Showing posts with label Jimmy Woode. Show all posts
Showing posts with label Jimmy Woode. Show all posts

Thursday, March 23, 2023

Benny Bailey - For Heaven's Sake

Bitrate: MP3@320K/s
Time: 53:17
Size: 122.0 MB
Styles: Trumpet jazz
Year: 1989
Art: Front

[ 5:25] 1. Little Jazz
[ 6:00] 2. Blues East
[ 7:14] 3. Peruvian Nights
[ 4:47] 4. Mood Indigo
[11:12] 5. For Heaven's Sake
[ 5:36] 6. One For Wilton
[ 7:30] 7. No Mo Blues
[ 5:30] 8. Arrival

Bass – Jimmy Woode; Clarinet – Tony Coe; Drums – Idris Muhammad; Piano – Horace Parlan; Saxophone – Tony Coe; Trumpet – Benny Bailey.

Legendary jazz trumpeter Benny Bailey creates the finest disc of a distinguished career. Featuring an all-star lineup of Tony Coe (tenor & soprano saxes/clarinet), Horace Parlan (piano), Jimmy Woode (bass), and Idris Muhammad (drums), the band swings its butt off with near telepathic interplay, casual sophistication, and a special joie de vivre.

For Heaven's Sake

Friday, February 3, 2023

Nathan Davis - London by Night

Styles: Saxophone Jazz
Year: 1987
File: MP3@320K/s
Time: 60:12
Size: 139,2 MB
Art: Front

(6:56)  1. Noite Em Leblon
(5:18)  2. I Thought About You
(6:20)  3. Rio De Janeiro
(4:23)  4. London by Night
(2:48)  5. Dr. Bu
(9:06)  6. But Beautiful
(6:33)  7. You've Changed
(5:37)  8. Shades
(5:53)  9. Lament
(7:14) 10. If I Fell

Nathan Davis split his career between being a fine tenor saxophonist and a jazz educator. He played briefly with Jay McShann in 1955, attended the University of Kansas, spent time in the Army in Berlin (1960-1963), and stayed in Paris where he worked with Kenny Clarke (1963-1969), Eric Dolphy (1964), and Art Taylor. He also toured Europe with Art Blakey (1965) and Ray Charles. Starting in 1969, Davis was a professor of jazz at the University of Pittsburgh and Moorhead State University. His two most important musical associations involved leadership of the Paris Reunion Band (1985-1989) and Roots (which he formed in 1991). After 44 years, Davis retired from the University of Pittsburgh in June 2013. He died of congestive heart failure in Florida in April 2018 at the age of 81. ~ Scott Yanow https://www.allmusic.com/artist/nathan-davis-mn0000377691/biography

Personnel: Tenor Saxophone – Nathan Davis; Trumpet – Dusko Goykovich;  Bass – Jimmy Woode; Drums – Al Levitt; Flugelhorn – Dusko Goykovich; Flute – Nathan Davis; Piano – Kenny Drew

London by Night

Sunday, September 9, 2018

Cat Anderson and The Ellington All Stars - Ellingtonia

Styles: Trumpet Jazz
Year: 1959
File: MP3@320K/s
Time: 30:02
Size: 69,6 MB
Art: Front

(3:38)  1. Between Some Place, Goin' No Place
(4:34)  2. A Flower Is A Lovesome Thing
(2:43)  3. The Mexican Bandit
(4:17)  4. Lovelinessence
(3:03)  5. Accen'tuate
(4:20)  6. Chelsea Bridge
(3:43)  7. Summertime
(3:41)  8. Like, Dig

Cat Anderson was arguably the greatest high-note trumpeter of all time. His solo on "Satin Doll" from Duke Ellington's 70th Birthday Concert is a perfectly coherent chorus consisting of notes that are so high that it is doubtful if another trumpeter from all of jazz history could hit more than one or two. He first learned trumpet while at the Jenkins Orphanage in Charleston and toured with the Carolina Cotton Pickers, a group in which he made his recording debut. During 1935-1944, Anderson played with many groups including those of Claude Hopkins, Lucky Millinder, Erskine Hawkins, and Lionel Hampton. Hampton loved his high-note mastery, although Hawkins reportedly fired Anderson out of jealousy. In 1944, Cat Anderson was first hired by Duke Ellington and it ended up being the perfect setting for him. Ellington enjoyed writing impossible parts for Cat to play, and Anderson received publicity and a steady income. He was more than just a high-note player, being a master with mutes and having a fine tone in lower registers, but no one could really challenge him in the stratosphere (although Maynard Ferguson, Jon Faddis, and Arturo Sandoval have come close). 

Anderson was with Ellington during 1944-1947, 1950-1959, and off and on during 1961-1971. Occasionally he would go out to lead his own bands but he always came back. After Ellington's death, Cat Anderson settled on the West Coast where he often played with local big bands, including an exciting one led by Bill Berry. ~ Scott Yanow https://itunes.apple.com/gb/album/ellingtonia/425573374

Personnel:  Cat Anderson - trumpet;   Butter Jackson - trombone;   Sam Woodyard - drums;   Ray Nance - violin;   Jimmy Woode - bass;   Bud Johnson - flute and tenor saxophone;   Rudy Powell - clarinet and alto saxophone;   Leroy Lovett - Piano

Ellingtonia

Friday, June 8, 2018

Ted Curson Quartet - Urge

Styles: Trumpet Jazz
Year: 1966
File: MP3@320K/s
Time: 55:00
Size: 126,0 MB
Art: Front

(14:19)  1. Roy's Boys
( 6:10)  2. You Don't Know What Love Is
( 7:40)  3. Cinq Quatre
( 8:15)  4. Musis Sacrum
( 8:00)  5. The Leopard
(10:33)  6. Latino

Japanese import issued in a mini facsimile of the original LP sleeve. Recorded in 1966 and originally released as part of Dutch Fontana s free jazz series. At the time of this recording, Ted Curson was best known for his acclaimed stint with Charles Mingus, but the trumpeter had been quietly honing his own style and navigates his own path on this session. https://www.amazon.co.uk/Urge-Ted-Curson-Quartet/dp/B00U2NDRB4

Personnel:  Ted Curson, trumpet, pocket trumpet;  Booker Ervin, tenor saxophone;  Jimmy Woode, bass;  Edgar Bateman, drums.

Urge

Saturday, September 30, 2017

Johnny Griffin, Dexter Gordon - Jazz Undulation

Styles: Trumpet Jazz
Year: 2014
File: MP3@320K/s
Time: 41:49
Size: 95,8 MB
Art: Front

( 7:09)  1. Body & Soul
(13:54)  2. All The Things You Are
(20:45)  3. Blues Up And Down

One of the all-time great tenor saxophonists, Johnny Griffin will go down in the annals of jazz as a performer easily able to negotiate the tricky harmonic changes and swift tempos of modern music. He'll also be remembered as a player who could masterfully interpret tender ballads, rivaling Ben Webster in that regard. Born John Arnold Griffin III in Chicago, Illinois, on April 24, 1928, he resided on the South Side of the Second City with his mother, who was a singer, and father, who played cornet. An adolescent Griffin heard Gene Ammons play in the big band of King Kolax. Two years later he picked up an alto saxophone, and soon thereafter was working with bluesman T-Bone Walker. A student at DuSable High School, he was tutored by the legendary band director Captain Walter Dyett. Upon graduation, he toured with Lionel Hampton's big band, switched to the tenor sax, and moved to New York City. The late '40s saw Griffin honking his share of R&B with Joe Morris up to 1950, alongside the band of Jo Jones in 1950, and with Arnett Cobb in 1951. He enlisted in the armed services stationed in Hawaii, and played in an Army band. After his military commitment, he returned to Chicago and was in the company of Thelonious Monk's various ensembles up to the mid-'60s. Griffin cut his Blue Note album Introducing Johnny Griffin in 1958, and that year formed a sextet with Detroiters Pepper Adams and Donald Byrd. He collaborated with pianists Bud Powell and Elmo Hope, was enlisted by Art Blakey briefly as a member of the Jazz Messengers, energized his solo recording career for the Riverside label, and obtained his nickname, The Little Giant, with that eponymously titled LP in 1959. His most famous and popular teaming was with fellow saxophonist Eddie "Lockjaw" Davis. Griffin also recorded the legendary A Blowin' Session for the Blue Note label with John Coltrane and Hank Mobley.

But Griffin grew weary of the U.S. and its apathy regarding jazz, so he became an expatriate. He was living in Paris, France, by 1963, and did many albums with European rhythm sections for the Storyville, Black Lion, and Steeplechase labels. He was also a charter member and chief soloist for many years in the Kenny Clarke-Francy Boland Big Band alongside American and Continental standouts. The year 1975 was an important one for Griffin, who was featured with the bands of Dizzy Gillespie and Count Basie as documented in recordings of their sets at the Montreux Jazz Festival. He also collaborated with German saxophonist Klaus Doldinger and his fusion band Passport. In the late '70s, Griffin returned to the States to record for the Galaxy label, and toured with fellow expatriate tenor saxophonist Dexter Gordon.  He left Paris for the countryside of the Netherlands to live on a farm, then headed to the Côte d'Azur in 1980, and in 1984 to rural Availles-Limouzine. In 1986 he was a member of the Paris Reunion Band with Woody Shaw, Dizzy Reece, Slide Hampton, and Kenny Drew, making one album for the Sonet label. During his time in France, Griffin recorded for the Antilles and Verve labels, including The Cat in 1991 and Chicago, New York, Paris in 1994. On the weeks of his birthday, Griffin made regular appearances at the Jazz Showcase back home in Chicago. In his later years he collaborated with pianist Martial Solal and saxophonist Steve Grossman. Griffin passed away at age 80 on July 25, 2008, at his home in Availles-Limouzine. ~ Michael G.Nastos http://www.allmusic.com/artist/johnny-griffin-mn0000213510/biography

Personnel:  Johnny Griffin - tenor saxophone;  Hampton Hawes – piano;  Jimmy Woode – bass;  Kenny Clarke – drums;  Dexter Gordon - tenor saxophone

Jazz Undulation

Thursday, August 31, 2017

Duke Ellington - The Cosmic Scene

Styles: Piano Jazz
Year: 1958
File: MP3@256K/s
Time: 43:58
Size: 81,7 MB
Art: Front

(3:22)  1. Avalon
(4:57)  2. Body and Soul
(3:03)  3. Bass-Ment
(3:10)  4. Early Autumn
(2:55)  5. Jones
(2:49)  6. Perdido
(5:07)  7. St. Louis Blues
(2:33)  8. Spacemen
(3:38)  9. Midnight Sun
(4:59) 10. Take the "A" Train
(4:46) 11. Body and Soul (alternate take)
(2:35) 12. Jones (alternate take)

Still riding the success of his triumphant concert at the 1956 Newport Jazz Festival, Duke Ellington in 1958 decided to reduce his touring orchestra to a nonet dubbed "the Spacemen" in 1958, and recorded this lone project with them for the Columbia label. Perhaps inspired by the first orbiting satellites, Ellington is not taking cues from George Russell or Sun Ra, whose extraterrestrial inspirations led them down even more progressive paths. This large ensemble is playing mostly standards, but the arrangements and solos carve an integrated yet elasticized concept that allows for a more expanded role for the ensemble's trombonists Quentin "Butter" Jackson, John Sanders, and Britt Woodman, and select soloists. One in the solo spotlight is Clark Terry on flugelhorn exclusively, putting his fabled trumpet aside. The classic material presented includes clarinetist Jimmy Hamilton's features "Avalon" and "Early Autumn," the slinky stripper pole blues version of "St. Louis Blues" with Ellington's piano taking the lead, and two versions of "Body & Soul," with tenor saxophonist Paul Gonsalves completely extrapolating and re-harmonizing the main take, while faithfully playing the original melody on the alternate selection. There's a modified "Perdido," an animated and perky "Midnight Sun" that deviates from any other slow and lugubrious version of the ballad, and two attempts of "Jones" the first a real good swinger, the second with a more unified horn chart accented by a New Orleans shuffle provided by drummer Sam Woodyard. There are two originals; the blues bass of Jimmy Woode and the 'bones with plentiful piano from Duke infusing "Bass-Ment," and one of the more delightful of all of Ellington's book, the poppin' and boppin' "Spacemen," a bright happy horn chart led by Terry that is one of the more distinctive Ellington numbers of this time period. ~ Michael G.Nastos http://www.allmusic.com/album/the-cosmic-scene-duke-ellingtons-spacemen-mw0000752803

Personnel:  Duke Ellington – piano;  Clark Terry – trumpet;  Quentin Jackson, Britt Woodman – trombone;  John Sanders - valve trombone;  Jimmy Hamilton – clarinet;  Paul Gonsalves - tenor saxophone;  Jimmy Woode – bass;  Sam Woodyard - drums

The Cosmic Scene

Monday, June 27, 2016

Junior Mance - Softly as in a Morning Sunrise

Styles: Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 69:15
Size: 158,8 MB
Art: Front

(7:47)  1. Softly as in a Morning Sunrise
(6:35)  2. The Man from Potters Crossing
(5:52)  3. Sunset and the Mocking Bird
(4:45)  4. Broadway
(7:34)  5. Deli - Blues for Blakey
(6:09)  6. Gee Baby, Ain't I Good to You
(9:12)  7. Lady Bird
(3:49)  8. Wee
(6:48)  9. Sunday Go to Meetin'
(4:38) 10. Inside Out
(6:00) 11. C.C. Rider

This 1994 CD gives listeners an excellent example of pianist Junior Mance's playing. Featured in a trio with bassist Jimmy Woode and drummer Bobby Durham, Mance performs a wide-ranging set that includes a few originals, blues, and standards (including "Broadway," "Lady Bird" and the title cut) that he practically turns into the blues. Mance's style, which mixes bop, R&B and soul-jazz, is quite appealing and is heard in its prime throughout this splendid session.~ Scott Yanow http://www.allmusic.com/album/softly-as-in-a-morning-sunrise-mw0000124047

Personnel:  Junior Mance (piano); Jimmy Woode (bass); Bobby Durham (drums).

Softly as in a Morning Sunrise

Tuesday, April 19, 2016

Dorothy Donegan - Live At The Widder Bar

Styles: Piano Jazz
Year: 1986
File: MP3@320K/s
Time: 63:30
Size: 146,3 MB
Art: Front

( 5:09)  1. Lover
( 7:42)  2. Tea For Two/Honeysuckle Rose
(10:19)  3. Autumn In New York/ I Can't Get Started/ On Green Dolphin Street
(12:42)  4. Makin' Whoope/ Warsaw Concerto/Darn That Dream/All Blue/ Sweet Lorraine
( 4:51)  5. Take The A Train
(12:35)  6. Prelude To A Kiss/ Mood Indigo/Perdido/Take The A Train
(10:09)  7. Like Someone In Love/ Here's That Rainey Day/For Once In My Life/In The Mood

After years of obscurity, pianist Dorothy Donegan finally started to gain some recognition in the mid-1980s. A brilliant pianist whose playing often takes unusual and unexpected turns (she always keeps her bassist guessing), Donegan is fond of not only putting together unlikely medleys, but suddenly switching styles altogether. 

For this live session with bassist Jimmy Woode and drummer Norman Fearrington, Donegan mostly sticks to a modern mainstream style, but her song quotes are very surprising and she somehow makes a medley out of "Like Someone In Love," "Here's That Rainy Day," "For Once In My Life" (a la Erroll Garner) and "In the Mood."~Scott Yanow http://www.allmusic.com/album/live-at-the-widder-bar-mw0001011148

Personnel: Piano – Dorothy Donegan;  Bass – Jimmy Woode;  Drums – Norman Fearrington

Live At The Widder Bar

Tuesday, December 1, 2015

Clark Terry - Duke With A Difference

Styles: Trumpet Jazz
Year: 1957
File: MP3@320K/s
Time: 38:25
Size: 88,3 MB
Art: Front

(3:02)  1. C Jam Blues
(3:00)  2. In a Sentimental Mood
(6:54)  3. Cotton Tail
(6:14)  4. Just Squeeze Me (But Don't Tease Me)
(6:55)  5. Mood Indigo
(3:29)  6. Take the A Train
(5:11)  7. In a Mellow Tone
(3:35)  8. Come Sunday

For this CD reissue of a Riverside set, trumpeter Clark Terry and some of the top Ellington sidemen of the period (trombonist Britt Woodman, altoist Johnny Hodges, tenor saxophonist Paul Gonsalves, Tyree Glenn on vibes, bassist Jimmy Woode, and drummer Sam Woodyard) perform eight songs associated with Duke, but with fresh arrangements. There is plenty of solo space for Terry, Gonsalves, and Hodges, and the arrangements by Terry and Mercer Ellington cast a new light on some of the warhorses; highlights include "C Jam Blues," "Cotton Tail," "Mood Indigo," and "Come Sunday." 
~ Scott Yanow  http://www.allmusic.com/album/duke-with-a-difference-mw0000315033

Personnel: Clark Terry (trumpet); Marian Bruce (vocals); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Britt Woodman, Quentin Jackson (trombone); Billy Strayhorn (piano); Tyree Glenn (vibraphone); Jimmy Woode (bass); Sam Woodyard (drums).

Duke With A Difference

Tuesday, November 24, 2015

Jimmy Woode - The Colorful Strings Of Jimmy Woode

Styles: Jazz, Bop
Year: 1957
File: MP3@224K/s
Time: 26:32
Size: 42,8 MB
Art: Front

(3:05)  1. Falmouth Recollections
(4:41)  2. The Way You Look Tonite
(6:39)  3. Foofy For President
(4:20)  4. The Man From Potter's Crossing
(4:21)  5. Dance Of The Reluctant Drag
(3:22)  6. Empathy, For Ruth

Jimmy Woode is best known for his extensive work as a sideman, so this rare opportunity to record as a leader, which first appeared as an Argo LP in 1958, is a welcome look into his abilities as a composer and arranger as well. Recruiting several fellow sidemen from Duke Ellington's band, including Clark Terry, Paul Gonsalves, and Sam Woodyard, along with pianist Ramsey Lewis and the lesser known Porter Kilbert (alto sax) and flutist Mike Simpson, Woode composed five originals for the date. The breezy blues "Foofy for President" has a spirited exchange between Terry and Simpson. "The Man from Potter's Cottage" is a sauntering blues that is dedicated to Woodyard, the leader's roommate while touring with Ellington. "The Dance of the Reluctant Drag" is a challenging piece, with odd twists both harmonically and rhythmically. Finally, Woode adds a warm vocal to the one standard, "The Way You Look Tonight." Long out of print, this enjoyable album was finally reissued in Japan by Universal, though with no bonus tracks, resulting in a brief session of under 28 minutes. ~ Ken Dryden  http://www.allmusic.com/album/the-colorful-strings-of-jimmy-woode-mw0001880533

Personnel: Jimmy Woode - bass, vocals (2);  Mike Simpson – flute;  Clark Terry – trumpet;  Britt Woodman – trombone;  Porter Kilbert - alto saxophone;  Paul Gonsalves - tenor saxophone;  Ramsey Lewis – piano;  Sam Woodyard - drums

The Colorful Strings Of Jimmy Woode