Showing posts with label Michel Petrucciani. Show all posts
Showing posts with label Michel Petrucciani. Show all posts

Monday, November 28, 2022

Michel Petrucciani - Solo in Denmark

Styles: Piano Jazz
File: MP3@320K/s
Time: 55:35
Size: 127,5 MB
Art: Front

( 5:02) 1. P'tit Louis
( 5:10) 2. In A Sentimental Mood
( 7:58) 3. She Did It Again
( 7:17) 4. Round Midnight
( 7:52) 5. Estate
( 8:25) 6. Blue Monk
(13:47) 7. Medley: Autumn Leaves, Rachid, Prelude To A Kiss, Smoke Gets In Your Eyes, Miles Davis' Licks, Nardis

Storyville Records is proud to present Michel Petrucciani – Solo in Denmark. This album features French piano prodigy Michel Petrucciani in a solo recording from Silkeborg Church, 1990. MP was one of the most popular pianists in the 1990’s due to his extraordinary technique, his astounding musical outlook and extremely dynamic playing style. His music is simply timeless and magical, seemingly coming straight from his soul. As he is often quoted: “I’m not playing to your head, but to your soul. When I play, I’m like a bird flying over the landscape, and I can land anywhere.”

Recorded on June 23, 1990 at the Riverboat Jazz Festival in Silkeborg, Denmark, this album is a tour de force that leads the listener through a series of the most iconic motifs in jazz, all of which are deconstructed and transformed by an outstanding craftsman and embellished along the way by a true master. And he also allows himself to insert unexpected twists and turns that are guaranteed to make the listener smile. Pay special attention to his small rhythmic and melodic tags, little hints for the well-trained ear.

They reveal a musician who never grows complacent or takes himself too seriously. Here, the totality of MP’s talents are exhibited in an intimate setting, where he stuns the crowd with his inventive and blindingly rapid playing. The music emanating from the man simply grabs everybody’s attention. Arrangements by jazz legends like Duke Ellington, Thelonious Monk and Miles Davis gets the cheeky Petrucciani treatment with his rather audacious approach to ‘established’ jazz standards. MP had the ability to effortlessly travel through the history of jazz on his piano, fascinating his audience in the process. This church concert clearly displays why MP quickly developed into a truly exceptional member of the international jazz scene.

For MP, joyful playing with the music was a necessity of life. He lived and breathed for the opportunity to show it his love and respect. And all we have to do is open our ears, mind and soul and accept the gems from a musical individualist, who has made an indelible impression on millions of jazz listeners around the world. Solo in Denmark is simply another chapter in the remarkable story of a man, who perceived himself as a servant of the music.

Personnel: Michel Petrucciani - Piano

Solo in Denmark

Monday, September 26, 2022

Michel Petrucciani / Ron McClure - Cold Blues

Styles: Piano Jazz, Post Bop 
Year: 1985
File: MP3@320K/s
Time: 43:07
Size: 99,9 MB
Art: Front

(8:39)  1. Beautiful But Why?
(5:45)  2. Autumn Leaves
(6:20)  3. Something Like This
(6:58)  4. There Will Never Be Another You
(8:47)  5. I Just Say Hello!
(6:35)  6. Cold Blues

?Michel Petrucciani's last European recording before hooking up with Blue Note, this set of duets matches the tiny but powerful pianist with bassist Ron McClure. They perform post-bop explorations of four originals (including an ad-lib "Cold Blues"), "Autumn Leaves" and "There Will Never Be Another You." The interplay between the two musicians is impressive, but although McClure plays a prominent role, Petrucciani is clearly the dominant force. Worth searching for.
By Scott Yanow https://www.allmusic.com/album/cold-blues-mw0000651592

Personnel: Michel Petrucciani (piano); Ron McClure (bass guitar).

Cold Blues

Tuesday, November 30, 2021

Michel Petrucciani - Solo Live

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 55:51
Size: 128,3 MB
Art: Front

( 4:25) 1. Looking Up
( 4:02) 2. Besame Mucho
( 2:22) 3. Rachid
( 4:07) 4. Chloe Meets Gershwin
( 3:40) 5. Home
( 3:07) 6. Brazilian Like
( 4:11) 7. Little Piece In C For U
( 3:21) 8. Romantic But Not Blue
(11:29) 9. Trilogy In Blois (Morning Sun, Noon Sun And Night Sun In Blois)
(10:08) 10. Caravan
( 4:54) 11. She Did It Again - Take The A Train - She Did It Again

Solo Live, released shortly after his death, marks pianist Michel Petrucciani's lasting solo gift to the jazz world. Though clearly a virtuoso on his instrument, his playing always seemed to reflect as much respect for the audience as it did for his own talent. At its essence, Petrucciani's music is remarkably buoyant, decidedly joyful, improvisationally aggressive, and, above all, intended to evoke an emotional response on the part of the listener. His amazing reading of Ellington's "Caravan" is characteristic of this unique style. However, the pianist may best be remembered for his original compositions and three of his most memorable are included here.

"Looking Up," as the title would suggest, is overtly optimistic and inherently hopeful. "Home" is a clearly enunciated statement of warmth and comfort. "Brazilian Like" is orchestral and melodic to the point at which the tune remains in one's head long after its conclusion. Petrucciani closes the album with the medley of "She Did It Again/Take the A Train/She Did It Again" his original sandwiched around Strayhorn's classic.A befitting set-closer for this extraordinary musician.~Brian Bartolini https://www.allmusic.com/album/solo-live-mw0000048924

Personnel: Piano [Steinway Piano, Model D] – Michel Petrucciani

Solo Live

The Michel Petrucciani Trio - One Night in Karlsruhe (Live)

Styles: Piano Jazz
Year: 2019
File: MP3@320K/s
Time: 77:35
Size: 179,4 MB
Art: Front

(6:38)  1. 13th
(8:22)  2. There Will Never Be Another You (From "Iceland")
(8:48)  3. In a Sentimental Mood
(6:48)  4. One for Us
(9:26)  5. Mr. K.J.
(6:20)  6. Embraceable You (From "Girl Crazy")
(8:35)  7. She Did It Again
(7:01)  8. La champagne
(6:23)  9. Giant Steps
(9:09) 10. My Funny Valentine (From "Babes in Arms")

The SWR Jazzhaus label is sitting on a huge stash of unreleased live jazz recordings made for radio and television broadcast in Germany, going back to the early 1950s. Over 40 titles have appeared to date. One Night in Karlsruhe is especially good news. Only a few previously unknown Michel Petrucciani recordings have come to light since his death at 36 in 1999. Great jazz players are respected but few have been loved like Petrucciani. To see him on his piano bench, his 50-pound body severely stunted and crippled by osteogenesis imperfecta, grinning with joy, his hands unleashing torrential piano romanticism, was to believe in the invincibility of the creative human spirit. In this 1988 concert he plays with the best rhythm section of his life, Gary Peacock and Roy Haynes. They had made Michel Plays Petrucciani for Blue Note 10 months earlier. Petrucciani has been compared to Peacock’s regular employer, Keith Jarrett. His chops were close, even if he lacked Jarrett’s harmonic inventiveness. He also reversed Jarrett’s priorities: Petrucciani put passion first, intellect second. “There Will Never Be Another You” is an eight-minute ascent in piano variations that find ecstasy and catharsis. No one made the piano a medium of ecstasy like Petrucciani. Even “Giant Steps,” John Coltrane’s notoriously difficult set of chord progressions, is cause for jubilant celebration (and confirms Petrucciani’s virtuosity). 

When he played a ballad, his natural fire was barely contained within his gift for lyricism. On this night the ballads are swept up and overwhelmed by energy. “My Funny Valentine” may be the fastest on record. “Embraceable You” is begun slowly by Peacock but Petrucciani smokes it. Only “In a Sentimental Mood” stays rapt. Petrucciani holds it back, hinting at it, touching its edges. It is a dawning revelation when Ellington’s melody gradually coalesces. ~ Thomas Conrad https://jazztimes.com/reviews/albums/michel-petrucciani-trio-one-night-in-karlsruhe-swr-jazzhaus/

Personnel:  Piano – Michel Petrucciani; Bass – Gary Peacock; Drums – Roy Haynes

One Night in Karlsruhe

Tuesday, January 22, 2019

Michel Petrucciani, Steve Gadd, Anthony Jackson - Trio in Tokyo

Styles: Piano Jazz, Post Bop 
Year: 1997
File: MP3@320K/s
Time: 62:01
Size: 143,3 MB
Art: Front

( 4:39)  1. Training
( 5:19)  2. September Second
( 9:18)  3. Home
( 7:30)  4. Little Peace in C for U
( 9:07)  5. Love Letter
( 7:48)  6. Cantabile
(10:49)  7. Colors
( 7:29)  8. So What

Recorded in 1997, this CD features the late Michel Petrucciani on piano, drummer extraordinaire Steve Gadd and bassist Anthony Jackson in a performance from the Blue Note in Tokyo. One listen to Trio In Tokyo and it is apparent that this is Petrucciani's group. The diminutive pianist leads while Gadd and Jackson provide a killer rhythm section. Petrucciani, who passed away in January 1999 was a truly gifted player who could bring listeners to tears with his inventive strokes (an example would be the tune "Home"). He was also a player who could swing and be extremely inventive. 

This is evidenced by the wonderful "A Little Piece In C for U." Trio In Tokyo also lets the listener hear studio stalwarts Gadd and Jackson in a live setting. Often thought of as "studio technicians," these two veteran jazzmen really shine on this recording. Don't miss this one. It's a rare gem that can never be replicated! ~ Mike  Perciaccante https://www.allaboutjazz.com/trio-in-tokyo-michel-petrucciani-dreyfus-records-review-by-mike-perciaccante.php

Personnel: Michel Petrucciani - Piano; Steve Gadd - Drums; Anthony Jackson - Bass

Trio in Tokyo

Tuesday, November 13, 2018

Niels-Henning Ørsted Pedersen - Uncharted Land

Styles: Jazz, Post Bop
Year: 1992
File: MP3@320K/s
Time: 60:59
Size: 140,1 MB
Art: Front

( 5:14)  1. Moving Pictures
( 4:13)  2. Uncharted Land (vocal)
( 2:51)  3. Natten er Se Stille
(18:12)  4. Nordavind
( 6:55)  5. A Nightingale Sang in Berkeley Square
( 2:27)  6. Someday My Prince Will Come
( 6:24)  7. Joron
( 5:47)  8. Too Many Names
( 3:01)  9. Uncharted Land (instrumental)
( 5:50) 10. Blank Space

A virtuoso who mostly played in bop-oriented settings, Niels-Henning Ørsted Pedersen was in great demand since he was a teenager. One of many superb European bassists to emerge during the 1960s, Pedersen originally studied piano before starting to play bass with Danish groups when he was 14. He had to reluctantly turn down Count Basie's offer to join his orchestra when he was just 17, but worked steadily as the house bassist at the Club Montmartre and as a member of the Danish Radio Orchestra. Whenever American jazzmen passed through Scandinavia, they asked for Pedersen; during the 1960s he played with Sonny Rollins, Bill Evans, Roland Kirk, Dexter Gordon, Bud Powell, and even Albert Ayler (although the latter's session was not too successful). In the 1970s, Pedersen was featured in a duo with Kenny Drew. Starting in the mid-'70s, he was an occasional member of the Oscar Peterson Trio and he recorded several dates as a leader for SteepleChase. Pedersen also recorded in many different settings for Pablo Records during the era. He remained very active until his sudden death in April 2005. He was 58. ~ Scott Yanow https://www.allmusic.com/artist/niels-henning-%C3rsted-pedersen-mn0000404907/biography

Personnel: Niels-Henning Ørsted Pedersen - acoustic bass, co-producer; Jan Garbarek - tenor saxophone, soprano saxophone, programming; Steve Swallow - electric bass, producer;   Michel Petrucciani - piano;  Mehmet Ozan - acoustic guitar;   Marilyn Mazur - percussion;  Søs Fenger - vocals;  Ole Kock Hansen - piano;  Ars Nova - ensemble;  Bo Holten - conductor;  Bente Vist - soprano vocals;  Helle Petersen - soprano vocals;  Hilde Ramnefjell - soprano vocals;  Ulla Munch - alto vocals;  Tine Jarl - alto vocals -  Mette Greiffenberg - alto vocals;   Ivan Hansen - tenor vocals;  Palle Jensen - tenor vocals;  Villy Nielsen - tenor vocals;  Johan Reuter - bass vocals;  Claus Hansen - bass vocals;   Hans Henrik Råholt - bass vocals

Uncharted Land

Saturday, February 10, 2018

Louis Petrucciani - The Librarian

Bitrate: MP3@320K/s
Time: 46:17
Size: 106.0 MB
Styles: Contemporary jazz
Year: 1990/2009
Art: Front

[7:14] 1. Little Esther
[6:13] 2. Sweet Georgia Bright
[5:02] 3. The Librarian
[5:25] 4. For Old Time Sake
[8:12] 5. Billy's Bossa
[4:16] 6. Around The Blues
[3:14] 7. Izabo
[5:24] 8. Stella By Starlight
[1:13] 9. E.D

Bass – Louis Petrucciani; Drums – Eliot Zigmund; Piano – Horace Parlan, Michel Petrucciani; Saxophone – Bob Malach. Recorded and mixed at Gimmick Studio, Yerres, France by Hervé Leguil.

Member of a famous family of musician, know nowadays worldwide, Louis PETRUCCIANI, active on the jazz scene for more than four decades, is today one of the a major figure in European jazz. After a strong classical formation, enriched by the intense and assiduous practice of jazz with the family trio, he left France to work the double bass in the USA in Rochester, where he worked with Chuck Israel and Percy Heath.

Back in France, he works with Barre Philips during 3 years and with Bobby Few, Eliot Zigmund, Bob Malach, Lee Konitz, Sangona Everett, Claude Nougaro, Bernard Lubat, Aldo Romano, Alain Jean -Marie, Talib Kibwe. He also workes with his father Tony and his brother Michel with whom he played countless time. He participated to more than twenty albums as an accompanist, five albums with his brother Michel, including a live album in Japan with Lenny White .He is the author of five albums under his name and a DVD. Louis distills today with a flawless instrumental expression, through a musical narration that literally takes you away, a music that tells us about life, stars, love and humor as well. Served by perfect mastery of this magnificent instrument that is the double bass, it leads us to reverence our life as it should be.

The Librarian mc
The Librarian zippy

Thursday, February 8, 2018

Lee Konitz & Michel Petrucciani - Toot Sweet

Styles: Saxophone And Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 48:19
Size: 111,6 MB
Art: Front

( 4:44)  1. I Hear A Rhapsody
( 5:01)  2. To Erlinda
(15:59)  3. 'Round About Midnight
(15:34)  4. Lover Man
( 4:49)  5. Ode
( 2:11)  6. Lovelee

Judging from their frequent occurrence in his long discography, duet sessions are among Lee Konitz's favorites. These intimate settings have also encouraged some of his best work; for example, his 1967 album The Lee Konitz Duets (Milestone/OJC), on which he performed with several diverse partners in an astonishing range of styles. The mood is more focussed on Sunnyside's reissue of Toot Sweet, a 1982 session with Michel Petrucciani originally released on the now-defunct Owl label. At the time of the recording, the pianist was not yet 20 years old, and the marks of his acknowledged greatest influence, Bill Evans, are readily apparent. In fact, the opening track, a searching "I Hear A Rhapsody" readily brings to mind Evans' own duet version with Jim Hall from the classic Undercurrent (United Artists 1962; reissued on Blue Note). Petrucciani is his own man, however, even at this early stage; his lovely solo piece "To Erlinda" begins in a pensive Evans mode, but soon moves through sweeping runs, thunderous left-hand chords, and bluesy asides in a more original style.

Konitz, as usual, methodically explores every nook and cranny of each tune's melody, particularly on the 15-minute, abstract takes of "Round About Midnight" and "Lover Man" that form the centerpiece of the album. Although Konitz is often referred to as a "cool-toned" altoist, this is somewhat misleading; he sometimes produces a quite astringent sound, particularly in the upper register, with a bit of blues wail to it. This suits perfectly the pathos inherent in "Lover Man," which offers the best playing on the record. On this tune, Konitz continually dances in an angular fashion around the melody, never quite actually playing it through, but revealing its every facet by a kind of musical triangulation. Petrucciani alternately prods and follows his elder partner through the tune, here offerring a propulsive, bluesy foundation, there picking up phrases of Konitz's and dancing them around the rhythm. Throughout the album but especially in this setting, the interaction between the musicians is wonderful, as they play with an attentiveness and empathy that is a joy to hear. This is a great find, and kudos to Sunnyside for resurrecting it. Highly recommended. ~ Joshua Weiner https://www.allaboutjazz.com/toot-sweet-lee-konitz-sunnyside-records-review-by-joshua-weiner.php

Personnel: Lee Konitz, alto sax; Michel Petrucciani, piano

Toot Sweet

Saturday, January 14, 2017

Various - Blue Note Beach Classics Presented By Jose Padilla (2-Disc Set)

Blue Note Beach Classics Presented By Jose Padilla is Jose's 18th album release and is a stunning representation of modern ambient, jazz and breaks. This new compilation album features tracks from French jazz pianist Michel Petrucciani to Oscar-and Grammy-winner Herbie Hancock.

Album: Blue Note Beach Classics (Disc 1)
Bitrate: MP3@320K/s
Time: 55:53
Size: 127.9 MB
Styles: Jazz
Year: 2012

[6:19] 1. Michel Petrucciani - Brazilian Suite #3
[6:18] 2. Andrew Hill - Poinsettia
[3:43] 3. Stacey Kent - Samba Saravah
[5:08] 4. Chico Hamilton - The Morning Side Of Love
[6:20] 5. Lee Morgan - Ceora
[9:15] 6. Herbie Hancock - Dolphin Dance
[4:25] 7. Chet Baker - I've Never Been In Love Before
[2:58] 8. Stan Getz - Autumn Leaves
[6:47] 9. Grant Green - Hurt So Bad
[4:37] 10. Bobbi Humphrey - Blacks And Blues

Blue Note Beach Classics (Disc 1)

Album: Blue Note Beach Classics (Disc 2)
Bitrate: MP3@320K/s
Time: 63:26
Size: 145.2 MB
Styles: Jazz
Year: 2012
Art: Front

[5:30] 1. Quasimode - Waltz Ga Kikoete Feat. Miyuki Hatakeyama
[4:16] 2. Cannonball Adderley - Hummin'
[5:15] 3. Ike Quebec - Blue Samba
[4:08] 4. Miles Davis - Dear Old Stockholm
[6:52] 5. Big John Patton - The Shadow Of Your Smile
[7:33] 6. Donald Byrd - (Fallin' Like) Dominoes
[2:51] 7. Chet Baker - Moonlight Becomes You
[3:03] 8. Nancy Wilson - How Insensitive (Insensatez)
[4:21] 9. Jackie Mclean - Don't Blame Me
[5:46] 10. Horace Parlan - On The Spur Of The Moment
[6:48] 11. Donald Byrd - Book's Bossa
[6:57] 12. Dexter Gordon - Le Coiffeur

Blue Note Beach Classics (Disc 2)

Monday, December 7, 2015

Michel Petrucciani - So What - Best Of

Styles: Piano Jazz
Year: 1998
File: MP3@320K/s
Time: 70:37
Size: 162,1 MB
Art: Front

(7:40)  1. Summertime
(3:03)  2. Little Peace In C For U
(9:19)  3. Home
(3:32)  4. J'aurais Tellement Voulu
(6:14)  5. Chloe Meets Gershwin
(3:08)  6. Brazilian Like
(7:03)  7. So What
(6:47)  8. Les Grelots
(3:51)  9. Looking Up
(4:03) 10. Besame Mucho
(5:50) 11. Why
(6:20) 12. Michel's Blues
(3:41) 13. Penny's From Heaven

Bill Evans wrote in the liner notes for his Grammy Award-winning album Alone that "to understand music most profoundly one only has to be listening well." If you listen to an Evans album and follow it with So What, you will understand well that Evans' music lived in the small but profound hands of Michel Petrucciani. So What is a recorded odyssey of Petrucciani's work on Dreyfus Jazz; a compilation that shows a well-seasoned jazz pianist playing beautifully in the style of his influences like Evans, Ellington, Debussy, and Ravel. Throughout the album, Petrucciani's playing is so spirited and disciplined, like his piano predecessors, that a first-time listener would never know that he was afflicted with osteogenesis imperfecta, also known as glass bone disease. The disease ultimately led to Petrucciani's death in 1999 when he was only 36, but it didn't stop him from becoming an accomplished musician who had a joie de vivre, as his French countrymen would say. 

So What opens up with a Gershwin standard, "Summertime," featuring a duet with a long-time companion of Petrucciani, French jazz organist extraordonaire Eddy Louiss. Petrucciani solos on "Summertime" with a light swing, but he cascades across the keyboard very strongly with Tin Pan Alley stride. Louiss plays the warm, mellow tone of the organ in a stop-and-start bebop style while Petrucciani comps aggressively. "Summertime" and "Les Grelots" (also featuring a duet with Louiss) were originally taken from a three-night show at the Paris club Petit Journal Montparnasse. "Home" and "So What," extracted from Petrucciani's Trio In Toyko, feature popular session drummer Steve Gadd and bassist Anthony Jackson. The trio's rendition of "So What" is energetic, even without front line horns. Petrucciani states the famous modal chorus and then breaks into a heavily classical influenced solo that sounds more like the Romantic pianist Debussy than Evans' original solo on Davis's "So What."

The rest of So What features live Petrucciani originals in Germany; a duet with Petrucciani's father, Tony, on guitar; and an all-star quartet featuring fellow French violinist Stephane Grappelli, bebop legend/drummer Roy Haynes, and bassist George Mraz. So What is an outstanding overview of the diverse, but well-grounded musical palette and channeled technique from which Petrucciani created vivid jazz piano improvisations. ~ Aaron Rogers  http://www.allaboutjazz.com/so-what-the-best-of-michel-petrucciani-michel-petrucciani-dreyfus-records-review-by-aaron-rogers.php

Personnel:  Michel Petrucciani,piano;  Eddy Louiss,organ;  Geoge Mraz,Anthony Jackson,bass;  Roy Haynes,Steve Gadd,drums;  Stephane Grappelli,violin;  Tony Petrucciani,guitar;  Bob Brookmeyer,trombone;  Flavio Boltro,trumpet;  Stefano Di Battista,saxophone;   Graffiti String Quartet

So What - Best Of

Wednesday, July 29, 2015

Michel Petrucciani Trio - Estate

Bitrate: MP3@320K/s
Time: 33:52
Size: 77.6 MB
Styles: Post bop, Piano jazz
Year: 2001/2014
Art: Front

[5:28] 1. Pasolini
[4:57] 2. Very Early
[5:48] 3. Estate
[3:47] 4. Maybe Yes
[6:21] 5. I Just Say Hello
[4:13] 6. Tone Poem
[3:16] 7. Samba Des Prophetes

Michel Petrucciani was not quite 20 years old at the time of this trio session with drummer Aldo Romano and bassist Furio Di Castri, but he was already displaying incredible potential as a pianist. Petrucciani's risk-taking interpretation of Bill Evans' turbulent "Very Early" is the highlight of this release, closely followed by his own bittersweet ballad, "I Just Say Hello." Romano's rapid fire "Samba Des Prophetes" is superior to his rather bland and predictable "Pasolini." Michel Petrucciani made a number of dates for Owl and The George Wein Collection around the same time period as these recordings which are superior to this CD, yet none of them have remained in print. Even though this can't be considered an essential release for Michel Petrucciani fans (especially with its brief playing time of under 35 minutes), it is an enjoyable session. ~Ken Dryden

Estate