Saturday, June 8, 2019

Jimmy Greene - Brand New World

Styles: Saxophone And Flute Jazz 
Year: 1999
File: MP3@320K/s
Time: 62:15
Size: 143,2 MB
Art: Front

(4:01)  1. Humpty Dumpty
(6:13)  2. Brand New World
(6:54)  3. Arise!
(8:29)  4. Renée
(6:39)  5. Mr. McLean
(6:48)  6. Never Let Me Go
(7:29)  7. Godsend
(8:10)  8. Dream, Little Boy, Dream
(7:29)  9. Darn That Dream

You may have caught some late night jazz at Small’s in New York’s Greenwich Village a few years ago and heard tenor saxophonist Jimmy Greene. You wondered who is this guy? Maybe you picked up the Live At Birdland disc last year to check out the new talent. Again Greene was front and center. I first heard rumor of the wonderkin, then was thrilled by him on trumpeter Darren Barrett’s First One Up (J Curve). The pair reminded me of early Wynton and Branford Marsalis band, which of course reminds us of the classic hard bop bands of Miles, Blakey, and Lee Morgan. Also released late last year was the surprisingly fresh Horace Silver disc Jazz Has A Sense Of Humor (Verve) where both Silver and Greene thrilled old time fans of the pianist. Greene, at the ripe age of 24 makes his debut as leader. His background and tutelage under Professor Jackie McLean since age 15 spawns more of that great Jackie Mac sound. In a solid first outing as leader, Greene surrounds himself with graduates of McLean’s bands Eric McPherson (drums) and Steve Davis (trombone) and his musical soulmate Darren Barrett (trumpet). The band opens with Chick Corea’s “Humpty Dumpty,” a burning bop classic, and besides two standards, all the compositions are Greene originals. For a debut, I cannot criticize his choice to follow a bop medium. After all, it was the most revolutionary movement in the short history of the genre. His concession to a “modern” sound was the limited inclusion of an electric Rhodes Synthesizer on “Arise!,” a throwback to the seventies sound of Freddie Hubbard and Joe Henderson. Greene handles a flute and Soprano saxophone with deft touch. I am anxious to follow this young and promising career. ~ Mark Corroto https://www.allaboutjazz.com/brand-new-world-jimmy-greene-rca-victor-review-by-mark-corroto.php

Personnel:  Tenor Saxophone, Flute, Soprano Saxophone – Jimmy Greene; Drums – Eric McPherson; Electric Bass, Acoustic Bass – Dwayne Burno; Percussion – Kahlil Kwame Bell; Piano, Synthesizer – Aaron Goldberg ; Trombone – Steve Davis ; Trumpet, Flugelhorn – Darren Barrett

Brand New World

Peggy Lee - Miss Peggy Lee Sings The Songs Of Cy Coleman

Styles: Vocal
Year: 1979
File: MP3@320K/s
Time: 33:48
Size: 79,0 MB
Art: Front

(1:55)  1. Hey! Look Me Over
(3:21)  2. The Best Is Yet To Come
(1:59)  3. I've Got Your Number
(2:52)  4. (I'm) In Love Again
(2:30)  5. Pass Me By
(2:37)  6. That's My Style
(2:08)  7. A Doodlin' Song
(2:02)  8. When In Rome (I Do As The Romans Do)
(2:26)  9. Then Was Then (And Now Is Now)
(2:08) 10. Big Spender
(2:48) 11. I'm Gonna Laugh You Right Out Of My Life
(2:19) 12. That's What It Takes
(2:12) 13. You Fascinate Me So
(2:25) 14. Personal Property - Live At The Copacabana / 1968

In 1979, seven years after Peggy’s longtime affiliation with Capitol Records ended, the label released a ten-song compilation of songs by Broadway composer Cy Coleman (1929-2004) that she recorded in the early and mid-1960s, all previously released on albums and, in some cases, singles. The year that Miss Peggy Lee Sings the Songs of Cy Coleman was released Coleman had two successful musicals running on Broadway, I Love My Wife and On the Twentieth Century. The previous decade he had scored hits with the musicals Wildcat (including the song “Hey! Look Me Over,” recorded by Peggy and included here), Little Me (featuring “I’ve Got Your Number,” included here), and Sweet Charity (featuring “Big Spender,” included here). Later in his career he would enjoy further success with such musicals as Barnum, City of Angels and The Will Rogers Follies. Notably among the overwhelmingly male Broadway songwriters of the 20th century, Coleman collaborated on successful musicals with female lyricists, among them Betty Comden, Dorothy Fields and Carolyn Leigh. In the mid-1960s he also wrote some songs with lyricist Peggy Lee, including “That’s My Style” and “(I’m) in Love Again,” both included in this compilation. The latter song, first recorded for Peggy’s 1964 Capitol album of the same name, has since been recorded by such distinguished singers as Tony Bennett, Blossom Dearie and Dianne Reeves. A third Coleman-Lee song included, “Then Was Then (and Now Is Now),” served as the title of a 1965 album for Peggy and was also recorded by Tony Bennett and Jack Jones. Peggy felt a special fondness for her song collaborations with Coleman and re-recorded both “(I’m) In Love Again” and “Then Was Then (and Now Is Now”) on her last full album recording in 1992. Coleman, a longtime friend, accompanied Lee to Louis Armstrong’s 1971 funeral, where she sang “The Lord’s Prayer;” he served as a creative consultant for Peggy’s short-lived 1983 autobiographical musical Peg, whose score included the Coleman-Fields hit “Big Spender;” and he spoke of his longtime friendship with Lee at her memorial service in February 2002. https://www.peggylee.com/peggy-lee-cy-coleman/

Miss Peggy Lee Sings The Songs Of Cy Coleman

Dr. John - Dr. John's Gumbo

Styles: New Orleans R&B 
Year: 1972
File: MP3@320K/s
Time: 39:49
Size: 93,2 MB
Art: Front

(4:08)  1. Iko Iko
(3:14)  2. Blow Wind Blow
(3:26)  3. Big Chief
(2:45)  4. Somebody Changed the Lock
(3:14)  5. Mess Around
(3:55)  6. Let the Good Times Roll
(4:32)  7. Junko Partner
(3:29)  8. Stack-A-Lee
(2:09)  9. Tipitina
(2:32) 10. Those Lonely Lonely Nights
(3:20) 11. Huey "Piano" Smith Medley
(3:00) 12. Little Liza Jane

Dr. John's Gumbo bridged the gap between post-hippie rock and early rock & roll, blues, and R&B, offering a selection of classic New Orleans R&B, including "Tipitina" and "Junko Partner," updated with a gritty, funky beat. There aren't as many psychedelic flourishes as there were on his first two albums, but the ones that are present enhance his sweeping vision of American roots music. And that sly fusion of styles makes Dr. John's Gumbo one of Dr. John's finest albums. ~ Stephen Thomas Erlewine https://www.allmusic.com/album/dr-johns-gumbo-mw0000202957

Personnel: Dr. John – guitar, piano, cornet, vocals; Lee Allen – tenor saxophone; Ronnie Barron – organ, piano, backing vocals; Harold Battiste – clarinet, saxophone, horn arrangements; Morris Bechamin – saxophone, backing vocals; Jimmy Calhoun – bass; Sidney George – harmonica, saxophone; Shirley Goodman, Tammy Lann, Robbie Montgomery, Jessica Smith – backing vocals; Ken Klimak – guitar; Dave Lastie – saxophone; Melvin Lastie – trumpet, cornet; John Ewing – trombone; Alvin Robinson – guitar, backing vocals; Fred Staehle – drums, percussion; Richard Washington – percussion

R.I.P.
Died: June 6, 2019
Born: November 20, 1941, New Orleans, Louisiana, United States

Dr. John's Gumbo

John Patitucci - Mistura Fina

Styles: Jazz Fusion, Post Bop 
Year: 1995
File: MP3@320K/s
Time: 61:00
Size: 141,0 MB
Art: Front

(5:34)  1. Mistura Fina
(3:59)  2. Bate Balaio (Rockson Do Pandeiro)
(4:33)  3. Puccini
(5:43)  4. Samba Novo
(4:05)  5. The Four Loves
(6:47)  6. Assim Nao Da
(5:54)  7. Joys And Sorrows
(4:03)  8. Agua Mae Agua (Water Mother Water)
(5:42)  9. Soul Song
(3:05) 10. Varadero
(4:19) 11. Long Story
(5:07) 12. Barra Da Tijuca (Tijuca Bay)
(2:01) 13. Samba School

John Patitucci, a brilliant bassist best known for his fusion playing with Chick Corea's Elektric Band, leans strongly in the direction of Brazilian pop music on this CD. Most of the selections have vocals, and although Patitucci takes a lot of excellent acoustic bass solos (and there are occasional solo spots for keyboardist John Beasley and saxophonist Steve Tavaglione), this CD is more in the world music than fusion vein. 

The vocalists include Joao Bosco, Dori Caymmi, Kleber Jorge, Ivan Lins, Cathy Brandolino and Kevyn Lettau. ~ Scott Yanow https://www.allmusic.com/album/mistura-fina-mw0000123551

Personnel:  Electric Bass [J.P. Yamaha Six String Bass], Vocals – John Patitucci; Drums, Percussion [Additional] – Michael Shapiro; Percussion – Alex Acuña; Piano, Synthesizer – John Beasley; Tenor Saxophone – Steve Tavaglione; Vocals – Bill Cantos, Cathy Brandolino, Kevyn Lettau, Kleber Jorge, Lou Pardini, Scott Mayo

Mistura Fina

Jonathan Butler - Grace and Mercy

Styles: Vocal, Guitar Jazz
Year: 2012
File: MP3@320K/s
Time: 46:05
Size: 107,7 MB
Art: Front

(3:48)  1. You're All That I Need
(4:20)  2. Who Is Like The Lord
(4:10)  3. Give It Up To God
(3:29)  4. Grace and Mercy
(3:24)  5. I Stand On Your Word
(4:23)  6. Don't Walk Away
(3:59)  7. Lay My Head On You
(3:27)  8. Trials
(4:52)  9. I Know He Cares
(5:37) 10. Moments of Worship
(4:32) 11. Acoustic Reprise

A life well lived is often the best foundation for compelling art and there’s no denying Jonathan Butler has been blessed with a fascinating life. A South African native whose expansive musical gift has earned accolades in the R&B, contemporary jazz and gospel fields, Butler’s new release Grace and Mercy is filled with the soulful sounds and insightful lyrics fans have come to expect from the veteran performer. A key word in Butler’s life is balance and after years of touring the globe, he’s learned just how important time away from the spotlight can be. “These days I try to do a little bit of living in between. I balance my life,” he shares. “I’ve got to spend time living, and through living you come up with stories to talk about and songs to write. These songs are personal experiences. People always assume that because you’re a recording artist and you travel the world that you don’t have problems and you don’t have disappointments in your life, which is not true. We all do. This album truthfully and honestly lets people know that the songs that I’m writing are the things that I’m going through in this season. I’m hoping those songs will effect people in a positive and wonderful way.” On Grace and Mercy Butler delivers a collection of songs that serve as a soothing musical balm in today’s troubled times. “This album really speaks about optimism, faith, belief and hope, especially in the light of what everybody has been experiencing in the last two or three years,” he says. “There’s been a lot of people losing their homes, their jobs, enduring the challenges that life brings. I’m hoping this album will bring hope to people. Songs like ‘Give it Up To God,’ ‘I Stand On Your Word,’ and ‘Who is Like the Lord’ were written from experiences that I’ve had to go through myself.” The lead single, “I Stand On Your Word,” is a soaring ballad that reminds us of the power of God’s promises. “I love that song,” Butler says. “I hope that it hits home to a lot of people.” God’s word became real to Butler when he was just a teenager. At 19 years old, Butler’s life forever changed when he became a Christian. “It was love that drew me to Christ,” he smiles, “the love of someone who cared enough to talk to me about Jesus and take me in when I was basically a broken young man in South Africa. It was my late brother-in-law, my wife’s brother, who led me to Christ. He was that person in my life that actually took the time to talk to me about Jesus, and it didn’t take me long to give my heart to Christ because of that.” In the past few years, his faith has sustained Butler during some difficult times. He lost his beloved mother and a very close friend in addition to helping his wife battle cancer. It’s been tumultuous time that saw the gifted musician leaning ever closer to God and pouring his experiences into his music. Grace and Mercy showcases Butler’s gift for taking potent lyrical messages and enveloping them in memorable melodies. “Give it up to God” is a soul-stirring slow jam that spotlights Butler’s warm, distinctive voice. “Simplicity always wins for me,” Butler says of the song. “There is such power in a simplistic lyric. You really reach people when you say simply, ‘Give it up to God.’ We all go through those every day trials. We read the Proverbs and Psalms and most of the time we forget that the Bible says, ‘Trust in the Lord with your heart and lean not on your own understanding.’ Every day we have to give it up to God, EVERY day.”

Among Butler’s favorite tracks are “I Know He Cares.” “I love, love, love, love ‘He Cares!’ I wrote ‘He Cares’ and it spoke to me,” Butler says. “I started with the music and then started writing these lyrics down. We all need to know that God really cares for us. The Bible says, “We are the sheep of his pasture” and he absolutely does care for us. That song really speaks to me a lot.” “Moments of Worship” is another highlight on Butler’s new project. “I actually recorded ‘Moments Of Worship’ in Spain years ago,” he says. “I was at a friend’s house and he had a studio and an engineer. I sat in front of a piano and started singing my favorite worship songs and I just decided to do that on this album. At the end of all the music, it comes back to worship, which I think is beautiful.” Lyrically Grace and Mercy delivers the kind of Biblically grounded, emotionally uplifting songs Butler has become known for, yet musically he says fans might be caught slightly off guard. “It’s going to surprise people a little bit coming from me because I think it’s much more of an edgier gospel record,” he says of the project, which was recorded at his home studio. “It’s more urban. Overall I feel it’s much more of a raw type of record. I didn’t grow up in church, but I’m a born again Christian. For the last 30 years I’ve been saved so I write from that place. I draw a lot from different elements and experiences and also my culture from South Africa, so I think it’s a little bit different.” Born in Cape Town, Butler was the youngest of 12 children. He discovered a gift for music early in life and began singing and playing guitar at age seven. As a child, he traveled all over South Africa performing with a troupe of 100 children, getting a first hand look at the country’s disturbing dichotomy devastating poverty and extreme affluence that existed under Apartheid. Butler signed his first record deal as a teen and became the first black artist played on white South African stations. “That was 1974 and it was a song titled ‘Please Stay,’” Butler recalls of the historic tune, which won a Sarie Award, the South African equivalent of a Grammy. “Back then I was with an independent label called CCP Productions.” Though Butler lived in England for 17 years and currently makes his home in Encino, CA, his youth in South Africa continually colors his artistry. “All those memories and all those experiences are what makes a woman or a man a stronger person,” he says. 

“It influences how they live their lives and their appreciation for life and freedom. That’s what shapes you and gives you that sensitivity of heart. Anyone who grew up in South Africa, or even in the 60’s in America, has a deeper appreciation for life and for freedom. It shapes their lives completely. I feel like all of the stuff that we grew up with in South Africa has made me a better person.” Butler has toured the world with such acclaimed artists as Kirk Whalum, Dave Koz and Ruby Turner. He’s earned Grammy nominations and rave reviews in the jazz and R&B fields, but his gospel albums hold a special place in his heart. “It was always a desire that I had,” he says of recording gospel music, “but I never really wanted to do it just for the sake of it. I needed to know that God would release me to do it because it’s a ministry. It changes people’s lives and I wanted to be sure that the Lord would release me to it. I prayed about it for a long time. I waited and then when I got the confirmation, God began giving me these songs. I wrote ‘Falling In Love With Jesus’ and that opened the door for me to walk seamlessly into my ministry.” Music, ministry, faith and family are all woven joyfully together for Jonathan Butler. His daughter, Jodie, tours with him, sings background vocals on Grace and Mercy, and is an integral part of his ministry. “She is actually working on her own project right now,” the proud father says. “I’m going to be making time to help develop her record. She’s a great writer and she’s working on new songs.” Butler has a lot to smile about these days. His wife of 30 years survived her battle with cancer, and they enjoy spending time doting on their little granddaughter. “With this record I’m really addressing where the Butler family has been and what we have gone through in 2010 and 2011,” he says. “My inspiration is definitely my family. They support me. They love me and they encourage me. I’m very, very excited about this record. I can’t wait for people to and connect with it because I believe that God has a lot in store for me and I’m heeding the call and obeying God.” ~ DL Media https://news.allaboutjazz.com/jonathan-butler-releases-new-album-grace-and-mercy.php

Personnel: Producer, Arranged By, Guitar, Vocals – Jonathan Butler; Lyrics By – Jonathan Butler (tracks: 1 to 9, 11), Kurt Lykes (tracks: 1 to 6, 8); Backing Vocals – Jodie Butler (tracks: 1 to 5, 7 to 9), Kurt Lykes (tracks: 1 to 5, 7 to 9); Bass – Dan Lutz (tracks: 1 to 3, 5, 8, 9); Drums – Gordon Campbell  (tracks: 5, 8, 9); Keyboards – Kevin Teasley (tracks: 1, 5, 6, 8), Tracey Carter (tracks: 7); Piano, Organ – Kevin Teasley (tracks: 5)

Grace and Mercy