Rock4 - Don't Break The Rhythm

Styles: Vocal Pop
Year: 2014
File: MP3@128K/s
Time: 46:25
Size: 43,7 MB
Art: Front

(5:44) 1. Don't Break This Rhythm
(4:33) 2. Vienna
(2:50) 3. One (Your Name)
(4:19) 4. Chasing Cars
(3:19) 5. When Doves Cry
(4:00) 6. Crazy In Love
(4:42) 7. Insomnia
(3:17) 8. Somewhere Only We Know
(6:14) 9. Adagio For Strings
(7:23) 10. Comfortably Numb

Rock4 is best when the group rocks out. Lucky for all of us, this happens a lot. Don't break the rhythm is decidedly new wave, keeping the beat through ballads, uptunes, and everything in between. Even the subdued reptitions of Chasing Cars sound like the lull between one dance track and the next, not like any major change of pace.
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Crazy In Love sounds like it fell onto a Yes record, the poppy percussion and downtempo stylings keeping momentum against the odds. Rock4 isn't a group of wailers; this is more of a classic rock tribute album, a more refined version of The Exboyfriends. The voices are strong, the sound is tight. The album loses a little focus during the choral bits, like the ones that flutter through Vienna, but I hear that as the siren song of the '70s pulling back against the four-on-the-floor of the '80s.
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The rock and roll lines blur completely on Comfortably Numb, when a real guitar floats into the mix. It's a little jarring, but not as much as you'd expect. After nine preceding tracks of late-night dance rock, you just sort of go with it. Speaking for myself, I was still reeling from the Samuel Barber club remix, which is not something I might have picked out but it's got a good beat, and you can totally dance to it. That said, I would have skipped the tambourine on Somewhere Only We Know.
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Rock4 should sell better to an English-speaking audience than some of the other continental groups making similar music. For one thing, the English is better. Dutch transitions a bit better than Deutsch, all other things equal. Also, the uniform sound serves as a strength. Don't break the rhythm is consistent, professional, and stays in character. If you like these songs, you'll like these songs. If you only know some of them, the rest will slot right in. It's time to rock all night long.
By Rebecca Christie https://www.rarb.org/reviews/albums/1452-dont-break-the-rhythm/
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Don't Break The Rhythm

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Dara Tucker - Dara Starr Tucker

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 55:17
Size: 127,2 MB
Art: Front

(5:33) 1. Scars
(3:26) 2. Annie's Song
(3:32) 3. Falling
(4:41) 4. Everything I Wanted
(4:21) 5. If You Asked Me To
(4:48) 6. Letters
(5:33) 7. September Song
(4:14) 8. Standing On The Moon
(3:48) 9. Can We Pretend?
(4:10) 10. Try To Remember
(3:55) 11. Just A Closer Walk With Thee
(7:11) 12. Scars ~ Freedom

“Tucker’s lovely voice goes from quietly empathetic, urging patience as the arc of justice slowly bends, to a steelier instrument that more forcefully argues for pride and determination in the face of hardship.” By Brian Zimmerman, Jazziz
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“Tucker has become adept at channeling her experiences into song, commenting on complex social structures along the way.” By Joe Vitagliano, American Songwriter
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Green Hill Music is proud to announce the June 3, 2023 release of Dara Starr Tucker’s eponymously titled sixth album, Dara Starr Tucker. Referred to as “a fighter for social justice wielding music as a balm,” (Morgan Enos – Grammy.com) the acclaimed vocalist and songwriter melds her presence as a jazz and roots singer-songwriter with her growing notoriety as a social media commentator on race, cultural equity, music, and film on her hotly-anticipated new release. Over the past 18 months, Tucker has amassed an astounding combined audience of one million followers with the largest delegation arriving via the TikTok platform. Her video commentary and original songs have been featured with HBO, FX, OWN Network, Revolt! TV and Ebony/Jet.
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On Dara Starr Tucker, the versatile artist showcases six lively original compositions alongside inspired arrangements of modern and classic songs by writers such as Billie Eilish, Bill Withers, John Denver and Kurt Weill. Tucker’s sonority and lyricism arrives with a “penetrating yet comforting, lullaby quality that is awake and assuring.” (Marc Myers Jazzwax) Her sound is supported by the dynamic musicianship of pianists Aaron Parks, Mike King and James Hurt, bassists Vicente Archer and Greg Bryant and drummer Marcus Finnie.
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Tucker’s evocative new project provides needed catharsis in a post-pandemic world with emphasis on self-reflection, mental wellness and, ultimately, healing. “It’s my hope that the songs would speak to others who are experiencing similar things,” Tucker said. “The TikTok platform is unique in that it has given me the opportunity to reach hundreds of thousands of people numbers that are almost unheard of in the jazz world.” Tucker also acknowledged that her expansive and comprehensive social media reach has the power to reach a much broader audience, including young listeners. “I feel uniquely positioned to connect with people who rarely listen to jazz. When they’ve experienced my social commentary or my satirical videos, and suddenly find out I’m a singer, it sparks their curiosity, and oftentimes, they want to hear more.”
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Tucker’s striking compositions are equal parts contemplation and commentary – an approach that has been integral to her artistry well before her social media stardom. One of the highlights of her previous album Dreams of Waking: Music For a Better World (2021, Green Hill) was “Do We Sleep?”, a thought-provoking, musical response to the killings of George Floyd and Breonna Taylor, which received praise by American Songwriter. On her self-titled, Tucker ups the ante by presenting six finely-wrought original compositions that undoubtedly elevates her standing as a premier contemporary songwriter in the jazz space.
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Of the original compositions, highlights include the album opener “Scars” (and the closing reprise), which is a reminder that past hurts can be instructive and “Falling”, a floaty reflection on the passing of time from the point of view of a loved one who has moved on. The groovy “If You Ask Me To” is a fun, upbeat tune that Tucker wrote on a dare and features the punchy horns of trumpeter Giveton Gelin and saxophonists John Ellis and Stacy Dillard.
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A truly multifaceted artist, Tucker displays her mastery at reconfiguring works by others as well. She takes on the emotional Billie Eilish hit “Everything I Wanted” with the empathetic accompaniment of Parks, Archer and Finnie, making it her own with every note. Often used as a concert closer during her live shows, Tucker soars on the traditional roots-gospel hymn “Just A Closer Walk With Thee”, recase here in a buoyant, New Orleans second-line feel.
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As evidenced on Dara Starr Tucker, the Philadelphia-based musician is making her mark in the world of organic, heartfelt music by blending the melodic and lyrical richness of the central plains with the soulful strains of the Black American experience. Her eclecticism is guided by the diversity of her narrative. Born in Tulsa, Oklahoma to a family of singers and ministers, Tucker and her siblings traveled across the U.S. singing with their parents.
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From there, Tucker has experienced a diverse array of locales that she has called home including Interlaken, Switzerland; Nashville, Tennessee, New York City and now Philadelphia, Pennsylvania. Tucker is an alumna of The Woodshed Network, sponsored by 651 Arts and founded by NEA Jazz Master Dee Dee Bridgewater. Tucker has toured with her own bands and also with renowned hybrid guitarist Charlie Hunter. In 2020, she teamed up with blues & Americana artist Keb Mo’ to co-write the title track to his GRAMMY-winning Best Americana Album, Oklahoma. She has appeared on NPR’s Jazz Night in America and made her national television debut on The Tavis Smiley Show on PBS. Tucker’s 2021 album, Dreams of Waking: Music For A Better World reached #7 on the JazzWeek National Radio Charts. Her newest album is recorded by GRAMMY-winning engineer Mike Marciano and produced by Greg Bryant.
https://lydialiebman.com/index.php/2023/04/04/new-release-dara-starr-tucker-to-release-self-titled-sixth-album-on-june-3-2023-green-hill-music/

“My desire is that people would sense a unity between the content I share online, and the music I make it all comes from the same place,” Tucker shared.

Dara Starr Tucker

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Bobby Sanabria Multiverse Big Band - Vox Humana

Styles: Jazz, Big Band
Year: 2023
File: MP3@320K/s
Time: 84:12
Size: 194,8 MB
Art: Front

( 7:09) 1. Caravan
( 7:18) 2. Capullito De Aleli
( 8:26) 3. Puerto Rico
( 7:24) 4. Partido Alto
( 3:46) 5. Let The Good Times Roll
( 5:56) 6. Who Taught You That
( 5:26) 7. I Love You Porgy
( 4:42) 8. Genie In A Bottle
( 5:44) 9. Amazonas
( 5:40) 10. Spooky
( 4:22) 11. To Be With You
( 5:46) 12. Do It Again
(12:27) 13. Mi Congo

The opening track on Vox Humana could easily have been the encore of this live performance recorded at Dizzy's Club Coca Cola, part of Jazz At Lincoln Center in New York City. It is a rousing version of the Duke Ellington crowd pleaser "Caravan" and a boisterous Latin tinged big band version it is, with Matthew Gonzalez 's barril de bomba and requinto pandereta, bandleader and drummer Sanabria and others on congas, bongos and bells prominently leading the percussionists and portending the unfettered upbeat joy to come.

It might help with the lyrics, but you don't have to speak Spanish to understand this music because melody, rhythm and music are universally understood forms of communication and the top notch performances by vocalists and instrumental soloists express it so wonderfully in these songs. The second track, "Capullito De Aleli," is another stand out cut, and features vocals by Jennifer Jade Ledesna as well as great solos by pianist Darwin Noguera and Andrew Gould on alto sax.

The good-time music continues on track five with Antoinette Montague singing the 1946 Louis Jordan hit "Let The Good Times Roll" featuring Armando Vergara on the trombone with plunger mute. Then a couple of tracks later the tempo slows a bit with Montague again singing the Gershwins' "I Love You Porgy."

On the tenth track vocalist Janis Siegel of the The Manhattan Transfer steps up front with a great version of "Spooky" featuring some fine scat vocals. A couple of cuts later she sings the Steely Dan hit "Do It Again" along with Ledesna and Montague joining in, and Noah Bless on trombone and Gabrielle Garo on flute.

While the intention of this album seems to be to feature vocalists, the instrumental soloists and the big band as a whole all shine with tight arrangements and inspired solos. The final track, "Mi Congo," shows us this with violinist Benjamin Sutin starting an array of solos including trumpets and saxophones and percussionists.

In 2023 it may be hard to imagine a time when jazz music was a mainstream popular music, where people would go to clubs, concert venues and dance halls to dance and party. This album recalls those times with updated arrangements and perfect execution.By Cary Tenenbaum https://www.allaboutjazz.com/vox-humana-bobby-sanabria-jazzheads

Vox Humana

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