Wednesday, October 9, 2013

Conte Candoli & Lee Morgan - Double Or Nothin'

Bitrate: 320K/s
Time: 46:25
Size: 106.3 MB
Styles: Trumpet jazz
Year: 1957/2003
Art: Front

[4:36] 1. Reggie Of Chester
[5:07] 2. Stablemates
[4:40] 3. Celedia
[5:41] 4. Moto
[4:39] 5. The Champ
[7:44] 6. Blues After Dark
[5:52] 7. Wildwood
[3:56] 8. Quicksilver
[4:06] 9. Bye Bye Blues

Rare recordings produced by Howard Rumsey with his incredible Howard Rumsey's Lighthouse All Stars and Charlie Persip's Jazz Statesmen.

"There was only a short week in which to record, so we made a date for a double session at Liberty's fabulous new studios... Lee Morgan and Frank Rosalino flipped into some original dance steps at the sound of the playbacks. It was a happy date." ~ Howard Rumsey

Recorded in Hollywood, California in 1957. Personnel: Conte Candoli, Lee Morgan (trumpet); Benny Golson, Bob Cooper (tenor saxophone); Frank Rosolino (trombone); Wynton Kelly, Dick Shreve (piano); Red Mitchell, Wilfred Middlebrooks (bass); Charlie Persip, Stan Levey (drums).

Double Or Nothin'

Lisa Hindmarsh - Chamomile Tea & Other Delights

Bitrate: 320K/s
Time: 47:24
Size: 108.5 MB
Styles: Vocal jazz
Year: 2007
Art: Front

[4:11] 1. Single Man
[4:00] 2. Where Did This Love Go Wrong
[3:17] 3. Funny, I Never Noticed Before
[3:10] 4. Why Wasn't I Advised
[3:50] 5. He Comes To Me
[4:08] 6. Are There Any More
[5:02] 7. Chamomile Tea
[5:17] 8. Fellas, Look At Me Now
[5:19] 9. I Can't Get Over Him
[6:06] 10. A Guy Like You
[2:59] 11. Love Is A Simple Thing 3

This is the second album in which Lisa Hindmarsh matches her matchless talent to the original songs of Dana Paul Robinson. As with the first CD, entitled "Hello Again", this one also features the superb arrangements and piano playing of Michael Frank. The performances - recorded live - also include some very persuasive percussion playing and some gorgeous horns.

All who have heard this recording rave about the quality of production, the dazzling prowess of the vocalist, and the power and delight of the melody and lyrics. Indeed, the reception is so encouraging Lisa, Mike and Dana have taken steps to produce a third CD.

Chamomile Tea & Other Delights

Etta Jones - So Warm

Bitrate: 320K/s
Time: 38:27
Size: 89.4 MB
Styles: Vocal jazz
Year: 1996/2006
Art: Front

[4:18] 1. Unchained Melody
[3:32] 2. I Laughed At Love
[3:07] 3. You Don't Know What Love Is
[3:34] 4. Hurry Home
[2:02] 5. I Wish I Didn't Love You So
[1:57] 6. You Better Go Now
[3:03] 7. And This Is My Beloved
[4:04] 8. I'm Through With Love
[2:42] 9. If You Were Mine
[2:48] 10. Can You Look Me In The Eyes
[3:33] 11. How Deep Is The Ocean?
[3:42] 12. All My Life

An excellent singer who is always worth hearing, Etta Jones grew up in New York and at 16, toured with Buddy Johnson. She debuted on record with Barney Bigard's pickup band (1944) for Black & White, singing four Leonard Feather songs, three of which (including "Evil Gal Blues") were hits for Dinah Washington. She recorded other songs during 1946-1947 for RCA and worked with Earl Hines (1949-1952). Jones' version of "Don't Go to Strangers" (1960) was a hit and she made many albums for Prestige during 1960-1965. Jones toured Japan with Art Blakey (1970), but was largely off record during 1966-1975. However, starting in 1976, Etta Jones (an appealing interpreter of standards, ballads, and blues) began recording regularly for Muse, often with the fine tenor saxophonist Houston Person. She died from complications of cancer on October 16, 2001, the day her last album, Etta Jones Sings Lady Day, was released. ~bio by Scott Yanow

So Warm

Denise Jannah - The Madness Of Our Love

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 52:19
Size: 119,8 MB
Art: Front

(3:10)  1. Dearly Beloved
(3:43)  2. Wide Awake
(7:54)  3. 'Round Midnight
(5:43)  4. My Favorite Things
(2:39)  5. The Madness Of Our Love
(2:41)  6. Just You, Just Me
(4:36)  7. Le Sourir De Mon Amour
(5:02)  8. My Foolish Heart/I Fall In Love Too Easily
(4:05)  9. Softly As In A Morning Sunrise
(3:06) 10. If Only
(5:22) 11. Harlem Nocturnes
(4:14) 12. Teach Me Tonight

An eclectic singer with three previous jazz albums, Denise Jannah has performed with such widely disparate organizations as the Willem Breuker Collective, the Carnegie Hall Jazz Orchestra, the Dutch Metropole Orchestra and starred in major productions of A Night At The Cotton Club and Ain’t Misbehavin’. Her attractive voice and crystal-clear delivery bring standards into instant focus while offering spirit and soul with distinction.
Supported by a veteran piano trio, Jannah toys with the beat. She never loses control, but moves in and out of time with the band again and again. Her four compositions reveal a penchant for employing meters as tools for driving home desired themes. Jannah’s waltz, "If Only," sweeps along easily with pleasant thoughts of what the future may hold, while "Wide Awake" swings to a steady 4/4 beat of sober tradition. "The Madness of our Love," in 5/4 time, flows seamlessly with grace, while "Softly as in a Morning Sunrise" surprises with an unusual 7/4 meter. Bassist Ira Coleman gives away the riffed secret, as drummer Carl Allen tempers with crisp, percussive logic. Up-tempo and with Brazilian overtones, the arrangement serves to showcase Jannah’s scat singing alongside her lyric delivery. Caressing the lyric of "’Round Midnight," she tells a convincing story. Elsewhere, with other familiar standards, Denise Jannah treats each song with respect while interpreting lyrics and making sure that her audience will remember the enjoyable session. ~ Jim Santella  http://www.allaboutjazz.com/php/article.php?id=5726#.UkDGHRAkI5c

Personnel: Denise Jannah- vocals; Bert van den Brink- piano; Ira Coleman- bass; Carl Allen- drums; Khalil Bell- shaker on "Le Sourire de mon Amour."

Cheryl Bentyne & Mark Winkler - West Coast Cool

Styles: Jazz Vocals
Year: 2013
File: MP3@320K/s
Time: 56:53
Size: 130,8 MB
Art: Front

(5:13)  1. Take 5/Drinks on the Patio
(3:42)  2. An Occasional Man
(2:58)  3. Let's Get Lost
(4:48)  4. Talk of the Town/Girl Talk
(4:24)  5. West Coast Cool
(4:13)  6. Something Cool
(4:52)  7. Route 66/Alright, Okay, You Win/Straighten up and Fly Right
(3:47)  8. Señor Blues
(4:02)  9. Lemon Twist
(3:16) 10. This Could Be the Start of Something Big
(3:15) 11. Hungry Man
(4:06) 12. All About Ronnie/Trouble Is a Man
(4:20) 13. In a Lonely Place
(3:52) 14. Cool (Unreleased Live Track)

In 2010, veteran Los Angeles singer/lyricist Mark Winkler joined forces with the The Manhattan Transfer's lead singer, multi-Grammy Award-winning artist Cheryl Bentyne, playing the music of the '50s and '60s commonly known as West Coast Jazz at venues throughout California and elsewhere. West Coast Cool is this remarkable duo's music-only version of their live show, turning its passion for the music into a vocal tribute of one of the most important styles in jazz history.

Defining the style may not be so clear, but general agreement concludes that it developed around the sounds coming out of the Los Angeles and San Francisco jazz scenes at the time, and was a bit mellower than the hard bop beats and rhythms of the East Coast, emerging as the cooler side of jazz. Winkler and Bentyne explore the music of Bobby Troup, Neal Hefti, Frank Loesser and others in bringing the cool style front and center, supported by a seasoned cast of musicians as they present a collection of duets on eighteen songs compressed into fourteen tracks of gorgeous medleys, several Winkler originals and a blend of cover tunes.

The date opens up with a medley of Paul Desmond's classic "Take 5," with the singers voicing Lola Brubeck's lyrics (Dave Brubeck's widow), then merging the piece with Winkler and Rich Eames' "Drinks On The Patio." Pianist Eames is part of the ensemble that performs on eleven of the pieces and arranges most of the tracks. Other superb medleys find the vocalists merging portions of well-known tunes like Troup's "Route 66" with Nat "King" Cole's "Straighten Up And Fly Right," and "Talk Of The Town" with the Hefti/Troup standard (and Winkler favorite), "Girl Talk."

Of the several solo pieces, Bentyne's sweet vocals marvel on "An Occasional Man" and on "All About Ronnie," while Winkler distinguishes himself on Loesser/Jimmy McHugh's exuberant "Let's Get Lost" and on the Marilyn Harris love ballad, "In A Lonely Place." The swing is on with several songs including "Hungry Man," featuring the great Bob Sheppard on tenor saxophone making his own substantial statement, while Tamir Hendelman's arrangement of Steve Allen's buoyant "This Could Be The Start Of Something Big" makes quite a splash.

The set ends appropriately with a taste of how the duo sounds in one of its many shows, with a live recording of another Harris/Winkler collaboration, "Cool." It's a swinging finale and final homage to the cool West Coast jazz sound of the past, re-imagined and resurrected by the smooth and vibrant vocals of Winkler and Bentyne, who together take that oft-used phrase "dynamic duo," to a much higher level.~ Edward Blanco  
http://www.allaboutjazz.com/php/article.php?id=45185#.UlNSjRBsidk

Personnel: Cheryl Bentyne: vocals; Mark Winkler: vocals; Rich Eames: piano (1, 2, 4-8, 10); Tim Emmons: bass (1, 2, 4-8, 10); Dave Tull: drums (1, 2, 4- 8, 10); Bob Sheppard: saxophones, flute (1, 2, 4-8, 10, 11); Nolan Shahead: trumpet (3); Anthony Wilson: guitar (9); Joe Bragg: Hammond B3 organ (9); Mark Ferber: drums (9); John Mayer: piano (11); Kevin Axt: bass (11); Ron McCurdy: drums (11); Eli Brueggeman: piano: (14); George Koller: bass (14); Mark Kelso: drums (14).

Anne Drummond (Feat. Benny Green, Brandi Disterheft & Kassa Overall) - Revolving

Styles: Jazz
Year: 2013
File: MP3@320K/s
Time: 36:24
Size: 86,8 MB
Art: Front

(4:29)  1. French Folk
(3:29)  2. Elan
(5:25)  3. Harold Land
(4:05)  4. Rustic Room
(1:00)  5. Interlude (French Folk)
(4:18)  6. Magic Beans
(4:39)  7. Early
(0:44)  8. Interlude (Revolving)
(5:37)  9. Revolving
(2:33) 10. Um a Zero

“...(Drummond's) fine technique is imbued with spirit and imagination.”
-JazzTimes

New York-based flutist and pianist Anne Drummond established her career with multiple recordings and international tours with Kenny Barron, Stefon Harris and many others throughout the early 2000s. With "Revolving," she draws from her repertoire of favorite originals to create a warm and diverse recording. Playing alto and soprano flutes as well as piano, she executes her concise, colorful melodies with an ease that is also reflected in the artistry of her world-class bandmates. Pianist Benny Green offers sweeping satisfaction with two of his first recorded originals. Percussionist Keita Ogawa lays down worldly grooves, and Brandi Disterheft serves the music with exceptional bass work. Guitarist Vic Juris, cellist Dave Eggar, drummer Kassa Overall, and pianist David Chesky also contribute great meaning and insight to this eclectic and sweeping set of original compositions.
http://originarts.com/recordings/recording.php?TitleID=82647

Revolving