leaf Clover," "I'll Be with You in Apple Blossom Time," "Autumn Leaves," and others.

Though somewhat reverent in tone, Rossum does employ some stellar backing musicians here, including Giulio Carmassi who, aside from adding some roiling piano accompaniment, also plays various horns, vibes, and melodica. The result is that while Rossum's style lands firmly in a cabaret, Broadway mold, the album has a looser, jazzier feel than one might expect from someone raised on opera and musical theater. ~ Matt Collar  http://www.allmusic.com/album/sentimental-journey-mw0002462356

Personnel: Emmy Rossum (vocals, background vocals); Joe Corcoran (acoustic guitar, electric guitar, banjo, percussion); Nikki Garcia (violin); Cameron Stone (cello); Giulio Carmassi (melodica, horns, piano, organ, vibraphone); Stuart Brawley (melodica, organ, percussion, bells); Matt Mayhall (drums, percussion).

Tommy Emmanuel, Martin Taylor - The Colonel & The Governor

Styles: Crossover Jazz, Guitar Jazz
Year: 2013
File: MP3@320K/s
Time: 60:54
Size: 139,7 MB
Art: Front

(5:08)  1. I Won't Last A Day Without You
(3:53)  2. Jersey Bounce
(3:25)  3. Bernie's Tune
(5:26)  4. A Smooth One
(4:25)  5. True
(3:27)  6. Heat Wave
(3:53)  7. One Day
(5:02)  8. Lullaby Of Birdland
(5:18)  9. The Nearness Of You
(5:19) 10. Down At Cocomo's
(4:41) 11. The Fair Haired Child
(4:07) 12. Secret Love
(3:24) 13. Wonderful Baby
(3:20) 14. I Wish I Knew How It Would Feel to Be Free

There's an implicit sense of mutual admiration behind the titling of this album collaboration between two of the world's gifted and certainly most decorated fingerpicking guitarists. Named in relation to Emmanuel's status as an honorary Kentucky Colonel and Taylor's lettered English roots, The Colonel & The Governor is primarily a collection of the duo's favorite jazz standards and pop classics, delivered in a way that betrays not only their shared virtuosity, but also their sense of playfulness. In the immediate years leading up to this release, while Emmanuel's studio output has been relatively sparse bar the impressive 2010 solo album Little by Little and the 2011 John Fahey nod that was All I Want For Christmas Taylor has been more prolific, collaborating with such jazz luminaries as Frank Vignola and Alan Barnes.

Although Emmanuel and Taylor are both notoriously comfortable in the art of genre-hopping, it's Taylor's gentle Django Reinhardt and Stéphane Grappelli-influenced jazz heredity that forms the basis of this set. So even though we're occasionally given brief glimpses of Emmanuel's accomplished folk and country leanings mainly through his tasteful rhythm-cum-lead playing it's clear that jazz is the order of the day on this release. When the duo run through "Jersey Bounce" a '40s swing hit for Benny Goodman and the jazz standard "Bernie's Tune," it's equally clear that Emmanuel is more than at home in this territory. Among the pop material on display here is the duo's inventive take on the early '60s Kathy Kirby hit "Secret Love." Built around Emmanuel's singular use of harmonics, it's a clear highlight of the disc. Elsewhere, Taylor contributes two original compositions to the album in the form of the tender ballad "True," and the addictive, Caribbean-influenced "Down at Cocomo's." More than anything it's the duo's sheer enthusiasm for guitar playing that resonates across this release, and although their audible nods of approval to each other's contributions can occasionally be distracting, this is an album that should impress any listener with guitar virtuosity high on their agenda. ~ James Wilkinson  http://www.allmusic.com/album/the-colonel-the-governor-mw0002491058

The Colonel & The Governor

Carol Saboya & Nelson Faria - Interpretam Canções De Antonio Carlos Jobim

Styles: Brazilian Bossa Nova
Year: 2006
File: MP3@320K/s
Time: 44:44
Size: 103,8 MB
Art: Front

(3:41)  1. Meninos, eu Vi
(3:44)  2. Ana Luiza
(3:18)  3. Estrada do Sol
(3:32)  4. Chansong
(2:29)  5. Canção em Modo Menor
(3:25)  6. Caminhos Cruzados
(2:25)  7. Fotografia
(3:45)  8. Estrada Branca
(2:15)  9. Foi a Noite
(3:32) 10. Bonita
(2:53) 11. Sem Você
(3:59) 12. Janelas Abertas
(3:18) 13. Espelho das Águas
(2:22) 14. Chora Coração

Having released three solo CDs, the first of which was the winner of a Sharp prize, Carol Saboya has also considerable international experience for her age, having performed in New York, Miami, and New Orleans (U.S.). In Brazil, she has participated in a number of important projects like the Homenagem a Braguinha (with Zé Renato), Novos Cariocas (with Daniel Gonzaga, and Bernardo Lobo), 40 Anos de Bossa Nova (with Roberto Menescal and Os Cariocas) and Homenagem a Cartola, (with Paulinho Moska, Nelson Sargento, Dona Zica, Dona Neuma, Delegado, Arranco de Varsóvia, Beth Carvalho, and Emílio Santiago).

The daughter of pianist/composer Antônio Adolfo, she released a single at age eight, shared with Mièle. As a child, she also participated in recording choirs for artists like Erasmo Carlos and Ângela Rô Rô. In 1989, she moved to Los Angeles, U.S., where she participated in Sérgio Mendes' Brasileiro, Grammy winner in the World music category. She participated in Aldir Blanc 50 Anos singing "Carta de Pedra" (Guinga/Aldir Blanc). She has also been participating in Antônio Adolfo's albums and, due to his work at the Brazilian section of IAJE, Saboya performed at the international meeting of the jazz schools in New Orleans. Her first solo album, Dança Da Voz (1997), won the Sharp prize in the category Revelação MPB. In 1999, she recorded an album with guitarist Nelson Faria which was dedicated to Tom Jobim's compositions, Janelas Abertas. The two of them were also released in Japan. In 2000, she released Sessão Passatempo. ~ Bio  https://itunes.apple.com/ca/artist/carol-saboya/id180101894#fullText

The Western Swing Authority - Now Playing

Styles: Country
Year: 2015
File: MP3@320K/s
Time: 38:19
Size: 88,6 MB
Art: Front

(2:32)  1. Sweet Harriet
(3:16)  2. One of Us Is Lying
(2:21)  3. Swing Thing
(3:37)  4. Livin’ a Dream
(2:40)  5. Miss Molly
(2:26)  6. Old Dance Floor
(3:34)  7. Slow Boat To China
(3:58)  8. Rocket To the Moon
(2:01)  9. Bapadoodle
(2:55) 10. Cowtown Queen
(4:03) 11. Swingtime Lullaby
(4:51) 12. The Last Waltz

Call it truth in advertising. The Western Swing Authority do, in fact, play western swing, and they do so with real authority. Comprising seven seasoned session and touring players, they have earned multiple CCMA and Juno nominations (they won a CCMA last year as Roots Group of the Year) and Stateside accolades for the authenticity of their sound. They're managed by biz veteran Randy Stark, and it's nice to see they've now signed to eOne for their new (third) album, Now Playing. Most of the tunes here are group originals, with fiddler/singer Shane Guse a key contributor. Notable outside co-writers include Jason McCoy and Jason Blaine, while they serve up a fine version of Colin James' "Rocket To The Moon". Lead vocalist Stacey Lee Guse has just the right clarity in her voice for this genre, and co-producer and engineer Jason Barry does a fine job of balancing the components. A retro treat. The WSA recently played at the Ameripolitan Music Awards in Austin. Check their site for upcoming gigs. http://www.newcanadianmusic.ca/releases/n/now-playing/the-western-swing-authority/2015-03-03

The Kenny Drew Trio - Your Soft Eyes

Styles: Piano Jazz
Year: 1982
File: MP3@320K/s
Time: 40:32
Size: 93,1 MB
Art: Front

(3:55)  1. Forgotten But Not Gone
(9:55)  2. Alone Together
(5:11)  3. Your Soft Eyes
(5:22)  4. Evening In The Park
(7:40)  5. How Are Things In Glocca Morra?
(8:27)  6. Mads' Blues

Pianist Kenny Drew is accompanied by fellow expatriate drummer Ed Thigpen and the talented young bassist Mads Vinding on these 1981 sessions. The leader continued to grow as a player during his years living in Europe, evolving from a strong bop pianist into something more. He opens "Alone Together" with a tense, evocative solo before returning to familiar territory as the rhythm section joins him. His sprightly, brisk take of "How Are Things in Glocca Mora" is a nice change from the usual arrangements, with Vinding's walking bass prominent in the mix. 

The leader's two originals include the snappy "Evening in the Park" and the lush, intimate ballad "Your Soft Eyes." This rewarding CD seems to have been deleted from Soul Note's catalog, so it is well worth tracking down. ~ Ken Dryden  http://www.allmusic.com/album/your-soft-eyes-mw0000191760

Personnel: Kenny Drew (piano); Mats Vinding (bass); Ed Thigpen (drums).

Thierry Crommen - La Nouvelle Donne

Styles: Jazz
Year: 2007
File: MP3@320K/s
Time: 43:24
Size: 99,7 MB
Art: Front

(4:00)  1. Paris Tagine
(4:23)  2. Angel or Devil
(5:36)  3. Rouge Du Soir
(3:53)  4. Téo's Garden
(4:38)  5. La Nouvelle Donne
(3:23)  6. L'Hymne À L'Amour
(4:30)  7. C'Était Écrit
(6:10)  8. Rue Francval
(3:58)  9. Song In The Key Of 'K'
(2:48) 10. Un Air Qui Passe

Thierry Crommen is a diatonic and chromatic player from Belgium who is well known as a sideman to famous French pop stars. He has released several albums of more personal projects, with guitarist Jacques Stotzem in particular, but La Nouvelle Donne is his first solo release. Although there are many guest musicians here, the core of the instrumentation is Chris de Pauw on acoustic guitar, Erno on keyboards and Thierry himself on harmonica. La Nouvelle Donne (The New Deal) is an album of mostly instrumental tracks, and it veers heavily towards the romantic. The compositions are ambitious and often have a certain grandeur to them although the influences are many, from the North African feel of “Paris Tagine” to the French musette of “Un air qui passe”. 

Thierry Crommen is a fluent overblower, on diatonic so his choice of instrument is rarely dictated by the complexity of the themes but rather by the feel he is trying to evoke. And it works really well: his tone is masterful and sensitive on both instruments, his playing is spot on in accuracy and phrasing, and his improvisations are well led and inventive. As an added bonus, although the harmonica is undoubtedly the solo instrument here, the flair and feel of the sidemen are also outstanding, heard both in the clever support and the rare but often superb improvisations. Supposing you like both romantic jazzy music and heartfelt harmonica playing, La Nouvelle Donne is a great way to discover Thierry Crommen’s world. https://homerecordsbe.bandcamp.com/album/la-nouvelle-donne

Personnel:  Thierry Crommen - Harmonica, piano, saxophone; Chris De Pauw – Guitars; Erno - Piano

Guests: Marc Descamps – Drums; Jacques-Ivan Duchesne – Accordion; Thierry Fanfant - Double bass, electric bass; Jean-Pierre Froidebise - Goulot de bouteille; François Garny - Bass fretless; Ezequiel Paz – Voice; Philmarie – Voice; Patrick Steenaerts – Guitars; Jack Thysen - Bass fretless