Showing posts with label Jorge Rossy. Show all posts
Showing posts with label Jorge Rossy. Show all posts

Monday, August 26, 2019

Mark Turner - In This World

Styles: Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 60:26
Size: 139,7 MB
Art: Front

(7:33)  1. Mesa
(7:18)  2. Lennie Groove
(8:02)  3. You Know I Care
(6:48)  4. The Long Road
(6:45)  5. Barcelona
(7:56)  6. In This World
(5:02)  7. Days of Wine and Roses
(4:45)  8. Bo Brussels
(6:13)  9. She Said, She Said

A horde of promising young sax players has emerged in the 1990s, but only a few players have begun to find their voices. Mark Turner is one young saxman whose Muse has kept pace with his talent. The 33-year-old tenor saxophonist leads a band of clever young musicians on this thoughtful release, his second for Warner Brothers. Turner has developed a unique style inspired by John Coltrane's modal flights and Warne Marsh's unpredictable chordal experiments. This time Turner delivers six originals and three covers, and each track is energized by the incredibly powerful presence of Brad Mehldau on piano. In This World offers complicated music, a point that's reinforced by Mehdlau's pedantic liner notes. Take the pianist's description of the opening track, entitled "Mesa:" "Opting for mediant relationships instead of dominant-tonic, and casting a mixolydian blur on the dominant seventh chord with the added fourth, he (Turner) conjures a world of half-lights and shadows, filled with achy, suffused longing." Translation: "Mesa" is an ethereal piece that evokes a desert. Complex as these songs are, there is also something inherently tranquil about them. Unlike the majority of young reed players, Turner is not so intent on dazzling us with technique. He's smart enough to be subtle, and his vision takes in the total ensemble. Most of his solos sound like conversations rather than monologues, and most are played at the high end of the tenor sax register. Like Coltrane, Turner started out on alto before he switched to tenor. The young saxman has a very warm tone and an almost spiritual feel for his instrument, qualities that have earned him great respect among his peers. It's telling that Joshua Redman played on his debut ( Mark Turner ) released earlier this year, and that the great James Moody teamed with him on the excellent Warner Jams, Volume Two in 1997. 

Now he's landed Mehldau, the hottest young pianist in jazz. Perhaps owing to the time the two spent together in the TanaReid band, the rapport between Mehldau and Turner seems almost telepathic. They snake their way through this Trane-like terrain with inspired synergy. Dexterous support is provided by Larry Grenadier on bass and New Orleans native Brian Blade on drums. The latter is an intense musician who contributes ambience as well as rhythms. Drummer Jorge Rossy also plays on two cuts, while inventive guitarist Kurt Rosenwinkel appears on three. Besides "Mesa," highlights among the nine tracks include "You Know I Care," a beautiful ballad written by Duke Pearson; "Days of Wine and Roses," which is given a fast-paced treatment; "The Long Road," a multi-hued piece and one of three cuts that feature Mehldau on electric piano; and "Bo Brussels," a wild free-form improvisation. "Lennie Groove" is derived from Lennie Tristano's "Lennie's Pennies," and it showcases some incredibly complex interplay between Turner and Mehldau and intriguing solos by each. My favorite track is "Barcelona," a Turner original that swings in noble fashion. The title track includes a gorgeous serpentine duet between Turner and Rosenwinkel. A cover of the Beatles' "He Said, She Said" even has a Ringo-like back beat. Mark Turner stands with James Carter, Joshua Redman and Chris Potter as one of the most talented  and focused  post-bop saxophonists to emerge in the 1990s. While casual jazz fans might find In This World a difficult listen, anybody who's into Coltrane, Tristano, or Marsh should really dig it. ~ Ed Kopp https://www.allaboutjazz.com/in-this-world-mark-turner-warner-bros-review-by-ed-kopp.php

Personnel:  Mark Turner – tenor saxophone; Brad Mehldau – piano, electric piano; Kurt Rosenwinkel – guitar; Larry Grenadier – bass; Brian Blade – drums; Jorge Rossy – drums

In This World

Friday, November 16, 2018

Jorge Rossy - Stay Here

Styles: Vibraphone Jazz
Year: 2016
File: MP3@320K/s
Time: 51:35
Size: 118,3 MB
Art: Front

(5:49)  1. Who Knows About Tomorrow
(4:32)  2. Portrait
(4:05)  3. Artesano
(5:16)  4. Blessed
(2:00)  5. Mark's Mode
(5:48)  6. The Newcomer
(6:19)  7. W Waltz
(4:23)  8. Pauletta
(7:04)  9. Mmmyeah
(6:15) 10. Stay Here

Jorge Rossy’s work as a drummer has been so celebrated that casual listeners may be unaware of his chops as a multi-instrumentalist. His repertoire of skills includes trumpet and piano, and Stay There further extends his range to vibraphone and marimba. He’s joined for this 10-track excursion by a sterling band that has previously toured as the Jorge Rossy Vibes Quintet: tenor saxophonist Mark Turner, guitarist Peter Bernstein, bassist Doug Weiss and drummer Al Foster. Rossy’s approach to the mallets is as clean and melodically engaged as his drumming. He tackles his solos from a shade behind the beat, giving his lines the subtlest flavoring of tension and drama. The vibraphonist is also the composer of seven of this album’s tracks, his tunes providing his musicians plenty of airy, open ground on which to interact and assert themselves. “Portrait” proceeds from Bernstein’s burnished intro to reverb-heavy Rossy atmospherics and wailing phrases from Turner. Foster guides the malleable dynamics of “Who Knows About Tomorrow” with equal parts lightness of touch and rhythmic force. On “MMMyeah,” the drummer’s tinging cymbals mesh with Weiss’ firm-handed flow to craft a steady-rolling undercurrent for sharp-edged solos from Bernstein and Rossy. Turner’s gift for emotional clarity is spotlighted on the understatedly mysterious “Mark’s Mode,” and the title track’s smooth, shuffling rhythm sets up a Rossy solo that is simultaneously his most straightforward and expressive playing of the album. Guillermo Klein’s “ArteSano” offers chiming marimba chords, African-inflected support from Foster and a bracing solo by Weiss. 

“The Newcomer,” composed by Rossy’s sister Mercedes, is a pensive ballad coaxing gently felt statements from Weiss, Bernstein and an especially warm-toned Turner. Foster contributes the breezy “Pauletta,” where Rossy adds glistening accents and Bernstein takes a quietly cheerful solo. The tune’s effect epitomizes the entire album: easily enjoyable music, unimpeachably well played. ~ Matt R.Lohr https://jazztimes.com/reviews/albums/jorge-rossy-stay/
 
Personnel:  Jorge Rossy - vibes, marimba;  Mark Turner- tenor saxophone;  Peter Bernstein - guitar;  Doug Weiss - bass, Al Foster - drums.

Stay Here

Tuesday, November 6, 2018

Jorge Rossy, Michael Kanan - Bud

Styles: Vibraphone Jazz
Year: 2017
File: MP3@320K/s
Time: 57:17
Size: 131,4 MB
Art: Front

(5:25)  1. Blue Pearl
(4:25)  2. Monopoly
(6:39)  3. I'll Keep Loving You
(5:22)  4. Tempus Fugit
(4:10)  5. Parisian Thoroughfare
(4:32)  6. Celia
(3:53)  7. Hallucinations
(3:13)  8. Willow Groove
(3:09)  9. Dusk in Saudi
(6:06) 10. The Fruit
(4:56) 11. Un Poco Loco
(5:22) 12. Bouncing with Bud

"For this third offering by our quartet, we have once again chosen the work of a single composer. Bud Powell is widely acknowledged as one of the great pianists in jazz history. His compositions, like his playing, are innovative, sophisticated, lyrical, and swinging. Playing with Jimmy Wormworth and Putter Smith really made this possible. They are both part of thegeneration for whom swing is naturaland having an individual voice is a mandate." ~ Michael Kanan https://www.freshsoundrecords.com/jorge-rossy-michael-kanan-albums/6700-bud.html

Personnel:  Jorge Rossy (vibraphone & marimba);  Michael Kanan (piano);  Putter Smith (bass);  Jimmy Wormworth (drums)

Bud

Wednesday, June 27, 2018

Rossy & Kanan Quartet - Play The Music Of Harold Arlen

Bitrate: MP3@320K/s
Time: 53:05
Size: 121.5 MB
Styles: Vibraphone jazz
Year: 2017
Art: Front

[6:12] 1. It's Only A Paper Moon
[6:30] 2. Ill Wind
[4:57] 3. Let's Fall In Love
[5:15] 4. I've Got The World On A String
[4:41] 5. Accentuate The Positive
[6:44] 6. Come Rain Or Come Shine
[5:08] 7. If I Only Had A Brain
[8:44] 8. The Man That Got Away
[4:49] 9. Ding Dong The Witch Is Dead

Contrabass – Putter Smith; Drums – Jimmy Wormworth; Piano – Michael Kanan; Vibraphone, Marimba – Jorge Rossy. Recorded by Adrián Mateo at "Bon Repos" Begues, Barcelona, August 11 & 12, 2016.

That incredible musician Jordi Rossy has continued to surprise us ever since he decided to call time on his stint as a drummer with Brad Mehldau’s trio. Now he presents his new project as a vibraphone player with a top-class international quartet. He is accompanied by the pianist Mike Kanan (Jane Monheit) along with the veterans Jimmy Wormworth (Lou Donaldson, Charlie Rouse) and Putter Smith (Thelonious Monk, Duke Ellington, Art Blakey). The same line-up with which last year he offered us a very particular review of the work of George Gershwin now looks at another classic: Harold Arlen.

Play The Music Of Harold Arlen