Showing posts with label Martina DaSilva. Show all posts
Showing posts with label Martina DaSilva. Show all posts

Saturday, September 30, 2023

Bill Gati & The Roaring 20's Band - 8 By 8

Styles: Swing
Year: 2016
File: MP3@320K/s
Time: 29:48
Size: 68,8 MB
Art: Front

(3:08) 1. 'Tain't Nobody's Biz-Ness If I Do
(4:31) 2. Ja Da
(3:22) 3. Baby Won't You Please Come Home
(5:37) 4. Indiana
(3:44) 5. You Made Me Love You
(2:22) 6. Margie
(3:56) 7. I Wish I Could Shimmy Like My Sister Kate
(3:04) 8. There'll Be Some Changes Made

These are “mood setting” originals that intend to create emotional reactions in the listeners. The idea is to express emotions and feelings inspired by architecture and space. Since I am also an architect, I view music as an extension of space and form. I perform weekly at the Water’s Edge Restaurant in Long Island City, NY. I experiment with different styles, tempo and volume to see how people react to the music.

My conclusion is that music does more to set the mood and change people’s emotions than anything else. Music is the ultimate conveyor of emotion. The best music is able to express.http://www.apianoman.com/store/

Personnel: William Gati - sax; Adrian Cunningham - tenor sax, clarinet; Vinny Raniolo - guitar; Charlie Caranicas - trumpet; Harvey Tibbs - trombone; Chris Pistorino - bass; Rob Garcia - drums; Martina DaSilva - vocals (1, 3, 5, 7)

8 By 8

Monday, September 11, 2023

Martina Dasilva & Dan Chmielinski - Chimytina and Chill

Styles: Vocal, Bop
Year: 2020
File: MP3@128K/s
Time: 11:33
Size: 11,6 MB
Art: Front

(1:09) 1. The Best Things in Life Are Free
(1:01) 2. Fly Me to the Moon
(1:35) 3. When I Grow Too Old to Dream
(3:50) 4. I Got It Bad and That Ain't Good
(1:11) 5. A Bushel and a Peck
(1:49) 6. Tea for Two
(0:55) 7. L-O-V-E

Jazz vocalist Martina DaSilva, a New York City native, captivates audiences with her signature blend of daring technical virtuosity and expressive emotional sensitivity. Drawing equally from the styles of early jazz, opera, and chamber music, her musicality transcends conventional genre labelling. As a Brazilian-American, Martina also has a passion for performing the works of Brazilian composers.

DaSilva actively performs with her own group in addition to leading the jazz vocal harmony group, The Ladybugs. Martina has received high praise for her performances at the Kennedy Center, the Bern International Jazz Festival, the Blue Note Jazz Festival, the NYC Hot Jazz Festival, Jazz At Lincoln Center’s Generations in Jazz Festival, and the NY Winter Jazzfest.
https://www.allaboutjazz.com/musicians/martina-dasilva/

Chimytina and Chill

Friday, September 1, 2023

Martina Dasilva & Dan Chmielinski - Milky Way

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 43:05
Size: 98,9 MB
Art: Front

(4:13) 1. Twin Flame
(3:37) 2. Just Squeeze Me
(3:46) 3. To Each Their Own
(4:51) 4. Take a Picture of the Moon
(5:35) 5. Life on Mars
(2:02) 6. Manhã De Carnaval
(5:17) 7. It Never Entered My Mind
(5:45) 8. If You Want the Rainbow, You Must Have the Rain
(3:14) 9. On The Sunny Side of the Street
(4:41) 10. My Universe

Jazz vocalist Martina DaSilva, a New York City native, captivates audiences with her signature blend of daring technical virtuosity and expressive emotional sensitivity. Drawing equally from the styles of early jazz, opera, and chamber music, her musicality transcends conventional genre labelling.

As a Brazilian-American, Martina also has a passion for performing the works of Brazilian composers. DaSilva actively performs with her own group in addition to leading the jazz vocal harmony group, The Ladybugs. Martina has received high praise for her performances at the Kennedy Center, the Bern International Jazz Festival, the Blue Note Jazz Festival, the NYC Hot Jazz Festival, Jazz At Lincoln Center’s Generations in Jazz Festival, and the NY Winter Jazzfest.
https://www.allaboutjazz.com/musicians/martina-dasilva/

Milky Way

Thursday, August 31, 2023

Martina DaSilva, Dan Chmielinski - Constellations

Styles: Vocal, Bop
Year: 2022
File: MP3@320K/s
Time: 43:32
Size: 100,4 MB
Art: Front

(2:25) 1. I Want to Be Happy
(3:43) 2. As Praias Desertas
(4:09) 3. Deep Night
(4:24) 4. Smile
(2:44) 5. Nice Work If You Can Get It
(1:35) 6. Twin Flame
(4:25) 7. I'll Never Be the Same
(4:20) 8. It's All in Your Mind
(2:28) 9. Cold Cold Heart
(4:35) 10. My Universe
(3:52) 11. Trouble in Mind
(4:47) 12. Lush Life

ChimyTina first captured international attention in 2014 with the release of eye-catching duo performance videos, racking up thousands of views on social media. In 2019, the duo released their critically acclaimed debut A Very ChimyTina Christmas, which was praised by Rolling Stone and the New York Times for their “flexible chops and a gut-level creative connection”. Now, ChimyTina returns with Constellations, their second full length venture due out for release on all digital platforms on June 17, 2022. On June 14th, the duo will present the album at Joe's Pub in New York City.

Constellations aims to expand ChimyTina’s already far-reaching musical sphere with notes of introspection and solitude paired with hopeful optimism. The duo introduces audiences to evocative arrangements of deeply swinging, soulful songs that span the decades of the jazz songbook to a pair of original compositions by DaSilva. Alongside the two charismatic bandleaders, Constellations features performances by a handful of very special guests including vibraphonist Joel Ross, trumpeter Marquis Hill, saxophonist Grace Kelly, guitarist Andrew Renfroe, saxophonist Lucas Pino, and cellist Ken Kubota.

Advertisement:“A good word for this album is trust,” reflects Chmielinski, thinking back to their recording sessions in April 2021. “We’re trusting that the world will return, that we’ll be able to do what we love again. It was a very visceral, raw reaction to what was happening to us.” Constellations is an LP that looks inward while also, befitting of its name, draws on an almost cosmic perspective of the human experience.

A jovial start to the record, Chmielinski and DaSilva both strongly identified with the optimism and upbeat nature of the familiar jazz standard “I Want To Be Happy”. Marquis Hill, with his buttery tone and phrasing perfection was an obvious choice for the track. The call and response section introduces the interplay and lyrical fun both DaSilva and Chmielinski enjoy including in their singular arrangements. Also featuring Hill is Chmielinski and Martina’s take on the Chaplin-penned classic “Smile”. A half time 6/8 feel is introduced by the bassline in this piece, which remains consistent throughout, followed by a double-time second half of each section, as if to state that the happier times always seem to move faster. Remembering to smile and be grateful for all that one has during times of strife is something that resonated with both musicians, and the sensitive stylings of Marquis Hill was yet again an obvious choice for the poignant song.

A common thread throughout the ChimyTina discography is the nod to Martina’s Brazilian heritage. Here, this is realized on “As Praias Desertas,” a lesser known Antônio Carlos Jobim composition. Augmenting this entrancingly beautiful arrangement is Ken Kubota whose versatility as both a classical cellist and accompanist, with his guitar-like strumming mastery, shaped the arrangement into a full-fledged spectacle that paints a vivid image of “deserted beaches”.

DaSilva’s original compositions “Twin Flame” and “My Universe” present an ethereal theme to the release, and demonstrate her stunning acuity for composition. “Twin Flame” has a classic sound and a fullness that comes from DaSilva’s warm vocals and the support of multi-tracked bass. DaSilva’s lyric reflect’s life’s search for answers, looking to the spirits, questioning the stars and searching for facts, stating that “science is her guiding light”; a principle she wished more people would have adopted throughout the pandemic. “My Universe” features renowned vibraphonist Joel Ross, and is a dark, emotional reflection of the New York experience. The piece, written many years ago by the vocalist, felt apropos in light of recent events. The magical stylings of Ross help solidify an emotional ballad that carries both the gravity and awe felt by both bandleaders during their time in the Big Apple.

“Deep Night” and “It’s All In Your Mind”, both featuring guitarist Andrew Renfroe, are reimagined jazz compositions from yesteryear that seem to delve into the inner world of the composer while “Deep Night” makes allusions to the night sky, fitting for the theme of this release. Renfroe fits into the duo’s sound with ease, supporting DaSilva’s soaring vocals and giving the pieces new life with the addition of his unique and melodic sound. Classic jazz standards “I’ll Never Be The Same” and “Nice Work If You Can Get It” are interpreted here with the addition of saxophonist Lucas Pino who offers shimmering countermelodies and virtuosic improvisation. Another highlight is the classic “Trouble in Mind”, delivered with saxophonist Grace Kelly. “Inspired by the Nina Simone rendition, this take is a reminder that music is one of the most cathartic expressions of joy in the face of strife. It is clear throughout that the joy and improvisatory nature of the song exudes an attitude of rolling with the punches and continuing to be grateful for the lives we live,” shares DaSilva.

The album finale features a triple-bass arrangement of a song near and dear to both Chmielinski and DaSilva: Billy Strayhorn’s “Lush Life”. Here, Chmielinski aims to invoke awe, reflection and elegance in a fresh take on a classic recorded so many times. Inspired by his bringing around bass ensembles, the bassist demonstrates both accompaniment, lyrical bowing and a virtuosic solo aiming for nothing short of an authentic relationship that he has to this song.

Constellations is a welcomed return to ChimyTina’s musical ethos,with thoughtful arrangements and original compositions that, threaded with cosmic themes of the outer world,offer audiences a soulful journey through the inner world of this innovative, of-the-moment musical duo. https://bassmagazine.com/artists/bassist-dan-chmielinski-and-vocalist-martina-dasilva-announce-new-album-constellations

Constellations

Monday, August 28, 2023

Martina DaSilva - Living Room 1

Styles: Vocal
Year: 2021
File: MP3@320K/s
Time: 51:29
Size: 119,1 MB
Art: Front

(4:08) 1. I've Got A Woman
(3:09) 2. Where or When
(4:13) 3. Lovefool
(7:23) 4. Invitation
(3:01) 5. Garota de Ipanema
(5:49) 6. Crazy
(3:14) 7. Tú Me Acostumbraste
(3:42) 8. Retrato em Branco E Preto
(3:31) 9. Perfidia
(3:10) 10. Por Causa de Você
(6:09) 11. That Lucky Old Sun
(3:54) 12. Sometimes I'm Happy

Early in 2020, Martina DaSilva set a goal for herself. Once a week, the jazz singer and New York City-native decided she would invite a group of friends and collaborators over to her house, and they would shoot a live performance of a song. She would organize everything, coordinate the band, pick the music, craft the look of the footage, then release it on social media. And she would do it all on a shoestring budget. Over six months later, having stayed true to her weekly plan, DaSilva is now bringing together all of her recordings to date, releasing them in three artistic, deeply enjoyable compilations the first of which, Living Room 1, will arrive on October 8.

At the heart of Living Room 1’s track list are DaSilva’s gorgeous vocal performances. The singer has a keen sense of her own tastes “I like really lyrical music,” she says with frankness, “I choose songs with beautiful melodies.” This leads her to a delicious array of material: she finds her melodies in jazz, bossa nova, 90s pop, and everything in between. As a result, Living Room 1 has treats for listeners of all stripes. And no matter the genre, DaSilva’s ability to work wonders with a melody, and her sheer charisma as a performer, remain dazzling constants.

DaSilva also took Living Room 1 as a chance to embrace the full scope of her creative interests, appointing herself director, production designer, editor, and more. She immersed herself in the smallest visual details, obsessing over colors and the feel of the camerawork. The videos she’s created have a distinct look hip, DIY, fun that draw you in. “I come from a family of visual artists,” she explains, “that was my first artistic language.” After spending a decade intensely focused on the jazz world, she felt a need to reincorporate her other passions. “To me, I’m half a visual artist, half a musician. It took me a long time to be brave enough to embrace both parts of myself, and to realize that doesn’t diminish my musicality, it actually expands it. Doing this made me feel like an artist again.”

Quite intentionally, Living Room 1 also functions as a visual piece about the New York jazz community today, and the people who are part of it. “I think some of the best musicians alive are in this community,” DaSilva says, “and I felt it wasn’t being documented in a contemporary way that could bring in a larger audience. And I would like it to have a larger audience.” For her, this means removing the distance between spectator and musician she literally brings us into her living room alongside her and her band as they play. Short of sitting front row in a club, DaSilva’s videos offer one of the most authentic, intimate and enjoyable views you can get of jazz as it exists today in New York.

Living Room 1

Friday, August 25, 2023

Martina DaSilva - Living Room 2

Styles: Vocal
Year: 2021
File: MP3@320K/s
Time: 44:38
Size: 103,2 MB
Art: Front

(2:57) 1. It's My Party
(3:04) 2. Bim Bom
(4:26) 3. I'll Never Be Free
(5:19) 4. God Bless The Child
(3:37) 5. Say You'll Be There
(3:03) 6. Tennessee Waltz
(3:02) 7. Big Stuff
(4:19) 8. Este Seu Olhar
(2:00) 9. Carinhoso
(4:12) 10. Can't Find My Way Home
(4:20) 11. Wrap Your Troubles In Dreams
(4:13) 12. Young At Heart

Jazz vocalist Martina DaSilva, a New York City native, captivates audiences with her signature blend of daring technical virtuosity and expressive emotional sensitivity. Drawing equally from the styles of early jazz, opera, and chamber music, her musicality transcends conventional genre labelling.

As a Brazilian-American, Martina also has a passion for performing the works of Brazilian composers. DaSilva actively performs with her own group in addition to leading the jazz vocal harmony group, The Ladybugs. Martina has received high praise for her performances at the Kennedy Center, the Bern International Jazz Festival, the Blue Note Jazz Festival, the NYC Hot Jazz Festival, Jazz At Lincoln Center’s Generations in Jazz Festival, and the NY Winter Jazzfest.
https://www.allaboutjazz.com/musicians/martina-dasilva/

Living Room 2

Wednesday, August 23, 2023

Martina DaSilva - Living Room 3

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 45:35
Size: 105,6 MB
Art: Front

(3:56) 1. Autumn Leaves
(4:43) 2. Cheek To Cheek
(3:59) 3. Falando de Amor
(3:51) 4. Complications of a Broken Heart
(5:09) 5. You're Everything
(4:43) 6. Midnight Sun
(4:31) 7. I'll Be Seeing You
(3:26) 8. Sem Você
(7:00) 9. End of the Road
(4:13) 10. Moody's Mood for Love

Martina DaSilva is a jazz vocalist, composer and arranger. In addition to being a leading member of the band The Ladybugs, DaSilva has worked with Jon Batiste, Postmodern Jukebox, Gunhild Carling and Bria Skonberg, among others.

Raised in New York City, DaSilva was born to a Brazilian father and American mother. She speaks fluent Portuguese. As a child, she performed in local musical theatre productions and eventually studied both classical music and jazz at Fiorello H. LaGuardia High School, graduating in 2009 (alongside Josh Holcomb, Zack O’Farrill, Adam O'Farrill, Joanna Sternberg, and others).

DaSilva initially attended McGill University in Montréal, but opted to return to New York City and complete her undergraduate degree at The New School for Jazz and Contemporary Music in 2011. She studied formally with Andres Andrade, Peter Eldridge and Neal Miner. During this time, DaSilva also became heavily involved in New York City's reburgeoning early jazz scene and performed regularly throughout the city as both a bandleader and vocalist.

In 2013, DaSilva formed her band The Ladybugs through a chance encounter at the Hotel Chantelle in New York City's Lower East Side. While filling in for another vocalist at the hotel's rooftop restaurant, the venue's manager approached DaSilva and asked if she had a unique concept band that could perform regularly on Sundays. Although she had no such group at the time, she responded that she led an ‘’all-female 1920s band’’ named "The Ladybugs." She quickly assembled a group and initially performed as the band's sole vocalist before being joined by vocalist Kate Davis.

The duo augmented with ukulele and snare drum, eventually integrating trombonists Joe McDonough and Rob Edwards and additional members on guitar and bass. Davis eventually left the group to pursue her solo work and was replaced by current frontline vocalist Vanessa Perea. Repertoire has included music from the 1920s, 1930s, 1940s and 1950s as well as songs drawn from DaSilva's and Perea's Latin-American heritage and Disney classics.

DaSilva was singled out as one of the most notable jazz vocalists of her generation in a 2015 article published by Vanity Fair.

In 2018, she was recruited by Scott Bradlee to join Postmodern Jukebox. She has since performed globally with the group and has been notably featured on the group's single Beautiful (adapted from its original performance by Christina Aguilera).

DaSilva collaborated with acoustic bassist Dan Chmielinski in 2019 to compose, record, produce and release the holiday-inspired album A Very ChimyTina Christmas. The recording primarily featured the pair in a duo format, but also included guest artists Lucas Pino, Ben Wolfe, Joel Ross and Gabe Schnider. The album featured DaSilva's original song "Diamonds and Pearls" and a music video cover of Wham’s "Last Christmas." A Very ChimyTina Christmas received critical acclaim in the New York Times and Rolling Stone Magazine, among others.

DaSilva has been a frequent musical guest and contributor for Fireside Mystery Theatre, a podcast specializing in historical theatrical performances. She has also performed regularly with immersive-theatre troupe Little Cinema.

Early in 2020, DaSilva began inviting friends and collaborators over to her apartment to shoot live performances. After organizing and coordinating the band, music, and footage, she would release it on social media. These recordings quickly developed into full imaginative albums which encapsulated her next three LIVING ROOM releases (2021 & 2023).

DaSilva performed in Adam Neely's analysis of "The Girl From Ipanema" in 2020 which received over 4.2 million views on YouTube. She later contributed to Neely's analysis of "Castaways" from The Backyardigans in 2021, which amassed nearly 3 million views.

In 2022, DaSilva collaborated with Dan Chmielinski again, and they released their Constellations album. Constellations featured regular and new guest artists such as Marquis Hill, Ken Kubota, Andrew Renfroe, Grace Kelly, and Joel Ross. Containing two Martina DaSilva originals, "Twin Flame" and "My Universe," Bass Magazine praised DaSilva's "stunning acuity for composition." The pair has been able to consistently produce a unique and touching sound with their thoughtful arrangements. In 2023, Milky Way was released and featured Gabe Schnider, Chad LB, Joel Ross, Lucas Pino, Sasha Berliner, Dida Pelled, Michael Stephenson, and Grace Kelly
https://en.wikipedia.org/wiki/Martina_DaSilva#Early_life

Living Room 3