Sunday, August 10, 2014

Benny Carter - Cosmopolite: The Oscar Peterson Verve Sessions

Bitrate: 320K/s
Time: 77:30
Size: 177.4 MB
Styles: Saxophone jazz, East Coast blues
Year: 1994
Art: Front

[2:54] 1. Gone With The Wind
[2:54] 2. I Got It Bad (And That Ain't Good)
[3:03] 3. Long Ago (And Far Away)
[3:17] 4. I've Got The World On A String
[3:17] 5. Street Scene
[3:30] 6. Imagination
[2:31] 7. Pick Yourself Up
[2:50] 8. I Get A Kick Out Of You
[7:39] 9. Laura
[6:44] 10. That Old Black Magic
[3:26] 11. Angel Eyes
[4:45] 12. The Song Is You
[3:38] 13. A Foggy Day
[3:54] 14. You Took Advantage Of Me
[2:47] 15. Poinciana (Song Of The Tree)
[3:45] 16. Prisoner Of Love
[4:36] 17. Frenesi
[2:28] 18. Gone With The Wind
[3:00] 19. I Got It Bad (And That Ain't Good)
[3:04] 20. Long Ago (And Far Away)
[3:17] 21. I've Got The World On A String

These timeless Benny Carter performances match the great altoist with pianist Oscar Peterson, bassist Ray Brown, either Barney Kessel or Herb Ellis on guitar, Buddy Rich, J.C. Heard or Bobby White on drums, and, on four numbers, trombonist Bill Harris. The 17 standards (four of which are also heard in alternate versions) are treated with respect, taste, and swing. Carter always sounds flawless and is in excellent form throughout this enjoyable set. ~Scott Yanow

Cosmopolite! The Oscar Peterson Verve Sessions  

Curtis Amy & Paul Bryant - Meetin' Here

Bitrate: 320K/s
Time: 65:23
Size: 149.7 MB
Styles: Saxophone jazz, Straight ahead jazz
Year: 1961/2013
Art: Front

[7:08] 1. Meetin' Here
[6:46] 2. Early In The Morning
[6:04] 3. If I Were A Bell
[8:02] 4. One More Hamhock Please
[6:22] 5. Angel Eyes
[4:12] 6. Just Friends
[3:23] 7. Meet Me In The Bottom
[4:32] 8. In The Evening
[2:42] 9. New B & O Blues
[5:00] 10. Puppy Love
[2:45] 11. Wake Up In The Mornin'
[5:50] 12. Wee Baby Blues
[2:32] 13. I'm The One

Curtis Amy was an accomplished Texas tenor who moved freely and productively between straightahead jazz, blues and rhythm and blues, and both aspects of his musical personality are fruitfully deployed on these enjoyable early 60s West Coast sessions. On the first, “Meetin’ Here,” he brings a fiery conviction to bear on a relaxed, grooving date with organist Paul Bryant. Sharing the front line with them is the solid trombone of Roy Brewster, and the results have the hand-inglove feel of a group to which cooking is as natural as breathing. Whether on a ballad or up-tempo driving, Amy is the main man, bringing a declamatory edge to his tone that reinforces his expressiveness.

After this, the tenor’s career soon shifted into higher gear. Pacific Jazz producer Richard Bock used him in an all-star jazz group to back the veteran blues singer and guitarist Bumble Bee Slim on the second session of this set. Recorded a year later under Slim’s leadership as part of the album “Back in Town!,” it offered, in addition to Slim’s unpretentious, relaxed, and undeniably expressive way with slow, medium and up-tempo blues tunes, gripping soloing by Curtis Amy, and fine contributions by organist “Groove” Holmes and trombonist Lou Blackburn.

Curtis Amy (ts), Roy Brewster, Lou Blackburn (tb), Paul Bryant, Richard 'Groove' Holmes (org), Bumble Bee Slim (vcl, g), Clarence Jones (b), Jimmy Miller, Leroy Henderson (d). Recorded at Pacific Jazz Enterprises Inc./Rex Studios, Los Angeles, on March 30, 1962

Meetin' Here

Laurie Antonioli - American Dreams

Bitrate: 320K/s
Time: 56:25
Size: 129.2 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[4:33] 1. America The Beautiful
[6:22] 2. Dreary Black Hills Get Up & Go
[4:34] 3. How Long
[5:52] 4. Just A Dream
[4:47] 5. Long Way From Home
[4:35] 6. Moonlight In Vermont
[5:16] 7. Oh, What A Beautiful Morning
[3:58] 8. Samba Nada Brahma
[3:44] 9. Stimulus Plan
[4:19] 10. Sweet Sound Of Spring
[4:28] 11. Under Consideration
[3:52] 12. Vienna Blues

Calling American Dreams a jazz album is too narrowing a description. This record is actually an odyssey through the American musical landscape. After recording Foreign Affair (Nabel, 2004), with a multi-cultural cast of musicians while living abroad, vocalist Laurie Antonioli's mind drifted back toward thoughts of home. In exploring her vision of America, Antonioli touches on standards, country, folk and patriotic music. These entries are nestled within a collection that also includes a good amount of material resulting from a marriage of her lyrics with the music of pianist Fritz Pauer--the longtime accompanist for trumpeter Art Farmer.

In lesser hands, these disparate musical ideals might have resulted in an album that suffered from multiple personality disorder, but Antonioli and her exquisite band help fuse all of these songs into a unified musical expression. While a song called Samba Nada Brahma might seem like an odd way to start off an album that speaks of America, it provides instant excitement as Sheldon Brown's soprano saxophone work bounces around with boundless energy. Moonlight In Vermont gives Antonioli a chance to showcase her superb scatting skills and bassist John Shifflett provides excellent support here. How Long, one of five pieces credited to Pauer and Antonioli, has an alt-country vibe and--if one looks past the saxophone solo--it sounds like it could have come from the Emmylou Harris songbook. Brown--one of the key ingredients on this record--provides some harmonica work at the top of Dreary Black Hills and Antonioli's voice picks up a bit of country twang on this traditional tune. This song transitions into Get Up And Go--an earthy, appealing original from Shifflett--and Antonioli's voice takes on a firmer, focused quality here.

In addition to bringing stylistic authenticity into every song on the album, guitarist Dave McNab put together a gorgeous arrangement of America The Beautiful. Antonioli slowly lays out the visually rich lyrics over a warm bed of guitar and Brown's bass clarinet work adds volumes to the performance. Freer forms of expression come through on the loose and woozy Stimulus Plan, as Jason Lewis' jittery cymbal work scurries around and Antonioli moves in tandem with Brown's bass clarinet. Broadway also makes a brief appearance and Oh, What A Beautiful Morning is taken at a relaxed pace, with pianist Matt Clark providing the harmonic foundation for Antonioli and Brown--on tenor saxophone here. From start to finish, American Dreams proves to be a happy marriage of cultural appreciation and musical creation. ~ Dan Bilawsky

American Dreams

Alice Babs - Swingtime Again

Styles: Jazz, Vocal
Year: 1998
File: MP3@320K/s
Time: 52:36
Size: 122,2 MB
Art: Front

(2:38)  1. Me And You
(4:28)  2. It's Wonderful
(4:17)  3. Sugar
(2:48)  4. I Let A Song Go Out Of My Heart
(4:46)  5. Our Love Is Here To Stay
(5:06)  6. A Sailboat In The Moonlight
(1:54)  7. Swing It Magistern
(4:34)  8. I Don't Mind
(1:54)  9. Who's Got The Other Half Of Heaven
(3:49) 10. Regntunga Skyar
(4:19) 11. I'm Checkin' Out Go'Om Bye
(3:25) 12. Don't Get Around Much Anymore
(4:13) 13. Drop Me Off In Harlem
(4:18) 14. Bluer Than Blue

A popular singer when she was still a young teenager, Alice Babs has had a long and varied career. She made her recording debut in 1939 at the age of 15 and, although her yodelling made her initially popular and the novelty "Swing It, Mr. Teacher" was her first hit, Babs even at the start had a highly appealing voice and a lightly swinging style. She mostly recorded in jazz and swing-oriented settings throughout the years of World War II. Babs remained active throughout the 1950s and '60s in Europe, singing everything from jazz (recording with Duke Ellington in 1963 and performing the classic "Heaven" at his second spiritual concert) and pop to a bit of classical music. By the late '70s, Alice Babs had become less active but into the mid-'90s, she occasionally performed on special occasions. Although her important first set with Duke Ellington (on Reprise) remains out of print, a Phontastic CD (Swing It!) does a fine job of summing up her first 15 years on records. Bio ~ https://itunes.apple.com/ca/artist/alice-babs/id14957329#fullText

Joe 'Piano' Henderson - Joe 'Piano' Henderson

Styles: Piano Jazz
Year: 2008
File: MP3@320K/s
Time: 25:56
Size: 59,5 MB
Art: Front

(2:30)  1. Cheek To Cheek
(2:46)  2. Isn't This A Lovely Day
(3:02)  3. I Won't Dance
(2:35)  4. They Can't Take That Away From Me
(2:52)  5. Let's Call The Whole Thing Off
(2:54)  6. Let's Face The Mucsic
(2:23)  7. Lovely To Look At
(2:23)  8. They All Laughed
(2:21)  9. The Way You Look Tonight
(2:05) 10. Top Hat

Born 2 May 1920, Glasgow, Scotland, d. 4 May 1980, London, England. A pianist and composer, Henderson formed his own band to play at school dances before turning professional at the age of 13. In the early 50s he served as accompanist for former child actress and singer Petula Clark, who featured frequently in the UK charts, and subsequently recorded several of her ex-pianist’s compositions. Henderson himself became extremely popular on the UK variety circuit, alongside other solo piano acts, such as Winifred Atwell, Russ Conway and - much later - Bobby Crush. He survived the radical changes in popular music that began to take place in the 50s, and still retained an audience. He also featured in Bumper Bundle on Radio Luxembourg, and had his own television series Sing Along With Joe and Mr. Piano Plays. Henderson’s first hits came in 1955 with ‘Sing It With Joe’ and ‘Sing It Again With Joe’. These consisted of short piano medleys of jolly standards, such as ‘Margie’ and ‘Somebody Stole My Gal’. In 1958 he had another UK Top 20 hit with ‘Trudie’, accompanied by the Beryl Stott Chorus. 

It was the best-known of his mostly bright, catchy compositions, and won an Ivor Novello Award for The Year’s Best Selling And Most Performed Item. He earned another Ivor the following year for the movie title song ‘Jazzboat’, The Year’s Most Outstanding Composition In The ‘Jazz’ Or ‘Beat’ Idiom. Jazzboat was one of three films that Henderson scored that starred Anthony Newley. The others were Idle On Parade, the film that launched Newley’s singing career (he co-wrote some of the songs) and Let’s Get Married. Henderson’s other compositions, published by his own company, included ‘Why Don’t They Understand?’ (a US and UK chart hit for country singer George Hamilton IV), ‘Chick’, ‘Treble Chance’ (his last Top 30 entry, in 1959), ‘Dear Daddy’ (with lyrics by Jack Fishman, featured on Ruby Murray Successes), ‘Matchbox Samba’, ‘Coffee Bar Jive’, ‘What A Day We’ll Have’, ‘I’d Have A Long Way To Go’, ‘When You’re Away’, ‘Dream Of Paradise’, ‘First Theme’, ‘I Need You’, ‘Somebody’ and ‘Crinoline Waltz’. His other recordings included Charles Chaplin’s ‘Smile’, Leroy Anderson’s ‘Forgotten Dreams’, ‘The Theme From the Threepenny Opera (Moritat)’ and a lively version of the novelty ‘Don’t Ring-A Da Bell’. 

On the latter he played harpsichord, while the vocal was by the British actress Shani Wallis, who went on to play Nancy in the movie of Lionel Bart’s Oliver! A very likeable and genial personality, Henderson continued to entertain for many years after the hits dried up, particularly in the seaside summer season, at top venues such as Blackpool and Bournemouth. 
http://www.allmusic.com/artist/joe-mr-piano-henderson-mn0000900270/biography and 
http://www.amazon.com/Joe-Piano-Henderson/dp/B00485DUA0

Ole Stolle, Jesper Lundgaard, Jacob Fischer - Trioen

Styles: Jazz
Year: 2013
File: MP3@320K/s
Time: 61:25
Size: 143,7 MB
Art: Front

(3:27)  1. It Don't Mean a Thing
(4:12)  2. Two Sleepy People
(5:28)  3. On a Slowboat to China
(2:58)  4. A Cottage for Sale
(5:15)  5. Honeysuckle Rose
(4:54)  6. Pennies from Heaven
(7:20)  7. Gee Baby Ain't I Good to You
(3:33)  8. Memories of You
(2:53)  9. Sugar
(4:03) 10. In My Solitude
(8:11) 11. In a Mellow Tone
(5:41) 12. Don't Get Around Much Anymore
(3:23) 13. Indiana

We appreciate anyone who can give information about this album.

Trioen

Stefan Patry - Organ Groove Explosion

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 55:48
Size: 128,2 MB
Art: Front

(5:19)  1. On Broadway
(4:13)  2. Lady Marmelade
(4:17)  3. Groove Mechant
(5:49)  4. Light My Fire
(6:37)  5. Love PM
(5:01)  6. Round Midnight
(5:25)  7. What Now My Love
(5:05)  8. The Good Life
(5:11)  9. Satisfaction
(4:58) 10. Come Together
(3:49) 11. That's All

Born in 1962, Stefan Patry feels naturally drawn to music. As a teenager, he discovered and developed a passion for jazz; meeting with Rhoda Scott at the age of 14 years will be decisive as to its lifeline and its exclusive choice for the Hammond organ. After studying classical piano, organ, singing and harmony, he discovers Paris and its clubs and jazz musicians. He received his first engagement at Petit Journal Montparnasse and other clubs in rapid succession ( Caveau de la Huchette , Meridien Etoile , Bilboquet, Sunset , Duc des Lombards ...).  It is programmed in festivals in France and abroad; gradually his career as an organist is emerging; he plays in training of gospel, jazz and blues. He developed the immense possibilities of his instrument, fully exploits the pedal bass with the composition will become its main musical weapons. 

In 1996, he created the association Tribute To Hammond (which he chairs) in which he brings together amateur and professional organists; he organized the famous "rushes organ" real events around the Hammond organ. It also creates Organ Jam Sessions at the Caveau des Oubliettes in Paris. Designer label Must Record, the label of Hammond organists , it produces well-known artists but does not hesitate to find out and discover new talent. Musician, organist, songwriter and singer recently, he has recorded over 10 CDs under his name; worked with an incredible number of artists. Every day he is looking forward to living his passion, he plays, he composes and is looking for a simple music always melodic, and rhythmic mixed. Translate by google..http://stefanpatry.com/discographie.html

Personnel:  Stefan Patry - Voice & Hammond Organ / Grant Green Jr. – Guitar /Bernard Purdie - Battery / Renato Caranto - Tenor Sax/ Rob Paparozzi - Harmonicas