Tuesday, December 20, 2022

Ernestine Anderson - A Song for You

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 45:02
Size: 103,3 MB
Art: Front

(3:52) 1. This Can't Be Love
(5:51) 2. A Song for You
(4:34) 3. Make Someone Happy
(7:09) 4. Skylark
(3:26) 5. A Lovely Way to Spend an Evening
(6:10) 6. Candy
(6:41) 7. Day by Day
(7:15) 8. For All We Know

There's no doubt that American Idol, that immensely popular TV vocal competition now in its eighth season as of this writing, has redefined the public's idea of what constitutes "great" singing. In many quarters, the old criteria of good pitch and time, pleasing tone and honest feeling are no longer sufficient, for why hold onto one long note when you can cram three octaves into every bar? Far too often, the meaning of a song is reduced to its melisma, as a singer's athletic ability to embellish a tone seems to trump any lyric attached to it.

So far the jazz world has been relatively immune from this virus, but the growing ease of technology is enabling every aspiring singer to make a CD just pick some artwork, hire a publicist, and poof: you're in the game. This has resulted in a great uncensored flood of music, much of which is best appreciated by the parents, spouses, and friends of the singer.

But into this noisy climate comes a reminder of what true class and swing are all about: A Song for You, from veteran vocalist Ernestine Anderson. Here, backed by a fine and un-fussy quartet, she proves that her six-decade career could not diminish her rich, flexible voice, or her ability to mine the emotional truth in every song; if anything, both are deeper today. Anderson is joined in her explorations by the legendary tenor player Houston Person, whose bluesy obligatos are so empathic that they're practically verbal. During his thirty-year partnership with the late, also-wonderful Etta Jones, Person perfected the art of the voice/horn dialogue: consistently enhancing a singer's meaning without ever getting in her way. His comments are by turns supportive, witty or ironic, and his solos remain unmatched for their expressiveness and soul.

Anderson makes her musical intentions clear from the buoyant opener, "This Can't Be Love": she's going to use her singular phrasing and time to freshen every overplayed standard in the set, including the enthusiastic "Make Someone Happy," the R&B-inflected "Lovely Way to Spend an Evening," and the celebratory "Day by Day.". The CD's four ballads include a surprisingly slow and sexy "Candy," as well as the relatively-recent title tune, where Anderson makes the words so personal that it sounds like she just made them up. A word about "Skylark," that timeless beauty by Hoagy Carmichael: the equally great Johnny Mercer said it took him a whole year to get those lyrics right, and Anderson honors them with a kind of whispering wonder that suits them very well.All told, A Song for You should be required listening for every singer, since Anderson provides such a rare and invaluable lesson: how to touch the listeners' hearts without having to fill up their ears.By Dr. Judith Schlesinger https://www.allaboutjazz.com/a-song-for-you-ernestine-anderson-highnote-records-review-by-dr-judith-schlesinger

Personnel: Ernestine Anderson: vocals; Houston Person: tenor saxophone; Lafayette Harris, Jr.: piano; Chip Jackson: bass; Willie Jones III: drums.

A Song for You

Ella Fitzgerald - Ella Wishes You A Swinging Christmas (Expanded Edition)

Bitrate: MP3@320K/s
Time: 51:30
Size: 117.9 MB
Styles: Holiday, Jazz vocals
Year: 1960/2002
Art: Front

[2:22] 1. Jingle Bells
[2:17] 2. Santa Claus Is Coming To Town
[2:55] 3. Have Yourself A Merry Little Christmas
[3:31] 4. What Are You Doing New Year's Eve
[2:55] 5. Sleigh Ride
[2:59] 6. The Christmas Song
[3:15] 7. Good Morning Blues
[2:41] 8. Let It Snow! Let It Snow! Let It Snow!
[2:14] 9. Winter Wonderland
[2:51] 10. Rudolph The Red-Nosed Reindeer
[2:11] 11. Frosty The Snowman
[3:00] 12. White Christmas
[2:45] 13. The Secret Of Christmas
[3:34] 14. Medley We Three Kings Of Orient Are O Little Town
[2:17] 15. Christmas Island
[3:40] 16. The Christmas Song
[3:44] 17. White Christmas
[2:11] 18. Frosty The Snowman

The first lady of jazz can make anything swing, and Christmas tunes are no exception. On this 1960 album, Ella's endlessly agile voice wraps itself around a batch of holiday standards, with a Frank De Vol-led big band providing brassy punctuation. When tackling chestnuts like "Rudolph the Red Nosed Reindeer," she doesn't try to reinvent the melody, as some less-experienced jazz singer might; instead, she stamps her personality on every tune with subtle turns of phrasing and a masterful knack for toying with the time.

Ella Wishes You A Swinging Christmas       

Mary Stallings - Live At The Village Standard

Bitrate: MP3@320K/s
Time: 65:25
Size: 149.7 MB
Styles: Vocal jazz
Year: 2001/2013
Art: Front

[4:27] 1. I Love Being Here With You
[6:24] 2. You're Sensational
[4:52] 3. Street Of Dreams
[7:17] 4. A Sunday Kind Of Love
[5:24] 5. The Gypsy In My Soul
[4:23] 6. You're My Thrill
[5:30] 7. The Thrill Is Gone
[6:43] 8. All Night Long
[5:07] 9. Let's Face It/Everything I Love
[3:18] 10. Slow Hot Wind
[7:06] 11. Lullaby Of The Leaves
[4:49] 12. I Didn't Know About You

Recording Date; September 28-30, 2000. Mary Stallings: vocals; Eric Reed: piano; Ron Blake: tenor saxophone; Vicente Archer: bass; Carl Allen: drums.

Mary Stallings belongs to that lost generation of jazz singers whose careers imploded when the rock/folk/pop explosion of the mid-1960s sucked all of the oxygen out of jazz. From the early 1970s onward, Ms. Stallings generally confined her activities to the San Francisco Bay area so that she could raise her daughter. She returned to full-time singing at the end of the 1980s and finally came to the attention of the national jazz audience with the 1994 release of the aptly titled I Waited for You on Concord Jazz. Despite her three superb albums for the label, Concord Jazz foolishly allowed Ms. Stallings’s contract to lapse, and, for a while, it seemed that she would once again disappear into regional obscurity. Fortunately, real talent always finds a way to rise to the surface. Five years after her last album, Ms. Stallings has returned with a new CD on the MAXJAZZ label.

Beautifully recorded, Live at the Village Vanguard captures Mary Stallings in full flight. Her full-bodied, textured alto recalls Carmen McRae while her phrasing and intonation have clearly been influenced by Dinah Washington. Although she does have some of Ms. Washington’s bracing intensity, Ms. Stallings’s phrasing is more relaxed and agile. As befits a singer who spent four years (1969-1972) as the featured vocalist with the Count Basie Orchestra, Ms. Stallings swings hard. “I Love Being Here With You” and “Lullaby of the Leaves” are textbook examples of how a singer can push a rhythm section rather than the other way around. Ms. Stallings also displays an impressive command of dynamics. Her ballads, usually performed sotto voce, have a brooding, introspective quality. The restraint of her ballad singing is such that when she does unleash the full power of her voice the effect can be startling. Although she continually stretches and bends the tunes, Ms. Stallings respects the basic melodic structure of her material.

Mary Stallings sustains an enviable level of quality throughout this live CD although some of the material does prove resistant to her talents. It is probably difficult for a singer to find new things to do with “Street of Dreams” or “A Sunday Kind of Love.” Still, Ms. Stallings does manage to shake the dust off of “Gypsy in My Soul,” “Everything I Love,” and especially “The Thrill is Gone.” While there are no obscurities in her repertoire, there are some less frequently encountered tunes like Cole Porter’s “You’re Sensational,” Henry Mancini’s “Slow Hot Wind” and Curtis Lewis’s “All Night Long.” The arrangements are reasonably straightforward and the instrumentalists are uniformly good. Both pianist Eric Reed and tenor saxophonist Ron Blake take good advantage of their numerous opportunities to solo.

Live at the Village Vanguard marks the welcome return of Mary Stallings to the national jazz stage. Let’s hope that this time she’ll stay around for a good long while. ~Matthew Bahl

Live At The Village Standard

Chris Standring - Silent Night

Styles: Guitar, Holiday
Year: 2022
File: MP3@320K/s
Time: 34:24
Size: 79,8 MB
Art: Front

(3:34) 1. Deck The Halls
(3:41) 2. The Christmas Song
(4:10) 3. God Rest Ye Merry Gentlemen
(2:36) 4. The First Noel
(3:45) 5. Silent Night
(3:50) 6. Hark The Herald Angels Sing
(3:53) 7. We Three Kings
(2:55) 8. Winter Wonderland
(2:47) 9. O Little Town Of Bethlehem
(3:10) 10. White Christmas

Silent Night, Chris Standring's 2022 unique take on holiday classics sees the prolific composer and arranger digging creatively into new territory and offering some unexpected renditions of these very familiar songs. Capturing the warm, nostalgic and sentimental side of Christmases gone by, Silent Night draws from the classic stylings of Nelson Riddle and Vince Guaraldi all with Standring's very individual guitar voice at front and center throughout.

‘Silent Night’ will be released digitally October 14, 2022 on the Ultimate Vibe Recordings label and is quickly into the seasonal groove with an enchanting rendition of ‘Deck The Halls’. Elsewhere and just as good ‘O Little Town Of Bethlehem’ is a number that demonstrates Standring’s boundless creativity while a standout of the whole collection is his take on the instantly recognizable ‘Christmas Song’. Another instant favourite is the shimmering title cut that Standring presents simply but with an arrangement exuding warmth yet all things considered the Smooth Jazz Therapy top track is the beguiling ‘We Three Kings’. With Dave Karasony on drums and John Leftwich on upright bass it passes the litmus test, and then some, of Christmas music you would be happy listening to in July.

Bass player Kevin Axt completes Standring’s backing line-up and all are superb in jazz trio mode for a hip rendition of ‘Winter Wonderland’ and, although Standring uses ‘God Rest Ye Merry Gentleman’ to conjure up images of (extremely jazzy) carol singers trudging through the snow, it is his reworking of ‘The First Noel’ that will send your mind spinning back to how you remember the best Christmas you ever had.

Talking of music that has stood the test of time the evocative ‘I’m Dreaming Of A White Christmas’ checks just about every box imaginable so to say that Standring takes this memorable tune to a whole new level is testimony to the sensitivity with which he handles it. It provides a fitting end to a superb recording that is sure to be a huge seller, not only this year but for many more Christmases to come. https://www.chrisstandring.com/silent-night-album.html

Silent Night