Time: 38:59
Size: 89.3 MB
Styles: Contemporary jazz
Year: 2015
Art: Front
[5:47] 1. Daahoud
[6:04] 2. Cherokee
[6:26] 3. Jordu
[8:08] 4. Willow Weep For Me
[7:28] 5. Sandu
[5:04] 6. Joy Spring
Rayford Griffin: drums; Phillp[e Saisse: keys; Everette Harp; sax; Doug Webb: sax; Rick Braun: trumpet; Brian Bromberg: bass; Michael "Patches" Stewart: trumpet;George Duke: keys; Nicolas Peyton: trumpet; Roy Hargrove: trumpet.
Reflections of Brownie, by drummer Rayford Griffin—Clifford Brown's nephew—pays tribute to pioneering trumpeter, not by trying to replicate Brownie's 1950s sound, but by updating it and giving it a new millennium sheen. Oddly, and delightfully, for a set that modernizes Brown, the disc spins to life with the child-like voice of Pee Wee Marquette, the diminutive 1950s MC at New York's Birdland, introducing "the trumpet sensation, Clifford Brown," followed by a rousing round of applause before the new century band kicks in, with "Daahoud," from, originally, the Clifford Brown Max Roach. Griffin and the band get funky. A driving Brian Bromberg electric bass and Griffin's deep groove drumming drives the horns, a rotating cast of trumpeters and sax guys.
Besides the modern drum/bass team, the keyboardists are the biggest factor in the update of the sound. Phillipe Saisse and the late George Duke supply the string-like drones and the dashes of pastel colors flashes of bright light that give the sound a dynamic smooth jazz feeling. And the horns are always fittingly gorgeous: Roy Hargrove, Rick Braun, Nicholas Payton on trumpet, Doug Webb and Everette Harp on saxophones. ~Dan McClenaghan
Reflections of Brownie, by drummer Rayford Griffin—Clifford Brown's nephew—pays tribute to pioneering trumpeter, not by trying to replicate Brownie's 1950s sound, but by updating it and giving it a new millennium sheen. Oddly, and delightfully, for a set that modernizes Brown, the disc spins to life with the child-like voice of Pee Wee Marquette, the diminutive 1950s MC at New York's Birdland, introducing "the trumpet sensation, Clifford Brown," followed by a rousing round of applause before the new century band kicks in, with "Daahoud," from, originally, the Clifford Brown Max Roach. Griffin and the band get funky. A driving Brian Bromberg electric bass and Griffin's deep groove drumming drives the horns, a rotating cast of trumpeters and sax guys.
Besides the modern drum/bass team, the keyboardists are the biggest factor in the update of the sound. Phillipe Saisse and the late George Duke supply the string-like drones and the dashes of pastel colors flashes of bright light that give the sound a dynamic smooth jazz feeling. And the horns are always fittingly gorgeous: Roy Hargrove, Rick Braun, Nicholas Payton on trumpet, Doug Webb and Everette Harp on saxophones. ~Dan McClenaghan
Reflections Of Brownie