Album:
Everybody Still Digs Bill Evans Disc 1
Styles: Piano Jazz
File: MP3@320K/s
Time: 76:16
Size: 175,0 MB
Art: Front
(4:02) 1. Five
(4:13) 2. Woody'N You (Take 2)
(5:53) 3. Young And Foolish
(5:59) 4. Autumn Leaves
(3:35) 5. How Deep Is The Ocean
(5:54) 6. Sweet And Lovely
(5:24) 7. Blue In Green
(4:58) 8. How My Heart Sings
(5:47) 9. Re: Person I Knew
(4:57) 10. My Foolish Heart (Live At The Village Vanguard / 1961)
(6:57) 11. Waltz For Debby (Live At The Village Vanguard / 1961)
(6:10) 12. Gloria's Step (Live At The Village Vanguard / 1961)
(6:25) 13. My Man's Gone Now (Live At The Village Vanguard / 1961)
(5:54) 14. Swedish Pastry (Live At Shelly's Manne-Hole / 1963)
Album:
Everybody Still Digs Bill Evans Disc 2
Time: 73:33
Size: 168,7 MB
(4:50) 1. Israel
(6:05) 2. The Peacocks
(5:54) 3. I Believe In You (feat.Shelly Manne)
(4:26) 4. Santa Claus Is Coming To Town
(3:30) 5. I Will Say Goodbye
(5:51) 6. Turn Out The Stars (Live At The Village Vanguard, 1967)
(3:37) 7. Walkin' Up (Live At The Montreux Jazz Festival, 1968)
(5:44) 8. Very Early (Live At Camp Fortune / 1974)
(3:48) 9. Minha (All Mine) (Live At The Wisconsin Union Theater / 1976)
(9:17) 10. My Romance (Live At L'Espace Cardin, Paris / 1979)
(7:33) 11. Days Of Wine And Roses (Live At The Village Vanguard / 1980)
(5:31) 12. The Touch Of Your Lips (Live At The Keystone Korner / 1980)
(7:20) 13. Someday My Prince Will Come (Live At The Keystone Korner / 1980)
Everybody Still Digs Bill Evans Disc 1, Disc 2
Album:
Everybody Still Digs Bill Evans Disc 3
Time: 67:34
Size: 155,0 MB
( 6:43) 1. Peace Piece
(10:40) 2. Danny Boy
( 7:12) 3. Make Someone Happy
( 5:07) 4. A Time For Love
( 1:37) 5. Waltz For Debby
( 2:20) 6. The Bad And The Beautiful
( 5:39) 7. N.Y.C.'s No Lark
( 4:56) 8. Emily
( 4:30) 9. Remembering The Rain
( 7:04) 10. I Loves You Porgy (Live At L'Espace Cardin / 1979)
( 4:52) 11. Letter To Evan (Live At L'Espace Cardin / 1979)
( 6:48) 12. Nardis (Live At The Keystone Korner / 1980)
Album:
Everybody Still Digs Bill Evans Disc 4
Time: 77:13
Size: 177,1 MB
(5:23) 1. My Funny Valentine
(5:37) 2. A Face Without A Name
(3:57) 3. The Touch Of Your Lips (Vocal Version)
(3:48) 4. I Love You
(6:37) 5. Up With The Lark (Live At L'Espace Cardin / 1979)
(6:29) 6. Funkallero (Live In Antwerp / 1974)
(5:57) 7. Who Cares?
(6:21) 8. Body And Soul
(7:04) 9. You And The Night And The Music
(6:03) 10. Time Remembered
(6:07) 11. Night And Day
(7:34) 12. A Child Is Born
(6:09) 13. Peri's Scope
Album:
Everybody Still Digs Bill Evans Disc 5
Time: 60:36
Size: 139,0 MB
( 6:54) 1. Sareen Jurer (Live At Oil Can Harry's / 1975)
( 7:04) 2. Sugar Plum (Live At Oil Can Harry's / 1975)
( 7:43) 3. The Two Lonely People (Live At Oil Can Harry's / 1975)
( 5:10) 4. T.T.T. (Twelve Tone Tune) (Live At Oil Can Harry's / 1975)
( 5:19) 5. Quiet Now (Live At Oil Can Harry's / 1975)
( 6:20) 6. Up With The Lark (Live At Oil Can Harry's / 1975)
( 5:53) 7. How Deep Is The Ocean (Live At Oil Can Harry's / 1975)
( 5:26) 8. Blue Serge (Live At Oil Can Harry's / 1975)
(10:44) 9. Nardis (Live At Oil Can Harry's / 1975)
Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: A Career Retrospective (1956—1980).
The 5-CD set comes in a seriously heavyweight, hard bound, velour wrapped, 12" x 10" portfolio style book with a foil-stamped cover. Inside are the discs and a stitched-in 48-page book. There are some great photographs, but the main event is an essay by the Chicago-based writer and Bill Evans connoisseur Neil Tesser. That is followed by complete session details. The whole shebang was produced Nick Phillips (check the YouTube clip below). The music itself has been newly remastered by Paul Blakemore, and immaculately so: the audio quality is off-the-scale superb.
The first four discs total playing time just under five hours cherry pick some of the greatest work Evans released on Riverside, Milestone, Verve, Warner Bros., Fantasy, Elektra/Musician, The Jazz Alliance, United Artists and Nova Discs. Discs One and Two (Trialogues Vol. 1 and Vol. 2) cover his trio recordings from 1956 to 1980. Disc Three (Monologues) surveys his solo recordings from 1958 to 1980. Disc Four (Dialogues & Confluences) takes in some of his co-headlining and sideperson work from 1962 to 1979. It is here that the only significant omission occurs: there is nothing from Miles Davis' Kind Of Blue (Columbia, 1959). Licensing difficulties, presumably.
Disc Five is the icing on the cake. It contains a recently discovered, previously unreleased, live recording of an hour-long performance Evans gave at the long since defunct Oil Can Harry's, Vancouver in June 1975, with bassist Eddie Gomez and drummer Eliot Zigmund. The recording appears to have been broadcast once on local radio and then put away in the station's tape archive. The performance contains no previously unrecorded material but most of it was in 1975 quite recently arrived in the set list. Evans had first recorded the opener, Earl Zindars' "Sareen Jurer," in 1974; his own "Sugar Plum," "The Two Lonely People" and "T.T.T." in 1971; and Jerome Kern's "Up With The Lark" in 1972. The other four tunes were familiar Evans fare: Denny Zeitlin's "Quiet Now," Irving Berlin's "How Deep Is The Ocean," Mercer Ellington's "Blue Serge" and, at almost eleven minutes the longest track, Miles Davis' "Nardis," the closer. The group is in terrific form and the sound quality is excellent (take a bow audio restorers Jamie Howarth, John Chester and the aforementioned Paul Blakemore). The performance is also being released on two 180-gram vinyl LPs as On A Friday Evening.Listening to the complete box set, one is reminded that Evans reached his peak of perfection, in a trio format anyway, between 1959 and 1961 with bassist Scott LaFaro and drummer Paul Motian. But that peak was so lofty that even Evans' lower slopes are heavenly and this well compiled collection contains no lower slopes, only peaks and upper slopes.~ Chris May https://www.allaboutjazz.com/everybody-still-digs-bill-evans-a-career-retrospective-1956-1980-bill-evans-craft-recordings
Personnel: Bill Evans: piano; Teddy Kotick: bass; Paul Chambers: bass, acoustic; Sam Jones: bass; Scott LaFaro: bass; Chuck Israels: bass, acoustic; Eddie Gomez: bass; Gary Peacock: bass, acoustic; Marc Johnson: bass; Paul Motian: drums; Philly Joe Jones: drums; Larry Bunker: drums; Shelly Manne: drums; Jack DeJohnette: drums; Marty Morell: drums; Joe La Barbera: drums.
Additional Instrumentation: Jim Hall: guitar; Eliot Zigmund: drums; Tony Bennett: vocal; Marian McPartland; piano; Stan Getz: tenor saxophone; Cannonball Adderley: alto saxophone; Percy Heath: bass; Connie Kay: drums; Freddie Hubbard: trumpet; Zoot Sims: tenor saxophone; Ron Carter: bass; Lee Konitz: alto saxophone; Warne Marsh: tenor saxophone; Harold Land: tenor saxophone; Kenny Burrell: guitar; Ray Brown: bass; Tom Harrell: trumpet; Larry Schneider: tenor saxophone.
Everybody Still Digs Bill Evans Disc 3,4,5
