Showing posts with label John Tropea. Show all posts
Showing posts with label John Tropea. Show all posts

Friday, September 10, 2021

Chuck Mangione - Main Squeeze

Styles: Crossover Jazz, Easy listening
Year: 1976
File: MP3@320K/s
Time: 34:32
Size: 80,0 MB
Art: Front

(8:04)  1. (The Day After) Our First Night Together
(8:01)  2. If You Know Me Any Longer Than Tomorrow
(4:46)  3. Love The Feelin'
(4:33)  4. I Get Crazy (When Your Eyes Touch Mine)
(3:36)  5. Doin' Everything With You
(5:28)  6. Main Squeeze

More and more a creature of the studio, Mangione employs a coterie of '70s New York session players on an album that wears its make-out-music intentions right on its velvet sleeve. All of the titles reflect some aspect of a love affair; the playing is intricate but highly controlled and not terribly exciting. Oddly enough, Chuck effectively attaches a wah-wah pedal to his flugelhorn on a few tracks shades of Miles Davis' "jungle band" period and he gets off his best non-electronically modulated solo on "If You Know Me Any Longer Than Tomorrow." There are orchestrations, but the arrangements are just decorations, not an integral part of the material. But then, after all of the warm, fuzzy stuff has run its course for five tracks, the last cut "Main Squeeze" acts as an ecstatic release, a fine, funky jam session where all seem to be thoroughly enjoying themselves. ~ Richard S.Ginell https://www.allmusic.com/album/main-squeeze-mw0000651826

Personnel: Chuck Mangione - Flugelhorn, Fender Rhodes; Tony Levin - Bass; Rubens Bassini - Percussion; Steve Gadd - Drums, Percussion; Ralph MacDonald - Percussion; Don Grolnick - Acoustic Piano, Fender Rhodes; Richard Tee - Organ; John Tropea - Electric & Acoustic Guitars; Bob Mann - Electric & Acoustic Guitars; Gene Orloff - Concertmaster; Bob Carlisle, Fred Griffen, Jimmy Buffington, John Clarke - French Horns; Bill Watrous, David Taylor, Tom Malone, Wayne Andre - Trombones; Alan Rubin, Jeff Tkazyik, Jon Faddis, Lew Soloff - Trumpets

Main Squeeze

Wednesday, May 8, 2019

Hubert Laws - Morning Star (CTI Records 40th Anniversary Edition)

Styles: Flute Jazz
Year: 1973
File: MP3@320K/s
Time: 35:39
Size: 81,9 MB
Art: Front

(7:55)  1. Morning Star
(4:51)  2. Let Her Go
(4:34)  3. Where Is The Love
(4:59)  4. No More
(7:18)  5. Amazing Grace
(6:01)  6. What Do You Think Of This World Now?

Morning Star - Hubert Laws: Recorded in late 1972 between Hubert Laws’ well-known CTI classic The Rite of Spring and the 1973 CTI performance recording Carnegie Hall, Morning Star may be one of the least known of flautist Hubert Laws’ recordings and among his very best. It’s hard to imagine a more perfect setting for the flautist, surrounded as he is by Bob James (electric piano), Ron Carter (bass), Billy Cobham (drums) and Don Sebesky’s sumptuously employed arrangements for horns and strings. Laws alternates between several flutes (flute, alto flute, bass flute, piccolo and an uncredited electric flute) and shares solo duties with Bob James, who is simply magnificent here. Sebesky’s suberbly lovely work here ranks among some of the very best he ever did for CTI. Laws covers a typical program of third-stream jazz (Rodgers Grant’s title track), spirituals (“Amazing Grace”), pop covers (Roberta Flack & Donny Hathaway’s hit “Where Is The Love,” co-written by this album’s percussionist, Ralph MacDonald) and interesting originals (“Let Her Go,” “No More” and “What Do You Think of This World Now?”). Surprisingly, Morning Star has never been issued on CD before, making this particular release substantially significant due to its very first appearance of availability in nearly four decades. Plus, it makes for excellent listening as well.

Personnel:  Flute, Alto Flute, Piccolo Flute – Hubert Laws; Bass – Ron Carter; Bassoon – Jack Knitzer; Cello – Charles McCracken, George Koutzen, Lucien Schmit; Drums – Billy Cobham; Electric Piano – Bob James;Flute, Alto Flute, Clarinet – Phil Bodner; Flute, Alto Flute, Piccolo Flute, English Horn – Romeo Penque; French Horn – Jim Buffington; Guitar – John Tropea; Harp – Gloria Agostini; Percussion – David Friedman, Ralph MacDonald; Trombone – Garnett Brown; Trumpet, Flugelhorn – Alan Rubin, Marvin Stamm; Vibraphone – David Friedman; Violin – David Nadien, Elliot Rosoff, Emanuel Green, Gene Orloff, Harry Cykman, Harry Lookofsky, Irving Spice, Max Ellen, Paul Gershman; Vocals – Eloise Laws, Lani Groves, Tasha Thomas

Morning Star (CTI Records 40th Anniversary Edition)

Monday, September 24, 2018

Laura Nyro - Angel in the Dark

Styles: Vocal
Year: 2001
File: MP3@320K/s
Time: 56:25
Size: 129,5 MB
Art: Front

(4:06)  1. Angel in the Dark
(4:01)  2. Triple Goddess Twilight
(6:01)  3. Will You Still Love Me Tomorrow
(2:38)  4. He Was Too Good to Me
(4:28)  5. Sweet Dream Fade
(4:18)  6. Serious Playground
(3:03)  7. Be Aware
(2:15)  8. Let It Be Me
(2:46)  9. Gardenia Talk
(3:26) 10. Ooh Baby, Baby
(2:09) 11. Embraceable You
(4:20) 12. La La Means I Love You
(2:18) 13. Walk On By
(1:29) 14. Animal Grace
(3:24) 15. Don't Hurt Child
(5:32) 16. Coda

Angel in the Dark is a lovely recording featuring the graceful vocals and finely crafted songs that everyone expects from Laura Nyro. These sessions were completed in the summer of 1995 and represent the last music Nyro recorded. The title cut and "Sweet Dream Fade" mine the same soul terrain as her late '60s recordings, featuring horns and underlined by heavy guitar riffs. These upbeat pieces perfectly integrate voice, arrangements, and lyrics to create an organic whole, and are two of the best cuts on the album. Slower, piano-based songs like "Triple Goddess Twilight," "He Was Too Good to Me," and "Serious Playground" are mixed in-between these songs. These pieces are quieter and introspective, with Nyro's voice more intimate. 

It is almost as though she was sitting at the piano, late at night, and singing to herself. There are also several covers including "Will You Still Love Me Tomorrow" and "Let It Be Me." The first of these is over five minutes and has been slowed down so much that it drags. In fact, she slows down all of the covers as if to convert them into heartfelt ballads. This works best on "Ooh Baby, Baby," partly because the arrangement is fuller and more dynamic. One other standout is the upbeat "Gardenia Talk," filled with lively percussion and a sensual vocal. Angel in the Dark is a fine coda, perfect for late-night listening, and a perfect companion to Nyro's other recordings. ~ Ronnie D.Lankford, Jr. https://www.allmusic.com/album/angel-in-the-dark-mw0000116833

Personnel: Vocals – Laura Nyro;  Piano [Acoustic] – Laura Nyro (tracks: 2, 3, 4, 6 to 8, 10, 11, 14, 15);   Piano [Electric] – Laura Nyro (tracks: 1, 5, 9, 12, 13, 16);   Acoustic Guitar – John Tropea (tracks: 15);  Bass – Freddie Washington (tracks: 1, 5, 9, 15), Will Lee (tracks: 3, 7, 10, 12);  Drums – Bernard Purdie (tracks: 1, 5, 9, 15, 16), Chris Parker (2) (tracks: 3, 7, 10, 12);  Electric Guitar – John Tropea (tracks: 1, 5, 9, 15);  Guitar – Jeff Pevar (tracks: 3, 7, 10, 12);  Harmony Vocals – Laura Nyro (tracks: 1, 2, 6, 14 to 16);  Tenor Saxophone – Michael Brecker (tracks: 1, 5) Trumpet – Randy Brecker (tracks: 1, 5)

Angel in the Dark

Monday, July 16, 2018

John Tropea - Standard Influence

Bitrate: MP3@320K/s
Time: 61:18
Size: 140.3 MB
Styles: Guitar jazz
Year: 2003
Art: Front

[6:54] 1. Sandu
[5:41] 2. How Insensitive
[3:26] 3. It Don't Mean A Thing
[5:38] 4. Full House
[5:57] 5. Sir Richard
[6:38] 6. Sack O' Woe
[5:28] 7. If You Don't Know Me By Now
[5:12] 8. I Can't Get Started
[5:13] 9. The Thumb
[3:38] 10. What Are You Doing The Rest Of Your Life
[7:27] 11. No Trix, No Clix, No Fix

Featuring: Tropea (Guitar), Steve Gadd (Drums), Anthony Jackson (Bass), Nicki Parrot (Upright Bass), Lou Marini (Sax) & Chris Palmaro (Hammond B3). Produced by John Tropea & Kiyoshi Itoh. Recorded at Clinton Recording, NYC. Engineered & by Jay Messina.

John Tropea is one of the most admired and highly regarded guitar players of his generation. His playing shows a vast knowledge and respect for the tradition of the instrument as well as an original style that continues to define how the guitar best serves a wide variety of musical styles. He is a musician’s musician who attracts the finest players for his own projects.

Tropea has written for and played with major recording artists from around the world. In his long career, his contributions to other artist’s successes have been numerous, including his solo work with Deodato, (2001 theme), projects with Laura Nyro, Harry Chapin (Cat’s in the Cradle), Paul Simon (Fifty Ways), Alice Cooper (Goes to Hell), Eric Clapton (Journey Man), Dr. John, and many others. He is also a composer, arranger, and producer whose vital work is ably demonstrated by his personal projects. Tropea has a deserved worldwide reputation as an artist of quality among both audiences and other musicians.

"At this time in my life now, it is my passion to continue to play with this format.” Tropea’s band plays live regularly these days and has produced two CDs, “Standard Influence,” and “Standard Influence II/Rock Candy,” both “must haves” in any CD collection. Made up of world-class players, this is no pick up band; this is a REAL band that plays with the refined sense of ensemble one finds in the finest string quartet or chamber music group. Made up of: Ronnie Cuber, baritone sax, Clint de Ganon, drums, or Steve Gadd, drums, Anthony Jackson, electric bass, Dave Mann, tenor sax, Lou Marini, tenor sax, and Chris Palmaro, Hammond B3; everyone in this band is a virtuoso, yet no one ever over-plays.

Standard Influence mc
Standard Influence zippy

Saturday, July 14, 2018

John Tropea - Short Trip to Space

Styles: Guitar Jazz
Year: 1977
File: MP3@320K/s
Time: 36:27
Size: 85,4 MB
Art: Front

(3:12)  1. The Funk You See, Is the Funk You Do!
(4:15)  2. Can't Hide Love
(3:43)  3. Southside
(5:18)  4. You Can't Have It All
(7:14)  5. Short Trip to Space
(6:16)  6. Blue Too
(2:06)  7. Love's Final Moment
(4:20)  8. Twist of the Wrist

John Tropea is one of the most admired and highly regarded guitar players of his generation. His playing shows a vast knowledge and respect for the tradition of the instrument as well as an original style that continues to define how the guitar best serves a wide variety of musical styles. He is a musician’s musician who attracts the finest players for his own projects. Tropea has written for and played with major recording artists from around the world. In his long career, his contributions to other artist’s successes have been numerous, including his solo work with Deodato, (2001 theme), projects with Laura Nyro, Harry Chapin (Cat’s in the Cradle), Paul Simon (Fifty Ways), Alice Cooper (Goes to Hell), Eric Clapton (Journey Man), Dr. John, and many others. He is also a composer, arranger, and producer whose vital work is ably demonstrated by his personal projects. Tropea has a deserved worldwide reputation as an artist of quality among both audiences and other musicians. Tropea began guitar studies at the age of 12. His musical education continued at Berklee School of Music in Boston, where he studied jazz guitar, harmony, composition, and big band arranging. Immediately after arriving in Boston, Tropea began playing live R & B and jazz gigs with many different bands in the area, including The Three Degrees. Influenced by Wes Montgomery, Johnny Smith, Louis Bonfa, Pat Martino, and George Benson, it was at this time that Tropea began to absorb those influences into an original style of his own. Also among his mentors at the time were the great B3 organ players Jack McDuff and Jimmy Smith. After Berklee, Tropea recorded and toured with Deodato. Moving to New York in 1967, Tropea quickly became one of the most sought after session players. He soon became a peer among New York’s finest studio musicians. As well as world touring, Tropea wrote and produced three critically acclaimed solo albums with TK records. His first solo album “Tropea,” was released in 1975, followed by “Short Trip to Space,” and “To Touch You Again.” With those early recordings and other projects, Tropea formed close musical alliances with other great New York musicians including: David Spinozza, Warren Bernhardt, David Sanborn, Randy and Michael Brecker, Steve Gadd, Anthony Jackson, Don Grolnick, and Richard Tee (Tropea played in The Richard Tee band).

During this time Tropea also wrote and arranged music for film and broadcast advertising. With his frequent co-producer and friend Will Lee, Tropea went on to release “Simple Way to say ‘I Love You,’ and “Something Old, New, Borrowed and Blues” Live gigs from that era by The Tropea Band at Mikell’s, in New York City, remain legendary. Along with his own projects, Tropea currently plays with the Original Blues Brothers Band. Recently, Tropea has formed an astonishing band that not only gives voice to his “standard influences” but also defines him as a player, composer, and arranger of consummate musicianship and exciting presence. “When I was in college at Berklee School of Music, I was introduced to the Hammond B3 Bands and it was a heavy influence in my development. At this time in my life now, it is my passion to continue to play with this format.” Tropea’s band plays live regularly these days and has produced two CDs, “Standard Influence,” and “Standard Influence II/Rock Candy,” both “must haves” in any CD collection. Made up of world-class players, this is no pick up band; this is a REAL band that plays with the refined sense of ensemble one finds in the finest string quartet or chamber music group. Made up of: Ronnie Cuber, baritone sax, Clint de Ganon, drums, or Steve Gadd, drums, Anthony Jackson, electric bass, Dave Mann, tenor sax, Lou Marini, tenor sax, and Chris Palmaro, Hammond B3; everyone in this band is a virtuoso, yet no one ever over-plays.

While the band has a refined sense of time and a compelling groove that makes it impossible to sit still while listening, the arrangements have, at the same time, a transparency that allows the listener in, where all the intricacies become apparent. The sound is always balanced. You hear what everyone is playing. The musicians in this band know how to use space in their playing. And while all the solo playing is creative, musical, and virtuosic, it is the rhythmic component, the sense of accent, the power of the ensemble playing that drives this group to astonishing heights of excitement. The comping, the back up playing, is as vital, as intricate, as interesting as the solo playing integrated with it. Here is a refined group of musicians whose playing complements one another, whose aim is the sound, the quality of the band as a whole. They achieve this goal to the highest degree.  The band plays jazz, R&B, and Funk standards, along with original compositions. But each tune is made up of an original, tightly constructed, and sophisticated arrangement. This quality is a delight for the listener and makes an audience eagerly look forward to the next tune and what wonderful surprises that next tune will bring. Don’t look for long solos, endless choruses from this band. That is not what they are about. There is no dross here. While the band demonstrates complete understanding and mastery of a variety of musical styles, they play entirely without cliché. And this band knows how to program a set. Offering a wide dynamic balance, The Tropea Band plays with a savvy and wit that is appreciated by its audiences. Continually bringing new elements and surprises with each new tune, they know how to drive a set to an unbelievably energetic and satisfying conclusion. With the respect he has gained from some of the finest musicians playing today, Tropea has been able to put together a group that shares his vision, that continues to re-define venerable traditions, and that makes music together that is of lasting beauty and significance. Tropea has once again gotten back to his live audience, as well as those who follow his recordings, and with this band, he has found his apotheosis. https://store.cdbaby.com/cd/johntropea5

Personnel:  Guitar – David Spinozza , John Tropea;  Bass – Richard Davis, Will Lee ;  Drums – Rick Marotta, Steve Gadd ;  Keyboards – Don Grolnick;  Organ – Leon Pendarvis;  Percussion – Ralph MacDonald, Rubens Bassini;  Producer – John Tropea;  Reeds – George Young , Lew Delgatto, Lou Marini, Michael Brecker;  Trombone – Dave Taylor, Sam Burtis;  Trumpet – Alan Rubin, Jon Faddis, Randy Brecker;  Tuba – Tony Price ;  Vibraphone – Mike Mainieri

Short Trip to Space

Friday, September 5, 2014

John Tropea - Gotcha Rhythm Right Here

Size: 170,9 MB
Time: 73:21
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Funk
Art: Front

01. Gotcha Rhythm Right Here, Pt. 1 (2:15)
02. Black Eyed G's (4:21)
03. Soul Surfin' (4:51)
04. 7Th Avenue South (5:27)
05. Chili Wa Man (5:50)
06. Always In My Heart (6:11)
07. Side By Two (6:34)
08. Bikini Beach (6:46)
09. Les Is Moe' (5:45)
10. Nyc Direct 2014 (7:21)
11. Hip To The Hips (5:19)
12. Gotcha Rhythm Right Here, Pt. 2 (6:43)
13. Boulevard Strut (5:53)

Members: John Tropea (guitar), Lou Marini (sax), Chris Palmaro (Hammond B3), Anthony Jackson (Bass) and Clint de Ganon (Drums).

John Tropea is one of the most admired and highly regarded guitar players of his generation. His playing shows a vast knowledge and respect for the tradition of the instrument as well as an original style that continues to define how the guitar best serves a wide variety of musical styles. He is a musician’s musician who attracts the finest players for his own projects.

Tropea has written for and played with major recording artists from around the world. In his long career, his contributions to other artist’s successes have been numerous, including his solo work with Deodato, (2001 theme), projects with Laura Nyro, Harry Chapin (Cat’s in the Cradle), Paul Simon (Fifty Ways), Alice Cooper (Goes to Hell), Eric Clapton (Journey Man), Dr. John, and many others. He is also a composer, arranger, and producer whose vital work is ably demonstrated by his personal projects. Tropea has a deserved worldwide reputation as an artist of quality among both audiences and other musicians.

Gotcha Rhythm Right Here