Wednesday, September 15, 2021

Sallie Blair - Squeeze Me

Bitrate: MP3@320K/s
Time: 31:35
Size: 72.3 MB
Styles: Vocal jazz
Year: 1957/2014
Art: Front

[3:16] 1. Squeeze Me
[3:04] 2. Almost Like Being In Love
[3:02] 3. Better Luck Next Time
[3:10] 4. The More I See You
[2:51] 5. You Make Me Feel So Young
[2:14] 6. What Is This Thing Called Love
[2:28] 7. Come By Sunday
[2:52] 8. Ain't She Sweet
[3:01] 9. How Long Has This Been Going On
[2:47] 10. The I'll Be Tired Of You
[2:44] 11. Similau

With its saucy title and come-hither cover photo, Squeeze Me promises an abundance of sex-kitten thrills, but what separates Sallie Blair from dozens of other postwar bombshells is her bluesy, earthy voice -- sultriness notwithstanding, the girl can sing. This Bethlehem debut pairs Blair with arranger Richard Wess and a small-combo support unit headlined by bassist Milt Hinton, guitarist Sal Salvador, and pianist Sanford Gold. The record's candlelit ambience emphasizes Blair's prowess on romantic ballads, but a few uptempo, Latin-inspired cuts underscore the breadth of her vocal range. ~Jason Ankeny

Squeeze Me

Cynthia Sayer - Joyride

Bitrate: 320K/s
Time: 49:49
Size: 114.0 MB
Styles: Dixieland, Swing, Banjo jazz
Year: 2013
Art: Front

[3:12] 1. Banjo Blues
[3:25] 2. Move It On Over
[4:44] 3. I Get Ideas (Adios Muchachos)
[3:45] 4. Ella Miriam's Blues
[3:06] 5. You Talk Too Much
[5:08] 6. The Man On The Flying Trapeze
[4:13] 7. I Love Paris
[4:01] 8. Getting To Know You
[3:30] 9. El Irresistible
[3:45] 10. Goody Goody
[3:28] 11. Honey
[3:05] 12. Under The Bamboo Tree
[4:22] 13. When You Wish Upon A Star

Banjo!—one's mental and aural images might include straw-hatted gents picking away at an attraction at Disney World, Stubby Kaye and Nat "King" Cole strolling in Cat Ballou, (Columbia Pictures, 1965) "The Beverly Hillbillies Theme," or perhaps the iconic "duel" from Deliverance (Warner Bros., 1972) There's probably no other musical instrument on the planet that's more associated with novelty, Americana and all-around Good Times.

Joyride from celebrated jazz banjoist and vocalist, Cynthia Sayer, lives up to its title. And, while the jazz here is more traditional than contemporary and there's a limited amount of extended improv, this is an exhilarating excursion via an artist's and her supporting musicians' talents that results in a funhouse of good music. Sayer, a Banjo Hall of Famer and mainstay in Woody Allen's jazz combo and on his film soundtracks, has performed and recorded with a diverse Who's Who of jazz, popular music and the cinema—Marvin Hamlisch, Bruce Springsteen, Wynton Marsalis, Bucky Pizzarelli, and the New York Philharmonic. At that world-class level, Sayer and her 4-stringed buddy are no novelty. She's the real deal and this recording reinforces that standing.

Joyride is a terrific combination of Sayer's pluck, the wonderful sounds of Springsteen accordionist, Charlie Giordano, trumpeter Randy Sandke's Pops-like rides, and a Baker's Dozen of shrewdly selected offerings—past and present—performed by fine musicians who play with vigor. Sayer pens two interesting originals ("Banjo Blues," "You Talk Too Much") and re-lyrics another ("Man On the Flying Trapeze"). Overall, it's an eclectic hoot performed with sass and smarts. Sayer's vocal chops fit the material well and add a saucy dimension ("Banjo Blues," "Getting to Know You," "Move It On Over"). She's got a slick way with words and can shine new light on time-worn lines ("Goody,Goody," "I Love Paris," "When You Wish Upon A Star"). While banjo-centric jazz might not be everyone's cup of tea, Joyride is an entertaining effort from a truly gifted talent. It's a "'joy ride" indeed. ~Nicholas F. Mondello

Cynthia Sayer: banjo and vocals; Charlie Giordano: accordion; Mauro Battisti: string bass; Larry Eagle: percussion; Sarah Caswell: violin; Adrian Cunningham: clarinet; Jon Herington: electric guitar; Randy Sandke: trumpet; Scott Robinson: tenor saxophone, tarogato; Marcus Rojas: tuba; Mike Weatherly: string bass, backup vocals.

Joyride

John Hicks - Five After Four

Styles: Vocal
Year: 2015
File: MP3@320K/s
Time: 41:28
Size: 96,5 MB
Art: Front

(4:07)  1. Cheaters Never Win
(3:33)  2. Five After Four
(5:08)  3. Behind the Velvet Rope
(3:09)  4. Outrun a Memory
(4:38)  5. I'm Going to Be Alright
(3:00)  6. Vanderbilt
(3:34)  7. Wonder Where Your Heart Is Tonight
(3:07)  8. Chasing the Sun
(4:54)  9. Bandera Wind
(3:01) 10. Missing You
(3:11) 11. Gift and a Curse

What do you get when you mix a six time Emmy Award winning producer, with brilliant musicians, back-up vocalists and raspy warrior poet lyricists? A Texas style cruising down the road feel good jam with a sprinkle of all the most edible genres! Finally here, and years in the making, John Hicks Five After Four is sure to delight, surprise and keep you coming back for more after just One Listen. Not a filler song on the entire album. Please enjoy! https://store.cdbaby.com/cd/johnhicks2

Five After Four

Bud Powell - Compact Jazz

Bitrate: MP3@320K/s
Time: 46:09
Size: 105.7 MB
Styles: Bop, Piano jazz
Year: 1993/2012
Art: Front

[3:05] 1. Fantasy In Blue
[2:59] 2. Buttercup
[2:26] 3. Tempus Fugit
[1:39] 4. When I Fall In Love
[3:33] 5. Crazy Rhythm
[2:19] 6. Salt Peanuts
[3:30] 7. All The Things You Are
[2:25] 8. Someone To Watch Over Me
[2:25] 9. Be-Bop
[2:49] 10. Yesterdays
[2:22] 11. I Know That You Know
[2:49] 12. Sweet Georgia Brown
[3:00] 13. Blues In The Closet
[3:29] 14. Lover Come Back To Me
[2:17] 15. Dance Of The Infidels
[2:40] 16. I'll Keep Loving You
[2:13] 17. Dusk In Sandi

As a budget sampler, this edition of the Compact Jazz series offers newcomers an attractive overview of Bud Powell's Verve material from 1949-1956. That said, the disc does include several cuts from Powell's less-than-stellar mid-'50s trio sessions, a time when mental illness and electroshock therapy had started to take its toll. And although there are a few sides from Powell's monumental 1949-1951 dates with drummer Max Roach and bassists Curly Russell and Ray Brown ("Tempus Fugit," "I'll Keep Loving You"), plus one solo number from the same period ("Dusk in Sandi"), the majority here is of variable quality. This is not to say there aren't any good performances to be found in the later cuts; but for fans looking into a quality introduction to Powell's Verve work, the label's two Jazz Giant discs would be the best place to start. ~Stephen Cook

Compact Jazz