Saturday, January 10, 2015

Jazz Nouveau - Reminiscing: A Collection Of Little River Band Songs

Bitrate: MP3@320K/s
Time: 43:52
Size: 100.4 MB
Styles: Vocal jazz
Year: 2012
Art: Front

[3:21] 1. Playing To Win
[5:05] 2. Reminiscing
[6:14] 3. Night Owls
[3:01] 4. Down On The Border
[4:14] 5. Cool Change
[3:33] 6. Curiosity Killed The Cat
[3:57] 7. Home On A Monday
[4:57] 8. Happy Anniversary
[4:19] 9. Help Is On It's Way
[5:05] 10. Nosotros (We Two)

Reminiscing presents the best of the Little River Band performed by five superb guest female vocalists with each song given a unique soulful, jazz twist. Emma Pask, Evelyn Duprai, Danielle Blakey, Anthea White and Anita Spring, each agreed to the project - giving their voices in song to support Variety’s great work with kids across Australia. Jazz Nouveau, led by charismatic guitarist Joseph Calderazzo, are well known for turning pop songs into jazzy gems. Joseph is joined by an amazing group of musicians including New Zealand piano prodigy Charmaine Ford, rhythm king Dave Goodman on drums and Gary Holgate on double bass, Gordon Rytmeister on drums and Tony Azzopardi on percussion, all lending their talent to the album.

Reminiscing: A Collection Of Little River Band Songs

The Dave Fleschner Trio - Creepin' Up

Bitrate: MP3@320K/s
Time: 60:28
Size: 138.4 MB
Styles: Soul-jazz
Year: 2010
Art: Front

[7:45] 1. Creepin' Up
[5:11] 2. Saf
[5:59] 3. If You Ever Say Goodbye
[9:54] 4. Bo Diddley Owes Me 80 Bucks
[6:18] 5. The Old Country
[8:36] 6. Feet Music
[9:48] 7. Byzantine
[6:55] 8. Brother

Soul-jazz, funk-grooves, clever writing and unique solos are the meat of this Hammond Organ based trio.

Dave Fleschner, resident keyboardist with the Curtis Salgado Band for six years, performs routinely around the world. Fleschner has performed with B.B. King, The Pointer Sisters, Steve Miller, The Mel Brown B-3 group and The Portland Symphony Orchestra, to name a few. He has toured internationally with Curtis Salgad0, John Nemeth, Karen Lovely and Earl Thomas and has released several albums as a band leader. Dave is in demand as a band-leader and as a side man, playing piano and Hammond B-3 with a deep understanding of American roots music.

Creepin' Up

Caroline Henderson - Keeper Of The Flame

Styles: Vocal Jazz
Year: 2009
File: MP3@320K/s
Time: 44:05
Size: 101,4 MB
Art: Front

(2:58)  1. Caravan
(3:38)  2. Keeper Of The Flame
(2:45)  3. It Hurts Me Too
(3:28)  4. Get Out Of Town
(2:59)  5. Nature Boy
(3:38)  6. Evolution
(3:02)  7. Ring Them Bells
(3:27)  8. Fever
(3:50)  9. The First Time Ever I Saw Your Face
(4:07) 10. Yesterday Is Here
(3:09) 11. This Is Love
(3:07) 12. Goodbye
(3:49) 13. For All We Know

A jazz and pop vocalist born in Stockholm, Sweden, on February 28, 1962, Caroline Henderson would move to Copenhagen in 1983 and become one of Denmark's top talents. Her first taste of fame and fortune in her new home came about in 1989, as part of the group RayDeeOh, with Maria Bramsen. That group soon came to an end, and Henderson was left to fend for herself. In 1995 she released the first of many albums, Cinemataztic, and began to work in television and film, as well as acting in plays. Her follow-up full-length, Metamorphing, hit stores in 1998, and was followed over the next ten years by five more albums, all of which (Dolores J in 2000, NAOS in 2002, Don't Explain in 2003, Made in Europe in 2004, and Love or Nothin' in 2007) built upon the success of their predecessors. In March of 2008 Henderson released album number eight, No. 8, which was a Top Five hit in Denmark. Apart from her commercial successes, Henderson also won Denmark's Grammy for Best Vocal Recording in 2007 for her work on the album Love or Nothin'. Bio ~ https://itunes.apple.com/dk/artist/caroline-henderson/id57323967#fullText

Caroline Hendersons 9th solo album “Keeper of the Flame” is released on the 26th of October 2009. The album picks up from her previous release “No. 8?, which received brilliant reviews and sold more than 30.000 copies. On “Keeper of the Flame” Caroline Henderson interprets a range of classic jazz standards by legends such as Cole Porter, Duke Ellington and Nina Simone, the latter originally behind the title track. The album also features interpretations of songs by contemporary artists like Bob Dylan, Tom Waits and PJ Harvey, alongside the track “Evolution” the only newly composed number, written by Caroline Henderson herself. The wide-ranging material Caroline Henderson chose for this album, has in the hands of her and some of the most talented musicians in Denmark churned out an altogether solid and sophisticated album. Once again Caroline Henderson and producer Anders Christensen has managed to create a unique sound without comparison. More..http://carolinehenderson.com/2009/10/01/keeper-of-the-flame/

Dave Grusin - Two For The Road: The Music Of Henry Mancini

Styles: Piano Jazz
Year: 1996
File: MP3@320K/s
Time: 47:41
Size: 112,3 MB
Art: Front

(4:41)  1. Peter Gunn
(4:37)  2. Dreamsville
(4:23)  3. Mr. Lucky
(4:11)  4. Moment To Moment
(3:57)  5. Baby Elephant Walk
(5:35)  6. Two For The Road
(5:28)  7. Days Of Wine And Roses
(4:56)  8. Hatari
(4:54)  9. Whistling Away The Dark
(4:56) 10. Soldier In The Rain

Jazz has always loved the music of Henry Mancini and, lately, quite a few albums have been released in tribute to the late film composer. But this one makes sense: a film composer with a vivid imagination and a deep respect for jazz gets interpreted by a jazz player who himself has scored many films over the last 30 years. Grusin, in his third of recent tribute discs (Duke Ellington and George Gershwin were the others), is very well suited to this music. He sticks to piano throughout, and much of the disc has such a relaxed, quiet feel album that it feels like a late-night piano-trio session. The highlights here are all ballads and serve to illustrate how melodically gifted and accessible Henry Mancini's music is. What's more noticeable, though, is how sensitive Grusin is to this music. He clearly loves it, and the beauty and lightness of his touch  which may have sounded a little too studied in the past is appropriate here. The trio, ideally configured with John Patittucci on bass and Harvey Mason on drums, waxes eloquent on the disc's best track, "Mr. Lucky" and a terrific version of "Days of Wine and Roses." Strings are added to good effect for "Moment by Moment" (a nice surprise), "Hatari" (with good tom work from Mason) and "Two for the Road." 

A small horn section weighs in to funk up the unnecessary up-tempo numbers, "Peter Gunn" and "Baby Elephant Walk." Interestingly, Grusin approaches these tunes on his own terms, as if he wrote them for one of his own films. Vocalist Diana Krall is added for "Dreamsville" and "Soldier in the Rain" and though she sounds fine (in a sweet, overproduced way), vocals seems very intrusive here especially on "Dreamsville," one of Mancini's most beautiful compositions and distract from the beauty of Grusin's performance. "Whistling in the Dark," from Darling Lili, is another after-hours mood piece ideally perfected by Grusin and featuring Tollack Ollestad on harmonica. Discs like this are often made because there's a built-in audience for the music. That's true here too. Fans of both Henry Mancini and Dave Grusin will enjoy Two for the Road. Piano jazz listeners, however, will also hear some choice playing from an unusually introspective Grusin here too. ~ Douglas Payne  http://www.allaboutjazz.com/two-for-the-road-dave-grusin-grp-records-review-by-douglas-payne.php

Personnel:  Gary Grant  (trumpet), Dan Higgins (saxophone), Diana Krall (vocals), Russell Malone (guitar), Eric Marienthal (saxophone), Andy Martin (trombone), Harvey Mason, Sr. (drums), Tollak Ollestad (harmonica), John Patitucci (bass), Tom Scott (saxophone)

Two For The Road

Dan Barrett - Blue Swing

Styles: Trombone Jazz, Swing
Year: 2006
File: MP3@320K/s
Time: 72:04
Size: 167,7 MB
Art: Front

(5:16)  1. Victory Stride
(5:24)  2. Saturday Night Function
(4:01)  3. Christopher Columbus
(4:28)  4. Can This Be Love?
(4:53)  5. Russian Rag
(3:59)  6. Love Potion #9
(3:56)  7. Wedding Bell Blues
(5:30)  8. Ray's Waltz
(8:58)  9. Song Of The Wanderer
(5:17) 10. Nuages
(3:42) 11. C'Est Si Bon
(5:04) 12. Saratoga Shout
(4:02) 13. I Can't Face The Music
(7:28) 14. I Never Know

With a hand picked group of musicians, trombonist and arranger Dan Barrett’s Blue Swing debuts an outstanding swing band with the ever charming Rebecca Kilgore on vocals. Barrett has become a bit of a blue chip presence in the swing music world. Not only is he an excellent trombonist, but he is also a consistently interesting arranger with a sense of style. Rebecca Kilgore is in top form on "Can This Be Love?" She is silky sweet. She also does a good job with the corny lyrics of "Christopher Columbus." Her weakness for the slight and cute seems to have descended to new levels with Leiber & Stoller’s "Love Potion #9" and Laura Nyro’s "Wedding Bell Blues." At times, it seems this tremendously talented jazz singer is intent on singing high wire acts above the most dubious material. With an unerring sense of phrasing and rhythm, it is always a perverse thrill of sorts to hear her pull the rabbit out of the hat she consistently does, high wire and all. The band accompanies Kilgore beautifully. 

"Russian Rag" is a showpiece for some of the band’s strongest soloists. After the opening Brian Ogilvie clarinet statement, the music slides into low-key, classy Barrett trombone solo then into a fiery trumpet solo by Jon-Erik Kellso. Ogilvie returns as the music shifts into an extended New Orleans exchange at the end. This is a band that plays with ease and assurance with a wide range of resources, from the opening swing track "Victory Stride" to the Bigard/Ellington "Saturday Night Function" to Django Reinhardt/Jacques Larue "Nuages." Their bluesy "Ray’s Waltz" is one of the highlights of a stylistically diverse recording. Without a doubt I’ll be looking forward to this band’s next recording: a talented bunch, this Blue Swing. ~ Mike Neely  http://www.allaboutjazz.com/dan-barrett-and-blue-swing-blue-swing-arbors-records-review-by-mike-neely.php 

Personnel: Dan Barrett, trombone; Jon-Erik Kellso, trumpet; Brian Oglivie, clarinet & tenor sax; John Smith, soprano and alto sax; Eddie Erickson, guitar, banjo; Joel Forbes, string bass; Ray Sherman, piano; Jeff Hamilton, drums; Rebecca Kilgore, vocals.

Blue Swing

Roland Kirk - Kirk In Copenhagen

Styles: Straight-ahead/Mainstream
Year: 1964
File: MP3@320K/s
Time: 38:30
Size: 88,2 MB
Art: Front

(5:23)  1. Narrow Bolero
(8:07)  2. Mingus-Griff Song
(5:43)  3. The Monkey Thing
(7:18)  4. Mood Indigo
(7:46)  5. Cabin In The Sky
(4:12)  6. On The Corner Of King And Scott Streets

To fully appreciate his artistry, Roland Kirk truly needed to be experienced live. Sure, playing three instruments at once is an incredible feat, but wouldn't it be great to have seen it? Unfortunately for most of us, we can only be satisfied with recordings such as this one from Club Montmarte, Denmark's famous jazz club. Live, Kirk barrels through tunes with an almost reckless abandon, making judicious use of the noisemaking possibilities of his various instruments and firing out long, squalling passages made possible by the circular breathing he mastered. Kirk was a performer who was very sympathetic to his audience, injecting humor through bawdy lyrics and the occasional nose flute licks and, this being an earlier recording, little of the politicizing that became his passion later on. Overall this is a prime example of Kirk's gifts as a musician. He was often criticized for being a carnival act, and certainly his ability to multitask brought out the showman in him in front of interested parties. 

But he was also a crafty improviser as well, and tunes like "Mingus-Griff Song" show his dedication to preserving the legacy of jazz by stitching all its manifestations into a patchwork quilt of influences. This 1963 date is a good representation of Kirk's work, but it has a couple of drawbacks. First, the sidemen seem under rehearsed, not having fully absorbed Kirk's method and hanging on by their fingernails whenever he solos, seeming to breathe a sigh of relief when he takes a break. Also, the levels aren't balanced: the drums are overmiked and the piano lacks the presence it requires. But one of the joys of jazz is bringing together musicians from different backgrounds different countries, even and watching the interplay that follows no matter what occurs. When it comes right down to it, all musicians speak the same language, and in the end this was the message that Kirk was preaching all along. ~ David Rickert  
http://www.allaboutjazz.com/kirk-in-copenhagen-roland-kirk-verve-music-group-review-by-david-rickert.php

Personnel: Roland Kirk - tenor saxophone, manzello, stritch, flute, nose flute, and/or siren whistle; Tete Montoliu - piano; Niels-Henning