Tuesday, November 8, 2022

Various - Capitol Sings Johnny Mercer

Bitrate: MP3@320K/s
Time: 71:03
Size: 162.7 MB
Styles: Vocal, Easy Listening
Year: 1991
Art: Front

[3:17] 1. Ella Mae Morse - Ac-Cent-Tchu-Ate The Positive
[3:11] 2. Martha Tilton - And The Angels Sing
[2:49] 3. Gordon MacRae - Autumn Leaves
[3:12] 4. Jo Stafford - Blues In The Night
[1:53] 5. Blossom Dearie - Charade
[3:40] 6. Judy Garland - Come Rain Or Come Shine
[2:22] 7. Nat King Cole - Day In-Day Out
[3:16] 8. Matt Monro - Days Of Wine And Roses
[2:47] 9. The Pied Pipers - Dream
[2:32] 10. Benny Goodman - Goody Goody
[2:52] 11. Johnny Mercer - Glow Worm
[2:55] 12. The Four Freshmen - I Thought About You
[2:49] 13. Dinah Shore - I'm Old Fashioned
[2:57] 14. Dean Martin - In The Cool Cool Cool Of The Evening
[2:16] 15. Stan Kenton & His Orchestra - Jeepers Creepers
[2:22] 16. Vic Damone - Laura
[3:26] 17. Lena Horne - Moon River
[3:03] 18. Johnny Mercer - On The Atchison, Topeka & The Sante Fe
[4:13] 19. Harold Arlen - One For My Baby (And One More For The Road)
[2:58] 20. Kay Starr - P.S. I Love You
[2:21] 21. Nancy Wilson - Satin Doll
[4:00] 22. Hoagy Carmichael - Skylark
[2:54] 23. Keely Smith - That Old Black Magic
[2:47] 24. Andy Russell - Too Marvelous For Words

Singer/songwriter Johnny Mercer was one of the founders of Capitol Records in the early '40s, so it's appropriate that he rates his own volume in the label's various-artists songbook compilation series of the 1990s (one that has already had discs devoted to Cole Porter and George Gershwin). As a lyricist working over a long career, Mercer provides a varied range of material for inclusion. This is a man who was setting words to 1930s swing hits like "And the Angels Sing," "Goody Goody," and "Satin Doll," and was still going strong in the 1960s, when he was writing movie themes like "Moon River" and "The Days of Wine and Roses" with Henry Mancini. In between, there were standards of the ‘40s such as "Blues in the Night" and "That Old Black Magic," and ‘50s favorites like "Autumn Leaves" and "In the Cool, Cool, Cool of the Evening." Capitol was devoted to singers, which allowed it to take advantage of the post-swing era of the late ‘40s and ‘50s when singers ruled. Tops among them was Frank Sinatra, a Capitol artist, who apparently didn't allow his recordings to be compiled on this sort of collection. But many other important singers are included, among them Judy Garland, Nat King Cole, Dinah Shore, and Dean Martin. And Mercer himself pops in several times, as do a couple of his composer collaborators, Harold Arlen and Hoagy Carmichael. Although Mercer has an identifiable writing style, full of a self-invented Southern slang ("swingeroonie!," "my huckleberry friend"), his teaming with different sorts of composers allows for many different musical styles on this disc, making it one of the rangier volumes in the series. ~William Ruhlmann

Capitol Sings Johnny Mercer

Marion Brown - Porto Novo

Styles: Saxophone Jazz
Year: 1994
File: MP3@320K/s
Time: 56:18
Size: 129,2 MB
Art: Front

( 6:25) 1. Similar Limits
( 6:08) 2. Sound Structure
( 5:49) 3. Improvisation
( 6:33) 4. Qbic
(11:53) 5. Porto Novo
(16:10) 6. And Then They Danced
( 3:17) 7. Rhythmus No. 1

This was one of altoist Marion Brown's best recordings. Although a very adventurous improviser, Brown usually brought lyricism and a thoughtful (if unpredictable) approach to his music. Accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink for this stimulating session (recorded in Holland), Brown stretches out on five of his compositions and is heard at the peak of his creative powers.By Scott Yanow https://www.allmusic.com/album/release/porto-novo-mr0000357302

Porto Novo

Greg Skaff - Polaris

Styles: Guitar Jazz
Year: 2021
File: MP3@320K/s
Time: 45:01
Size: 103,7 MB
Art: Front

(4:29) 1. Old Devil Moon
(3:54) 2. Angelica
(5:11) 3. Little Waltz (Duo)
(3:48) 4. Paris Eyes
(5:22) 5. Yesterdays
(4:30) 6. Mr. R.C.
(4:18) 7. Lady of the Lavender Mist
(3:17) 8. Polaris
(5:03) 9. Little Waltz (Trio)
(3:05) 10. Caminando
(1:59) 11. Ill Wind

The pandemic year of 2020 brought with it very little in terms of artistic endeavors, thanks to lockdowns and stay home orders. Yet even under extreme conditions, guitarist Greg Skaff managed to commit to tape some genuinely sublime music that is sure to be remembered as one of 2021'a most memorable releases. Of course, Skaff has been at the forefront of modern jazz guitar since his first big break in the '80s working with the legendary Stanley Turrentine.

Not always getting the press garnered by peers such as Peter Bernstein or Russell Malone, Skaff nonetheless has been part of a healthy New York scene over the past several decades working with an iconic list of employers such as Freddie Hubbard, Bobby Watson, Dr. Lonnie Smith and Mike LeDonne. His own recordings cover a good deal of ground, often putting him in the popular organ combo format. His great run with the Zoho label began in 2004 and culminated with 2017's Soulmation

For Polaris, Skaff was looking to stretch out in a format he had not previously used the standard trio of just guitar, bass, and drums. Without another chording instrument, Skaff carries the job of providing both the melody and supporting chordal structures. If that was not a heady enough prospect, he wanted to bring into the fold jazz luminaries Ron Carter and Albert Tootie Heath. The first sessions came together in the summer of 2019, however the second date almost didn't happen, coming in March of 2020 just as New York City entered lockdown.

The opening "Old Devil Moon" leaves no doubt that a simpatico relationship was established from the first note. Skaff had been working steady gigs with Carter's big band, but Heath and Carter have had few chances to get together over the years. Carter's huge tone fills in the spaces between Skaff's melody lines and Heath's ride cymbal propels the forward-moving momentum. Trading fours with the drummer, crisp snare drum accents echo naturally within the studio space, the recorded sound being another finely-carved facet of this jewel.

Heath drives the Ellington chestnut "Angelica" with his hybrid "Nawlins" groove. Skaff puts melody at a premium as he weaves together his filigreed phrases. The other number from the Ellington cannon, "Lady of the Lavender Mist" showcases the guitarist's lush chordal approach. Heath lightly feathers the beat with his eloquent brushwork. In a similar vein, "Yesterdays" opens with Skaff's burnished chordal work before giving way to Carter's extended statement.

Tipping his hat to the organ format he's favored for some time, Skaff offers up Larry Young's "Paris Eyes. The tune sparkles in this setting, complete with some tasty drum fills from Heath. The result of the drummer being late for the second session led to a fortuitous situation where Carter and Skaff tackled the bassist's "Little Waltz," first as a duo and then later again with Heath after he had arrived. Being in the moment, Skaff crafts unique statements in both versions, Carter's upward glissando closing the latter version on a sagacious note.

The significance of Skaff's original "Mr. R.C." will be immediately apparent to those in the know. Its open structure allows the guitarist to stretch out at a brisk tempo. The leader's title track also brings with it superb guitar lines, but its structure is based on a pedal tone that then breaks free during the turnaround. Skaff has stated he gathered bits and pieces of inspiration for this one from the late guitarist Vic Juris.

A beautiful parting statement, "Ill Wind," finds Skaff on his own. Considering what was yet to come in terms of the pandemic, the title seemed apropos for sure, but it also seems to come across with an optimistic tone that permeates the entire session.
By C. Andrew Hovan https://www.allaboutjazz.com/polaris-greg-skaff-smk-jazz

Personnel: Greg Skaff: guitar; Ron Carter: bass; Albert Tootie Heath: drums.

Polaris

Scott Hamilton, Paolo Birro, Alfred Kramer, Aldo Zunino - Poinciana

Styles: Contemporary Jazz
File: MP3@320K/s
Time: 58:29
Size: 134,2 MB
Art: Front

(4:51) 1. Birk's Works
(5:55) 2. By Myself
(5:31) 3. You Taught My Heart to Sing
(8:24) 4. Chloe
(5:49) 5. Confirmation
(5:50) 6. I Remember Clifford
(8:56) 7. Poinciana
(6:42) 8. Put on a Happy Face
(6:26) 9. Eu E a Briza

Jazz Saxophone Star Scott Hamilton returns to NativeDSD with Poinciana, his 8th Album in Stereo DSD 64 from Fone Jazz. Poinciana features Hamilton playing in a Jazz Quartet with Paolo Birro, Aldo Zunino and Alfred Kramer. Among the songs on the album are Poinciana by Nat Simon that gives the title to the album plus Birk’s Works by Dizzy Gillespie and Put On A Happy Face by Charles Strouse.

Giulio Cesare Ricci tells us “This album is part of recordings I made during the concerts at the Fonè Music Festival Piaggio in 2021. I recorded this album at the Auditorium Piaggio located inside the famous Museum in Pontedera, the place where Piaggio was born and where it still continues to produce today. It is a state-of-the-art recording with no sound manipulation, no equalization, no reverb, no compression and expansion. With natural sound and true timbre to best enhance the acoustics of the Auditorium of the Piaggio Museum. I used a “field effect” recording technique to bring the listener the live effect as if the listener were present at the performance.”https://www.nativedsd.com/product/sacd238-poinciana/

Personnel: Scott Hamilton, Saxophone; Paolo Birro, Piano;Aldo Zunino, Bass; Alfred Kramer, Drums

Poinciana