Friday, January 27, 2017

Buck Clayton - Goin' To Kansas City

Bitrate: MP3@320K/s
Time: 37:29
Size: 85.8 MB
Styles: Trumpet jazz
Year: 1960/1990
Art: Front

[3:02] 1. Hello, Babe
[3:28] 2. An Old Manuscript
[3:08] 3. Kansas City Ballad
[4:09] 4. The Jumping Blues
[4:29] 5. Walter Page
[4:41] 6. Midnight Mama
[3:04] 7. John's Idea
[3:13] 8. Steppin' Pretty
[3:36] 9. Dedicated To You
[4:36] 10. The New Tulsa Blues

Although trumpeter Buck Clayton gets top billing, this CD reissue actually features Tommy Gwaltney's Kansas City Nine, an unusual group sporting arrangements by Gwaltney and tenor-saxophonist Tommy Newsom (who decades later became famous for his work on The Tonight Show). The group has an unusual combination of major names (Clayton, trombonist Dickie Wells, guitarist Charlie Byrd, pianist John Bunch, bassist Whitey Mitchell and drummer Buddy Schutz) along with Gwaltney (who doubles on reeds and vibes), Newsom and Bobby Zottola (playing second trumpet and peck horn). Although the nonet performs a variety of songs associated with Kansas City Jazz of the swing era, the arrangements are modern and unpredictable. ~Scott Yanow

Goin' To Kansas City

Diana Krall - All For You: A Dedication To The Nat King Cole Trio

Bitrate: MP3@320K/s
Time: 54:41
Size: 125.2 MB
Styles: Contemporary jazz, Vocal jazz
Year: 1996
Art: Front

[2:55] 1. I'm An Errand Girl For Rhythm
[4:07] 2. Gee Baby, Ain't I Good To You
[4:36] 3. You Call It Madness
[5:00] 4. Frim Fram Sauce
[6:27] 5. Boulevard Of Broken Dreams
[3:36] 6. Baby Baby All The Time
[4:16] 7. Hit That Jive Jack
[5:33] 8. You're Looking At Me
[4:26] 9. I'm Thru With Love
[3:31] 10. Deed I Do
[5:12] 11. A Blossom Fell
[4:57] 12. If I Had You

Bass – Paul Keller; Guitar – Russell Malone; Percussion – Steve Kroon (tracks: 5); Piano – Benny Green (tracks: 12); Piano, Vocals – Diana Krall. Recording dates: Oct 3 - 8, 1995.

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds. ~Scott Yanow

All For You: A Dedication To The Nat King Cole Trio

The Hot Club Of San Francisco - John Paul George & Django

Bitrate: MP3@320K/s
Time: 53:59
Size: 123.6 MB
Styles: Gypsy jazz
Year: 2016
Art: Front

[2:37] 1. All My Lovin'
[3:33] 2. Because
[3:35] 3. Michelle
[3:01] 4. I Will
[3:00] 5. Here, There And Everywhere
[3:08] 6. You Won't See Me
[4:00] 7. The Fool On The Hill
[4:19] 8. If I Needed Someone
[3:05] 9. Julia
[4:40] 10. You Can't Do That
[4:26] 11. For No One
[3:48] 12. Dont' Bother Me
[5:35] 13. Hey Jude Duke & Dukie
[3:54] 14. Things We Said Today
[1:13] 15. Yellow Submarine

It was only a matter of time before guitarist Paul Mehling focused his creative mojo on Lennon and McCartney’s vast and enduring treasure trove of songs. The founder and guiding spirit of the Hot Club of San Francisco, America’s longest running Gypsy swing ensemble, Mehling was first inspired to pick up a guitar when the Beatles launched the British Invasion via Ed Sullivan’s CBS variety show on Feb. 9, 1964. Now Mehling’s HCSF is recolonizing the Fab Four’s songbook in the name of Gypsy jazz legend Django Reinhardt with John, Paul, George and Django, a ravishing and consistently revelatory reimagining of classic Beatles tunes. Slated for release on Mehling’s Hot Club label in September, 2016, the band’s 14th album is designed both to seduce Beatlephiles and enchant Djangologists, with arrangements that serve the songs rather than turning them into vehicles for blazing solos.

“We’ve been road testing arrangements and tune selections for several years and it’s just gold,” Mehling says. “These tunes were really well crafted, and our job is to present the songs through our prism. Our vision can be summed up as WWDD?: What Would Django Do? What if he hadn’t died, and had lived long enough to interpret Beatles songs? Because you know he totally would have.” In many ways, Mehling planted the seeds for the project some two decades ago. On 1994’s Quintet of the Hot Club of San Francisco the band interpreted “And I Love Her,” and a few years later on 1997’s Swing This, Mehling found an ideal conduit for Gypsy soul in “While My Guitar Gently Weeps.” He wants to make clear that the album’s title isn’t intended to diminish Ringo Starr’s essential contributions, noting that like Ella Fitzgerald interpreting Cole Porter, the album is about “John, Paul, and George as composers.” Their songs have rarely sounded so enthralling. With its psychedelic production and hypnotic 5/4 groove, “Fool On the Hill” feels like Django traded Parisian nightlife for an acid test, a trip he thoroughly enjoyed. With French-born Hot Club rhythm guitarist Isabelle Fontaine’s simmering delivery of her translated lyrics “If I Needed Someone” turns into a Gallic torch song (and check out Mehling’s brilliant interpolation of “Within You Without You” in his solo). “Don’t Bother Me” bounces with a swinging reggae feel, and “You Can’t Do That” gets to Paris via New Orleans with a washboard powered beat. “You Don’t See Me” gets a straight ahead Gypsy swing treatment, and the woozy ballad “Because” turns into a brisk Gypsy jazz sprint.

“We try to keep the kaleidoscope spinning so you don’t know what’s coming next,” Mehling says. “With so many Gypsy jazz records, it’s like okay, we get it! You’re a genius. You can play really fast. We’re looking to create an album that can be played repeatedly.” One reason why the album works so well is that the HCSF is a busy ensemble with thousands of gigs under their belts together. A member of the HCSF since 1998, violinist Evan Price is a highly versatile player who earned top honors as a U.S. Scottish Fiddling Champion before performing with a hot-fiddle who’s who including Stephane Grappelli, Johnny Frigo, Claude “Fiddler” Williams, Johnny Gimble, and Vassar Clements. He spent 10 years in the creative crucible of the seminal Turtle Island String Quartet, touring internationally, collaborating with jazz luminaries like Cuban clarinetist Paquito D’Rivera, and pianists Dr. Billy Taylor and Kenny Barron and earning two Grammy Awards for the albums Four + 4 and A Love Supreme: The Legacy of John Coltrane (both on Telarc).

Though the present lineup has been in place for more than five years, creating John, Paul, George and Django put the band’s copacetic chemistry to the test. “It was very contentious, especially the arranging,” Mehling admits. “Everybody’s got really strong feelings about the Beatles. But I’ve had the band almost 30 years and Evan’s been in it almost 18. We’re all still friends and we worked it out! It took a long time to settle in on the program and then polish the arrangements. We’ve already got a list for volume 2!”

John Paul George & Django

Chris Connor - Free Spirits

Bitrate: MP3@320K/s
Time: 34:49
Size: 79.7 MB
Styles: Vocal jazz
Year: 1962/2005
Art: Front

[2:44] 1. Jump For Joy
[3:15] 2. Night Bird
[3:18] 3. Milano
[3:11] 4. Opportunity, Please Knock
[2:58] 5. Day Dream
[2:25] 6. Things Are Swingin'
[3:51] 7. Kansas City
[4:01] 8. Lonely Woman
[2:48] 9. I'm Gonna Go Fishin'
[3:15] 10. Free Spirits
[2:58] 11. God Bless The Child

Alto Saxophone – Phil Woods; Baritone Saxophone – Sol Schlinger; Bass – Ben Tucker, George Duvivier; Bass Clarinet – Sol Schlinger; Clarinet – Oliver Nelson, Phil Woods; Drums – Dave Bailey, Ed Shaughnessy; Piano – Ronnie Ball; Tenor Saxophone – Oliver Nelson; Trumpet – Clark Terry, Joe Newman, Irvin Markowitz; Vocals – Chris Connor.

Chris Connor's smoky voice made her a natural fit for torch songs, but her flair for improvisation expanded her considerable talents to include upbeat material as well. Free Spirits, an excellent small-group date arranged for her by Al Cohn, features Connor in a range of settings; remember, free spirits don't necessarily mean high spirits. The choices for material also range far and wide. A trio of Ellington evergreens anchor the set, but she also includes material from Peggy Lee, Oscar Brown, Jr., Leiber & Stoller's "Kansas City," and Billie Holiday's nearly untouchable "God Bless the Child." It helps that she gets expressive accompaniment from an all-star lineup -- alto Phil Woods, tenor Oliver Nelson, and a pair of all-time trumpeters (Clark Terry and Joe Newman). Despite the title, the only concept at work here is her ability to captivate a listening audience with a wide-ranging set. ~John Bush

Free Spirits

Robert Palmer - Best Of Both Worlds: The Robert Palmer Anthology 1974-2001 (2-Disc Set)

There are usually thought to be two phases to Robert Palmer's career: an earlier one running from 1974 to 1983, when he explored New Orleans second-line funk and reggae, backed by members of Little Feat and the Meters and turned out a series of critically acclaimed, modestly successful recordings, and a later one, from 1985 on, when he rode his good looks, some high-fashion videos, and some simplistic hard rock/pop to a series of big hits on his own and with the Power Station. This two-CD set responds to that view by devoting its first disc to the earlier phase and its second disc to the later one. Palmer switched record companies along the way, too, but Hip-O is known for its willingness to license material from other labels, and 15 of the 20 tracks on the second disc come from outside the Universal archives. Along the way, all of the singer's U.S. Top 40 hits are included, though the collection was assembled with Palmer's input, which leads to alterations from the original recordings that fans might not be entirely pleased with. For a couple of earlier compilations, Addictions, Vols. 1 and 2, he used remixes of many of his well-known recordings, and those remixes have been retained here. He has also chosen to present three favorites -- "Johnny and Mary," "Riptide," and "Looking for Clues" -- as 2001 live performances rather than in their original studio recordings. Still, the selection is well-considered. The first disc is a good summation of Palmer's first eight Island albums, and the second disc demonstrates that not all of the second half of his career sounded like "Addicted to Love," that, actually, it was far more varied than the first half. There have been several Palmer compilations, but this one is the most comprehensive yet assembled. ~William Ruhlmann

Album: Best Of Both Worlds: The Robert Palmer Anthology 1974-2001 (Disc 1)
Bitrate: MP3@320K/s
Time: 78:09
Size: 178.9 MB
Styles: Pop/Rock/R&B
Year: 2002

[2:42] 1. Sailin' Shoes
[2:24] 2. Hey Julia
[4:47] 3. Sneakin' Sally Through The Alley
[3:08] 4. How Much Fun
[2:58] 5. Give Me An Inch
[5:19] 6. Pressure Drop
[3:00] 7. Trouble
[3:19] 8. Which Of Us Is The Fool
[5:55] 9. Spanish Moon
[2:32] 10. Man Smart, Woman Smarter
[4:07] 11. Some People Can Do What They Like
[3:57] 12. You're Gonna Get What's Coming
[3:22] 13. Every Kinda People
[4:08] 14. Best Of Both Worlds
[3:13] 15. Bad Case Of Loving You (Doctor, Doctor)
[3:13] 16. Jealous
[3:36] 17. Can We Still Be Friends
[4:33] 18. I Dream Of Wires
[2:48] 19. Not A Second Time
[3:10] 20. Some Guys Have All The Luck
[3:27] 21. Pride
[2:22] 22. What Do You Care

Best Of Both Worlds: The Robert Palmer Anthology 1974-2001 (Disc 1)

Album: Best Of Both Worlds: The Robert Palmer Anthology 1974-2001 (Disc 2)
Bitrate: MP3@320K/s
Time: 77:40
Size: 177.8 MB
Styles: Pop/Rock/R&B
Year: 2002
Art: Front

[4:59] 1. You Are In My System
[5:04] 2. Some Like It Hot
[3:36] 3. Get It On (Bang A Gong)
[4:28] 4. Addicted To Love
[5:09] 5. Hyperactive
[3:34] 6. I Didn't Mean To Turn You On
[3:07] 7. Sweet Lies
[4:21] 8. She Makes My Day
[3:58] 9. Early In The Morning
[4:13] 10. Simply Irresistible
[3:17] 11. You're Amazing
[3:25] 12. I'll Be Your Baby Tonight
[3:52] 13. Mercy Mercy Me (The Ecology) I Want You
[4:10] 14. Want You More
[4:13] 15. Know By Now
[4:29] 16. Stone Cold
[2:22] 17. Milkcow's Calf Blues
[3:16] 18. Johnny And Mary
[2:16] 19. Riptide
[3:43] 20. Looking For Clues

Best Of Both Worlds: The Robert Palmer Anthology 1974-2001 (Disc 2)

Eddie “Lockjaw” Davis, Buddy Tate, Coleman Hawkins, Arnett Cobb - Very Saxy

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 38:47
Size: 90,9 MB
Art: Front

(8:19)  1. Very Saxy
(6:15)  2. Lester Leaps In
(5:22)  3. Fourmost
(8:53)  4. Foot Pattin'
(9:55)  5. Light And Lovely

Tenor saxophonist Eddie "Lockjaw" Davis and his quartet (which includes organist Shirley Scott, bassist George Duvivier and drummer Arthur Edgehill) welcome three immortal tenors (Coleman Hawkins, Arnett Cobb and Buddy Tate) to what became a historic and hard-swinging jam session. On three blues, an original based on the chord changes of "Sweet Georgia Brown" and "Lester Leaps In," the four tenors battle it out and the results are quite exciting. The spirited music on this memorable LP will hopefully be reissued on CD eventually, for the performances live up to their great potential. ~ Scott Yanow http://www.allmusic.com/album/very-saxy-mw0000310467

Personnel: Eddie "Lockjaw" Davis (tenor saxophone); Buddy Tate (tenor saxophone); Coleman Hawkins (tenor saxophone); Arnett Cobb (tenor saxophone); Shirley Scott (Hammond b-3 organ); George Duvivier (bass instrument); Arthur Edgehill (drum).

Very Saxy

Buddy Tate Quartet & Quintet - Tate A Tete

Styles: Saxophone Jazz
Year: 1975
File: MP3@320K/s
Time: 65:10
Size: 149,7 MB
Art: Front

( 7:19)  1. Stompin' At The Savoy
( 9:01)  2. Body And Soul
( 9:35)  3. Buddy's Blues
( 9:18)  4. Broadway
( 8:52)  5. Just You Just Me
(17:34)  6. In A Mellow Tone
( 3:28)  7. I Surrender Dear

Tenor-saxophonist Buddy Tate meets up with pianist Tete Montoliu on this enjoyable blowing date. Other than "Buddy's Blues" (which has a Tate vocal), all of the songs are swing standards with "In A Mellow Tone" clocking in at 17 1/2 minutes. Violinist Finn Ziegler makes worthwhile guest appearances on two of the five selections and the group is completed by bassist Bo Stief and drummer Svend Erik Norregard. Easily recommended for swing fans, this album finds Buddy Tate still very much in prime form. ~ Scott Yanow http://www.allmusic.com/album/tate-a-tete-at-la-fontaine-copenhagen-mw0000668822

Personnel:  Bass – Bo Stief;  Drums – Svend-Erik Nørregaard;  Piano – Tete Montoliu;  Tenor Saxophone – Buddy Tate;  Violin – Finn Ziegler; Vocals – Buddy Tate

Tate A Tete

John Abercrombie/Andy Laverne - A Nice Idea

Styles: Guitar And Piano Jazz
Year: 2005
File: MP3@224K/s
Time: 68:21
Size: 110,0 MB
Art: Front

(5:17)  1. How My Heart Songs
(6:46)  2. Somethime Ago
(4:17)  3. Days of Wine and Roses
(8:07)  4. Besame Mucho
(5:35)  5. In Love in Vain
(3:51)  6. Refried Bananas
(9:11)  7. Round About Midnight
(4:30)  8. Now Hear This
(7:44)  9. A Nice Idea
(6:31) 10. Confabulation
(6:26) 11. Jazz Folk

Unlike his recent ECM recordings-which suggest renewed interest in early-’70s progressivism-John Abercrombie’s duo discs with pianist Andy LaVerne are pure Sunday brunch. Not that there’s anything wrong with that; it’s pleasant to hear the once-aggressive guitarist dig into some old chestnuts. On Abercrombie and LaVerne’s fifth duo album, A Nice Idea, the two old friends spend the majority of the 70-minute set coving the likes of Henry Mancini (“Days of Wine and Roses”), Jerome Kern (“In Love in Vain”) and Thelonious Monk (“‘Round About Midnight”). Abercrombie plays the tunes with a muted, treble-free tone that betrays none of the bite he achieves in band settings; LaVerne, a mellow instrumentalist to say the least, comes across as edgy in comparison-the only real surprise to be found here. Together, they improvise tastefully throughout. They take no chances with the material and, as such, get few distinctive results. Essential it is not. But Idea nonetheless makes a fine soundtrack for a three-egg omelet. ~ Brent Burton http://jazztimes.com/reviews/albums/john-abercrombie-and-andy-laverne-a-nice-idea/

Personnel: John Abercrombie (guitar); Andy LaVerne (piano).

A Nice Idea

Jack Jezzro - Sinatra on Guitar

Styles: Guitar Jazz
Year: 2017
File: MP3@320K/s
Time: 52:35
Size: 121,0 MB
Art: Front

(3:36)  1. Come Fly With Me
(3:43)  2. You Make Me Feel so Young
(3:54)  3. Strangers in the Night
(4:04)  4. Fly Me to the Moon
(4:41)  5. The Way You Look Tonight
(4:26)  6. I've Got You Under My Skin
(3:55)  7. I Get a Kick out of You
(4:47)  8. All the Way
(3:25)  9. Witchcraft
(3:56) 10. The Lady Is a Tramp
(3:52) 11. Young at Heart
(3:35) 12. New York, New York
(4:36) 13. My Way

An internationally recognized guitarist and composer, Jack Jezzro is a multifaceted and successful studio musician. He has produced over 100 albums, earned a Grammy nomination and five Dove award nominations. Starting out as a member of Rochester Philharmonic Orchestra and attending the Eastman School of Music, Jezzro eventually moved to Nashville where he now resides. Also an accomplished double bassist, Jezzro performs regularly with Nashville String Machine, an in-demand studio group recording with many top artists. As a studio musician, Jezzro's recording credits include work with Faith Hill, Matchbox Twenty, Randy Travis, and many others. His work can also be heard on numerous motion picture soundtracks including Con Air, Pocahontas, and The Green Mile. ~ Matt Collar https://itunes.apple.com/us/artist/jack-jezzro/id200096162#fullText

Sinatra on Guitar

Rumer - The Magic of Sarah Joyce

Styles: Vocal, Jazz Soul
Year: 2017
File: MP3@320K/s
Time: 72:27
Size: 166,3 MB
Art: Front

(3:52)  1. John Sebastian's Girl
(3:16)  2. Aretha
(3:36)  3. Welcome Back
(3:36)  4. Slow
(3:45)  5. Mondo Blu
(3:28)  6. Be Nice To Me
(3:57)  7. Arthur's Theme (Best That You Can Do)
(3:50)  8. Tokyo Ladyboy
(3:14)  9. Photographs
(4:02) 10. Scarlett
(3:57) 11. Dangerous
(3:15) 12. Are You There (With Another Girl)
(4:18) 13. The Look Of Love
(3:19) 14. Walk On By
(3:47) 15. Take Me As I Am
(2:49) 16. Come To Me High
(3:28) 17. Am I Forgiven
(3:20) 18. Saving Grace
(3:21) 19. Travelin' Boy
(4:13) 20. Baby Come Back To Bed

Heavily influenced by Burt Bacharach and blessed with effortless, velvety smooth vocals, Anglo-Pakistani singer/songwriter Rumer harks back to the early-'70s easy listening sounds of Karen Carpenter and Carole King. Born in 1979 to British parents living in Islamabad, Rumer (real name Sarah Joyce) was the youngest of seven children, and spent her early years living in an expat community. Encouraged to make their own entertainment, she began writing songs with her brothers and sisters, and after moving to the U.K., developed a huge passion for musicals and, in particular, Judy Garland. After a stint at art college, she formed the short-lived indie folk band La Honda in 2000, but after the band split, she was forced to take on several odd jobs that included fixing iPods, teaching, and selling advertising space. Having moved to London to pursue her dreams of a solo career, she adopted a stage name inspired by the author Rumer Godden, and began performing in various clubs. At an open-mike night, she caught the eye of TV music composer Steve Brown, the house bandleader in Alan Partridge's Knowing Me, Knowing You, and the pair began work on her debut album. In 2010, she signed to Atlantic Records, supported Joshua Radin on his U.K. tour, and was personally invited by Burt Bacharach to sing for him at his California home. Her first single, "Slow," became one of the most requested tracks on Radio 2, and reached number 16 in the U.K. charts. The full-length album Seasons of My Soul was released in November of that same year. In 2011, she was nominated for several Brit Awards, and won a U.K. Asian Music Award for Best Alternative Act. She also recorded a song for the soundtrack to the film Johnny English Reborn. n 2012, Rumer released her sophomore effort, the covers album Boys Don't Cry. Much like the '60s soft rock vibe of Seasons of My Soul, Boys Don't Cry featured Rumer's unique take on tunes by such artists as Isaac Hayes, Clifford T. Ward, Todd Rundgren, Townes Van Zandt, and others. In 2014, she returned with her third studio album, Into Colour, which featured production from Rob Shirakbari, a longtime associate of Dionne Warwick and Burt Bacharach. Following the release of the album, Rumer relocated to Shirakbari's home state of Arkansas, where the couple were married in 2015. In 2016, Rumer returned with her fourth studio album, This Girl's in Love. Once again produced by Shirakbari, the album saw Rumer paying homage to Burt Bacharach and Hal David with reworkings of songs from their esteemed back catalog. ~ Jon O’Brien http://www.allmusic.com/artist/rumer-mn0002534134/biography

The Magic of Sarah Joyce