Monday, July 27, 2015

James Brown - Jazz

Bitrate: MP3@320K/s
Time: 56:12
Size: 128.6 MB
Styles: R&B/Funk/Jazz
Year: 2007
Art: Front

[4:06] 1. That's My Desire
[5:39] 2. After You're Through [extended Version]
[4:14] 3. Tengo Tango
[5:10] 4. Home At Last [alternate Mix]
[6:30] 5. All About My Girl
[4:00] 6. There
[3:39] 7. All The Way
[6:04] 8. Why (Am I Treated So Bad)
[2:42] 9. What Do You Like
[3:26] 10. Cottage For Sale [alternate Mix]
[5:56] 11. Go On Now [alternate Mix]
[4:39] 12. For Once In My Life

One of the many compilations issued in the wake of James Brown's passing in 2007 is this rather strange and necessary one produced by Alan Leeds and Harry Weinger. There's no irony in the title, and it's only a little misleading. Brown loved all kinds of music throughout his lifetime and made no secret of it. This set compiles 12 cuts, all of which Brown originally produced, that accent the jazzier -- and sometimes near all-out jazz (though everything on this baby has more than a little soul grit mixed in) -- side of the Godfather. The coolest thing about this set is that it contains numerous unreleased alternate mixes, extended versions, single edits, and literally unreleased versions and tunes that span from standards and soul-jazz cuts to '70s-era pop tunes. Ranging from 1964's reading of the Adderley Brothers' "Tengo Tango" (never before issued in any form) to a 1970s alternate mix of "For Once in My Life," this is perhaps among the most ambitious of Brown recordings to be released in quite some time. Released gems here include Brown on a killer B-3 take of Jimmy McGriff's "All About My Girl" in 1966 and his version of Joe Zawinul's "Why (Am I Treated So Bad)" from 1967. In between, there are hip mixes of standards like "Cottage for Sale" and "That's My Desire." The sequencing here is not stale either, since it's not chronological. In fact, since it bookends in the year 1970, with the 1960s material sandwiched between, it's rather wonderful aesthetically. Recommended. ~Thom Jurek

Jazz

Cristina Braga - Samba, Jazz And Love

Bitrate: MP3@320K/s
Time: 48:17
Size: 110.5 MB
Styles: Contemporary jazz
Year: 2012
Art: Front

[4:55] 1. Love Parfait
[4:14] 2. O Barquinho
[3:52] 3. Samba E Amor
[4:37] 4. Desafinado
[4:13] 5. Rio Paraiso
[7:17] 6. Triste De Quem
[3:12] 7. Só Danço Samba
[3:41] 8. Preciso Me Encontrar
[5:21] 9. Canta Mas
[4:22] 10. Chovendo Na Roseira
[2:28] 11. Desde De Que O Samba é Samba

Cristina Braga is something of a unique pleasure - she sings, she plays the harp, she does both with an ensemble of friends on this very soothing and gentle CD of music from her native Brazil. Braga is principal harpist with the Rio de Janeiro Symphony and has worked as a soloist with many symphony orchestras. She is also professor of harp at the Federal University of Rio de Janeiro and a member of the directors' board of the World Harp Congress. She is considered one of the most important harpists in South America - showing the world a harp with Brazilian soul, spreading out the possibilities of her instrument and introducing listeners worldwide to the sound of the Latin American jazz harp. And now she proves that she is as comfortable in popular music as she is in the classics.

In addition to her own improvisational use of the harp as her accompanist, she here adds a supportive group of musicians to enhance her appeal. The ensemble, then, is Cristina Braga voice and harp, 
Ricardo Medeiros, doublebass
, Jessé Sadoc, trumpet and flugelhorn, 
Joca Moraes, alfaia drums and tambourin, and 
Arthur Dutra, vibraphone. ~Grady Harp

Samba, Jazz And Love

Warne Marsh Quartet - The Unissued Copenhagen Studio Session

Bitrate: MP3@320K/s
Time: 64:16
Size: 147.1 MB
Styles: Saxophone jazz
Year: 1997
Art: Front

[7:21] 1. Blues In G Flat
[3:28] 2. After You've Gone
[6:05] 3. The Song Is You
[5:45] 4. Lennie Bird
[5:59] 5. It's You Or No One
[6:36] 6. God Bless The Child
[5:44] 7. The Way You Look Tonight
[6:19] 8. Without A Song
[6:18] 9. You Don't Know What Love Is
[5:39] 10. Be My Love
[4:59] 11. Lennie Bird

Warne Marsh tenor sax, Dave Cliff guitar, Niels-Henning Ørsted Pedersen bass, Alan Levitt drums. Recorded December 28, 1975.

Towards the end of 1975 the Danish Jazz Exchange, made up of 100 dedicated jazz enthusiasts, decided to set up a fund to bring over their favourite musician and by an overwhelming majority vote Warne was elected to this position. It was decided to record Warne in the studio; now, for the first time, the results of the Rosenberg Studio dates are released. This compact disc comprises the quartet titles with Warne leading British guitarist Dave Cliff, Danish bass player Niels-Henning 0rsted Pedersen and American drummer Alan Levitt, all of whom had worked with Marsh during the month of December. The day after the quartet date Marsh, NHØP and Levitt returned to the same studio. You will find the results of the trio session on Storyville STCD 8278.

The Unissued Copenhagen Studio Session                 

Karen Sharp - Wait And See

Styles: Saxophone Jazz
Year: 2007
File: MP3@320K/s
Time: 58:46
Size: 134,8 MB
Art: Front

(4:17)  1. Helola
(5:29)  2. Wait And See
(6:46)  3. Bright Moments
(6:09)  4. Stop
(5:03)  5. The Shortest Day
(5:18)  6. Pure Imagination
(5:30)  7. Struttin' With Some Barbecue
(6:09)  8. Princess Olive
(4:51)  9. After All
(5:36) 10. Tufty
(3:32) 11. Blue Rol

Karen Sharp’s latest quintet album “Wait and See” was recorded in November 2006 for “33 Records” and features a collection of original compositions by Karen, mixed with renditions of some of her favourite jazz tunes from the last century.It features Karen on tenor and baritone saxes, Adrian Fry on trombone, Richard Busiakiewicz on piano, John Day on bass and John Perry on drums.

“One of the most rewarding consequences of wearing two hats - labelled bandleader and broadcaster respectively - is the unique opportunity it offers to witness talent unfolding. Karen Sharp’s new album confirms what I have already observed, that over the past three or four years, she has steadily I might almost say stealthily developed into a major artist on the scene.” ‘ Wait and See’ is a delight from start to finish.”
~ Humphrey Lyttelton http://www.jazzcds.co.uk/artist_id_127/cd_id_1466

Personnel:  Karen Sharp - tenor / baritone saxophone;  Adrian Fry – trombone;  Richard Busiakiewicz – piano;  John Day – bass;  John Perry - drums

Wait And See

Jeb Patton - A Lovesome Thing

Styles: Piano Jazz
Year: 2006
File: MP3@320K/s
Time: 52:38
Size: 120,9 MB
Art: Front

(6:09)  1. Love Walked In
(3:37)  2. Worlds Apart
(6:06)  3. Flower Is A Lovesome Thing
(3:15)  4. Begin The Beguine
(4:41)  5. Relaxin' At Camarillo
(6:51)  6. Hanna's Mood
(7:11)  7. TF
(3:55)  8. Wise Ones
(5:04)  9. Fantasy In F-Sharp Minor
(5:44) 10. Yemenja

Described as both a “young phenom…on piano” and an “absolute great,” Jeb Patton has earned a well-regarded reputation in the international jazz community. The multi-talented Patton is known as a “player of great expression” and “not one to tread the predictable,” as well as a “simpatico accompanist” for The Heath Brothers, an “innovative” arranger, and one who “cuts…[an] impressive swath on his composition, ‘Hanna’s Mood,'” a tribute to his late teacher, Sir Roland Hanna. Jeb Patton graduated magna cum laude with a Bachelor of Arts and Sciences degree with a major in music from Duke University, where he studied piano with Tibor Szasz, Douglas Buys, and Jane Hawkins. As a member of the Duke Jazz Ensemble under Paul Jeffrey, he performed with and/or arranged for more than 60 professional jazz artists, including 48 musicians from New York and more than 12 international jazz musicians from Italy, Monaco, and Portugal.

Studying under Sir Roland Hanna and Jimmy Heath, Jeb earned his Master of Arts degree, summa cum laude, in 1997 from the Aaron Copland School of Music, Queens College, City University of New York, where he also received the Louis Armstrong Award for composition from the ASCAP Foundation. Since graduating, Jeb has toured throughout the United States and abroad with the Heath Brothers and with Jimmy Heath’s Generations Quintet, performing in theaters, festivals, concert halls, colleges, and clubs. Since moving to New York in 1996, Jeb has also played with Etta Jones, the Faddis/Hampton/Heath Sextet, Winard Harper’s group, and Antonio Hart’s Quintet, Paul West, Rufus Reid, Peter Washington, Lewis Nash, Steve Nelson, Ralph Peterson, John Ore, Jimmy Cobb, Lonnie Plaxico, Carl Allen, Kyoshi Kitigawa, Jackie Mclean, Frank Wess, James Moody, Terell Stafford, Sean Jones, Diego Urcola, Jeremy Pelt, Gerald Cannon, Willie Jones III, Steve Davis, Keter Betts, Eddie Locke, Marlene Verplank, among others. Major national and international festival appearances with the Heath Brothers include Savannah Music Festival (2005), New Orleans Jazz and Heritage (2005), Tri C Festival (2005), Newport (Rhode Island, 2004), Mt. Hood (Oregon, 2004), Charlie Parker Festival (NYC 2004, 2002), Atlanta (Georgia, 2004), Baden-Baden Festival (Germany, 2003), 8th Salzburg Jazz Autumn Festival (Austria, 2003), 45th Annual Monterey Jazz Festival (California, 2002), 3rd Annual Healdsburg Jazz Festival (California, 2001), North Sea Jazz Festival (Holland, 2000), Äarhus Jazz Festival (Denmark, 2000), the Pori Festival (Finland, 1999), Graz “Jazz-Sommer” (Switzerland, 1999), and Wiggin Jazz Festival (England, 1999),

Recent New York City metro area appearances with the Heath Brothers include “Birds of a Feather: A Charlie Parker Tribute,” at the New Jersey Performing Arts Center, May 21, 2004, (also featuring the Roy Haynes Quintet), and the January 24, 2004, NEA Jazz Masters Award Concert. Other notable New York City performances include the Opening Nights of Jazz at Lincoln Center, Jimmy Heath’s 75th Birthday Celebration, October 19 and 20, 2001; and Jazz at Lincoln Center, Duo Series with Percy Heath in the Stanley Kaplan Penthouse, February 1 through 3, 2001. Performances in 2003 included a concert at the Chamber Music Hall in Berlin that was broadcast on Berlin Jazz Radio and a concert series in Rome. In September 2000, Jeb traveled to Greece with the Carnegie Hall Jazz Band under the direction of Jon Faddis and at the invitation of the Consulate General of the USA to perform Ellington’s “Black, Brown and Beige Suite.” He has also appeared on three S.S. Norway Jazz Cruises as part of the Jimmy Heath Big Band, with Jimmy’s small band, and with the Heath Brothers.

Career highlights also include performing with Antonio Hart at the Kennedy Center in October 2003 at the National Visionary Leadership Project Gala and Awards Dinner. As protégés of Jimmy Heath, the duo performed a medley of all Jimmy Heath compositions in honor of Heath being named a Visionary in the Performing Arts. Inspired by the late Sir Roland Hanna, Patton is also very involved with classical music. Recent classical performances include a solo recital at Queensborough Community College featuring the Chopin Ballades and two performances with the New York Philomusica. These concerts featured Ellington’s concerto, A New World A-Comin’ arranged for chamber ensemble, Haydn Piano Trio in Eb major, and a premiere of a chamber piece by Michael Berkeley. In addition, Patton performed Ellington’s concerto with the Queens College Orchestra in honor of Sir Roland Hanna, and has performed extensively with Coleridge-Taylor Perkinson’s New Black Music Repertory Ensemble. Patton is currently studying classical piano with Lawrence Schubert. Presently, when Jeb is not on the road with the Heath Brothers, he teaches musicianship and piano at Queensborough Communtiy College. Duties also include substituting for professors at Queensborough and Queens Colleges, giving lectures on jazz history, music appreciation, and coaching ensembles. ~ Bio  http://www.jebpatton.com/bio/

A Lovesome Thing

Jan Verwey - The Miles Davis Project

Styles: Jazz, Bebop
Year: 1997
File: MP3@320K/s
Time: 58:39
Size: 134,8 MB
Art: Front

( 6:18)  1. Milestones
( 3:23)  2. Tune Up
( 5:43)  3. Blue in Green
( 6:11)  4. So What
( 6:47)  5. Nardis
( 7:07)  6. Fran-dance
(10:14)  7. Flamenco Sketches
( 6:17)  8. Four (Or Three)
( 6:34)  9. Freddy Freeloader

Born in February 24, 1936. Chromatic harmonica and jazz; as one of the few who dared to play the harmonica for their livelihood, Jan is probably the only one who succeeded in creating his own style on this characteristic instrument. He is, for instance, the only one who plays octaves on the harmonica. Also in his solo’s. Jan Verwey is very much a bebopper and entirely self-taught. Thanks to his unique self-developed instrumental technique, he boldly brings about his desired harmony and melody to his solo’s. How exceptional his quality is, shows the fact that during his first visit to the USA (early autumn 1990), he was immediately rushed into the recording studio by top-producer Bill Goodwin (drummer for Phil Woods) to record the Cd The Dutch Connection wich led to a performance at the North Sea Jazz Festival in the Netherlands.

In 1991 he was back in the USA, being the only European invited to play at, among others, the festival Celebration Of The Arts in Watergap, as a soloist. He also gave a duo concert with pianist Hod O’brien (known for his albums with Chet Baker) at the well known Jazz-club The Dearhead Inn. In 2007 he was playing at festivals in Medicine Hat and Calgary (Canada). He also played at different venues in Europe. Recently he played in Copenhagen, Frankfurt and (at Birdland ) Hamburg. Different projects and accomplishments in The Netherlands: Nomination for the Pall Mall Export Award. Guest soloist with the Metropole Orchestra. Guest in television- and radio-shows. Composer for TV-series, documentaries and commercials. http://musicians.allaboutjazz.com/janverwey

The Miles Davis Project