Saturday, February 15, 2014

Liz Childs Quartet - Take Flight

Size: 178,0 MB
Time: 76:30
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz Vocals
Art: Front

01. It Could Happen To You (4:49)
02. Dindi (3:49)
03. Lover (5:50)
04. Baby All The Time (4:51)
05. Just One Of Those Things (3:10)
06. Hallelujah (6:31)
07. Softly, As In A Morning Sunrise (4:33)
08. You Don't Know What Love Is (5:56)
09. Meditation (3:49)
10. Bad Luck Card (3:57)
11. Bluesette (4:59)
12. Estate (4:23)
13. Take Flight (3:22)
14. I'll Be Your Baby Tonight (4:35)
15. Baby, Don't Quit Now (1:59)
16. Famous Blue Raincoat (5:18)
17. You'd Be So Nice To Come Home To (4:33)

The thing that intrigued me the most about jazz vocalist/pianist Liz Childs' second album Take Flight was that among the seventeen jazz standards and tunes from the great American songbook, the kinds of songs you would normally expect from a jazz singer, she had included two pieces from Leonard Cohen and one from Bob Dylan. Having just reviewed a CD from Monika Borzym, another promising young jazz vocalist, that featured an unlikely repertoire of music from the likes of Fiona Apple and Amy Winehouse, I was interested in seeing what Childs was doing with this material.

There is nothing wrong with songs that are tried and true, but there is something important to be gained both for the artist and the genre when they broaden their horizons. Jazz, after all, is in a real sense about breaking away from the same old same old. It is about taking a piece of music and making it your own. Childs takes us on a biting ride through Cohen's iconic "Hallelujah." At times her voice fairly reeks with bitterness and scorn, at least until the very end. "Famous Blue Raincoat" is a wistful haunting gem. Childs invests both lyrics with an emotional truth that is nothing short of mesmerizing. Bob Dylan's "I'll Be Your Baby Tonight" gets a swinging old style treatment with some nice guitar solo work from Ed MacEachen. Truth to tell, I wouldn't have minded a few more of these kinds of songs.

Not that there's anything wrong her work on the standards; she has a voice that rings with bell like clarity, that can move from intense passion to playful girlishness with equal appeal. She takes a lyric and plumbs its depth weaving sweet scat arabesques around its melodies. Two good examples are the songs which open and close the album. Jimmy van Heusen's "It Could Happen to You" and "You'd Be So Nice to Come Home To," the Cole Porter classic, both highlight her scatting talents. Her vocal play on "fire" and "desire" in the Porter tune is a kick. There's a nice little obligatory bossa nova in Antonio Carlos Jobim's "Dindi." There is even a nod to the blues with Bobby Troupe's "Baby All the Time." Among the other standards on the album are Porter's "Just One of Those Things," Lorenz Hart's "Lover," and Toots Thielemans' "Bluesette," each getting a fine reading.

The album takes its title from an original piece by guitarist MacEachen, who also is responsible for arranging ten of the songs on the CD. "Take Flight" offers some nice opportunities for interaction between the singer's scatting and the composer's guitar.

Childs is backed by MacEachen, Dan Fabricatore on bass, and Anthony Pinciotti on drums. She, herself, has decided to escape from the piano for this album. "I wanted," she says, "to experience the freedom to explore singing without being constricted by sitting at the piano, and to be able to more completely respond to the band as a vocalist only. So, that's what this CD is the start of." If this is any indication of what she can do standing at the front of the band, one can only hope to hear more from her in the future. ~Review by Jack Goodstein

Take Flight

Kimmie Rhodes - Covers

Size: 137,8 MB
Time: 58:39
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Rock, Americana
Art: Front

01. Bluebird (3:31)
02. Yesterday (3:12)
03. Moonlight Mile (5:28)
04. White Freight Liner (3:54)
05. Georgia Lee (4:14)
06. Everything Is Broken (3:37)
07. Birds (2:41)
08. Stuck In A Moment (4:32)
09. Adam's Song (Duet With Rodney Crowell) (5:14)
10. Don't Think Twice (3:48)
11. Southern Accents (4:45)
12. Shame Shame Shame (Duet With Delbert McClinton) (3:47)
13. Cannibals (Duet With Marcia Ball) (3:31)
14. What A Wonderful World (3:07)
15. Little Help From My Friends (3:13)

“Covers” marks a “sea change” for Kimmie Rhodes. For the first time, the songwriters songwriter, puts down her pen to devote an entire album to singing of the songs of others whose music has served milestones of her storied performing and recording career, and her life.

Rhodes first studio adventure since the passing of longtime partner and collaborator Joe Gracey, Kimmie draws deep from a wide range of catalogues – Thiele and Weiss, Lennon and McCartney, Jagger and Richards, Jimmy Reed, Mark Knopfler, Dylan, Bono, Tom Petty, Leon Russell, Neil
Young and Tom Waits, and channels close friends Townes Van Zandt and Rodney Crowell; telling each story in that clear, soaring songbird voice that takes ownership of every composition.

Embellishing the voice is a dream team of pickers including son/collaborator Gabriel Rhodes, multiple Handy Award winner Marcia Ball, singer-songwriter-author Rodney Crowell, songwriter and performer Bill Carter, Delbert McClinton, daughter Jolie Goodnight, guitar hotshot David
Holt (Joe Ely), singer-songwriter/producer Gary Nicholson, pedal steel ninja Tommy Spurlock, fiddler Richard Bowden
(Joe Ely), Glen Fukunaga (Joe Ely), Mike Thompson (The Eagles), Brian Standefer (Alejandro Escovedo).

The chemistry is explosive, and the music, perfect for all radio formats. What’s your pleasure? Vintage pop from the Great American Songbook? “What a Wonderful World.” Beatles? “Yesterday,” “With a Little Help from My Friends” Stones? “Moonlight Mile,” like you’ve never heard it before.
Album rock? Neil Young’s “Birds” or her duet with Marcia Ball on Dire Straits “Cannibals.” Low down blues? “Shame,Shame, Shame,” sung with “the” Delbert McClinton. Texas high lonesome singer-songwriter? “White Freight Liner.” Americana classic? Rodney’s Crowell’s poignant, “Adam Song” with Rodney helping out on the vocals.

Personnel:
Kimmie Rhodes – vocals
Marcia Ball – vocals, accordion (Cannibals, Little Help)
Rodney Crowell – vocals (Adams Song, Little Help)
Delbert McClinton – vocals & harmonica (Shame)
Jolie Goodnight – vocals (Cannibals, Little Help)
Bill Carter – vocals, harmonica (Cannibals, Little Help)
Gabriel Rhodes -guitars, keyboards, accordion, mandolin,vocals (Cannibals, Little Help, Stuck Moment)
Mike Thompson – keyboards, bass (Little Help),vocals
Avery Gardner – bass guitar
Glen Fukunaga – bass guitar
John Gardner – drums & perussion
Dony Wynn – drums & percussion
Richard Bowden – violin
Brian Standefer – cello
Will McFarlane – guitars
Colin Linden – slide guitar (Moonlight Mile)
Gary Nicholson – electric lead & solo (Shame Shame)
David Holt -guitar (Shame Shame, White Freight)
Tommy Spurlock – steel guitar

Covers

Bill Coté - Where Do You Start (Feat. Tamir Hendelman Trio)

Size: 166,5 MB
Time: 71:39
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals, Swing
Art: Front

01. Where Or When (4:00)
02. When Do The Bells Ring For Me (2:38)
03. Teach Me Tonight (4:58)
04. What Are You Doing The Rest Of Your Life (5:46)
05. L.A. State Of Mind (5:03)
06. Who Can I Turn To (5:09)
07. Satin Doll (4:15)
08. Where Do You Start (4:04)
09. Sunday In New York (3:01)
10. My Funny Valentine (4:42)
11. When Sunny Gets Blue (5:20)
12. Never Let Me Go (5:48)
13. On A Clear Day (3:33)
14. Spring Can Really Hang You Up The Most (6:02)
15. I Just Found Out (3:20)
16. Indian Summer (3:53)

I’ve been singing jazz standards for nearly 50 years and have had the honor to be close friends with some of the greatest jazz musicians around. But it wasn’t until a jazz cruise I took in 2010 that my longtime dream of making my own CD was re-ignited. It was on that cruise that I met piano great Tamir Hendelman, who is a regular with the Clayton-Hamilton Jazz Orchestra and has performed and recorded with the likes of Barbra Streisand and Natalie Cole, among others. We struck up a conversation about music, and Tamir offered to accompany me on a tune. I was pleased and gratified that he liked my voice so much that he strongly encouraged me to make my own recording. This CD is the result of that encounter.

I have lived with the songs on this album for many, many years. They all come from the heart. It was a fantastic experience recording them with Tamir’s great arrangements and the remarkable talents of this stellar band.

Where Do You Start

Judi D. - Nightshade

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 51:07
Size: 118,7 MB
Art: Front

(4:21)  1. Tenderly
(6:15)  2. Love Dance
(4:42)  3. You've Changed
(4:20)  4. Out Of This World
(5:34)  5. Sophisticated Lady
(7:03)  6. Up Jumped Spring
(4:18)  7. If You Went Away
(4:11)  8. Weaver Of Dreams
(3:11)  9. All Of Me (A La King Pleasure)
(3:54) 10. Small Feats
(3:15) 11. A House Is Not A Home

While there are plenty of jazz survivors indomitable artists thriving in their 70s and 80s Miami-based Judith Dubowsky can proudly claim that survival opened her path to a jazz career. Diagnosed with thyroid cancer just over a year ago, left with “three notes, my whole range was gone,” and vowing to rebuild her voice, she underwent three years of therapy, enrolled in the University of Miami to earn a Master of Music degree and began intense study of the great female jazz singers. Now, supported by an enviable rhythm section comprised of pianist Kenny Barron, drummer Leroy Williams, bassist Ray Drummond and, doubling on tenor sax and flute, Frank Wess, she has released her debut album.

That Dubowsky is a superb student is evident throughout these ten standards and one original (the heartfelt “Small Feats” that traces her road to recovery and vocal revitalization). Her style borrows heavily from Sarah Vaughan, Carmen McRae and Diana Krall; her phrasing owes a huge debt to Rosemary Clooney (particularly on the disc-opening “Tenderly”). But there’s much more to Dubowsky than mere mimicry. She handles Ellington’s hugely challenging “Sophisticated Lady” with just the right combination of refracted pain, misty disillusion and judgmental disdain. Her “Up Jumped Spring,” superbly underlined by Wess’ sax, effectively blends unexpected pleasure and thankful satisfaction. Best track: a loose-limbed “All of Me,” crafted in homage to King Pleasure, that boldly displays the marvelously imaginative spirit of the unfettered Judi. ~ Christopher Loudon   http://jazztimes.com/articles/18405-nightshade-judi-d

Glennis Houston - I'll Reminisce You

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 50:22
Size: 116,0 MB
Art: Front

(5:21)  1. Being Green, But Beautiful
(3:42)  2. Beloved
(3:25)  3. Lonely Without You
(4:49)  4. Lullaby for a Boy
(4:54)  5. Since You Walked Out That Door
(3:47)  6. Mockingbird
(4:07)  7. A Slow Blues
(3:42)  8. Oh! Gee!
(5:40)  9. Spare Change
(4:36) 10. Tears of Stone
(2:43) 11. L.O.V.E.
(3:31) 12. I'll Reminisce You

Calgary vocalist Glennis Houston follows up her debut album Lies of Handsome Men (2004, Self-Produced) with a warm session of light contemporary vocal jazz on I'll Reminisce You. Unlike the first disc comprised entirely of standards Houston designs a repertoire of primarily originals with the incorporation of a handful of cover songs touching on bebop, blues and ballads. This second effort actually began in early 2006 but, life got in the way with family, work, education, pursuing a PhD and other such mundane matters preventing her from fulfilling the goal until now. The singer fronts a standard piano trio with Calgary musicians Sheldon Zanboer on piano, Robin Tufts on drums and Simon Fisk on the violin-shaped bass bassetto, recording the album in both a studio as well as in a live setting. Armed with silky vocals, Houston begins this adventure with a ballad medley of a Joe Raposo song and a Burke/Van Heusen standard "Being Green, But Beautiful" where the vocalist delivers a measure of emotion along the way. 

Clifford Brown's up beat classic "Beloved" is in good hands with Houston voicing Meredith d'Ambrosio's lyrics in swinging fashion something this artist does throughout the album. The first of seven original songs on the disc is the lovely "Lonely without You" followed by "Lullaby for a Boy" and "Since You Walked Out That Door," the first another soft ballad and the latter a bluesy number where the singer reaches. One of the livelier songs on the album, "Oh! Gee!" featuring a swinging Houston and handy solo work from Zanboer and Fisk, is clearly a standout tune but, there's more. The singer's interpretation of the standard "L.O.V.E." and the trio's energetic performance, make this track one of the highlights of the recording.  Other moments of notable mention have to be the cover song "Mockingbird" and Houston's own "Tears of Stone" with the love ballad and title finale song voiced from the heart does indeed leave a lasting impression. Though a long time in the works, songbird Glennis Houston's tasteful performance of traditional vocal jazz on I'll Reminisce You, is well worth the wait. Perhaps her next endeavor may not be as long in coming. ~ Edward Blanco   http://www.allaboutjazz.com/php/article.php?id=46424#.UvonRoW2yNA
 
Personnel: Glennis Houston: vocals; Sheldon Zanboer: piano; Simon Fisk: bassetto; Robin Tufts: drums.

Bill Charlap - Along With Me

Styles: Piano Jazz
Year: 1993
File: MP3@320K/s
Time: 72:23
Size: 166,2 MB
Art: Front

(4:56)  1. On Green Dolphin Street
(6:05)  2. Along With Me
(4:47)  3. I Was Telling Her About You
(8:29)  4. Has This Song Been Written For You Before?
(7:23)  5. Early To Bed
(5:30)  6. Lonely Town
(9:42)  7. Gone With The Wind
(7:06)  8. A Ghost Of A Chance
(3:27)  9. Donna Lee
(5:32) 10. I'll Be Around
(9:21) 11. Jazzspeak

This CD has the recording debut as a leader of pianist Bill Charlap. Already a member of the Gerry Mulligan Quartet, Charlap would soon join the Phil Woods Quartet/Quintet. A master at swinging veteran standards and casting new light on warhorses, even at this early stage Charlap sounded quite impressive. He is heard in duets with bassist Sean Smith, a trio with bassist Andy Eulau and drummer Ron Vincent, and unaccompanied on "Lonely Town" and "I'll Be Around." Charlap is particularly effective on ballads. The fine recital (which is highlighted by his rendition of his father Moose Charlap's "I Was Telling Her About You," "Gone With the Wind," and an interesting reworking of "Donna Lee") concludes with a nine-minute "Jazzspeak" during which Charlap gives his lifetime story up to 1993. Recommended. ~ Scott Yanow  http://www.allmusic.com/album/along-with-me-mw0000627816