Syd Lawrence - Syd Lawrence with the Glenn Miller Sound

Styles: Jazz, Big Band
Year: 1969
Time: 36:27
File: MP3 @ 320K/s
Size: 83,5 MB
Art: Front

(3:25) 1. Chattanooga Choo Choo
(4:01) 2. St. Louis Blues
(4:01) 3. Perfidia
(3:23) 4. American Patrol
(3:24) 5. In the Mood
(2:52) 6. Pennsylvania 6-5000
(4:07) 7. Tuxedo Junction
(3:18) 8. Adios
(4:28) 9. At Last
(3:22) 10. String of Pearls

Born in Wilmslow, Cheshire, England, in 1923, Lawrence was a talented trumpet player during World War II. He wrote and arranged music. He was based in Cairo during the war years, playing and arranging for the RAF service bands. After he left the armed forces, he played with some of the leading British dance bands of the 1940s, finally being invited to join the BBC Northern Dance Orchestra in 1953. He stayed with this band for sixteen years playing alongside fellow trumpet player Stan Hibbert.

In 1967, Lawrence teamed up with several of his colleagues at the Northern Dance Orchestra to play the music that he was most enthusiastic about, that of Glenn Miller. Early concerts at the Mersey Hotel in Manchester were a success, and larger venues were found to play in as the reputation of his band grew.

Respected comedian Les Dawson discovered the Syd Lawrence Orchestra playing in a bar. He liked them so much, that he wanted them to play backing music for his show Sez Les. He begged Yorkshire Television to give them a chance and they did. And so the Syd Lawrence Orchestra was given their first real break on TV and a regular spot on the comedy show. As the music became more popular, Lawrence and his band started touring around the UK, which they did with great success for many years.

In 1969 he signed with Philips Records and the band's first release was on the low-price Contour label (catalogue no. 6870 550), selling at 10/6d. Titled "Syd Lawrence with the Glenn Miller Sound", and credited to The Syd Lawrence Orchestra, it was recorded at Strawberry Studios on 23 and 25 September 1969. It had ten tracks, all being songs or tunes previously recorded by Miller between 1939 and 1942; some being slightly extended or rearranged. The Orchestra went on to record about fifteen long playing albums, usually at the Strawberry Recording Studios in Manchester along with radio and television appearances on variety shows. He appeared with his band on 3-2-1 and also occasionally was a vocalist.

Lawrence retired from touring in 1994 and died of an aneurysm in 1998. Following his death, the Syd Lawrence Band continued on and still tours. The orchestra was led by Bryan Pendleton, and is currently led by Chris Dean. In 2011 it was voted the Best Big Band in the Land for the 11th consecutive year.https://en.wikipedia.org/wiki/Syd_Lawrence

Syd Lawrence with the Glenn Miller Sound

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Al Grey - Grey's Mood

Bitrate: 320K/s
Time: 54:30
Size: 124.8 MB
Styles: Bop, Trombone jazz
Year: 2008
Art: Front

[5:05] 1. Face It Here It Is
[5:06] 2. Night Train
[3:14] 3. Catch up with that (Take 2)
[3:29] 4. Solitude
[6:21] 5. Grey's Mood
[2:56] 6. Drums On Chris
[7:04] 7. Bedroom Eyes
[6:33] 8. Something For Grey
[2:23] 9. Shufflin' In Orange's Arenes
[8:50] 10. Mellow For Love
[3:24] 11. Catch up with that (Take 1)

This excellent set (last available as a Classic Jazz LP) features Al Grey on two sessions in peak form. The trombonist is the lead voice in an octet for four numbers that also feature tenorman Hal Singer, and he joins forces with tenor saxophonist Jimmy Forrest (they were both in Count Basie's band at the time) in a quintet also including pianist Tommy Flanagan for three other tunes. Grey wrote six of the seven numbers, all but one of which are blues. Grey and Forrest would soon leave Basie and team up on a regular basis until the tenor's death. Accessible and swinging music.By Scott Yanow

Grey's Mood

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Jane Duboc/Gilson Peranzzetta - The Smiling Hour

Styles: Vocal
Year: 2024
Time: 43:47
File: MP3 @ 320K/s
Size: 101,0 MB
Art: Front

(3:41) 1. The Smiling Hour
(4:57) 2. No Tomorrow
(3:11) 3. Iluminados
(6:11) 4. Love Dance
(3:22) 5. The Island
(3:56) 6. Velas Içadas
(4:34) 7. Remember Me
(4:15) 8. Vieste
(6:20) 9. September
(3:17) 10. Aos Nossos Filhos

Jane Duboc is an experienced singer and composer. Having worked with names such as Toninho Horta, Djavan and Sivuca, she has appeared on more than 100 albums. Milton Nascimento and Toninho Horta composed several themes especially for her, and is an awarded professional. Since her childhood, she studied classical piano and acoustic guitar at the conservatory. At this time, she led several vocal and instrumental groups which were presented in school festivals, with good TV coverage.

At 17, having received a scholarship to study piano, violão, voice and flute at the Music College of Georgia University, in Columbus, GA, she lived there for six years, having married musician Gay Vaquer, with whom she had his son Jay Vaquer. During that time, she formed the Fane Jazz Band, which she led, playing violão, guitar and singing. She also gave Music History classes in the university. In 1971, she interpreted "No ano 83" (Sérgio Sampaio) in Rede Globo's VI FIC (International Song Festival).

In 1977, she returned to Brazil, forming English-singing Group Fein. Her song "Pollution" attracted the interest of late poet/singer/composer Raul Seixas, who was committed to social criticism. He decided to record it as a single, but censorship vetoed the lyrics as "subversive", so she had to scat-sing it. That opened to her the opportunity of participating in Raul's own records. Then she joined arranger/producer/conductor Erlon Chaves' Banda Veneno, having recorded two albums with them. She also was a member of Rede Globo' choral, which had several engagements in the vignettes and soundtracks of that major TV outing, also participating in an Chico Anísio' album. With Gay Vaquer she recorded an album for RCA, Mourning the musicians, with the participation of important musicians such as Luiz Eça, Paulo Moura and Noveli.

Soon she would be touring with Egberto Gismonti with his shows "Água e vinho I e II," and appearing in Egberto's album "Tree" as backing vocalist and percussionist. Wrote and recorded the soundtrack for movie Janaína (with Marlene França) and for the play "Encontro no bar," with Camila Amado and Otávio Augusto. Recorded the albums Acalantos Brasileiros and Música popular do Norte, for label Marcus Pereira. The latter was recorded live during shows which carried the same name, with the participation of Elis Regina and Nara Leão. With Guto Graça Melo she composed and recorded the soundtrack for the movie Amor bandido, by Bruno Barreto. In 1978 she joined the Rio Jazz Orchestra, led by saxophonist/surgeon Marcos Szpillman, singing jazz and standard themes.

Appeared in the albums of the Motokas, Skates, Claudinha Telles and Roupa Nova, at the time "The Fanks." Recorded her first Lp in 1980, Languidez (Aycha), in which worked Hélio Delmiro, Luís Avelar, Osvaldo Montenegro, Toninho Horta, Djavan and Sivuca. Was awarded as the best interpreter of the Rede Globo' MPB Shell - National Song Festival, with song "Saudade." This brought to her a contract with label Som Livre, for which recorded the single "Cheiro de Amor," a hit soon recorded again by Maria Betânia. She also worked in that label with the vocal group Cantamor, and recorded two more albums there. In 1982, she recorded her solo album Jane Duboc (Som da Gente), and was awarded as the best interpreter of the I Festival da Mulher (I Woman's Festival) in São Paulo, SP. In the same year she had a good rating in the MPB Shell Festival with song "Tentação" (Tunai/Sérgio Natureza). In 1983 she recorded "A valsa dos clowns" (Edu Lobo/Chico Buarque) for the album O grande circo místico (Som Livre). In 1985 issued LP Ponto de partida (RCA), with special guest Toquinho. With Toquinho she would also tour Brazil and Italy with his show Doce vida, praised by many including Elis Regina, and would record the soundtrack album in Milan. In 1986 she sang for more than 30.000 people, at the anniversary of Belo Horizonte MG. Her 1987 album Minas em mim (Continental) had the songs composed especially for her by Milton Nascimento, Toninho Horta and Tavito, among other names. Also, it was arranged by great musicians César Camargo Mariano, Chiquinho de Morais and Cido Bianchi.

This year is a milestone in her career, as she bent towards more sentimental interpretations and compositions, aiming the major audience. Her single "Chama da paixão" was a big hit reaching the Top Five. "Sonhos" was another hit. Her songs were included in the highly popular Brazilian soap-operas, a deed repeated by her delivery of "Besame" (Flávio Venturini/Murilo Antunes). She would record also the albums Feliz (1988), Brasiliano (1991, Globo Records), Jane Duboc (1993), and Partituras (1995). Was awarded with the Prêmio Sharp de Música, as the best singer of 1992. In March, 1996, together with saxophonist/conductor Roberto Sion, inaugurated a major convention center in Japan, recording there the CD From Brazil to Japan, then touring all Japan. With renowned violonista Sebastião Tapajós she recorded in 1997 the album Da minha terra, a tribute to Pará's composers. She also wrote the books Entre paredes (poems) and child musicals Jeguelhinho and Bia e Buze. By Alvaro Neder

One of the most requested contemporary arrangers and pianists of MPB, Gilson Peranzzetta has had classical training since he was a child, also being heavily influenced by jazz and Brazilian instrumental music. As a composer, he has had his songs recorded by Djavan, Edu Lobo, Leny Andrade, Sarah Vaughan, George Benson, Dianne Schurr, Quincy Jones, Toots Thielemans, Shirley Horn, and other artists. He has been touring extensively through the U.S., Europe, and Japan. His classical compositions include the suites "Miragem" (for piano and orchestra) and "Metamorfose" (for piano and string quartet). In the '60s, Peranzzetta was a member of the group Samba Jazz, also playing with Taiguara. He toured Europe with the group Central do Brasil, and became Ivan Lins' arranger and pianist for several years. His longtime affinity for guitarist Sebastião Tapajós yielded the most interesting album in duo with him, Afinidades. By Alvaro Neder
https://www.amazon.com/Smiling-Hour-Gilson-Peranzzetta/dp/B0D6WCBJGX

The Smiling Hour

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Glenn Zottola/Angela DeNiro - Rare Elegance

Styles: Jazz
Year: 2024
Time: 29:12
File: MP3 @ 320K/s
Size: 67,5 MB
Art: Front

(3:31) 1. It Might As Well Be Spring
(4:49) 2. Autumn In New York
(3:45) 3. Don't Go To Strangers
(5:11) 4. It Never Entered My Mind
(3:05) 5. Baubles, Bangles and Beads
(5:00) 6. What Are You Doing The Rest of Your Life
(3:48) 7. My One And Only Love

Born Glenn Paul Zottola, 28 April 1947, Port Chester, New York, USA. Zottola first played trumpet at the age of three, his early start explained by the fact that his father not only played trumpet but was also a manufacturer of trumpet mouthpieces (his brother, Bob Zottola, played with the bands of Charlie Barnet, Maynard Ferguson and Billy May). At the age of nine Glenn was playing in public, and within three years was performing regularly on television and had made an appearance at the Atlantic City Jazz Festival. In the early 60s he played a leading role in a documentary film, Come Back. In 1967 he joined the Glenn Miller Orchestra, then under the direction of Buddy De Franco. In 1970, Zottola was briefly with Lionel Hampton and then began a fruitful decade that saw him backing a wide range of artists, including Bob Hope, Al Martino, Patti Page, Tony Martin, Robert Merrill and Mel Tormé. Towards the end of the 70s Zottola played lead trumpet in the orchestra accompanying the touring version of Chicago. In 1979 he joined Tex Beneke and that same year became a member of the Benny Goodman Sextet for a national tour.

Zottola began the 80s in fine style, playing, singing and acting in Swing, a musical presented at the Kennedy Center in Washington, DC, before playing in the pit bands of several Broadway shows including Evita, Annie and Barnum, and also for the Stratford, Connecticut revival of Anything Goes, which starred Ginger Rogers. In the early 80s he joined Bob Wilber’s Bechet Legacy band, playing on record sessions and international tours. Zottola has also recorded with Butch Miles, George Masso, Keith Ingham and Maxine Sullivan. In the mid-80s, in addition to his regular appearances with Wilber, Zottola led his own big band at the Rainbow Room in New York City and then joined forces with Bobby Rosengarden to co-lead a big band at the Hyatt Regency Hotel in Greenwich, Connecticut. He toured overseas, playing jazz festivals in Ireland, Holland and Finland, while his US festival appearances have included St. Louis, Sacramento and the Kool Jazz Festival in New York. In 1988 he was featured soloist in Wilber’s recreation of Benny Goodman’s 1938 Carnegie Hall concert. In 1990 Zottola was headlining at the Clearwater Jazz Festival in Florida and late in 1991 toured the UK and Europe with a band led by Peanuts Hucko.

Unusually among brass players, Zottola is also an accomplished saxophonist, playing alto with flair. Although rooted in the mainstream of jazz and with a marked kinship for the swing era, his playing shows flashes of a deep awareness of bop and post-bop developments in the music. The exceptional talent he displayed as a child has not been dissipated but has been nurtured into an impressive all-round ability.https://www.allmusic.com/artist/glenn-zottola-mn0002154652

Rare Elegance

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