Frank Foster & George Wallington - Here Comes

Styles: Saxophone And Piano Jazz
Year: 1954
File: MP3@320K/s
Time: 68:07
Size: 156,2 MB
Art: Front

(3:55) 1. Little Red
(5:01) 2. How I Spent The Night
(3:49) 3. Blues for Benny
(3:37) 4. Out Of Nowhere
(4:15) 5. Gracias
(3:48) 6. The Heat's On
(4:19) 7. How I Spent The Night (alt. take)
(4:08) 8. Frankie and Johnnie
(4:03) 9. Baby Grand
(3:39) 10. Christina
(3:55) 11. Summertime
(4:01) 12. Festival
(3:51) 13. Bumpkins
(4:06) 14. Frankie and Johnnie (alt. take)
(3:55) 15. Summertime (alt. take)
(3:53) 16. Festival
(3:43) 17. Bumpkins (alt. take)

This double reissue combines saxophonist Frank Foster's first U.S. recording and a session led by pianist George Wallington that took place one week later with Foster sitting in. Recorded for Blue Note in Hackensack, NJ, on May 5, 1954, Here Comes Frank Foster (also issued as New Faces, New Sounds) was only Foster's second album as a leader. His debut album was recorded one month earlier for the Vogue label in Paris, France. Here Comes Frank Foster fits neatly with other albums from the mid-'50s Blue Note catalog. Foster shares the spotlight with trombonist Benny Powell, and the rhythm section of Gildo Mahones, Percy Heath, and Kenny Clarke is superb. On tracks eight through 17, Foster is heard as a member of the George Wallington Showcase band, recorded for Blue Note on May 12, 1954. This solid little organization included James Moody's ace trumpeter Dave Burns, trombonist Jimmy Cleveland, baritone saxophonist Danny Bank, bassist Oscar Pettiford, and, once again, drummer Kenny "Klook" Clarke. Arrangements were scored by Quincy Jones. This straight-ahead hard bop is tasty and stimulating. Use the four alternate takes for a chaser.

Personnel: Tenor Saxophone – Frank Foster; Piano – George Wallington, Gildo Mahones; Baritone Saxophone – Danny Bank; Bass – Oscar Pettiford, Percy Heath; Drums – Kenny Clarke; Flute – Danny Bank; Trombone – Benny Powell , Jimmy Cleveland; Trumpet – Dave Burns

Here Comes

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David Liebman - Miles Away

Styles: Saxophone Jazz
Year: 1994
File: MP3@320K/s
Time: 55:57
Size: 128,7 MB
Art: Front

(7:01) 1. Code M.D.
(4:48) 2. Wili (For Dave)
(2:59) 3. In a Silent Way
(5:23) 4. 81
(6:33) 5. Fall
(6:09) 6. All Blues
(6:52) 7. Pan Piper
(5:14) 8. Milestones
(4:00) 9. Smooch
(4:23) 10. Solar
(2:30) 11. Boplicity

Dave Liebman, who played with Miles Davis’ group during 1974-1975, pays tribute to the innovative trumpeter throughout this excellent Owl CD. To Liebman’s credit, he does not ignore Davis’ fusion period; in fact, he starts out with the most recent composition (Robert Irving’s “Code M.D.” from 1984) and works his way backwards chronologically. Actually, with Vic Juris often playing rockish guitar and the older tunes being reharmonized, there is a definite unity and freshness to the material. Charles Mingus’ moody ballad “Smooch” comes across as quite contemporary while “Solar” sounds like it could have been written in the 1970s. Liebman’s highly expressive soprano, Juris’ echoey guitar, and pianist Phil Markowitz are the main soloists, but everyone plays quite well; the inclusion of Caris Visentin’s English horn on “Pan Piper” (from Sketches of Spain) is a nice touch. Because this project does not merely copy the past but brings some fresh insight to the material, one suspects that even Miles Davis would have liked the results. By Scott Yanow. AMG. https://whoisthemonk.wordpress.com/2010/11/23/dave-liebman-group-miles-away-1994/

Personnel: David Liebman- (Soprano Sax); Vic Juris(Acoustic Guitar, Electric Guitar); Kent Heckman- (Electric Guitar); Caris Visentin- (English Horn); Phil Markowitz- (Piano, Keyboards); Tony Marino- (Acoustic Bass, Electric Bass); Scott Cutshall (Hand Claps); Jamey Haddad- (Drums, Percussion).

Miles Away

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Barney Kessel - Modern Jazz Performances from Bizet's Carmen

Styles: Guitar Jazz
Year: 1958
File: MP3@320K/s
Time: 43:34
Size: 100,1 MB
Art: Front

(5:51)  1. Swingin' The Toreador
(6:46)  2. Apadon The Edge Of Town
(4:03)  3. If You Dig Me
(5:00)  4. Free As A Bird
(3:15)  5. Viva El Toro!
(5:59)  6. Flowersville
(4:43)  7. Carmen's Cool
(3:58)  8. Like, There's No Place Like...
(3:56)  9. The Gypsy's Hip

This is an unusual set that has been reissued on CD. During an era when many Broadway and movie scores were recorded in jazz settings (thanks in part to the success of Shelly Manne's best-selling My Fair Lady album), guitarist Barney Kessel chose to interpret nine melodies from Bizet's opera Carmen. The guitarist is heard in three different settings: joined by five woodwinds and a rhythm section; with five jazz horns (including altoist Herb Geller and trumpeter Ray Linn) and a trio; and with vibraphonist Victor Feldman in a quintet. Kessel also wrote the arrangements, which pay tribute to the melodies while not being shy of swinging the themes. An interesting if not essential project. ~ Scott Yanow  

http://www.allmusic.com/album/modern-jazz-performances-from-bizets-carmen-mw0000207507

Personnel: Barney Kessel (guitar); Herb Geller (alto saxophone); Justin Gordon (tenor saxophone, flute, alto flute); Chuck Gentry (baritone saxophone); Ray Linn (trumpet); Harry Betts (trombone); Buddy Collette (flute, alto flute, clarinet); Bill Smith (clarinet, bass clarinet); Jules Jacob (clarinet, oboe); Pete Terry (bass clarinet, bassoon); Victor Feldman (vibraphone); Andre Previn (piano); Joe Mondragon (bass); Shelly Manne (drums).

Modern Jazz Performances from Bizet's Carmen

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Roger Kellaway - The Art Of Interconnectedness

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 74:43
Size: 171,5 MB
Art: Front

(5:55)  1. You Took Advantage Of Me
(5:02)  2. Lazy 'Sippi Steamer
(7:59)  3. Emily
(8:07)  4. Creole Love Call
(4:01)  5. Sophisticated Lady
(4:17)  6. Remembering You
(6:42)  7. New Orleans
(7:20)  8. Blackwall Tunnel Blues
(5:33)  9. Jorjana
(4:37) 10. When I Grow Too Old To Dream
(7:05) 11. I'm Still In Love With You
(8:00) 12. Un Canto Per la Pace

It took ten years for this excellent concert by pianist Roger Kellaway at New York City's Vineyard Theatre to be issued; but it was worth the wait. Starting with a striding "You Took Advantage of Me," Kellaway captivates his audience. His slow dreamy interpretation of "Emily," a sauntering rhythmic "Creole Love Call," and a melancholy "New Orleans" are among the fine examples of the standards he played for the hushed audience. 

There are also a number of less familiar works that Kellaway plays just as well. Louis Armstrong's "Lazy 'Sippi Steamer Goin' Home" is a joyful masterpiece of stride piano. "Blackwall Tunnel Blues," by trombonist Charles Sonnastine, has a bluesy flavor but isn't actually a blues number. Kellaway features several of his own works, too. The upbeat Latin-flavored "Jorjana" and equally infectious "Un Canto Per La Place" are very attractive, but "Remembering You" is one Kellaway piece that will surely catch the listener's ear; co-written with actor Carroll O'Connor, it was the closing melody heard on each episode of the TV sitcom All in the Family. Believe it or not, the audience doesn't explode with the outburst one would expect for such a recognizable work. 

Highly recommended! ~ Ken Dryden  http://www.allmusic.com/album/art-of-interconnectedness-mw0000042515

Personnel: Roger Kellaway (piano).

The Art Of Interconnectedness

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