Monday, November 10, 2025

Joe La Barbera Quintet - Silver Streams

Styles: Jazz
Year: 2012
Time: 62:16
File: MP3 @ 320K/s
Size: 142,6 MB
Art: Front

( 7:59) 1. Afluencia
( 7:08) 2. Bradley's, 2am
( 6:50) 3. Monkey Tree
( 7:03) 4. Bite Your Grandmother
( 6:21) 5. Jade Visions
(13:37) 6. Silver Streams
( 4:47) 7. Grace
( 8:27) 8. E.J.'s Blues

If there is a stream of any kind that runs through Silver Streams by The Joe La Barbera Quintet, it is the flow of energy—intense to the point of ignition—that is tapped. No meandering "Old Man River," this team drinks from the source with gusto and unified creativity. That shouldn't be a surprise, since La Barbera and his mates—each a Los Angeles first call musician—have performed together for decades.

La Barbera, one-third of a celebrated jazz family, with brothers saxophonist Pat La Barberaand composer/arranger/educator John La Barbera, is one of the busiest, most respected and beloved drummers in the business. He's performed worldwide with singer Tony Bennett, pianist Bill Evans and others in the jazz pantheon. Here he takes the leader's role and performs with his usual meticulous time, brilliant cymbal and set work and total immersion into the creative forces around him.

The eight selections, all superb originals, provide a diverse platform from which frontline performers and rhythm section deliver. The groove gamut is covered from classic hard bop ("Afluencia," "E.J.'s Blues") and straight-ahead stroll ("Bradley's, 2 AM?") to Frank Zappa-esque quirk ("Bite Your Grandmother"). Throughout the session the intensity and creative energy never let up.

The interplay between these superb players, elegantly subtle at times and in-your-face intense at others, is a joy. Front-liners Bob Sheppard (saxophones) and Clay Jenkins (trumpet) deliver ideas and interpretations which flitter back and forth with little or no regard for their respective instruments' limitations. Each pushes the other's envelope relentlessly, but never in a competitive manner.

Sheppard's saxophones blow from the serene ("Jade Visions") to sublime ("Grace"). His is a creative approach of sustained surprise and rhythmic invention. Jenkins, playing in a highly stylized manner, unabashedly channels Miles Davis and startles with his sound, technical gymnastics, lyric lines and utterly intelligent approach. Pianist Bill Cunliffe beautifully explores tonalities from the Impressionist to the post-Modern and bassist Tom Warrington is a rock throughout. The ensemble's moments of freer group play are a veritable highlight show.

Bill Evans talked about a "Universal Mind Force," into which the finest musicians tap. Silver Streams demonstrates what is ultimately possible when five stellar players merge to simultaneously access that force and deliver its awesome power through their magnificent music.
https://www.allaboutjazz.com/silver-streams-jazz-compass-review-by-nicholas-f-mondello

Personnel:

Joe La Barbera: drums;
Clay Jenkins: trumpet;
Bob Sheppard: tenor and soprano saxophone;
Bill Cunliffe: piano;
Tom Warrington: bass.

Silver Streams

Scott Silbert Quartet - Dream Dancing: Celebrating Zoot Sims At 100

Styles: Jazz
Year: 2025
Time: 73:28
File: MP3 @ 320K/s
Size: 169,6 MB
Art: Front

(7:19) 1. Dream Dancing
(5:15) 2. Louisiana
(5:51) 3. It's That Ole Devil Called Love
(6:34) 4. Deep In A Dream
(5:39) 5. All Too Soon
(5:50) 6. You Go To My Head
(3:39) 7. Blues For Louise (feat. Scott Silbert & Amy Shook)
(4:17) 8. Someday Sweetheart
(7:09) 9. Low Life
(5:20) 10. Round My Old Deserted Farm
(5:33) 11. Shadow Waltz
(6:22) 12. Ballad for Very Tired and Very Sad Lotus Eaters
(4:35) 13. Wee Dot

Eighty-one years after his recording debut, 44 years following his last recording session and 100 years since his birth, the music of John Haley “Zoot” Sims comes to life on Dream Dancing, Celebrating Zoot Sims at 100.

Like any Sims performance, the music of Scott Silbert and his quartet of Robert Redd on piano, Amy Shook on bass and Chuck Redd on drums is melodically rich, unassumingly timeless and unapologetically swinging.

Silbert, who spent 15 years as a woodwind player and arranger in the U.S. Navy Band, does an admirable job of capturing the warmth and soul of Sims on a set of familiar and some obscure standards as well as one original. Silbert floats over the bossa nova beat of Cole Porter’s “Dream Dancing” and Harry Warren’s “Shadow Waltz.” His ballad playing on familiar tunes such as “Deep in a Dream,” You Go to My Head” and “All Too Soon” is pure and honest as is his playing on under recoded ballads such as “It’s That Ole Devil Called Love,” “Low Life” and “Round My Old Deserted Farm.” He and the band swing hard on up-tempo numbers such as J.C. Johnson’s “Louisiana” and J.J. Johnson’s “Wee Dot.”  Like Sims, Silbert shows his soprano sax prowess on ‘Someday Sweetheart” as well as his ability to play the blues on a composition he wrote in honor of Sim’s wife — “Blues for Louise.” The rhythm section of Redd, Shook and Redd are in synch with Silbert much like folks such as Oscar Peterson, Jimmy Rowles, George Mraz, Jake Hanna and Mel Lewis who supported Sims on his numerous recordings.

One suggestion for volume 2 of Celebrating Zoot Sims at 100 would be to include some of the memorable tunes Sims wrote or tunes he made famous as a member of the Woody Herman Band or working with Al Cohn or Gerry Mulligan. Although Silbert’s Dream Dancing,

Celebrating Zoot Sims at 100 is a pleasant way to remember the warm sound and style Sims brought to jazz, a more meaningful way to celebrate Sim’s 100th years is to pick up one of the more than 100 recordings he appeared on during his four decades as a melodically rich, unassumingly timeless and unapologetically swinging jazz musician.
https://papatamusredux.com/2025/11/07/scott-sibert-dream-dancing-celebrating-zoot-sims-at-100/

Personnel:

Scott Silbert - tenor and soprano saxes
Amy Shook - acoustic bass
Robert Redd - piano
Chuck Redd - drums

Dream Dancing: Celebrating Zoot Sims At 100