Marsha Bartenetti - I Believe in Love

Styles: Vocal
Year: 2019
File: MP3@320K/s
Time: 47:36
Size: 110,1 MB
Art: Front

(3:37)  1. Fragile
(5:52)  2. Spring Can Really Hang You up the Most
(3:33)  3. I've Got It Bad (and That Ain't Good)
(4:03)  4. Will You Still Love Me Tomorrow
(4:31)  5. Our Day Will Come
(3:14)  6. Alfie
(4:56)  7. Nature Boy
(3:31)  8. I Know You by Heart
(5:38)  9. God Bless the Child
(3:48) 10. The Very Thought of You
(4:49) 11. Throw It Away

Marsha is a smooth, rich, expressive singer with the ability to bring authenticity to each song with heartfelt vocals that transport a lyric straight to your heart. She has been known to “cross any genre for a good lyric” and does so with heart and truth. Her performances throughout the southland at venues like Catalina’s, and SRO shows at Upstairs at Vitello’s have won her audiences over. Marsha started her career in the San Francisco Bay Area in the late 60’s The music scene was alive with incredible talent and opportunities. Her band opened for such acts at The Youngbloods, and played at venues like the Troubadour in Los Angeles.In 1980 Marsha won Best Vocalist in the American Songwriter’s Association’s International contest. The ‘American Idol” of it’s time, it brought access to opportunities that would take Marsha to Motown Records where she recorded with writers Ken Hirsch and Ron Miller who together and on their own…wrote “I’ve Never Been To Me”, “Touch Me In The Morning” for Diana Ross, “For Once In My Life” for Stevie Wonder, “If I Could” for Celine Dion, “No One In The World” for Anita Baker, among other top hits. Marsha studied with the legendary vocal coach Judy Davis, in Oakland CA. who she says..”Changed my life.” Judy was a Diva herself whose students include Frank Sinatra, Barbara Streisand, and Judy Garland among others famous and not-so-famous.

“Her mentoring is still with me today and I still, after all these years, do her vocal eases every day. She is a woman who came into my life like an Angel and I love her for sharing her knowledge with me.” She opened my eyes and ears to a wealth of information about the voice  She loved the music business  and her students and I am forever grateful to her.” Although Marsha’s love for singing remained, musical politics and personal changes left her disheartened by the business and after a divorce, Marsha decided to leave the music business and shift gears to what she thought would be a better career to help with financially supporting her daughter. She may have left the stage for a time, but she continued working in the studio recording national jingles for such companies as Bank Of America, Chevron, among others. She transitioned into Voice-Overs and On-Camera acting. Here credits in this area included many national accounts, including being the voice of Safeway, Vons for all of their Television and Radio advertising.

She was deemed by the press as “The Voice America Loves To Hate” and “The Voice Mail Queen.” Marsha was the American English voice for the largest International voice messaging company, serving the majority of voice mail systems in this country Including most of the Fortune 500 companies She is still heard on major voice-mails systems throughout the country where you may hear her say…”I’m sorry, that’s not a valid password. Please try your call again later.” She was invited as guest on the Today Show among other national guest spots as the “person behind the telephone voice.” Being a Digital “star” was not what she had envisioned; and although it paid the bills, her heart kept longing to get back out and do what she really loved Sing. 

Fast forward to social media and the wonders of Facebook where Marsha re-connected with a former band mate Donny Marrow Disk Eyes Productions. She recorded her first solo album, “It’s Time” in Nashville with Diskeyes Productions; with Donny Marrow producing and his esteemed team of studio musicians from all over the country adding their talents to the project. Marsha’s songs cross genres; from Billie Holiday to Bonnie Raitt; always with the lyric as her first consideration. It was time to return to the stage and the studio  And her album “It’s Time” marked the beginning of her “next act”. More... http://www.marshabartenetti.com/bio/

I Believe in Love

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Chie Ayado - Forever Young

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 57:52
Size: 133,8 MB
Art: Front

(4:28)  1. Forever Young
(3:30)  2. Minnie the Moocher
(2:30)  3. Big Spender
(3:37)  4. Delta Lady
(2:51)  5. A Foggy Day
(4:40)  6. That Lucky Old Sun
(2:27)  7. Sway
(3:27)  8. Shenandoah
(2:21)  9. Cotton Fields
(3:50) 10. That's Amore
(3:09) 11. Cycles
(4:49) 12. For the First Time
(3:36) 13. Yesterday I Heard the Rain
(4:03) 14. My Way
(4:17) 15. Forever Young
(4:09) 16. One For My Baby

Influenced by her parents' hobbies, Chie has been surrounded by jazz and Hollywood movies from an early age. She first studied classical piano but soon began to swing, and grew up as a kid that always preferred gospel to psalms. When she was 17 years old, she scraped together all money she had saved with part-time jobs, and left for the land of dreams: the US West Coast.

After moving her bases to NYC, Chie was invited by a record store owner to "visit a church and listen to some gospel". She agreed, and became a member of church's choir on the spot. She married a fellow choir member and gave a birth to a baby , but later she got divorced.

In 1991, the mother and the son returned to Japan, she began to sing in a jazz club in Osaka, and thanks to the quickly spreading rumors of her vocal performance she soon made a name for herself in the local jazz scene.

The June 1998 release "For All We Know" marked Chie's debut as a professional jazz musician at the age of 40. Since then Chie has been touring regularly across Japan in fall and winter, and with the help of fans spreading the word via the Internet
managed to establish a reputation as an outstanding female singer. Soon her concerts were sold out as soon as they were announced. Also her third album "Life" made a big hit in 1999, this her 'standard' album has been sold over 250,000 copies.

In March 2001 Chie received the 51st Ministry of Education and Science Cultural Promotional Award. Harboring an aversion against settling for one thing, Chie has been exploring territories outside the realm of jazz. Her repertory extends 20's swing
jazz to the rock, pop standards.

Chie has released 14 albums, 2 compiled "BEST" albums and 5 DVD-Videos. The number of total sale reaches almost 2,000,000 copies. 

https://www.hdtracks.com/index.php?file=artistdetail&id=9283

Forever Young

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Dave Stryker - Eight Track I

Styles: Guitar Jazz
Year: 2014
File: MP3@320K/s
Time: 60:27
Size: 144,5 MB
Art: Front

(4:54)  1. I'll Be Around
(7:16)  2. Pusherman Superfly
(6:03)  3. Wichita Lineman
(7:17)  4. Aquarius
(6:10)  5. Never My Love
(6:06)  6. Superwoman
(5:49)  7. Never Can Say Goodbye
(5:07)  8. Make It With You
(6:49)  9. Money
(4:51) 10. Thats The Way Of The World

Ah, the eight-track. Is there any music format that's more dated? Vinyl is on its way back, albeit with a select crowd, and the CD is still holding on for dear life, but it's not likely that eight-track tapes will be making a big comeback any time soon. Those audio-delivering relics have been left behind, yet the memories surrounding their existence and the music they helped to usher in remains fixed in the mind for those who came of age in the '70s. Guitarist Dave Stryker is a proud part of that pack. Stryker has been known to throw a '70s pop tune into his sets every now and then, but he goes the whole nine yards on this album; all ten tunes are taken from that glorious-to-some-and-not-so-glorious-to-others musical epoch. Jimmy Webb, Pink Floyd, Curtis Mayfield and many more get the Stryker treatment on Eight Track.

Since this is a different kind of project for Stryker, a slightly different instrumental combination was in order. He turned to his working trio, with underrated organist Jared Gold and up-and-coming drummer McClenty Hunter, and then added celebrated vibraphonist Stefon Harris to the mix to shake things up. Together, these four men manage to remove the layers of schmaltz that rest atop some of these pieces, giving this music a new shine while remaining largely faithful to the originals. Things get underway with a shuffling "I'll Be Around," a "Pusherman/Superfly" that's pleasing but a bit toothless, and a "Wichita Lineman" that's wonderfully buoyant, balancing propulsion with sensitivity along the way. As the program continues, the quartet goes full steam ahead through "Aquarius," takes a reflective look at "Never My Love," simmers on "Money," and has its way with a few other well-known nuggets. No pretense or posturing on this one. Stryker's Eight Track is just straight up fun. ~ Dan Bilawsky   http://www.allaboutjazz.com/eight-track-dave-stryker-self-produced-review-by-dan-bilawsky.php#.U5uDBiioqdk  

Personnel: Dave Stryker: guitar; Stefon Harris: vibraphone; Jared Gold: organ; McClenty Hunter: drums.

Eight Track

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Barry Elmes Quintet - Night Flight

Styles: Mainstream Jazz
Year: 2024
Time: 70:04
File: MP3 @ 320K/s
Size: 160,9 MB
Art: Front

(5:54) 1. Night Flight
(9:50) 2. Morning Star
(7:04) 3. Opus 3
(9:30) 4. Sandino
(8:16) 5. Hindsight
(7:44) 6. Azure Te
(6:20) 7. Spiral Dance
(7:30) 8. Turn Out the Stars
(7:53) 9. Funk in Deep Freeze

Barry Elmes is a drummer and composer who, over the years, has made notable contributions to the Canadian jazz scene. On the release Night Flight, he pays tribute to several iconic composers such as Charles Mingus, Cedar Walton, Keith Jarrett, Bill Evans and Hank Mobley.

Joining Elmes for this pianoless release are several first-rate players, namely, Brian O'Kane on trumpet, Chris Gale on tenor saxophone, Lorne Lofsky on guitar and Pat Collins on bass. The group leads with Elmes' original and title track, "Night Flight." Reverberating with echoes of collaboration, the front line of O'Kane and Gale is grounded in a textured exploration of the theme brimming with ideas and energy. The Mingus chart "Opus 3" is from his 1973 release Mingus Moves; it swings along with tireless precision. Filled with shifting instrumental textures, Lofsky, O'Kane, and Gale show a devotion to gregarious grooves which are swift and purposeful.

"Hindsight" by Cedar Walton has been covered by many bands since its first release in 1981. With Elmes' dynamic and expressive drumming setting the pace, the band captures the composition's defining essence, including a nuanced solo from guitarist Lorne Lofsky, whose technical proficiency and melodic sensibility are often under-appreciated. However, it is worth noting that these capabilities were duly recognized early by Oscar Peterson who, in the late '70s, brought Lofsky into his band.

Two of jazz's most revered pianists Keith Jarrett and Bill Evans each composed a piece on this session, respectively "Spiral Dance" and "Turn Out The Stars." The former number is engaged by a unique selection of timbre and texture from Elmes' drumming as the melody is established. In this fertile ground for improvisation, bassist Collins delivers his distinctive approach to the bass with a solo marked by a deep, resonant tone and impeccable technique. Evans' composition was consistently included in his live performances and offered in a reflective and pensive mood. The band adheres to this construct and provides lots of interior room in the chart for the players' improvisations.

The final track, "Funk In Deep Freeze," is by hard bop tenor saxophonist Hank Mobley. It opens with unison playing between O'Kane and Gale as they state the theme in bop attack mode, setting the frame for the following solos; O'Kane, Gale, Lofsky and Collins all deliver lucid solos with a structural perspective which keeps the material at a distance but eventually returns to the frame.By Pierre Giroux https://www.allaboutjazz.com/night-flight-barry-elmes-quintet-cornerstone-records-inc

Night Flight

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