Time: 29:30
Size: 67.6 MB
Styles: Vocal group harmony
Year: 1964/2007
Art: Front
[2:46] 1. How To Succeed In Love
[2:07] 2. My Love, My Love
[2:41] 3. Pretend
[2:40] 4. Darling, Je Vous Aime Beaucoup
[2:31] 5. Love Letters
[2:46] 6. Lollipops And Roses
[3:10] 7. My Special Angel
[2:39] 8. Put Your Head On My Should
[2:21] 9. French Song
[2:42] 10. The Object Of My Affection
[3:02] 11. Quiet Nights
The sound of any great vocal group is ultimately defined by the voice of its Lead Singer. In the case of THE FOUR PREPS, that voice belongs to BRUCE BELLAND who Co-founded the Preps in 1954 while still in high school and has been their front man ever since. Bruce is the only original member heard on every Four Preps track ever recorded. Over five decades he's become what one critic called "that rare creature - an Original Lead Singer from the Fab. 50's who can still bring audiences to their feet."
It all began in the Fall of 1954 when 35 girls and not one boy showed up to audition for the annual Hollywood High student talent show. The next day the school bulletin pleaded for "any guys out there who can do anything" and a show business tale of triumph began. Unable to resist such amorously appealing odds, four talented and highly motivated boys in the school choir, Lead Singer Bruce Belland, baritone Glen Larson, bass Ed Cobb and high tenor Marvin Ingram, literally formed a quartet overnight and stepped into the crinoline void as THE FOUR PREPS. After stealing the show with choice hits by their idols, The Crew Cuts and The Four Lads, they quickly found themselves in demand for every kind of event imaginable. "We didn't turn anything down", Bruce remembers. "We once performed on the back of a flatbed truck for the opening of a parking lot. They paid us $75.00; enough to buy gas and our first matching sport coats. We were totally stoked."
In 1956 legendary Capitol Records Producer Voyle Gilmore, who recorded stars like Judy Garland, Frank Sinatra and Louie Prima & Keely Smith, heard a tape of a live performance by the Preps and signed them to a long term recording contract. At the time the Preps were the youngest act ever to sign with a major record label. (In an article about their signing, Variety dubbed them "Capitol's jolly juveniles".) They quickly became a favorite of the nation's disc jockeys and soon their voices blanketed the airwaves. As 1957 began, Cashbox honored them as "the most promising Newcomer of the Year." and critics began to praise their distinctive sound – and Bruce's Lead - as "fresh", "clean", "bracing", "warm" and "rich" which inspired Capitol to renew their contract for a second year while searching for that elusive hit record
It all began in the Fall of 1954 when 35 girls and not one boy showed up to audition for the annual Hollywood High student talent show. The next day the school bulletin pleaded for "any guys out there who can do anything" and a show business tale of triumph began. Unable to resist such amorously appealing odds, four talented and highly motivated boys in the school choir, Lead Singer Bruce Belland, baritone Glen Larson, bass Ed Cobb and high tenor Marvin Ingram, literally formed a quartet overnight and stepped into the crinoline void as THE FOUR PREPS. After stealing the show with choice hits by their idols, The Crew Cuts and The Four Lads, they quickly found themselves in demand for every kind of event imaginable. "We didn't turn anything down", Bruce remembers. "We once performed on the back of a flatbed truck for the opening of a parking lot. They paid us $75.00; enough to buy gas and our first matching sport coats. We were totally stoked."
In 1956 legendary Capitol Records Producer Voyle Gilmore, who recorded stars like Judy Garland, Frank Sinatra and Louie Prima & Keely Smith, heard a tape of a live performance by the Preps and signed them to a long term recording contract. At the time the Preps were the youngest act ever to sign with a major record label. (In an article about their signing, Variety dubbed them "Capitol's jolly juveniles".) They quickly became a favorite of the nation's disc jockeys and soon their voices blanketed the airwaves. As 1957 began, Cashbox honored them as "the most promising Newcomer of the Year." and critics began to praise their distinctive sound – and Bruce's Lead - as "fresh", "clean", "bracing", "warm" and "rich" which inspired Capitol to renew their contract for a second year while searching for that elusive hit record
How To Succeed In Love
