Sunday, January 15, 2017

Solveig Slettahjell, Knut Reiersrud - Trail Of Souls

Bitrate: MP3@320K/s
Time: 50:35
Size: 115.8 MB
Styles: Blues, Roots, Jazz
Year: 2015
Art: Front

[4:36] 1. Borrowed Time
[4:57] 2. Grandma's Hands
[5:26] 3. Mercy Street
[3:38] 4. Sometimes I Feel Like A Motherless Child
[5:01] 5. Come Healing
[5:45] 6. Is My Living In Vain
[4:14] 7. Holy Joe
[3:08] 8. Trouble In Mind
[4:25] 9. His Eye Is On The Sparrow
[3:19] 10. I Don't Feel Noways Tired
[6:01] 11. Soul Of A Man

Solveig Slettahjell: vocals; Knut Reiersrud: guitar, harmonica; Morten Qvenild: piano, synth; Roger Arntzen: bass; Pål Hausken: drums, percussion.

Vocalist Solveig Slettahjell and blues guitarist/harmonica player Knut Reiersrud record together for the first time on Trail Of Souls. They're joined by another three Norwegian musicians—pianist Morten Qvenlid, bassist Roger Arntzen and drummer Pål Hausken, known collectively as In The Country—on a programme of songs drawn from early blues, spirituals and classic rock songwriters. The performances are uniformly high quality—Qvenild's synth and piano parts are subtle, Sletahjell's vocals are heartfelt and understated, Reiersrud's acoustic guitar is lyrical and flowing. However, the decision to take every song at a very slow pace, coupled with the songs' tales of sadness and failure, results in an overall effect that's more depressing than elating. Although Shakespeare's suggestion that "If music be the food of love, play on" is quoted on the album sleeve, there's little love in these lyrics—most of these songs paint a picture of a far from loving world.

"Sometimes I Feel Like A Motherless Child" combines Slettahjell's vocal with Qvenild's slow, stately, piano in a way that successfully emphasises the despair of the tale. "Borrowed Time" and "Is My Living In Vain," both gracefully performed, project similar pessimistic emotions. Even when Slettahjell sings—on "Trouble In Mind"—that "The sun's gonna shine in my back door someday" she sounds as if she doesn't really believe it'll happen. The closest Trail Of Souls gets to a feel good song is Bill Withers' "Grandma's Hands." But even here, the grandparent comes across as someone to be respected, even feared, rather than loved. So, Trail Of Souls proves to be a musically successful meeting of spiritual and bluesy Americana with a Nordic jazz sensibility—as was intended—but one that veers too much towards a downbeat, even depressing, worldview. ~Bruce Lindsay

Trail Of Souls

The Claude Williamson Trio - South Of The Border West Of The Sun

Bitrate: MP3@320K/s
Time: 45:33
Size: 104.3 MB
Styles: Bop, Piano jazz
Year: 1992/2014
Art: Front

[6:33] 1. South Of The Border
[4:38] 2. Star Crossed Lovers
[4:55] 3. Robbin's Nest
[5:51] 4. Embraceable You
[5:22] 5. Pretendo
[5:24] 6. Corcovado
[6:53] 7. As Time Goes By
[5:55] 8. West Of The Sun

Claude Berkeley Williamson (November 18, 1926 – July 16, 2016) was an American jazz pianist. Williamson studied at the New England Conservatory of Music before moving to jazz, influenced mainly by Teddy Wilson, then by Al Haig and Bud Powell. In 1947 he moved to California, working first with Teddy Edwards, then with Red Norvo in San Francisco, with Charlie Barnet in 1949, and with June Christy for two years. Later he worked with Max Roach, Art Pepper and others. Williamson was a longtime member of the Lighthouse All-Stars (substituting for pianist Russ Freeman), performing with Bud Shank, Stan Levey, Bob Cooper, Conte Candoli and Howard Rumsey. In 1956 he became the piano player in the Bud Shank quartet. In 1968 he started working as a pianist for NBC, first on The Andy Williams Show, then for Sonny and Cher. In 1978 Williamson went back to the jazz world and released many albums, mainly for Japanese labels, often accompanied by Sam Jones and Roy Haynes. In 1995 he made a trio recording for Fresh Sound Records at the Jazz Bakery in Los Angeles. He died on July 16, 2016 at the age of 89.

South Of The Border West Of The Sun

Lenny Breau - Swingin' On A Seven String

Bitrate: MP3@320K/s
Time: 40:20
Size: 92.4 MB
Styles: Guitar jazz
Year: 1984/2005
Art: Front

[4:01] 1. Back In Indiana
[3:20] 2. You Needed Me
[2:57] 3. Bonaparte's Retreat
[3:37] 4. I Can't Help It If I'm Still In Love With You
[4:10] 5. I Love You Because
[4:25] 6. Please Release Me
[2:12] 7. Blue Moon Of Kentucky
[4:17] 8. She Thinks I Still Care
[4:19] 9. I'm So Lonesome I Could Cry
[3:41] 10. Anytime
[3:16] 11. Blue Eyes Crying In The Rain

Lenny Breau (7-string classical and 6-string electric guitar, vocals); Buddy Emmons (pedal steel guitar); Jim Ferguson (acoustic bass); Kenny Malone (drums).

While guitarist Lenny Breau's innovations may not seem so significant now, he was like a bolt of lightning when he emerged in the '70s out of Manitoba, Canada. A true self-accompanist who integrated virtuosic skills in jazz, country, and flamenco into an unmistakable voice, Breau made his guitar sound like an ensemble. Legend has it that Chet Atkins was walking down the hall of a Nashville studio and, hearing music coming out of one of the rooms, said to himself, "Who are those guys? When he went into the studio and found Breau playing by himself, it was the beginning of a friendship that would last until Breau's untimely and still mysterious death in '84.

With the upsurge of archival Breau sessions in recent years, Art of Life Records' recent rescue of Breau's last studio release, When Lightn' Strikes—now remastered with a bonus track and retitled Swingin' on a Seven-String—finds him at the peak of his musical powers. That Breau was a substance abuser for most of his adult life seems miraculously to have had absolutely no effect on the pristine perfection of his playing. Breau pioneered a number of techniques, including a self-accompaniment that roots contemporary players like eight-string guitarist Charlie Hunter, as well as an uncanny ability to wring rapid-fire harmonics out of his instrument that gave his guitar an almost bell-like timbre. He was equally at home on classical guitar—and a seven-string variant comprises the majority of Swingin' on a Seven-String—as he was on electric. The new title is wholly appropriate, given the way the entire session swings along comfortably with an unhurried pace. Five duet tracks feature bassist Jim Ferguson; on six tunes, Breau fleshes things out to a quartet with drummer Kenny Malone and pedal steel player Buddy Emmons (both of whom Breau had already collaborated with on Emmons' '78 recording, Minors Aloud, to be reissued by Art of Life in August of '05). Breau's growing posthumous discography has plenty of high points, most notably his '83 live duet set with bassist Dave Young, Live at Bourbon Street (Guitarchives, '95), but he has never sounded so completely relaxed as on Swingin'.

The record draws from popular tunes of the time, like singer Anne Murray's hit "You Needed Me and Engelbert Humperdinck's faux country tune "Please Release Me, as well as country tunes like Bill Monroe's "Blue Moon of Kentucky and Hank Williams' "I'm So Lonesome I Could Cry. Breau reinvents and reharmonizes, shaping a programme where a wealth of musical riches are masked by an unforced and easy-going complexion. Breau may not have broken any turf in terms of pushing jazz out of the mainstream, but his interpretive skills and ability to retain a tune's essence while reimagining it in a pure jazz context remains evocative to this day. For those unfamiliar with Breau's magic, Swingin' on a Seven-String is a perfect place to start. ~John Kelman

Swingin' On A Seven String

Teddi King - All The Kings Songs

Bitrate: MP3@320K/s
Time: 36:04
Size: 82.6 MB
Styles: Jazz vocals
Year: 1954/1987
Art: Front

[2:32] 1. April Showers
[2:49] 2. A Cottage For Sale
[3:06] 3. That's For Me
[2:43] 4. Temptation
[2:57] 5. Unforgettable
[2:59] 6. Keeping Out Of Mischief Now
[3:20] 7. Flamingo
[2:33] 8. June In January
[3:49] 9. This Love Of Mine
[2:44] 10. You Brought A New Kind Of Love To Me
[2:50] 11. When It's Sleepy Time Down South
[3:36] 12. Let's Face The Music And Dance

The basic conceit behind All the King's Songs is simple -- recast signature hits by male vocalists including Frank Sinatra, Nat King Cole, and Billy Eckstine as torch songs for Teddi King, ably supported here by arrangers Lew Douglas and Johnny Richards. To her immense credit, King makes the music here her own -- her rich contralto and serene phrasing reveal rich new meanings in familiar material like "Unforgettable" and "This Love of Mine," quickly evolving the project past novelty status to explore with sincerity and depth the transformation of the popular song as it passes from one gender to the other. ~Jason Ankeny

All The Kings Songs

Bobby Vee - The Legendary Masters Series

Bitrate: MP3@320K/s
Time: 62:57
Size: 144.1 MB
Styles: AM Pop, Pop-rock
Year: 2011
Art: Front

[2:47] 1. Suzie Baby
[2:20] 2. It's Too Late
[1:51] 3. Love Must Have Passed Me By
[2:08] 4. Everyday
[2:09] 5. Someday
[1:50] 6. Buddy's Song
[2:17] 7. Devil Or Angel
[2:19] 8. Rubber Ball
[2:02] 9. It Might As Well Rain Until September
[2:02] 10. Stayin' In
[2:26] 11. More Than I Can Say
[2:17] 12. Walkin' With My Angel
[2:01] 13. The Opposite
[2:27] 14. Take Good Care Of My Baby
[2:07] 15. Run To Him
[3:03] 16. Don't Ever Take Her For Granted
[2:00] 17. Sharing You
[2:01] 18. Please Don't Ask About Barbara
[1:54] 19. Punish Her
[2:03] 20. Do I Really
[2:10] 21. Charms
[2:33] 22. The Night Has A Thousand Eyes
[2:28] 23. A Letter From Betty
[2:24] 24. I'll Make You Mine
[2:13] 25. Come Back When You Grow Up
[2:16] 26. Beautiful People
[2:05] 27. Maybe Just Today
[2:31] 28. My Girl Hey Girl (Medley)

This 28-song compilation has a lot more going for it than "Take Good Care of My Baby" or "The Night Has a Thousand Eyes" -- indeed, some of Bobby Vee's less-well-known singles are more interesting than certain of the hits, with "Suzie Baby" and "What Do You Want" leading the pack, the latter especially, for emulating the sound of Buddy Holly's final single, "It Doesn't Matter Anymore." And "One Last Kiss" is an unexpectedly strong rendition of the song from Bye Bye Birdie. Beyond that point, the disc goes into the familiar territory of his hits ("Devil or Angel," "Rubber Ball," etc.), most of them mastered in their stereo versions, which, given the polish of Snuff Garrett's production, isn't a bad thing. Some of the teen pop, such as "Stayin' In" -- a song about after-school detention and affairs of the heart -- and "How Many Tears," don't hold up except as artifacts of their era, but they're not too obtrusive in the overall scheme of this CD, which covers a lot of territory, occasionally in unexpected ways. "The Night Has a Thousand Eyes," for instances, is mastered from a source that includes the four-second count-off before the song actually begins and has a sound so close and loud that it actually ends up rocking quite a bit harder than it ever did as a single on the radio. Even his plunge into pop around 1964-1965 gets its best possible face, with the opulently produced and beautifully sung "Be True to Yourself." And the songs extend to Vee's post-1966 reshaping of his sound with "Look at Me Girl," "Come Back When You Grow Up" (which was, in fact, his biggest selling if not his highest charting single), and so on. Among the non-single tracks included, incidentally, is Vee's excellent version of Buddy Holly's "Everyday," but among the pieces promised but not present is the supposed 26th track, a Bobby Vee radio spot that's listed but is nowhere to be found on the disc. The sound is generally of a very high standard, though one suspects that a new compilation done by a competent producer and engineer could get better results today. And the annotation is very thorough, providing a good introduction and overview of this underrated artist -- anyone seeking more should go to Beat Goes On's reissues of Vee's individual albums, two-on-one to a CD. ~Bruce Eder

The Legendary Masters Series

Stan Getz - Opus De Bop

Bitrate: MP3@320K/s
Time: 32:26
Size: 74.3 MB
Styles: Bop, Cool jazz
Year: 1977/2009
Art: Front

[2:33] 1. Opus De Bop
[2:46] 2. Running Water
[2:40] 3. Don't Worry 'bout Me
[2:45] 4. And The Angels Swing
[2:36] 5. Fool's Fancy
[2:59] 6. Bebop In Pastel
[2:56] 7. Bombay
[2:47] 8. Ray's Idea
[2:25] 9. Eb-Pob
[2:53] 10. Goin' To Minton's
[2:21] 11. Fat Girl
[2:38] 12. Ice Freezes Red

Some of tenor-saxophonist Stan Getz's earliest recordings are included on this well-conceived LP. Getz displays a harder sound than one might expect on sextet sides with trombonist Kai Winding and trumpeter Shorty Rogers from late 1945 and on four selections with a quartet from mid-1946. The final four selections (from May 1949) are more typical as Getz (along with fellow tenors Al Cohn and Zoot Sims) plays hard-swinging cool bop; the three tenors can barely be told apart. Bop collectors will want this interesting music. ~Scott Yanow

Opus De Bop

Steve Davis - Dig Deep

Bitrate: MP3@320K/s
Time: 60:19
Size: 138.1 MB
Styles: Bop, Trombone jazz
Year: 1997
Art: Front

[5:43] 1. One For All
[6:52] 2. Dig Deep
[7:48] 3. Little Boy's Bossa
[6:24] 4. Blues Noble
[5:16] 5. Detour Ahead
[7:04] 6. I Should Care
[7:03] 7. Summertime
[7:05] 8. Payne's Window
[7:01] 9. Trippin'

Steve Davis, an excellent hard bop trombonist who is a successor style-wise of J.J. Johnson and Curtis Fuller, is in top form during his second Criss Cross CD as a leader. Once again Davis is teamed up with tenor saxophonist Eric Alexander, this time in a sextet with trumpeter Jim Rotondi, pianist David Hazeltine, bassist Nat Reeves, and drummer Joe Farnsworth. Davis contributed five of the nine songs (including "Payne's Window" for baritonist Cecil Payne), Alexander brought in the up-tempo romp "Trippin'," and the sextet also performs three standards (including "Detour Ahead" and "Summertime"). Davis, who deserves much greater recognition, shows that he is one of the top straight-ahead trombonists of the 1990s and blends in well with Rotondi and Alexander. Recommended. ~Scott Yanow

Dig Deep

Joe Lovano Nonet - 52nd Street Themes

Bitrate: MP3@320K/s
Time: 67:08
Size: 153.7 MB
Styles: Saxophone jazz
Year: 2000
Art: Front

[3:53] 1. If You Could See Me Now
[5:00] 2. On A Misty Night
[5:08] 3. Sippin' At Bells
[5:02] 4. Passion Flower
[7:09] 5. Deal
[3:47] 6. The Scene Is Clean
[3:55] 7. Whatever Possess'd Me
[8:05] 8. Charlie Chan
[5:47] 9. Theme For Ernie
[7:46] 10. Tadd's Delight
[2:04] 11. Abstractions On 52nd Street
[4:27] 12. 52nd Street Theme
[4:59] 13. Embraceable You

Joe Lovano: tenor saxophone; Steve Slagle: alto saxophone; George Garzone: tenor saxophone; Ralph Lalama: tenor saxophone; Gary Smulyan: baritone saxophone; Tim Hagans: trumpet; Conrad Herwig: trombone; John Hicks: piano; Dennis Irwin: bass; Lewis Nash: drums.

While Joe Lovano has played some decidedly non-mainstream music during his career, this record is a powerful reminder of the tenor giant’s debt to the tradition. Still, the music has that unmistakable Lovano edge. Joined by what is in essence a small big band, Lovano pays tribute to the legendary players and composers of the bebop era, with a concentration on the great Tadd Dameron. Willie "Face" Smith (not to be confused with the famed altoist who died in 1967) wrote the orchestrations.

Not every track features the full nonet. Strayhorn’s "Passion Flower" is a duet for Lovano and pianist John Hicks. Lovano plays Dameron’s "The Scene Is Clean" with only the rhythm section behind him. "Charlie Chan," a Lovano original based on "Milestones" changes, features a three-tenor duel between the leader, George Garzone, and Ralph Lalama. An up-tempo "Sippin’ at Bells" features a sextet with the frontline of Lovano, trumpeter Tim Hagans, and altoist Steve Slagle. And Lovano is unaccompanied on his own "Abstractions on 52nd Street," which segues directly into a full-throttle version of Monk’s "52nd Street Theme." The nonet is at its best on lushly orchestrated numbers such as "If You Could See Me Now," "Whatever Possess’d Me," and "Embraceable You." ~Dave Adler

52nd Street Themes

Eydie Gormé - Gormé Sings Showstoppers

Bitrate: MP3@320K/s
Time: 33:21
Size: 76.4 MB
Styles: Latin pop, Bolero
Year: 1958/2011
Art: Front

[2:20] 1. I Don't Care
[2:58] 2. You're Just In Love
[4:06] 3. My Funny Valentine
[3:09] 4. You Can't Get A Man With A Gun
[2:59] 5. Always True To You In My Fashion
[3:02] 6. Guys And Dolls
[3:07] 7. I Can't Say No
[3:06] 8. Hello Young Lovers
[2:44] 9. Thou Swell
[3:14] 10. I'm Gonna Wash That Man Right Out Of My Hair
[2:32] 11. Baubles, Bangles And Beads

The Showstoppers are all show tunes on this collection of Broadway favorites from Eydie Gorme, her fifth album for ABC-Paramount Records. Appropriately given the title, the selections tend to be uptempo numbers, and that tends to put them right in the wheelhouse of this energetic performer. Gorme is at her best when she's belting, and she has that opportunity over and over as she takes on some of the big women's songs of the musicals of the ‘40s and ‘50s, shows like Irving Berlin's Annie Get Your Gun ("You Can't Get a Man with a Gun") and Rodgers & Hammerstein's Oklahoma! ("I Cain't Say No") and South Pacific ("I'm Gonna Wash That Man Right Outa My Hair"). She even tries songs not specifically tailored for a distaff singer, notably the title tune from Frank Loesser's Guys and Dolls, a composition that, it might be argued, isn't even sympathetic to women. There are ballads here as well, but they tend to be taken at a rhythmic pace. Gorme isn't interested in providing characterizations for these sometimes character-heavy songs; she does use accents where necessary to get rhymes across, but she is singing as herself, using her natural vivacity, powerful voice, and excellent enunciation to transfer these popular songs from the theatrical stage to the realm of nightclubs, where she is at home. Any one of them should fit into her act beautifully. ~William Ruhlmann

Gormé Sings Showstoppers

Ben Sidran, Bob Rockwell Quartet - Walk Pretty

Bitrate: MP3@320K/s
Time: 59:40
Size: 136.6 MB
Styles: Smooth jazz
Year: 2002
Art: Front

[4:21] 1. That's My Girl
[5:36] 2. Walk Pretty
[6:16] 3. Rain Rain
[4:45] 4. Lady Sings The Blues
[4:38] 5. The Winter Of My Discontent
[4:42] 6. South To A Warmer Place
[4:09] 7. While We're Young
[3:30] 8. Lovers And Losers
[4:42] 9. If Someday Ever Happens Again
[5:41] 10. I Like It Here
[4:49] 11. A Long Night
[6:25] 12. Moon And Sand

Bass – Billy Peterson; Drums – Kenny Horst; Piano, Vocals – Ben Sidran; Tenor Saxophone, Flute – Bob Rockwell. Recorded and mixed by Steve Wiese, April 28 and 29, 2002 at Creation Audio in Minneapolis.

Around the time that Mark Winkler started rummaging through the Bobby Troup songbook, saxophonist Bob Rockwell, now living in Denmark, was itching to honor another undersung hero of American jazz and pop, Alec Wilder. Fortunately for us, Rockwell's first call went out to his singer-pianist pal Ben Sidran. Wading into the elegant complexity of Wilder's work, Sidran spent three months absorbing the fragile beauty of such classics as "The Winter of My Discontent," "While We're Young" and "Lady Sings the Blues." Then, together with Rockwell, bassist Billy Peterson and drummer Kenny Horst, he traveled to Rockwell's hometown of Minneapolis to lay down the 12 tracks that fill Walk Pretty (Go Jazz). Result? A superbly thoughtful and intelligent tribute that's as profound as it is lyrical. (Wilder devotees may question the absence of his most famous composition, "I'll Be Around." I suspect, though, that Rockwell and company wisely recognized the song's severe overexposure.) Fans of Sidran's spare, sandy vocals (imbued with a whip-smart worldliness worthy of Mose Allison) might be similarly disappointed to learn that he sings on only five selections. Consider it a case of quality exceeding quantity. Rambling from the relaxed confidence of the title track, through the sly restlessness of "Discontent" and "South to a Warmer Place" and on to the sweet que sera sera fatalism of "If Someday Ever Happens Again" and resigned desolation of "A Long Night," Sidran proves himself, yet again, an inveterately resourceful troubadour. ~Christopher Loudon

Walk Pretty