Dan Barrett And Rebecca Kilgore - "Being A Bear"

Styles: Vocal And Trombone Jazz
Year: 2007
File: MP3@320K/s
Time: 68:10
Size: 158,4 MB
Art: Front

(3:22) 1. Being A Bear
(5:31) 2. The Jam Song
(5:49) 3. The Music Goes Round And Round
(4:11) 4. This Old Man
(2:36) 5. Copey´s Lament
(2:50) 6. Sing, Sing, Sing
(5:58) 7. Ursa The Blues
(6:52) 8. Mama Don´t Allow
(3:50) 9. Animation
(4:48) 10. You Must Have Been A Beautiful Baby
(3:36) 11. Swingin´ In The Dell
(4:32) 12. Rhythm In My Nursery Rhymes
(4:58) 13. The Isle Of Capri
(4:13) 14. At The Jazz Bears Jamboree
(4:58) 15. Little Man, You´ve Had A Busy Day

There have been many attempts through the years to record a jazz set for children, but usually the music is either too complex or too childish, not achieving its purpose. The music on this particular CD was written to be used for a full-length animated film called The Jazz Bears. Most of the melodies (except for five originals) are pretty familiar and simple, but the solos are topnotch and colorful. The vocals (particularly those of the great Rebecca Kilgore) are swinging and charming. Although the opening, "Being a Bear," may make one think that this CD is only for children, it will be easy for adults who are fans of mainstream swing to enjoy this project. Dan Barrett (who arranged many of the pieces) is a versatile trombonist, and his vocal on "You Must Have Been a Beautiful Baby" is surprisingly effective. Trumpeter Spanky Davis (who has long been underrated) has quite a few hot solos, Scott Robinson (best on baritone and bass sax) is always impressive, and Jim Galloway's soprano is another asset. Recommended, for children and their jazz-loving parents alike.

Musicians: Dan Barrett - leader, trombone and vocals; Spanky Davis - trumpet, vocals; Jim Galloway - soprano sax, baritone sax; - clarinet, baritone sax, bass sax, bass clarinet, alto sax; John Sheridan - piano; Paul Keller - bass; Jeff Hamilton - drums; Rebecca Kilgore - vocals, guitar

Being A Bear

---

Lillian Boutté - Let Them Talk

Styles: Vocal
Year: 1986
File: MP3@320K/s
Time: 49:03
Size: 113,7 MB
Art: Front

(3:48) 1. Tennessee Waltz
(7:17) 2. Let Them Talk
(4:42) 3. I Still Get Jealous
(6:02) 4. He's Funny That Way
(2:56) 5. Bugle Call Rag
(3:38) 6. Love
(4:54) 7. I Surrender Dear
(3:53) 8. Traveller's Tune
(8:38) 9. Nobody Knows the Trouble I've Seen
(3:11) 10. Who Rolled the Stone Away

When singer Lillian Boutté was named “New Orleans Musical Ambassador” in 1986, she was the second jazz legend in the city's history to be accorded this honor - the first having been none other than Louis Armstrong. “Ambassador Lillian” is a loquacious and outspoken defender of her hometown. She has been working extensively to help Katrina victims, doing benefits and organizing relief funds for musicians, many of whom have lost everything. Also very active in this cause is her brother John Boutté a highly heralded singer in his own right and possessor of one of the finest voices in America. The siblings grew up in the Seventh Ward along with eight other sisters and brothers, steeped in the neighborhood culture of the city that is now threatened by extinction in the wake of Katrina.

It has always been Lillian's driving desire to bring the musical heartbeat of her home town nearer to the ears of the world. Over a timeframe of twenty years and with the backing of her albums featuring jazz, pop, blues, soul and gospel, she has succeeded in conveying the city's unique atmosphere to an international audience. For this extended period, she has been touring almost nonstop, doing concerts, club dates and festivals all over the world. Music was Lillian's life right from the start. At the tender age of 11, she won her first singing contest. During her musical studies at New Orleans' Xavier University, she sang in the gospel choir, before being discovered by Allen Toussaint, who used her as a background singer when producing the likes of James Booker, Patti Labelle, the Neville Brothers, the Pointer Sisters and Dr. John.

Then she went on a five-year world tour as an actor, singer and dancer in the musical “One Mo' Time”. At the same time, she made her first solo recordings, and could be seen in two movies: alongside Professor Longhair, Allen Toussaint and Tuts Washington in the critically-acclaimed Stevenson-Pallifi documentary “Piano Players Barely Play Together”, and in a bit part in Alan Parker's “Angel Heart”. Together with blues legend Brownie McGee, she can also be heard on the soundtrack of that movie. Lillian also sang at the Tennessee Williams memorial service in St. Louis cathedral in her native New Orleans, and America's high and mighty were treated to her interpretation of the national anthem in the Superdome. In 1992 she spearheaded 45 of her New Orleans music friends and brought the sounds of Cajun, Soul, R & B, Gospel traditional N.O. Brassbands and as well New Orleans cuisine to 22 cities in Germany under the title SPIRIT OF LOUISIANA. In 1993 she originated the project Gospel United in co-operation with 2 Danish organizers, where she was able to show her musical and social influences.

Lillian Boutté worked with local legend Dr. John, with whom she produced the albums “The Jazz Book,” in 1993, and “But...Beautiful,” in 1995. Together with Munich pianist and singer Christian Willisohn, Lillian Boutté recorded the albums “Lipstick Traces,” (’92) “Come Together,” and album “You've Gotta Love Pops,” in 2000. She also released “Music Is My Life,” in 2000. Critics have compared Lillian Boutté with Bessie Smith, Aretha Franklin and Mahalia Jackson. In Europe, where she established a residence, she and her husband Thomas L'Etienne and her band “Music Friends” have already aquired a large following. Her newest show and record “That Don't Keep Me From Cookin In A 'Gumbo Pot '” is a tribute to New Orleans music with the sounds of Sassafras, Mardi Gras, funky creole blues, smoky bars and jumpin' jazz featuring 'new' New Orleans songs by Phil Parnell, Lillian Boutte, Ed Frank and others. An internationally acclaimed Jazz, Gospel and Blues singer,Lillian's unique charismatic personality, stunning voice and love for the music encapsulate an unforgettable experience for anyone who can appreciate a genuine artist. https://musicians.allaboutjazz.com/lillianboutt

Let Them Talk

---

Enric Peidro & Jonathan Stout - Groove at First Sight

Styles: Saxophone,Guitar Jazz, Swing
File: MP3@320K/s
Time: 42:39
Size: 99,7 MB
Art: Front

(3:29) 1. Shivers
(4:14) 2. Surrender Dear
(3:38) 3. Soft Winds
(3:36) 4. Squatty Roo
(3:45) 5. Six Appeal
(3:05) 6. Sunday
(3:49) 7. El Salon de Gutbucket
(4:05) 8. On the Sunny Side of the Street
(3:07) 9. Jacquet in the Box
(4:28) 10. If I Had You
(2:51) 11. Coquette
(2:26) 12. Esquire Jump

The names of Jonathan Stout and Enric Peidro sure sound very familiar to the swing fans all over the world: Both are not only well-known musicians, highly respected players on their respective instruments, but also experienced bandleaders in their own right: Stout, based in California leads the Campus Five, one of the most in-demand bands at Lindy Hop and dance Festivals all over the world. From his headquarters in the east coast of Spain, Peidro also travels internationally very often, either as a soloist or bringing his high voltage swing combo, the "Swingtet" to all kind of audiences.

In late autumnn 2019 Stout, responding to Peidro's invitation, came to Spain in between two Campus Five European gigs and joined Peidro's band for a string of gigs on a two-week tour over Spain. From their very first gig together, and never having met before, the sparks flew in between Stout and Peidro.The rapport and understanding they developed all over the tour, both in and out of the stage was really "Groove at first sight" as they have appropriately titled this Cd The album was recorded, -"In the old-fashioned way we'd like, in Peidro's words"- over a 5-hour recording session, with all the band "cookin'" together in one room, and with no edits at all.

In fact, most of the takes chosen for the album were first takes, for a solid reason: there were no second takes on half of the selections!!! The recording session was also taped on video.You can check the videos by clicking in the "video" link beside the title of each tune When listening to the Cd the understanding and rapport in between the two musicians as well as with Peidro's regular -and hard -swinging'!- rhythm section is more than obvious. Not in vain Stout and Peidro share a deep love, passion and respect for the very same musical language: the swing, classic jazz of the 30's and 40s. Consecuently, a good-natured, friendly vibe of mutual respect and relaxation, all wrapped up in a extremely laid-back atmosphere spices all the Cd from beginning to end, and for sure its a welcome addition to contemporary swing collections. https://enricpeidro.bandcamp.com/album/groove-at-first-sight

Personnel: Enric Peidro Tenor sax; Jonathan Stout Guitar; Richard Busiakiewicz Piano; Andrés Lizón Bass; Simone Zaniol Drums

Groove at First Sight

---