Showing posts with label Diane Nalini. Show all posts
Showing posts with label Diane Nalini. Show all posts

Thursday, February 25, 2016

Diane Nalini - After Dusk

Styles: Vocal Jazz
Year: 2000
File: MP3@320K/s
Time: 44:26
Size: 102,0 MB
Art: Front

(3:37)  1. Stars Fell On Alabama
(5:24)  2. My Funny Valentine
(4:02)  3. Quand Elle Rit Aux Eclats
(5:49)  4. After Dusk
(4:01)  5. Carolina
(3:36)  6. La Mer
(3:38)  7. The Portrait On The Wall
(5:04)  8. La Maison Sous Les Arbres
(4:21)  9. How Long Has This Been Going On
(4:50) 10. Every Time We Say Goodbye

Diane Nalini’s new album, 'Kiss Me Like That,' is a collection of 13 songs celebrating humanity's fascination with the sky. From the title track's infectious rhythms, to ‘Cuando sale la luna’ - Diane’s sultry ode to the moon, her original compositions on this album are all influenced by the wonders of the sky and stars. Her six original songs are perfectly complemented by classic jazz standards chosen carefully for this project, like “Stardust”, “Skylark”, “They All Laughed”, as well as her intimate interpretations of folk & pop songs such as James Taylor's “Sweet Baby James” and Sting's “Valparaiso.” Songs from Kiss Me Like That have already attracted considerable interest in the media, being previewed nationally on CBC Radio's “The Sunday Edition”, “Fresh Air”, “As It Happens”, “Metro Morning” and CBC Radio Two's documentary programme, “Inside the music.” It has also garnered praise and airplay on Radio-Canada's “Espace Musique.” Maclean’s Magazine, Canada's national news magazine, also did a full-page article on her recently. Singer/songwriter Diane Nalini's previous album put a uniquely modern spin on the words of William Shakespeare. Her latest CD “Songs of Sweet Fire” is a collection of fifteen sonnets and songs from the plays set to her original jazz, funk, and blues music. “It was very important to me to let the phrasing of the words dictate the style of music I wrote for each song. I decided to set only those songs which were in more modern sounding English, to highlight the timelessness of Shakespeare's words,” says the singer of her compositions. “Songs of Sweet Fire” is Diane's third album. In a review of Diane's recent performance at the Guelph River Run Center, the Kitchener-Waterloo Record wrote: “A gifted arranger and vocalist... Nalini made an auspicious Guelph concert debut... the highlights were three passages from literature she set to jazz - “Sigh No More” from Much Ado About Nothing, and “The Lover and His Lass” from As You Like It, as well as Alfred Lord Tennyson's “Cradle Song.”

Diane started singing at the age of three. She was born in Montreal, Canada, and is of Belgian and Goan descent. “She captures jazz at its most sophisticated and joyous level,” writes Elle Magazine Canada. In a recent review of “Tales... My Mama Told Me”, Irwin Block of the Montreal Gazette wrote: “Diane Nalini has the voice, the phrasing, confidence, clarity and control to make a tune her own and turn it into a nuanced thing of beauty.” Her debut album “After dusk” was described by London's Time Out magazine as “a gorgeous collection, sung with quiet enunciated power”. “Her artistry shines through on two wide- ranging albums, After Dusk and the newly released Tales... My Mama Told Me”, writes Canada's Globe and Mail. While breathing new life into jazz standards, she also performs her own compositions, as well as Brazilian songs and French chanson. She has performed for President Bill Clinton, Sir Paul McCartney, the President of Malta, the Canadian High Commissioner to London, and former Australian Prime Minister Bob Hawke, and recently gave concerts at the London, Montreal and Malta Jazz festivals. Diane was nominated for the Grand Prix de Jazz General Motors at the 2002 Montreal International Jazz Festival, and was one of two finalists for the UK's Young Jazz Vocalist of the Year awards for 2001. In October 2005, she opened for legendary 3-time Grammy winning songwriter Jimmy Webb at Guelph's River Run Center. More recently, she had the pleasure to perform with the wonderful David Knopfler (founder of 'Dire Straits') for the North American launch of his new album Ship of Dreams.

Other highlights have included performances at the London Jazz Festival (2001), the Montreal International Jazz Festival (2002, 2001, 1994), the Celebrate Toronto Festival (2005), as well as Montreal’s 350th Anniversary Festival (1992). Her songs have received airplay in the UK (BBC Radio 3), as well as Denmark and Brazil. In Canada, her music has been heard coast- to-coast on the CBC programs 'Jazzbeat', 'After Hours', 'Disc Drive', and 'This Morning' with Shelagh Rogers. She has also been featured on Radio-Canada by radio personalities Dan Behrman, Stanley Péan, Dorothée Berryman and André Vigean, on the Espace Musique channel. Diane was interviewed several times on CBC Radio’s 'Morningside' by the late, great Peter Gzowski. She has taught jazz singing and given jazz workshops at the University of Oxford, and conducted a songwriting workshop at the 3rd annual Millenium Scholarphip “Think Again” conference on Parliament Hill in Ottawa, Canada. 

She was recently invited to chair a pannel discussion at the Guelph International Jazz Festival Colloquium (2005) on “Improvisation: risks and responsibilities.” Earlier in the summer, she was a guest presenter at a one-day conference on “Art and democracy,” hosted by Concordia University's Center for Continuing Education. Diane studied Chinese watercolour painting and caligraphy for 10 years with the late Virginia Chang. She exhibited and sold paintings with the Montreal-based Ting Sung Group. For her new album, Songs Of Sweet Fire, she painted 16 original watercolour paintings inspired by the mood of the songs. They accompany Shakespeare's lyrics in a full-colour, deluxe 20 page booklet. “I wanted to give something extra to all my wonderful, supportive fans. Something connected to the songs in a unique way.” She is also an accomplished dancer, having performed and studied classical ballet, jazz and modern dance for over 15 years. She was a soloist with Les Ballets de la jeunesse in her late teens. She also studied jazz ballet and modern dance for several years, and performed as a soloist in various shows by Montreal choreographers Sheila Lawrence and Claudine Bouchard. Her most recent performance combining dance and singing was as the female lead in GLA Productions’ staging of “Fame - the musical”, at the Old Fire Station Theatre in Oxford in 2000. Diane went to England on a Rhodes Scholarship and obtained a doctorate from the University of Oxford. She has since returned to Canada and has taken up a faculty position at the University of Guelph, Ontario. http://musicians.allaboutjazz.com/dianenalini

Awards:  Nominated, Grand Prix de Jazz, Montreal International Jazz Festival 2002 - Runner-up, Young jazz vocalist of the year award, UK, 2001

After Dusk

Tuesday, March 3, 2015

Diane Nalini - Songs of Sweet Fire

Styles: Jazz, Vocal
Year: 2006
File: MP3@256K/s
Time: 63:19
Size: 116,7 MB
Art: Front

(3:09)  1. The Cuckoo Song
(5:03)  2. Sigh No More
(4:00)  3. For Love Of You
(8:25)  4. Rain Every Day
(4:36)  5. Desi's Blues
(4:44)  6. Mistress Mine
(3:44)  7. The Fabulous Minstrel
(3:06)  8. Take Those Lips Away
(3:11)  9. The Lover And His Lass
(5:15) 10. The Beauty Of Your Eyes
(3:38) 11. Be Merry
(2:58) 12. She Loves Another
(4:00) 13. Goodbye To The Devil
(3:41) 14. Till The World Goes Round
(3:41) 15. Under The Blossom

Diane Nalini was born in Montreal, Quebec, and began singing jazz at the age of three. A gifted and sophisticated singer; she has performed in the United Kingdom, Malta, South Africa, and Canada, and has received airplay in Denmark and Brazil. In addition to her flourishing jazz career, Nalini also studied Chinese calligraphy and watercolour for ten years with Virginia Chang. In that time she exhibited and sold paintings with Chang, and was also a member of the Ting Sung group. Nalini received an honours physics degree from McGill University, and earned a doctoratal degree in Physics from Oxford University as a Rhodes Scholar. She now works as a physics professor at the University of Guelph. Nalini released her first album, After Dusk, in 2001, and Tales … My Mama Told Me in 2002. Songs of Sweet Fire (2006) is her third full length album, and features original music set to the sonnets and songs of William Shakespeare. 

The evolution of the album dates back to 2000, when Nalini was a student in the UK. Having previously experimented setting music to texts by Lord Alfred Tennyson and García Lorca, she turned to Shakespeare for an ensemble show in Oxford. It was here that she first set original music to Shakespearean texts, completing “Mistress Mine” and “Rain Every Day,” two songs from Twelfth Night. Nalini comments that after her initial experience, “Shakespeare was in my blood, and every year after that, I would tackle a few more songs from the plays” (Setting Shakespeare to Music). Her fifteen-song collection covers a wide array of music, from original jazz to funk and blues. The sonnets and poems were each carefully selected, as she comments, “It was very important to me to let the phrasing of the words dictate the style of music I wrote for each song. I decided to set only those songs which were in more modern sounding English, to highlight the timelessness of Shakespeare’s words” (University of Guelph News Release).

Nalini’s adaptation puts “a uniquely modern spin” on the words of Shakespeare, which is rarely done musically, and is rarer still within the jazz and blues genre (Biography). Her renditions have been hailed by critics as “overwhelming,” “eloquent,” and “captivating” (Diane Nalini Reviews). While Shakespeare’s plays and words have been an inspiration to musicians for centuries, spurring musicals, operas, and even rock music, Nalini states that her music has a fun, and original sound as it “is groove-based…. and rhythm-based” (Cosmic Coincidence and Shakespeare). It is this fresh sound that has great potential to deliver the unchanged words of Shakespeare, to an audience largely outside theatrical culture. Nalini also put another of her talent to work, as a means of adapting Shakespeare. 

The lyrics in the linear notes are accompanied by fifteen original watercolours she created for the album. Her designs, while not directly relatable to Shakespeare, without the corresponding prose, have a notable distinction as they are one example of how the works of Shakespeare have transposed into contemporary Canadian society, inspiring unlikely and beautiful contributions to the artistic community. In a recent proposal, Nalini outlines her visualization process for each piece, and how the language, and themes of Shakespeare were the underlying force in colour, design, and framing. In the piece accompanying Desi’s Blues, for instance, Nalini explains, “a hand kept coming to mind. To me, the hand belongs to Othello or Iago, Desdemona’s oppressors.  It overpowers her source of solace, the willow tree” (Proposal 5).  Nalini's Songs of Sweet Fire debuted at the University of Guelph on May 25th, 2006 and served as a kick-off event to the Shakespeare-Made in Canada Festival, which ran from January to May 2007. ~  Danielle Van Wagner  http://www.canadianshakespeares.ca/multimedia/audio/a_nalini.cfm

Tuesday, November 25, 2014

Diane Nalini - Tales... My Mama Told Me

Styles: Vocal Jazz
Year: 2001
File: MP3@320K/s
Time: 58:21
Size: 133,9 MB
Art: Front

(5:09)  1. Blues in the Night
(2:55)  2. Yellow Bird
(3:01)  3. Sometime Ago
(4:23)  4. La vie en rose
(5:23)  5. While You're Sleeping
(3:59)  6. Noturna
(4:05)  7. Mickey
(2:39)  8. Moose the Mooch
(4:51)  9. Les feuilles mortes
(3:55) 10. Cheek to Cheek
(4:11) 11. Corcovado
(4:44) 12. Cradle Song
(3:46) 13. Come Away
(5:13) 14. Lorelei

Diane Nalini was born in Montreal, Quebec, and began singing jazz at the age of three. A gifted and sophisticated singer; she has performed in the United Kingdom, Malta, South Africa, and Canada, and has received airplay in Denmark and Brazil. In addition to her flourishing jazz career, Nalini also studied Chinese calligraphy and watercolour for ten years with Virginia Chang. In that time she exhibited and sold paintings with Chang, and was also a member of the Ting Sung group. Nalini received an honours physics degree from McGill University, and earned a doctoratal degree in Physics from Oxford University as a Rhodes Scholar. She now works as a physics professor at the University of Guelph. Nalini released her first album, After Dusk, in 2001, and Tales … My Mama Told Me in 2002. Songs of Sweet Fire (2006) is her third full length album, and features original music set to the sonnets and songs of William Shakespeare. 

The evolution of the album dates back to 2000, when Nalini was a student in the UK. Having previously experimented setting music to texts by Lord Alfred Tennyson and García Lorca, she turned to Shakespeare for an ensemble show in Oxford. It was here that she first set original music to Shakespearean texts, completing “Mistress Mine” and “Rain Every Day,” two songs from Twelfth Night. Nalini comments that after her initial experience, “Shakespeare was in my blood, and every year after that, I would tackle a few more songs from the plays” (Setting Shakespeare to Music). Her fifteen-song collection covers a wide array of music, from original jazz to funk and blues. 

The sonnets and poems were each carefully selected, as she comments, “It was very important to me to let the phrasing of the words dictate the style of music I wrote for each song. I decided to set only those songs which were in more modern sounding English, to highlight the timelessness of Shakespeare’s words” (University of Guelph News Release).Nalini’s adaptation puts “a uniquely modern spin” on the words of Shakespeare, which is rarely done musically, and is rarer still within the jazz and blues genre (Biography). Her renditions have been hailed by critics as “overwhelming,” “eloquent,” and “captivating” (Diane Nalini Reviews). While Shakespeare’s plays and words have been an inspiration to musicians for centuries, spurring musicals, operas, and even rock music, Nalini states that her music has a fun, and original sound as it “is groove-based…. and rhythm-based” (Cosmic Coincidence and Shakespeare). It is this fresh sound that has great potential to deliver the unchanged words of Shakespeare, to an audience largely outside theatrical culture. 

Nalini also put another of her talent to work, as a means of adapting Shakespeare. The lyrics in the linear notes are accompanied by fifteen original watercolours she created for the album. Her designs, while not directly relatable to Shakespeare, without the corresponding prose, have a notable distinction as they are one example of how the works of Shakespeare have transposed into contemporary Canadian society, inspiring unlikely and beautiful contributions to the artistic community. In a recent proposal, Nalini outlines her visualization process for each piece, and how the language, and themes of Shakespeare were the underlying force in colour, design, and framing. In the piece accompanying Desi’s Blues, for instance, Nalini explains, “a hand kept coming to mind. 

To me, the hand belongs to Othello or Iago, Desdemona’s oppressors.  It overpowers her source of solace, the willow tree” (Proposal 5).  Nalini's Songs of Sweet Fire debuted at the University of Guelph on May 25th, 2006 and served as a kick-off event to the Shakespeare-Made in Canada Festival, which ran from January to May 2007. ~ Danielle Van Wagner  http://www.canadianshakespeares.ca/multimedia/audio/a_nalini.cfm