Showing posts with label Nigeria. Show all posts
Showing posts with label Nigeria. Show all posts

Saturday, March 3, 2018

Femi Kuti - One People One World

Bitrate: MP3@320K/s
Time: 50:23
Size: 115.3 MB
Styles: Afro beat
Year: 2018
Art: Front

[4:44] 1. Africa Will Be Great Again
[5:13] 2. Best To Live On The Good Side
[3:33] 3. One People One World
[3:38] 4. Na Their Way Be That
[2:28] 5. How Many
[3:19] 6. Evil People
[4:48] 7. Equal Opportunity
[3:50] 8. E Get As E Be
[6:25] 9. Corruption Na Stealing
[4:10] 10. Dem Don Come Again
[4:31] 11. Dem Militarize Democracy
[3:40] 12. The Way Our Lives Go

In the five years between Femi Kuti's Grammy-nominated No Place for My Dream and One People One World, he's been a busy man. He regularly performs at The Shrine, the performance space he built as a memorial to his late father Fela Kuti, he's a touring musician, and he also serves as a traveling ambassador for Amnesty International. (He also found time in 2017 to break the Guinness world record for the longest-held single note on a saxophone -- 51 minutes and 35 seconds.)

One People One World is Kuti's tenth album with his longstanding band Positive Force and its musical director and guitarist Opeyemi Awomolo. Unlike the righteous anger that inspired almost all of his previous recordings, One People One World is by contrast more affirmative; it's celebratory without sacrificing its activism. While Afrobeat is at the core of these 12 songs, Kuti picks up on the mosaic he began weaving on No Place for My Dream by incorporating the harmonies and rhythms of reggae, highlife, soul, R&B, hip-hop, and other global sounds into its mix, adding depth and complexity without sacrificing immediacy and accessibility. The title-track single commences with driving Afrobeat horns, but the rest of the band erupts into calypso and highlife celebration as Kuti and his backing singers deny racism, greed, and hatred the power to conquer the earth. With an infectious, swinging organ, "Africa Will Be Great Again" is a protest jam that details the corruption and greed that hold her back as a continent, but its pulsing wave of salsa, soca, and highlife makes it an irresistible anthem as Kuti posits the reclamation of the continent as the cradle of civilization and the heartbeat of the world. The D'Angelo-esque soul in "It's Best to Live on the Good Side" is carried by slinky, bubbling basslines, vamping R&B guitars, and a swirling organ. When the horns enter, thunder cracks as circular drumming and percussion thread in Afro-Cuban (Yoruban) rhythms. Second single "Na Their Way Be That" opens with cooking reggae before Femi's soulful saxophone solo and an Afrobeat chant cut in from the margin. "Evil People" is stomping, funky R&B, fueled by J.B.'s-style horns, layers of breakbeat drums, chunky wah-wah guitar, and congas. Immediately following is "Equal Opportunity," where Kuti and his backing chorus evoke the celebratory vibe of Curtis Mayfield's "Move on Up," and add jazzy Rhodes piano and Afrobeat horns and rhythms. Even straight-up Afro-funk jams like "Dem Militarize Democracy" open to embrace driving son rhythms, popping R&B basslines, and souled-out vocal and guitar choruses. The dubwise soul of closer "The Way Our Lives Go" is the set's most poetic and inspiring track. Kuti and Positive Force don't let up at all during One People One World. Impeccably sequenced, it runs from strength to strength, dazzling with expansive sonic textures, killer arrangements, and a musical genre palette that exists seemingly without boundaries. As a recording artist, Kuti has been reliably consistent, but this date is his masterpiece. ~Thom Jurek

One People One World mc
One People One World zippy

Friday, February 16, 2018

Tokunbo - The Swan

Size: 108,9 MB
Time: 45:18
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz/Pop Vocals
Art: Front & Back

01. New June (4:16)
02. Headlights (5:17)
03. Somersault (3:23)
04. Cast Away (4:28)
05. Outer Space (4:58)
06. Innocence (3:26)
07. Rebecca (3:54)
08. White Noise (3:13)
09. The Swan (4:12)
10. Words (3:55)
11. Play Me A Song (3:56)

TOKUNBO - her musical stages of development follow the dramaturgy of her life. After a successful career with acoustic soul band Tok Tok Tok, the convertible singer-songwriter has been enriching the music scene as a solo artist since 2014. On 2018, her new, second solo album will be released 'The Swan'.

Just a glance at the cover of 'The Swan' hints at TOKUNBO's latest transformation: The dark hues have given way to a lot of white space, which is painted over 11 songs in many facets of color design. While her solo debut celebrated even reduced arrangements in LoFi robe, her second work fills with graceful soundscapes and still ties naturally to the predecessor 'Queendom Come.

'The Swan is more complex, atmospherically denser and peppered with gossamer details. The understanding of space has an extraordinary significance here: the pieces live on a distinct expanse and at the same time - in the noble mix of Marc Ebermann - are formally tangible in the room. TOKUNBO is known to audiences and critics alike for its claim to sound quality, so that hi-fi connoisseurs will get their money's worth again. The tonal textures range from sensitive strings to a playful use of vibraphone and are meticulously reproduced in their extraordinary dynamics. TOKUNBO has stayed true to its tried and true companions: Ulrich Rode once again shines on the guitar, Christian Flohr spreads pleasant warmth in the low-frequency range, while Matthias 'Maze' Meusel creates a refreshingly unconventional approach to the percussions. OK then. Because it is clear that only a few musicians can portray such a complex palette without sounding obscure.

The result is a lyrical album, which was brought to the point on the symbol of the swan. Driven by the change in her own life, the birth of her first child can be seen in her second album. However, the beauty of 'The Swan' is by no means too obvious, marked by grace and love. TOKUNBO always keeps her very own, mysterious nature and remains - despite all the versatility - faithful to her dark, beautiful style mixture, which she herself gave the excellent name 'folk noir.

TOKUNBO was the voice of Tok Tok Tok from 1998 to 2013. During their active time, the band released 13 albums and won five German Jazz Awards and the SACEM Grand Prix. Their tours have led Tok Tok Tok around the globe, the band gave concerts with the NDR Pops Orchestra and the Babelsberg Film Orchestra and was on the German TV u.a. guest in the WDR talk show 'Zimmer frei'. In 2014 appeared TOKUNBO's highly acclaimed solo debut 'Queendom Come', which she presented live on an extensive tour of Germany, France and Portugal.

The Swan 

Friday, September 22, 2017

Seun Kuti & Egypt 80 - From Africa With Fury: Rise

Bitrate: MP3@320K/s
Time: 52:12
Size: 119.5 MB
Styles: Afro beat
Year: 2011
Art: Front

[5:16] 1. African Soldier
[5:34] 2. You Can Run
[7:39] 3. Mr. Big Thief
[7:02] 4. Rise
[7:42] 5. Slave Masters
[6:55] 6. For Them Eye
[6:12] 7. The Good Leaf
[5:48] 8. Giant Of Africa

As one might expect of a musical giant who married 27 women, the late Nigerian pop radical Fela Kuti fathered some talented kids. Two of them are furthering the family business in Afrobeat, the Africanized vision of James Brown's funk that Fela invented (and which has influenced everyone from Beyoncé to TV on the Radio). Femi, Fela's eldest son, fell out with his dad in the late Eighties, leaving the fold to start his own band. On Africa for Africa, he's still denouncing dirtbag Nigerian politicians over big-band brass and busy polyrhythms. But his grooves have mellowed, as Fela's did over time, and so has his delivery: There's a tenderness in "Boys Dey Hungry for Town" that Fela never approached.

Where his brother smolders, Seun — Fela's youngest son — burns. Still in his twenties, with 'Fela Lives' tattooed across his back, dude has built a ridiculously hot band around the surviving members of Fela's Egypt 80 crew. Longtime Afrobeat fanatic Brian Eno co-produces with a light touch: Percussion is up front, tone colors flicker. "Rise" opens with guitar shaping a looped melody, then takes flight on a trumpet solo while indicting corporate bloodsuckers. Addressing Nigeria's history ("Slave Masters") and militarism ("African Soldier"), Seun's proper coming-out closes with some positive thoughts on cannabis ("The Good Leaf"). Fela lives, indeed. ~Will Hermes

From Africa With Fury: Rise