Monday, October 30, 2017

Bud Freeman, Keith Ingham Trio - Superbud

Bitrate: MP3@320K/s
Time: 59:40
Size: 136.6 MB
Styles: Saxp[hone jazz
Year: 1994/1999
Art: Front

[4:04] 1. Superbud
[5:05] 2. Please
[2:28] 3. Easy To Get
[3:58] 4. Doug's Delight
[3:59] 5. Keeping Myself For You
[4:09] 6. Katie's Blues
[3:44] 7. After Awhile
[2:44] 8. S'wonderful
[4:25] 9. Don't Blame Me
[2:38] 10. Ginger Brown
[3:05] 11. The Way Of The Tenor
[3:38] 12. You Took Advantage Of Me
[2:51] 13. Craz-E-Ology
[3:23] 14. Tea For Two
[3:57] 15. Tillie's Downtown Now
[2:52] 16. Eel Street Blues
[2:32] 17. It Must Be True

The bulk of this CD is a reissue of a 1974 LP put out by the British "77" label featuring tenor saxophonist Bud Freeman (in consistently exuberant form) with pianist Keith Ingham, bassist Pete Chapman and drummer Johnny Armitage; among the highlights are "Please," "'S Wonderful," "You Took Advantage of Me" and "Tea For Two." Although a piano solo by Ingham has been left off, he recorded six additional solos in 1992 of rarely performed Freeman compositions (including "After Awhile," "Craz-e-ology" and "Tillie's Downtown Now") to add to this set. High-quality mainstream jazz that should please pre-bop collectors. ~Scott Yanow

Superbud

Biréli Lagrène - Standards

Bitrate: MP3@320K/s
Time: 68:52
Size: 157.7 MB
Styles: Guitar jazz
Year: 1992
Art: Front

[6:40] 1. C'est Si Bon
[5:38] 2. Softly, As In A Morning Sunrise
[5:21] 3. Days Of Wine And Roses
[5:58] 4. Stella By Starlight
[5:54] 5. Smile
[4:54] 6. Autumn Leaves
[5:59] 7. Teach Me Tonight
[5:04] 8. Donna Lee
[7:16] 9. Body And Soul
[4:22] 10. Ornithology
[7:12] 11. How Insensitive Insensatez
[4:28] 12. Nuages

This is one of guitarist Bireli Lagrene's better jazz albums of the 1990s. By this time he had pretty much discarded his original Django Reinhardt influence (even on "Nuages" he sounds nothing like Reinhardt) and he took time off from playing rock to perform a dozen familiar standards with bassist Niels Pedersen and drummer Andre Ceccarelli. Lagrene's technique had been admirable from the start and on this studio session his own musical personality was allowed to come to the surface. Highlights include "Softly as in a Morning Sunrise," "Autumn Leaves," "Donna Lee" and "Ornithology." ~Scott Yanow

Standards

Peggy Lee - The Best Of Peggy Lee

Bitrate: MP3@320K/s
Time: 36:13
Size: 82.9 MB
Styles: Vocal
Year: 2002
Art: Front

[3:19] 1. Lover
[3:15] 2. Be Anything (But Be Mine)
[2:57] 3. Just One Of Those Things
[3:19] 4. Sans Souci
[3:06] 5. Black Coffee
[3:27] 6. Somebody Loves Me
[2:36] 7. Let Me Go, Lover!
[2:24] 8. The Siamese Cat Song
[2:57] 9. Johnny Guitar
[3:18] 10. Mr. Wonderful
[2:34] 11. He Needs Me
[2:56] 12. I Don't Know Enough About You

Peggy Lee was Born Norma Dolores Egstrom in Jamestown, North Dakota, on May 26, 1920. At age four her mother died. Peggy's father, a railroad station agent, remarried but later left home, leaving Peggy's care entrusted to a stepmother who physically abused her. Peggy later memorialized this in the calypso number "One Beating a Day", one of 22 songs she co-wrote for the autobiographical musical "Peg", in which she made her Broadway debut in 1983 at the age of 62. As a youngster Peggy worked as a milkmaid, later turning to singing for money in her teens. While singing on a local radio station in Fargo, the program director there suggested she change her name to Peggy Lee. Peggy's big break came when Benny Goodman hired her to sing with his band after hearing her perform. Peggy shot to stardom when she and Goodman cut the hit record "Why Don't You Do Right?" and went out on her own to record such classics as "Fever", "Lover", "Golden Earrings", "Big Spender" and "Is That All There Is?" - the latter winning her a Grammy Award in 1969. Peggy's vocal style provided a distinctive imprint to countless swing tunes, ballads and big band numbers. She was considered the type of performer equally capable of interpreting a song as uniquely as Billie Holiday, Ella Fitzgerald and Bessie Smith.

The Best Of Peggy Lee

Slyde Hyde, Pete Christlieb - Late Night Jazz

Bitrate: MP3@320K/s
Time: 66:36
Size: 152.5 MB
Styles: Trombone jazz
Year: 2001
Art: Front

[6:08] 1. It Might As Well Be Spring
[6:10] 2. What Are You Doing The Rest Of Your Life
[5:06] 3. Bewitched, Bothered & Bewildered
[7:04] 4. But Beautiful
[7:41] 5. When I Fall In Love
[6:51] 6. The Very Thought Of You
[6:39] 7. Angel Eyes
[4:22] 8. Lush Life
[6:45] 9. Someone To Watch Over Me
[9:44] 10. I Got It Bad And That Ain't Good

As the album title indicates, this collection of jazz standards, recorded in May 2000, is aimed solely at setting a romantic mood. It does this very well, with 10 tracks lasting about an hour that will provide a great backdrop for an evening of either relaxing or seduction, as you prefer.

Christlieb is only on seven of the tracks, with "Someone to Watch Over Me" being his big feature number. The album really revolves around seasoned studio player Slyde Hyde on trombone and euphonium. Hyde restricts himself to slightly embellished melodies, which set the mood nicely but contrast sharply with the uninhibited improvisations of Christlieb and pianist Tom Ranier. Christlieb fans will enjoy his playing, as always. Many listeners may find Hyde's interpretations too restrained. But if your goal is simply to find jazz music for a romantic evening, this is an excellent choice. ~James A. Vedda

Late Night Jazz

Ron Carter, Richard Galliano - An Evening With Ron Carter & Richard Galliano

Bitrate: MP3@320K/s
Time: 58:53
Size: 134.8 MB
Styles: Accordion jazz, Post bop
Year: 2017
Art: Front

[5:55] 1. Einbahnstrasse
[6:17] 2. Tea For Toots
[5:51] 3. Billie
[5:12] 4. Waltz For Nicky
[5:39] 5. You Are My Sunshine
[4:24] 6. Tango Pour Claude
[4:46] 7. Blues For D.P
[5:38] 8. Aria Libertango
[5:12] 9. Ah, Rio
[5:12] 10. First Trip
[4:43] 11. Bonustrack: It's About Time

A series of duets with Ron Carter and French accordionist Richard Galliano. Not a common jazz instrument, the free-reed sound of the accordion on this recording is both subtle and lovely. Tempos range from ballads to medium, but tend to be on the slow side. Not breakthrough jazz, these duets (recorded live) are refreshing and what all good music should be, just good listening.

Accordion and Bandoneon Virtuoso, Composer. Richard Galliano expresses himself in all musical fields, from classical to jazz. He is nowadays the only accordion player to record for the prestigious classical music label “Deutsche Grammophon”. Richard Galliano has recorded more than 50 albums under his own name and collaborated with an impressive number of artists.

An Evening With Ron Carter & Richard Galliano

Lannie Garrett - Just For A Thrill

Styles: Vocal
Year: 1996
File: MP3@320K/s
Time: 48:04
Size: 110,6 MB
Art: Front

(4:12)  1. You Belong To Me
(4:51)  2. Chances Are
(5:42)  3. Our Day Will Come
(4:21)  4. True Love Ways
(3:23)  5. Scotch And Soda
(3:30)  6. Who Will The Next Fool Be
(5:08)  7. Just For A Thrill
(4:20)  8. Amor
(5:02)  9. Beyond The Sea (La Mer)
(4:46) 10. Baby, It's Cold Outside
(2:44) 11. Goodnight My Love

"... a display of elegance and talent...a cornicopia of wonderful sounds..." ~ R. Franks, KUVO 89.3FM

"Lannie is an elegant swinging powerhouse who can make old and new songs sound fresh and always exciting. We love this one." ~ L. Rychner, Recording Magazine

"Lush interpretations of classics by a soulful, seductive singer." ~ J. Bradley, The Denver Post    https://www.amazon.com/Just-Thrill-Lannie-Garrett/dp/B000006KWE

Just For A Thrill

Matt Bianco - HiFi Bossanova

Styles: Jazz, Smooth Jazz
Year: 2009
File: MP3@320K/s
Time: 55:11
Size: 127,4 MB
Art: Front

(4:22)  1. HiFi Bossanova
(4:42)  2. Lost In You (Revisited)
(4:28)  3. Natural
(4:27)  4. Don't Look Back
(4:31)  5. Always On My Mind
(4:00)  6. The Way I Like It
(4:43)  7. Ba-De-Ah
(3:55)  8. Someone Else's Dream
(4:04)  9. Anna-Marie
(4:13) 10. Angel Divine
(3:51) 11. Matt's Chill
(3:58) 12. Someone Else's Dream (Alternate version)
(3:51) 13. Matt's Chill (Dub version)

Often misconstrued as the stage name of lead singer Mark Reilly, England's Matt Bianco is in fact a jazz-, Latin-, and lounge music-influenced pop outfit. Named to sound like a fictional spy character à la James Bond, Matt Bianco was formed in 1982 by former members of the similarly jazz- and Latin-infused new wave ensemble Blue Rondo a la Turk. Initially, the group featured Reilly, along with Polish vocalist Basia Trzetrzelewska (who would soon find solo fame), keyboardist Danny White, and bassist Kito Poncioni. The band's 1984 debut, Whose Side Are You On?, fared well, landing just shy of the top 30, and featuring several hits including "Get Out of Your Lazy Bed." Following the release of their debut, Matt Bianco added keyboardist Mark Fisher. It was with this expanded lineup that they broke through with their rendition of Georgie Fame's 1965 single "Yeh Yeh." Included on 1986's eponymous Matt Bianco, the song peaked at number 13 on the pop singles charts and stayed there for ten weeks, eventually earning the band a European music award as Best Single. Despite the group's success, Trzetrzelewska and White decided to leave the band to focus on the former's burgeoning solo career. Subsequently, Fisher took over all keyboard duties and longtime backing vocalist Jenni Evans officially jumped on board in place of Trzetrzelewska. 

This version of Matt Bianco made its debut with 1988's Indigo. Produced by Miami Sound Machine's Emilio Estefan, the album peaked at number 23 in the U.K. It also spawned several hits, including "Don't Blame It on That Girl" and "Wam Bam Boogie," which became the number one European club track of 1988. Over the next decade, Matt Bianco found Reilly and Fisher working together primarily as duo with an increasing interest in Latin, electronic, and adult-contemporary sounds. A "best of" compilation appeared in 1990, followed in 1991 by the studio-effort Samba in Your Casa, after which they parted ways with Warner Brothers. In 1994, they returned with their fifth studio-album Another Time, Another Place, followed by 1995's Gran Via, and 1997's World Go Round. Released in 2000, Rico found the band exploring a blend of acid jazz and traditional Cuban rhythms. Partly recorded in Havana at the studio where Ry Cooder recorded with Buena Vista Social Club, the album included "Cha Cha Cuba," which reached the top of the charts in Japan. Echoes followed two years later. In 2004, Reilly reunited with original members Trzetrzelewska and White for Matt's Mood. By 2009's HiFi Bossanova, however, the band had returned to a duo featuring Reilly and Fisher. Hideaway followed three years later. Reilly then re-recorded several Matt Bianco tracks for his 2016 solo EP New Cool Collective. That same year, Fisher died at the age of 57.  In 2017, Reilly returned with the band's 15th studio album, Gravity, featuring contributions from Swedish sax and flute player Magnus Lindgren and members of Jamie Cullum's touring ensemble. ~ Matt Collar https://www.allmusic.com/artist/matt-bianco-mn0000328956/biography

HiFi Bossanova

Adam Cohen - We Go Home

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 37:01
Size: 86,3 MB
Art: Front

(3:13)  1. Song Of Me And You
(4:20)  2. Too Real
(3:13)  3. We Go Home
(3:26)  4. Put Your Bags Down
(3:27)  5. So Much To Learn
(2:59)  6. Uniform
(2:38)  7. Love Is
(3:50)  8. What Kind Of Woman
(3:56)  9. Fall Apart
(4:25) 10. Swear I Was There
(1:29) 11. Boats

The road to hell is paved with the records of pop stars’ offspring, from Julian Lennon to I Blame Coco. Adam Cohen has the advantage of at least knowing what he’s doing: his fifth album of unshowy singer-songwriter fare occupies similarly confessional territory to that marked out by his father, Leonard. Indeed, Cohenologists will find much to pore over here, as his lyrics frequently address that relationship, and at times appear to be explicitly encouraging comparisons, not least on Fall Apart (“You’ll be hearing his voice, like you’re hearing it now”). It’s a disarmingly bold move, but while We Go Home is an undeniably fine record, it’s not quite good enough to escape Dad’s long shadow.

… we have a small favour to ask. More people are reading the Guardian than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall we want to keep our journalism as open as we can. So you can see why we need to ask for your help. The Guardian’s independent, investigative journalism takes a lot of time, money and hard work to produce. But we do it because we believe our perspective matters because it might well be your perspective, too.  I appreciate there not being a paywall: it is more democratic for the media to be available for all and not a commodity to be purchased by a few. I’m happy to make a contribution so others with less means still have access to information.~ Thomasine F-R. https://www.theguardian.com/music/2014/sep/14/adam-cohen-we-go-home-review-unshowy-leonard-cohen-son

We Go Home

Gregory Porter - Nat King Cole & Me

Styles: Vocal
Year: 2017
File: MP3@320K/s
Time: 63:00
Size: 148,2 MB
Art: Front

(4:18)  1. Mona Lisa
(4:17)  2. Smile
(3:44)  3. Nature Boy
(2:08)  4. L-O-V-E
(4:29)  5. Quizas, Quizas, Quizas
(4:31)  6. Miss Otis Regrets
(3:11)  7. Pick Yourself Up
(7:45)  8. When Love Was King
(4:33)  9. The Lonely One
(2:49) 10. Ballerina
(3:47) 11. I Wonder Who My Daddy Is
(4:31) 12. But Beautiful
(3:35) 13. Sweet Lorraine
(5:31) 14. For All We Know
(3:44) 15. The Christmas Song

Two-time GRAMMY-winning vocalist Gregory Porter s 3rd Blue Note album, Nat King Cole & Me, is a heartfelt tribute to his idol, the legendary singer, pianist and Capitol recording artist Nat King Cole.

With the help of 6-time GRAMMY-winning arranger Vince Mendoza, the London Studio Orchestra, a core band featuring pianist Christian Sands, bassist Reuben Rogers, and drummer Ulysses Owens, and special guest trumpeter Terence Blanchard on two tracks, Porter revisits some of Cole s most cherished classics such as Mona Lisa, L-O-V-E, Nature Boy & The Christmas Song. ~ Editorial Reviews https://www.amazon.com/Nat-King-Cole-Gregory-Porter/dp/B0753DBSFH               

Nat King Cole & Me