Wednesday, August 17, 2022

Chris Barber and His Jazz Band - Folk Barber Style

Styles: Trombone Jazz
Year: 1965
File: MP3@320K/s
Time: 34:22
Size: 83,3 MB
Art: Front

(2:17) 1. Banks of The Bann
(2:16) 2. Alabamy Bound
(3:21) 3. Midnight In Moscow
(2:03) 4. Tom Dooley
(2:28) 5. Streets of Laredo
(2:37) 6. Midnight Special
(2:01) 7. So Long, It's Been Good to Know You
(2:03) 8. When Johnny Comes Marching Home
(2:09) 9. Wimoweh
(3:17) 10. On Top of Old Smokey
(2:14) 11. Kisses Sweeter Than Wine
(2:02) 12. Ha, Ha, This-A-Way
(2:48) 13. Goodnight Irene
(2:38) 14. Bobby Shaftoe

Donald Christopher Barber OBE (17 April 1930 – 2 March 2021) was an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit with "Petite Fleur" in 1959, he helped the careers of many musicians. These included the blues singer Ottilie Patterson, who was at one time his wife, and Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Barber's band. He provided an audience for Donegan and, later, Alexis Korner, and sponsored African-American blues musicians to visit Britain, making Barber a significant figure in launching the British rhythm and blues and "beat boom" of the 1960s.

Barber was born in Welwyn Garden City, Hertfordshire, on 17 April 1930. His father, Donald Barber, was an insurance statistician who a few years later became secretary of the Socialist League, while his mother was a headmistress. His parents were left-leaning, his father having been taught by John Maynard Keynes, while his mother became, in Barber's words, "the only socialist mayor of Canterbury". Barber started learning the violin when he was seven years old. He was educated at Hanley Castle Grammar School, near Malvern, Worcestershire, to the age of 15, and started to develop an interest in jazz. After the end of the war, he attended St Paul's School in London, and began visiting clubs to hear jazz groups. He then spent three years at the Guildhall School of Music, and started playing music with friends he met there, including Alexis Korner.More,,,https://en.wikipedia.org/wiki/Chris_Barber

Personnel: Chris Barber (trombone); Pat Halcox (trumpet), Ian Wheeler (clarinet, alto, soprano); Eddie Smith (banjo, guitar); Dick Smith (bass); Graham Burbidge (drums); Ottilie Patterson (vocals, melodica).

Folk Barber Style

Charles Earland - I Ain't Jivin', I'm Jammin'

Styles: Jazz, Post Bop
Year: 1992
File: MP3@320K/s
Time: 58:37
Size: 134,5 MB
Art: Front

( 6:55) 1. I Ain't Jivin', I'm Jammin'
( 8:47) 2. Thinking Of You
( 6:20) 3. City Lights
( 3:50) 4. One For Andre
( 7:11) 5. World Of Competition
( 8:16) 6. Sweety Pie
( 7:11) 7. Tell Like It Is
(10:03) 8. Cease The Bombing

The easy-going and the laid-back dominate I Ain't Jivin', I'm Jammin', an album that isn't quite in a class with Black Talk!, Whip Appeal or Unforgettable, but is nonetheless a welcome addition to Charles Earland's catalogue. The improviser swings hard and passionately on Wayne Shorter's "Tell It Like It Is," but his mellow side wins out on such congenial, groove-oriented jazz/R&B fare as pianist Neal Creque's "Cease the Bombing" and the originals "Sweety Pie," "World of Competition" and "Thinking of You." Even at his most relaxed, though, Earland's music is undeniably gritty. Among the noteworthy soloists employed this time are trombonist Clifford Adams, guitarist Oliver Nevels and the promising young tenor & soprano saxman Eric Alexander. ~ Alex Henderson https://www.allmusic.com/album/i-aint-jivin-im-jammin-mw0000118692

Personnel: Electric Organ, Keyboards – Charles Earland; Bass – Darryl Jones; Drums – Steve Cobb; Guitar – Oliver Nevels; Percussion – Tony Carpenter; Tenor Saxophone, Soprano Saxophone – Eric Alexander; Trombone – Clifford Adams

I Ain't Jivin', I'm Jammin'

Rob Brown Quartet - Jumping Off the Page

Styles: Flute, Saxophone Jazz
Year: 2000
File: MP3@320K/s
Time: 54:58
Size: 126,4 MB
Art: Front

(8:11) 1. Twinkle
(5:47) 2. Flat Out
(7:39) 3. Elbow Figure
(8:32) 4. Sonic Drawl
(7:29) 5. Like A Top
(3:26) 6. Charcoal Glow
(7:07) 7. Step With Care
(6:43) 8. Open Chanel

Alto saxophonist and flutist Rob Brown is often featured in the context of other leaders' recordings as an inventive improviser who has enough of the early AACM in him to stretch time, space, and harmonic ideas, and enough of the late-'50s hard bop tradition in his playing to make whatever he involves himself in move. This being only his third date as a leader, it's difficult to see why. Brown is a fiery player and an inspiring bandleader. With a harsh yet rich tone that comes out of the Anthony Braxton school of alto blowing, he careens through rapid successions of crisscrossing melody lines in "Twinkle," the opener, trading fours and overtones with Roy Campbell's trumpet.

With a rhythm section comprised of the young Chris Lightcap on bass and Jackson Krall on drums, this quartet has enough heat to share a bandstand with anybody. Over seven compositions, Brown reveals how brevity is the key to dragging ideas out of his players. He is always firmly in charge, but in a capacity that is nurturing musically. There are places, such as on "Like a Top" and "Step With Care," where his own development in the Ornette Coleman school of melodic free improvisation shines forth as it leads the quartet into places it could never have expected to go. In all, this is an awesome example of the new jazz coming from New York.~Thom Jurek https://www.allmusic.com/album/jumping-off-the-page-mw0000957852

Personnel: Alto Saxophone, Flute, Composed By – Rob Brown; Bass – Chris Lightcap; Drums – Jackson Krall; Trumpet – Roy Campbell

Jumping Off the Page