Showing posts with label Jed Levy. Show all posts
Showing posts with label Jed Levy. Show all posts

Saturday, March 11, 2017

Ron McClure - Matchpoint

Styles: Jazz, Straight-ahead/Mainstream 
Year: 2002
File: MP3@224K/s
Time: 73:52
Size: 120,2 MB
Art: Front

(8:18)  1. Mainestay
(8:44)  2. Walter Davis
(8:18)  3. Shorter Story
(7:36)  4. Moonray
(6:01)  5. Cellular Expansion
(4:41)  6. West Side Blues
(5:35)  7. In Search of Times Lost
(7:12)  8. Something New for You
(9:14)  9. The Day After Christmas
(8:09) 10. Match Point


This swinging, laid-back date, Ron McClure's tenth for Steeplechase, features the bassist with relatively obscure but excellent players: tenor saxophonist Jed Levy, guitarist Bob DeVos, and drummer Jeff Brillinger. McClure and DeVos are the main writers, contributing four tunes each. Levy weighs in with the title track, providing a perky samba finale. The quartet also offers a snappy version of "Moonray," a minor-key standard co-written by Artie Shaw. DeVos, who has worked mainly in organ trio settings, displays a fat tone and a fluid linear approach, particularly on McClure's "Something New for You." Levy's blowing is enlivened by his highly imaginative rhythmic sense. McClure and Brillinger bring a tight yet flexible rapport to the session, peaking energetically on "Cellular Expansion." McClure's own solos are consistently strong; his downcast ballad, "The Day After Christmas," is especially heartfelt. ~ David R.Adler http://www.allmusic.com/album/matchpoint-mw0000324434

Personnel: Ron McClure (bass); Jed Levy (tenor saxophone); Bob DeVos (guitar); Jeff Brillinger (drums).

Matchpoint

Monday, December 5, 2016

Jed Levy - Good people

Styles: Saxophone Jazz
Year: 1987
File: MP3@320K/s
Time: 53:10
Size: 122,1 MB
Art: Front

( 6:08)  1. Just In Time
( 8:19)  2. Good People
( 6:58)  3. Red Lipstick
( 4:01)  4. Second Avenue Blues
(11:27)  5. Jenkuja
( 5:38)  6. Windows On The World
( 6:00)  7. Daydream
( 4:35)  8. The Zealots

Saxophonist Jed Levy has been a mainstay on the New York jazz scene for over 20 years. In addition to performing and recording as a leader, he has had long standing working relationships with such jazz luminaries as Jaki Byard (a musical mentor, 3 recordings and countless performances), Don Patterson, Jack McDuff (valuable road experience), Ron McClure (2 CDs and ongoing performances), and Headhunters drummer Mike Clark (2 CD's and new projects in the works.)  He has also been fortunate to have worked with, Junior Mance, Eddie Henderson, Jack Walrath,The Vanguard Jazz Orchestra, Shirley Scott, Kevin Mahogany, Gene Bertoncini,Don Friedman,Cedar Walton, Curtis Fuller, Chico O'Farrill, Attilla Zollar, Groove Holmes, Tom Harrell, and many others. Levy has toured Japan as a leader and appeared at several international jazz festivals as well as leading bands at such New York venues as Sweet Basil, Blue Note, Birdland, Visiones and Zinno. Diversity has been the key to Levy's success on the New York scene. A recent week found him moving from a concert with the Cab Calloway Orchestra to a night with Mike Clark and Charley Hunter at the Knitting Factory, to the Apollo Theater with the Temptations and the Four Tops, to Birdland with Chico O'Farill's Afro Cuban Orchestra. In his presentations as a leader, as well as in his compositions, Levy tries to incorporate these varied musical experiences. His compositions have been recorded by such artists as the Headhunters, Don Friedman, Eddie Henderson, and Mike Clark.http://www.jedlevy.com/
              
Personnel:  Jed Levy (tenor saxophone);  Peter Leitch (guitar); Peter Madsen (piano); Rufus Reid (bass); Billy Hart (drums).

Good people

Sunday, December 4, 2016

Jed Levy - The Italian Suite

Styles: Saxophone Jazz
Year: 2013
File: MP3@256K/s
Time: 70:15
Size: 128,9 MB
Art: Front

(7:04)  1. The Road to Rome
(8:30)  2. Ligurian Sea
(6:05)  3. The Models of Milan
(6:57)  4. Dado's Visit
(8:17)  5. Daniela
(7:20)  6. Giuseppe's Borgo
(7:01)  7. Toscana
(4:56)  8. Bari Blues
(8:44)  9. Palermo
(5:17) 10. Dogs of War

On this his seventh SteepleChase release, Jed Levy the composer takes centre stage and presents an album-length suite, with each section relating to Jed's impression of Italy where he has made numerous trips and has given concerts.For the past two decades saxophonist Jed Levy has been a stalwart of the New York jazz scene, leading his own group or performing with such luminaries as Jaki Byard, Junior Mance, Eddie Henderson, Jack Walrath, Kevin Mahogany and Tom Harrell, among others. "Very Impressive and about as inventive a departure from the standard tenor-and-rhythm conventions as one can hope for...a first-class session."

Personnel: Jed Levy (tenor saxophone), Misha Tsiganov (piano), Thomson Kneeland (bass), Alvester Garnett (drums)

The Italian Suite

Saturday, December 3, 2016

Jed Levy - Rain

Styles: Saxophone Jazz
Year: 2012
File: MP3@320K/s
Time: 70:36
Size: 162,0 MB
Art: Front

(5:07)  1. Stomp In F Sharp Minor
(7:15)  2. Step Waltz
(5:47)  3. Make Someone Happy
(9:34)  4. Rain
(6:47)  5. Cry Me A River
(6:29)  6. The Producer
(8:13)  7. Reflections
(6:02)  8. The Q
(9:18)  9. Fran Dance
(5:58) 10. P.T. Blues

Saxophonist Jed Levy has been a mainstay on the New York jazz scene for over 20 years. In addition to performing and recording as a leader, he has had long standing working relationships with such jazz luminaries as Jaki Byard (a musical mentor, 3 recordings and countless performances), Don Patterson, Jack McDuff (valuable road experience), Ron McClure (2 CDs and ongoing performances), and Headhunters drummer Mike Clark (2 CD's and new projects in the works.)  He has also been fortunate to have worked with, Junior Mance, Eddie Henderson, Jack Walrath,The Vanguard Jazz Orchestra, Shirley Scott, Kevin Mahogany, Gene Bertoncini,Don Friedman,Cedar Walton, Curtis Fuller, Chico O'Farrill, Attilla Zollar, Groove Holmes, Tom Harrell, and many others. Levy has toured Japan as a leader and appeared at several international jazz festivals as well as leading bands at such New York venues as Sweet Basil, Blue Note, Birdland, Visiones and Zinno. Diversity has been the key to Levy's success on the New York scene. A recent week found him moving from a concert with the Cab Calloway Orchestra to a night with Mike Clark and Charley Hunter at the Knitting Factory, to the Apollo Theater with the Temptations and the Four Tops, to Birdland with Chico O'Farill's Afro Cuban Orchestra. In his presentations as a leader, as well as in his compositions, Levy tries to incorporate these varied musical experiences. His compositions have been recorded by such artists as the Headhunters, Don Friedman, Eddie Henderson, and Mike Clark. His CD's "Mood Ellington", "Gateway" and "Evans Explorations " on Steeplechase are receiving critical acclaim. http://www.jedlevy.com/

What critics say of Jed Levy
-from the All About Jazz review of "Evans Explorations"Jed Levy has set for himself in his explorations of a piece of the Evans digest using his tenor trio is a daunting one. Levy succeeds remarkably well through his own impressionistic gentle touch, Francois Moutin's up-in-the-mix yet perceptively sensitive bass and the drumming of Evans grad Eliot Zigmund.

-from the All About Jazz review of "Gateway" Jed Levy, as demonstrated on the most attractive Gateway, lives in the mainstream world, but one that is filled with unexpected twists and turns while bringing together musicians who had never played together as a quartet.

-from the Jazz Times.com review of "Mood Ellington":  Tenorist/flutist Jed Levy's Mood Ellington can be both admired and enjoyed for its imaginative reworkings of some lesser-known Duke Ellington compositions, all performed with skill and affection by a stellar quintet.

-from the Montreal Mirror Review of "Mood Ellington" 10/10:  Tenorman Levy comes up with one of the greatest Ellington CDs in recent memory, including compositions like "Neo Hip Hot Cool Kiddies Community" from Duke's suite "The River?" and "Circle of Fourths," inspired by the Bard. It's also a great introduction to pianist Bill Mays.

-from Penguin Guide to Jazz, a review of "Round and Round":  "Jed's playing, though, is again tremendous.  He powers through themes and solos in a way which ought to seem bland, in terms of the steely confidence of the execution, yet its nothing but full-throated enjoyment.  The sort of record which empowers the jazz-repertory tradition without troubling to make any statements at all. 
  
- from Jazz Review  review of "Round and Round": "The first thing to notice about this fine album is what a lot of sax playing you get for your money.  Jed Levy's tenor is unstoppable: the music flow out the horn in torrents."  

-from the Penguin Guide to Jazz's review of "Sleight of Hand": "Very impressive and about as inventive a departure from the standard tenor-and-rhythm conventions as one can hope for.  Levy's broad-shouldered tone and confident delivery give him the kind of full-on swing one associates with an earlier generation, but he's soaked in bebop and hard-bop practice."   

Personnel:   Jed Levy (ts);  George Colligan (p);  Ron McClure (b); Adam Nusbaum(ds).

Rain

Friday, December 2, 2016

Jed Levy - One Night At The Kitano

Styles: Saxophone Jazz
Year: 2009
File: MP3@256K/s
Time: 71:14
Size: 133,2 MB
Art: Front

( 8:55)  1. A Great Week
(14:00)  2. Fallen Eagle
( 9:57)  3. Reversible You
(10:07)  4. A Flower Is A Lovesome Thing
(13:16)  5. Limited Means
( 8:32)  6. Match Point
( 6:25)  7. Blues Excerpt

Some live jazz albums transport the listener. If you shut your eyes, you can picture the dim lights of the candles on the tables, the clinking sound of ice cubes falling into glass tumblers... you might even find yourself looking around for someone to take your drink order. One Night at The Kitano makes you feel like you are out at the midtown jazz spot.  Joined by Bill Mays on piano, Ugonna Okegwo on bass and Billy Drummond on drums, saxophonist Jed Levy delivers one of the most enjoyable albums of the year. It's also accessible, straight-ahead music that everyone can enjoy. Novice listeners will say "now, that's jazz I'd pay to see live." That's not to say that it won't appeal to seasoned jazz veterans. Musical complexity and inventiveness abound, especially on the Levy original "Reversible You," which (as the title suggests) applies some structural adjustments to a familiar standard to superb effect. The set consists of six Levy compositions, as well as one standard: a ten-minute rendition of Billy Strayhorn's "A Flower is a Lovesome Thing," with the leader and Mays at their most inspired. The disc's opening number, "A Great Week," pays tribute to an engagement Levy once played with the late John Hicks. The loving homage offers a lively, up-tempo celebration of the pianist's legacy, with excellent support from Mays. The rest of the program features a number of mid-tempo swingers that afford plenty of solo time for the featured players. Levy's tenor doesn't recall the gruff aggressiveness of a Dexter Gordon or a Ben Webster, being more akin to that of Stan Getz. He's able to navigate the high register and achieve a mellow, romantic tone that, at times, makes you think he's switched over to alto.~ George Kanzler https://www.allaboutjazz.com/one-night-at-the-kitano-jed-levy-steeplechase-records-review-by-george-kanzler.php?width=1600
 
Personnel:  Billy Drummond: drums; Jed Levy: tenor sax;  Bill Mays: piano; Ugonna Okegwo: bass.

One Night At The Kitano

Thursday, December 1, 2016

Jed Levy - Evans Explorations

Styles: Saxophone Jazz
Year: 2008
File: MP3@224K/s
Time: 68:28
Size: 111,2 MB
Art: Front

(5:46)  1. Blue In Green
(5:55)  2. Very Early
(5:56)  3. Jazz Samba
(8:05)  4. Time Remembered
(7:04)  5. The Dolphin
(8:51)  6. Laurie
(7:12)  7. Twelve Tone Tune
(7:13)  8. Interplay
(6:18)  9. Re: Person I Knew
(6:02) 10. I'm Getting Sentimental Over You

Explorations (Riverside, 1961) is one of two landmark studio recordings from the Bill Evans trio that, through chordal voicings, a classically-based style and egalitarian instrumental interplay, moved the jazz piano trio toward impressionism and away from a rhythmic approach. It still sounds amazingly contemporary and the task that tenor saxophonist Jed Levy has set for himself in his explorations of a piece of the Evans digest using his tenor trio is a daunting one. Levy succeeds remarkably well through his own impressionistic gentle touch, Francois Moutin's up-in-the-mix yet perceptively sensitive bass and the drumming of Evans grad Eliot Zigmund.  While a non-traditional bop-ish treatment of the classic "Blue in Green" starts things off and a swinging interpretation of the standard "I'm Getting Sentimental Over You" closes things out, this trio thrives when it is painting with broader sonic brush strokes. This is witnessed on a touching depiction of "Laurie" and a melodiously moving "Re: Person I Knew." Moutin and Levy are a superb pairing on these tunes and remain true to this music with neither overpowering nor assertive one-upmanship. 

They blend harmoniously, as in the wonderfully open "Interplay" that serves as an unfettered forum for improvisation and opportune time for Levy to switch to flute. Likewise, the arco bass/tenor doubling that opens "Twelve Tone Tune" captures that beautiful dreamy quality that helped define the Evans trio. These qualities are also apparent on "Very Early" and "Time Remembered," the latter's spaciousness benefiting from Levy's tenor and flute playing. "Jazz Samba," given a fairly fiery treatment courtesy of Zigmund and Moutin's rhythm, and "The Dolphin," portrayed in a traditional breezy manner that again has Moutin sharing center stage, round things out and are representative of Evans' Latin stylings. This is a unique depiction of Evans' songbook.~ Elliott Simon https://www.allaboutjazz.com/evans-explorations-jed-levy-steeplechase-records-review-by-elliott-simon.php
 
Personnel:  Jed Levy: tenor sax, flute;  Francois Moutin: bass;  Eliot Zigmund: drums.

Evans Explorations

Wednesday, November 30, 2016

Jed Levy - Gateway

Styles: Saxophone Jazz
Year: 2006
File: MP3@320K/s
Time: 66:27
Size: 152,8 MB
Art: Front

(5:35)  1. Life of Riley
(8:24)  2. Irony
(9:23)  3. Gateway
(7:18)  4. Lost April
(8:44)  5. Positivity
(6:01)  6. Chorale
(8:01)  7. How Am I To Know
(6:43)  8. Afterthought Blues
(6:14)  9. Carillon

Some players seem to enjoy the adventure of not knowing with whom they are going to play with next, while others would rather develop the interpersonal communication that can only come with time. Since jazz is, at its core, an improvisational art, playing in the moment is the ideal, with different kinds of music requiring different musical reflexes. Jed Levy, as demonstrated on the most attractive Gateway, lives in the mainstream world, but one that is filled with unexpected twists and turns while bringing together musicians who had never played together as a quartet. However, the interpersonal chemistry which one might think would be lacking is more than balanced by the extremely high level of musicianship present at the session. What is clear from the music is that these players really listen to each other and are so quick of musical thought that they have more than enough time to negotiate the detours in the road while reacting to what is happening around them.

Levy's tunes cannot be called adventurous, but neither are they totally predictable. Odd phrase lengths abound, as do changes in meter, but they never sound overtly shocking for their own sake. In the notes, Levy actually speaks of his compositions as representing the natural outcome of what he is hearing at the moment and not any artificial constructs. As the tunes of Gateway each flow by, the record's pacing moves from the up tunes through ballads and back. Jazz that has that warm comfort level, which comes from recognizable structures, exists simultaneously with the excitement of players who are so facile that they can play around within Levy's music. This facility comes at a price however, since everyone makes it sound so easy. Someone who looks to jazz for the shock of the new or who wants to listen in the moment as the players play in that moment will not find it here. But, then again, that is not what Gateway is about, which is simply to present good music and to play it honestly and directly.~ Budd Kopman https://www.allaboutjazz.com/gateway-jed-levy-steeplechase-records-review-by-budd-kopman.php
 
Personnel: Jed Levy: tenor saxophone;  George Colligan: piano;  Ugonna Okegwo: bass;  Billy Drummond: drums.

Gateway

Tuesday, November 29, 2016

Jed Levy - Sleight of Hand

Styles: Saxophone Jazz
Year: 1995
File: MP3@320K/s
Time: 57:10
Size: 134,2 MB
Art: Front

(4:27)  1. Sleight Of Hand
(7:44)  2. Zinno
(8:12)  3. Three And Me
(5:27)  4. Bird's Mother
(9:18)  5. Desert Church
(5:34)  6. Did I Remember?
(5:06)  7. Bright Lights
(8:03)  8. Nice And Easy
(3:16)  9. Indigenous

Saxophonist Jed Levy has been a mainstay on the New York jazz scene for over 20 years. In addition to performing and recording as a leader, he has had long standing working relationships with such jazz luminaries as Jaki Byard (a musical mentor, 3 recordings and countless performances), Don Patterson, Jack McDuff (valuable road experience), Ron McClure (2 CDs and on going performances), and Headhunters drummer Mike Clark (2 CD's and new projects in the works.)  He has also been fortunate to have worked with, Junior Mance, Eddie Henderson, Jack Walrath,The Vanguard Jazz Orchestra, Shirley Scott, Kevin Mahogany, Gene Bertoncini,Don Friedman,Cedar Walton, Curtis Fuller, Chico O'Farrill, Attilla Zollar, Groove Holmes, Tom Harrell, and many others. Levy has toured Japan as a leader and appeared at several international jazz festivals as well as leading bands at such New York venues as Sweet Basil, Blue Note, Birdland, Visiones and Zinno. Diversity has been the key to Levy's success on the New York scene. A recent week found him moving from a concert with the Cab Calloway Orchestra to a night with Mike Clark and Charley Hunter at the Knitting Factory, to the Apollo Theater with the Temptations and the Four Tops, to Birdland with Chico O'Farill's Afro Cuban Orchestra. In his presentations as a leader, as well as in his compositions, Levy tries to incorporate these varied musical experiences. His compositions have been recorded by such artists as the Headhunters, Don Friedman, Eddie Henderson, and Mike Clark. http://www.jedlevy.com/

Personnel:  Jed Levy Tenor Sax;  George Colligan Piano;  Gerry Gibbs Drums;  Ron McClure Bass.

Sleight of Hand