Time: 61:15
Size: 140.2 MB
Styles: Swing
Year: 2009
Art: Front
[4:51] 1. Dark Orchid
[6:17] 2. Freckle Face
[4:29] 3. Veronique
[5:05] 4. Swingin' On The Orient Express
[4:11] 5. Lisette
[3:57] 6. Time Stream
[3:18] 7. Katy
[5:31] 8. A Cool Breeze
[7:12] 9. A Warm Breeze
[5:49] 10. Out Of The Night (Dark Orchid)
[4:36] 11. Satin 'n Glass
[5:53] 12. 88 Basie Street
The Portrait of Sammy shown on the cover of renowned composer/arranger Sammy Nestico's newest album shows a man grinning from ear to ear, clearly enjoying what he does and relishing the fruits of his enduring success. And why not? Sammy has been at the top of his game for nearly half a century, and he shows no signs of slowing down at age 81. Ten of the fifteen selections on Portrait were recorded last year with an orchestra comprised of world-class jazz musicians from southern California bolstered by a 26-piece string section, creating an ambiance reminiscent of the Netherlands Metropole Orchestra.
Even with strings attached, Nestico seldom forgets to swing, nor did he do so in winning four Grammy Awards for the incomparable Count Basie Orchestra while serving as the Count's chief arranger some three decades ago. On the other hand, the strings do little to enhance the environment, and (my opinion, judge for yourself) Sammy's purpose would have been better served without them (and with a tad less reverb as well). For proof, listen to "Freckle Face, "Time Stream, or "Kiji Takes a Ride! (no strings), "A Warm Breeze (recorded in '04 with Germany's superb SWR Big Band), "Satin 'n' Glass (transcribed in 1985 with Rob McConnell's Boss Brass minus Rob), or the album's "bonus track, the groovy "88 Basie Street, gleaned from the '78 album Dark Orchid to showcase the late Pete Jolly on piano. The personnel on that track, by the way, is mind-blowing—Warren Luening, Conte Candoli, and Snooky Young in the trumpet section; Bob Cooper, Bud Shank, and Jack Nimitz among the reeds; Bill Watrous on trombone; and Jolly, Chuck Berghofer and Louie Bellson in the rhythm section.
There's a second version of "Dark Orchid (which opens the album), this one recorded in 2000 under its alternate name, "Out of the Night, and featuring solos by flutist Hubert Laws, guitarist Paul Jackson Jr., drummer Vinnie Colaiuta and pianist Randy Kerber. There are no strings (or vocalists), and I found this earlier version the more agreeable because of it. That session also produced the lovely "Lisette, on which soprano Dan Higgins glistens. "Freckle Face, which spotlights trumpeter Luening, is from the Basie book, as are "Warm Breeze, "Time Stream, "Satin 'n' Glass and "Basie Street. Dick Nash's elegant trombone is front and center on the tender "Katy, written for Basie's wife, who had recently passed away. Guido Basso's warm flugelhorn garnishes "Satin 'n' Glass while Tom Scott is showcased on EWI on "Dark Orchid and "Orient Express, tenor sax (with guitarist Dean Parks) on "A Cool Breeze. Tenor Pete Christlieb complements Luening on "Tangerine, pianist Tom Ranier on "Veronique, Luening and bassist Trey Henry on the bustling "Time Stream.
Given his many successes over so many years, Sammy Nestico has every reason to smile. And if his colorful Portrait isn't entirely blemish-free, he need make no apology. He has earned the right to paint it his way. Much of what is presented here is splendid. My aversion to strings, which Sammy evidently deems necessary, may not be shared by other listeners—and as they are conspicuous on only five tracks, that's hardly enough to dampen one's pleasure. In sum, a handsome Portrait that any jazz lover should be pleased to hang in his or her music library. ~Jack Bowers
Even with strings attached, Nestico seldom forgets to swing, nor did he do so in winning four Grammy Awards for the incomparable Count Basie Orchestra while serving as the Count's chief arranger some three decades ago. On the other hand, the strings do little to enhance the environment, and (my opinion, judge for yourself) Sammy's purpose would have been better served without them (and with a tad less reverb as well). For proof, listen to "Freckle Face, "Time Stream, or "Kiji Takes a Ride! (no strings), "A Warm Breeze (recorded in '04 with Germany's superb SWR Big Band), "Satin 'n' Glass (transcribed in 1985 with Rob McConnell's Boss Brass minus Rob), or the album's "bonus track, the groovy "88 Basie Street, gleaned from the '78 album Dark Orchid to showcase the late Pete Jolly on piano. The personnel on that track, by the way, is mind-blowing—Warren Luening, Conte Candoli, and Snooky Young in the trumpet section; Bob Cooper, Bud Shank, and Jack Nimitz among the reeds; Bill Watrous on trombone; and Jolly, Chuck Berghofer and Louie Bellson in the rhythm section.
There's a second version of "Dark Orchid (which opens the album), this one recorded in 2000 under its alternate name, "Out of the Night, and featuring solos by flutist Hubert Laws, guitarist Paul Jackson Jr., drummer Vinnie Colaiuta and pianist Randy Kerber. There are no strings (or vocalists), and I found this earlier version the more agreeable because of it. That session also produced the lovely "Lisette, on which soprano Dan Higgins glistens. "Freckle Face, which spotlights trumpeter Luening, is from the Basie book, as are "Warm Breeze, "Time Stream, "Satin 'n' Glass and "Basie Street. Dick Nash's elegant trombone is front and center on the tender "Katy, written for Basie's wife, who had recently passed away. Guido Basso's warm flugelhorn garnishes "Satin 'n' Glass while Tom Scott is showcased on EWI on "Dark Orchid and "Orient Express, tenor sax (with guitarist Dean Parks) on "A Cool Breeze. Tenor Pete Christlieb complements Luening on "Tangerine, pianist Tom Ranier on "Veronique, Luening and bassist Trey Henry on the bustling "Time Stream.
Given his many successes over so many years, Sammy Nestico has every reason to smile. And if his colorful Portrait isn't entirely blemish-free, he need make no apology. He has earned the right to paint it his way. Much of what is presented here is splendid. My aversion to strings, which Sammy evidently deems necessary, may not be shared by other listeners—and as they are conspicuous on only five tracks, that's hardly enough to dampen one's pleasure. In sum, a handsome Portrait that any jazz lover should be pleased to hang in his or her music library. ~Jack Bowers
A Portrait Of Sammy
