Monday, January 11, 2016

Lisa Otey - Trio

Size: 169,7 MB
Time: 73:29
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz/Blues Vocals
Label: Owl's Nest Productions
Art: Front

01. Night And Day (7:16)
02. My Funny Valentine (Euro Version) (3:10)
03. Your True Desire (4:32)
04. Honeysuckle Rose (5:49)
05. Under Paris Skies/Et Maintenant (6:40)
06. Gossip (3:18)
07. Trust Me Baby ( 5:12)
08. Boogie In 3 (Take Me Out To The Ballgame) (4:27)
09. Crazy Harry (Live) (9:48)
10. At Last (Live) (13:01)
11. Night And Day (10:10)

Lisa Otey has been touring in Europe since 2000, when she first appeared at the Cognac Blues Passions festival in France. She has headlined at numerous jazz and blues festivals, concert halls and clubs in Western Europe: i.e., Blues sur Seine and Jazz en Artois festivals, Caveau de la Huchette, Le Bilboquet (F); Banana Peel (B); Gooise and Leiden Jazz Festivals, Boogie & Blues Night theatre tour, Langs de Lijn (NL); Downtown Blues Club, Angie’s (D); Roses Blues, Jazz and Gospel festival, Café Central, Bilborock, Club Altxerri (ES); Hotel Montana (CH).

In the US, Lisa has toured in the West Coast, Southwest and Midwest for the last 20 years. The highlight of her career came in 2004 when she was asked to play for piano legend Pinetop Perkins. An incident with a train would have prevented him from finishing his recording, “Ladies Man”, which went on to receive a Grammy Nomination. Since 1994, Lisa has produced and recorded on her own label, Owl’s Nest Productions, featuring 12 CDs to date.

Lisa also tours with her Owl’s Nest artists (her Trio (Harm van Sleen (NL) and Fabrice Bessouat (F)); Mr. Boogie Woogie (NL); Diane Van Deurzen (US), and Lisa Otey and the Desert Divas (US)). Lisa also produces an annual international Boogie Woogie piano festival in Tucson, Arizona.

Trio

The Lyman Woodard Trio - Live At The 1996 Ford Montreux Detroit Jazz Festival

Size: 129,8 MB
Time: 56:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues, Hammond Organ
Art: Front

01. Disco Tease (Live) (8:03)
02. If I Were A Bell (Live) (6:28)
03. Serenata (Live) (8:53)
04. When Did You Leave Heaven (Live) (5:31)
05. The Breeze And I (Live) (9:44)
06. Medley (Live) (10:34)
07. Ain't That Good News (Live) (6:46)

Lyman Woodard not only established a career as a premier jazz organist, but introduced dance and Latin rhythms to his instrument in a way others in his peer group did not. Born Lyman Elnathan Woodard III in Owosso, MI, on March 3, 1942, his father and grandfather were musicians who passed on the jazz tradition, as he took up the piano and attended local public schools before moving to St. Louis, where he was a student at Principin High School. Woodard returned to Michigan, studying at Flint Northern College, and then headed to Toronto to study at the Advanced School for Contemporary Music, where his mentors were Oscar Peterson and Ray Brown. He was able to play songs by Little Richard note for note, and was influenced by early R&B pioneers Fats Domino and Chuck Berry. In the early '60s, he heard Jimmy Smith on his car radio, and switched to the Hammond B-3 organ.

Woodard worked with various bands in Michigan, particularly in the bands of saxophonist Benny Poole, and moved to Detroit in 1964. His professional experience included stints as music director for Martha & the Vandellas and as a member of soul-fusion bands Undisputed Truth and 8th Day; he was also a leader in the Detroit Artists Workshop and collaborated with jazz trumpeters Marcus Belgrave and Ron Jackson and saxophonist Norma Jean Bell. In the 1970s Woodard formed his own trio, initially with Don Davis and formally with Motown session guitarist Dennis Coffey and drummer Melvin Davis; he then fronted his larger band, the Lyman Woodard Organization, producing the 1975 cult classic Strata label LP Saturday Night Special with Bell, guitarist Ron English, drummer Leonard King, and percussionist Lorenzo Brown, among others, and the Corridor label follow-ups Don't Stop the Groove -- recorded live at the Detroit nightclub Cobb's Corner in 1979, with English and national award-winning guitarist Robert Lowe, Jr., King, Belgrave, and saxophonists Kerry Campbell and Allan Barnes -- and the 1985 EP Dedicacion. These recordings marked Woodard's progression out of mainstream or soul-jazz into a beat-oriented, danceable music that Detroiters related to amidst the disco craze. The Afro-Cuban-oriented Dedicacion also introduced the world to a young violinist, Regina Carter, Lowe, and in subsequent live performances, then fledgling alto saxophonist Kenny Garrett.

Woodard's trio played extensively at Cobb's Corner in the Cass Corridor district of Detroit during the 1970s, but when club owner Henry Normile and jazz singing legend Eddie Jefferson were both murdered in cold blood in 1979, the scene in Detroit took a serious nosedive, though Woodard continued to play there on the weekends. Several years later Woodard rallied with a new trio featuring guitarist Rob Tye and King to keep playing his new music as well as standards, and he was often featured at the Montreux-Detroit Jazz Festival, his 1996 performance issued on CD. Live at J.J.'s Lounge and 74/93 Live: At Last!! were released on independent labels. By 2000 Woodard's presence in the city had diminished, as he played only sporadically. Suffering from emphysema and complications from a broken hip, Woodard passed away where he was born, at Owosso Memorial Hospital, on February 24, 2009, at age 66. Saturday Night Special has been reissued on audiophile vinyl, and as an available download from the Wax Poetic label. ~ by Michael G. Nastos

Live At The 1996 Ford Montreux Detroit Jazz Festival

Ron Williams & Jorg Seidel Trio - Hautnah

Size: 136,3 MB
Time: 58:25
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop/Soul/Blues Vocals
Art: Front

01. People Get Ready (4:58)
02. Lean On Me (3:24)
03. Georgia In My Mind (5:27)
04. Superman (3:50)
05. Preacherman (3:49)
06. Island In The Sun (4:11)
07. Heidis Choice (4:58)
08. Lady Liberty (3:52)
09. I Left My Heart (6:00)
10. I Can See Clearly Now (5:21)
11. What A Wonderful World (4:16)
12. I Can Move You, Too/The Power Of Love (4:39)
13. Lifting Me Higher (3:35)

Ron Williams, born in Oakland, California, USA. He graduated from Oakland Technical Highschool, turning down a scholarship to study law at Dartmouth University, he joined the Army. After training as a Military Policeman he served in Virginia. Transferred to Germany

he was stationed in Stuttgart where he retrained as an Information Specialist (print-journalist) and as a radio announcer for the Armed Forces Network, AFN. After serving three years he was discharged. He remained in Germany, planning to travel and see more of Europe, before returning home.

Learning the language quickly, even a German dialect or two(!), he took on various jobs:

A sales-driver for Coca-Cola, a private chauffeur, and as a butler, learning more about Germany and its culture.

His first introduction to German show-business was as a soloist with the SDR-Radio Bigband and the Horst Jankowsky Jazz-Chorus in Stuttgart which made him change his mind about returning home. Then followed a FIRST in Germany. He joined the ranks of German satirical performers, being the only American to ever do so, performing two seasons as a member of the ensemble of Stuttgart`s “Kleines Renitenztheater”. His impersonations of legendary German politician and Chancellor Willy Brandt, or Stuttgart`s famous long-time serving Lord-Mayor Arnulf Klett (in the Schwabian dialect!) are unforgettable, making his mark as an impersonator for the first time before German audiences.

Moving from political Satire to numerous stage, tv- and film roles, he`s since become a recognizable face and voice throughout German speaking Europe: For 7 years as the TV-Host for the music-magazine “Musik-Szene” (ARD/WDR/ORF) and as Host and Anchor for the monthly English language TV-magazine “Focus on Europe” which was broadcast worldwide by Deutsche Welle / PBS USA for 7 years. Unforgettable, his parody as the satirical “voice” of President Ronald Reagan in numerous TV- Radio-shows and stage-performances; and on his own Saturday Night TV-Show “Ronabend” (ARD/WDR). He`s had over 800 television appearances including over 300 of his own shows..

He`s also the dubbing-voice for cartoon characters like “Sebastian the Crab” in Disney`s “Arielle the Mermaid”, as “Francisco Flaminco” in the National Geographic`s “GEO KIDS”, as “Howie the Bear” on the CD-Rom “Tuneland”. “Oogie Boogie” in Tim Burtons “Nightmare before Christmas” is just one of his many dubbing roles.

As a singer-entertainer with over 40 years of performances he`s gained a large audience of admirers young and old, singing the Blues, Soul and R & B with different bands, or Swing,

Jazz with numerous Big-Bands. He continues to win new fans doing galas, concerts, club- and festival gigs.

Hautnah

Flo's Jazz Casino - Smokin'

Size: 143,0 MB
Time: 60:31
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz, Swing, Vocals
Art: Front

01. Introduction (0:21)
02. Lonely Boy (Feat. Clemens Ebenbichler) (2:53)
03. Pennies From Heaven (3:42)
04. Put The Blame On Mame (Feat. Heidi Erler Voc) (2:21)
05. Flying Home (2:55)
06. Summerwind (3:39)
07. Look For The Silver Lining (Feat. Anna Widauer Voc) (2:50)
08. Young Romans (4:57)
09. Smile (Feat. Sara Koell Voc) (3:41)
10. C-Jam Blues (2:24)
11. High Society (2:46)
12. Funk In Deep Freeze (Feat. Matthias Legner Vibes) (4:57)
13. Sing Sing Sing (Feat. Florian Bramboeck) (4:10)
14. What Now My Love (Feat. Stefanie Fettner Voc) (3:11)
15. Tu Vuo Fa L Americano (Feat. Florian Bramboeck) (2:56)
16. Californication (Feat. Florian Bramboeck) (3:51)
17. One For My Baby (And One More For The Road) (4:16)
18. Words Of Gratitude (0:27)
19. Muskrat Ramble Mike Tales & The Waz (Remix) (4:05)

Flo's Jazz Casino is a tribute to the American Jazz music from the beginning of the 20th century up to the Swing era. Times when great performers such as Frank Sinatra, Billie Holiday, Ella Fitzgerald, Nat King Cole, Sammy Davis Jr., Bing Crosby, Louis Armstrong, Louis Prima or Dean Martin made music beyond comparison.

Flo Baumgartner's band takes you on a journey to the clubs and casinos of the 20's, 30's, 40's and 50's. Back to an era in which an euphoric young generation braved the prohibition in the speakeasies and jazz clubs, where the energetic swing beat electrified the erotic and smoke penetrated atmosphere.

Smokin'

Jamie Rhind - Barcelona

Size: 107,6 MB
Time: 46:09
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Contemporary Jazz, Fusion
Art: Front

01. Smooth To The Touch (2:34)
02. Barcelona (6:50)
03. Misty (5:25)
04. Gospel Blues (3:50)
05. Pythagoras (2:39)
06. My Romance (3:24)
07. That Empty Feeling (7:50)
08. Black Orpheus (5:40)
09. Hammond Eggs (5:43)
10. Taj (2:08)

A grooving, soulful keyboard instrumental album blending jazz, blues, latin, gospel, flamenco and fusion.

“Although Jamie Rhind and I have not met in real life, not yet I should say, I feel I know him for years and years. We are strongly connected when it comes to music and appreciation for the styles we are both playing in. We have done over an album of music together ever since Jamie invited me to play on his track Together, which features 23 musicians from 12 countries. That was 1.5 year ago. Modern digital technology and the world wide web have brought all of us together.

Now with an incredible catalogue of original music Jamie has created this wonderful album, hand picked by Jamie himself. It shows a versatility beyond boundaries. Jamie’s roots are in Blues and Jazz, and Classical music. Starting out as a classically trained pianist and clarinet player Jamie took up the style of improvised music infused with the sounds of Fusion, Latin, Rock, Jazz Rock, Funk, R’n’B, Gospel, and so much of that sweet seventies and eighties music. Playing in bands and at jams trained him in improvising and it shows in the music.

Using his keyboards and the fantastic possibilities of modern digital technology (MIDI) Jamie manages to create the sounds of entire bands on his own. You will be stunned to hear him play with ease and convincingly all the instruments including the right touch and feel for tone and note choice. This album is a great collection of all those qualities in pleasing, heartwarming and engaging music.” ~Dan van den Berg, Rotterdam December 5, 2015

Barcelona

Scott Hamilton & Karin Krog - The Best Things In Life

Size: 119,3 MB
Time: 51:20
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Best Things In Life Are Free (3:17)
02. I Must Have That Man (5:18)
03. Will You Still Be Mine (8:06)
04. How Am I To Know (3:04)
05. Don't Get Scared (4:50)
06. Ain't Nobody's Business (4:44)
07. We Will Be Together Again (5:28)
08. Sometimes I'm Happy (5:02)
09. What A Little Moonlight Can Do (4:29)
10. Shake It But Don't Break It (6:58)

Personnel: Karin Krog (voc), Scott Hamilton (ts), Jan Lundgren (p), Hans Backenroth (b), Kristian Leth (d).

It is a common phenomenon to fall in love with a voice. Some even say that for a voice to have integrity in jazz, one must fall in love with it. In the ‘60s and ‘70s many people fell in love with Norwegian vocalist Karin Krog. She introduced young audiences to jazz. They suddenly realized that while Sweden had Monica Zetterlund, Norway had Karin Krog – and Denmark did its best to bring these stars to Copenhagen. Ever since, she has mesmerized crowds with her classic jazz vocals as well as her versatility. For Karin Krog is immune to genre boxes. She collaborates with the finest Scandinavian artists and with international stars in a wide range of styles (including Steve Kuhn, Archie Shepp, John Surman, Dexter Gordon, Kenny Drew and Niels-Henning Ørsted Pedersen). Her phrasing and intonation are easily recognizable, and she seems to have taken Billie Holiday’s statement of “hating straight singing” to heart. Karin is naturally compelled to change a song and make it her own. Her interpretations are always deeply personal while also so obviously right.

When asked by American tenor saxophonist Scott Hamilton to take part in a tribute recording for Billie Holiday’s would-be 100th birthday, Karin was very pleased. But soon Karin and Scott broke the boundaries of the original project. Scott agrees that as long as one has a story to tell, the choice of tune is less important.

Jazz isn’t always about innovation. It is equally important to keep the flame kindled, and no one does this better than Scott Hamilton. Active since the ‘70s, he has kept closer to his initial starting point – swing – than Karin Krog. His love for and knowledge of the music from the ‘30s and ‘40s and the tenor giants of the period are genuine. Emerging at a time when jazz-rock owned the scene, he didn’t follow in the wake of the modernistic masters of the day, preferring a much less trendy path. He has since matured to become the Scott Hamilton we listen to now – a musician all his own: unpretentious, with great musicality and integrity, devoid of enlarged ego, sensitive, and with a genuine joy in playing.

Karin’s voice is as full of vitality as ever, and her approach to the tunes presented here is refreshing and new. And just like Scott’s playing – straight from the heart. They are a fine match and obviously agree that the music is at the center. It is a pleasure to hear these mature artists in great form in close interplay with two Swedes, pianist Jan Lundgren and bassist Hans Backenroth, and Danish drummer Kristian Leth.

On top of a repertoire of standards, this album also features a rare jazz specialty, “vocalese” – the use of recorded jazz solos as basis for a new set of lyrics. Karin tells about Don’t Get Scared, that back in the ‘50s, she started learning a vocalese version based on solos by Stan Getz and Lars Gullin with lyrics by Jon Hendricks. After a gig in Oslo, tenor saxophonist Lucky Thompson hung out at Karin’s home with a few friends. She played King Pleasure’s version and explained that she had a problem understanding some of the words. Lucky sat patiently at the piano writing down the whole story. At the time, she didn’t know that he himself performed on the recording! She also told Scott that she knew a version with lyrics to a Lester Young solo from a recording of Sometimes I’m Happy. He knew the version and suggested a vocalese based on Slam Stewart’s bass solo. Karin has the old 78, and with help from British sax player John Surman, they took it apart and put words to it. A dedicated Slam Stewart fan, bassist Hans Backenroth transcribed the solo and played it to the new lyrics. In her cover notes Karin comments on each tune and also observes that Scott already seems to have recorded everything from the Great American Songbook. However one tune stood out: The Best Things In Life Are Free. “I had always yearned to record it – what better opportunity than now?”

THE BEST THINGS IN LIFE... A song and an album reminding us what is most important in life and what great jazz can do.

The Best Things In Life

Milt Buckner - Rockin' With Milt (2-Disc Set)

Milt Buckner's Hammond organ sound is quite different than others who followed in his footsteps. His choppy two-hand chord approach, thorny and biting sound, and his regular usage of a bass player identified him as a raw industrialist, coming from the Midwest hearths of St. Louis and Detroit. Buckner has largely been ignored as a pioneer of the organ in the '50s, so this reissue of his recordings for the Capitol label -- Rockin' with Milt, Rockin' Hammond, and Send Me Softly, plus five tracks from 7" EPs -- should reinforce why he was an important purveyor of the primordial soul-jazz movement. Buckner came out of the swing era as a pianist and sometimes cocktail lounge performer who was able to straddle the line between popular sounds of the day and more riveting and substantive jazz. The title Rockin' with Milt is apropos, as these tunes establish the rhythm & blues based beat that Elvis Presley, Bill Haley, and Chuck Berry turned into the seminal rock & roll that took over popular and dancehall music. The saxophonists who work with Buckner on these individual sessions are interesting picks, considering where their careers eventually landed. Danny Turner was a New York based alto and tenor saxophonist and a favorite of Sarah Vaughan and Count Basie, ex-Basie sax section stalwart Earle Warren's vibrato flavored alto was favorably compared to Earl Bostic, while tenor saxophone honker "Sam "The Man" Taylor" was well known in blues circles, also accompanying Cab Calloway, Louis Jordan, and Ray Charles, but could swing with the best. Tracks from the Rockin' with Milt sessions feature bassist Wendell Marshall and Duke Ellington drummer Sam Woodyard, including four Buckner originals like the R&B based "Movin' with Mitch," the fleet "Slaughter on 125th Street," and the cute unison organ/sax tune "Little Miss Maudlin." Boppers like the speedy "Bernie's Tune" and the easygoing "Robbins Nest" are hardcore classics. Overdubbing piano and organ, Buckner uses only guitarists and bass/drums rhythm mates for the stomping "Hey Now, Zorina!," and originals like the keyboards calling back and forth to each other on "Count's Basement," the shuffling "Wild Scene" and well after midnight "Mighty Low." Warren enters with pronounced, bent, flatted notes on Ahmad Jamal's "Night Mist" and the lovely, romantic "Dinner Date." Sam "The Man" Taylor and plucky guitarist Skeeter Best drench champagne and chocolate respectively over the bluesy melodies of "Good Time Express" and the jive "Second Section." The sessions from the Send Me Softly LP are distinctly more cocktail or martini induced than ale or stout, with some light calypso, cha cha, nonchalant background music, and themes of regret or loneliness. "All or Nothing at All" is a mysterious and unique Latin treatment of this standard, while Warren's somber reading of "Lullaby of the Leaves" will leave you breathless. "Our Engagement Day" is a sentimental theme that nuptials should discover.

Master bassist Milt Hinton is all over the second CD, and provides a good study in supportive rhythm and swing for those learning the idiom. Aside from the contrasts of tinkling piano as opposed to stabbing organ chords on "One O'Clock Jump," or the slow and slinky "Blue & Sentimental," Buckner is regular and predictable for those who know his work. If you are unfamiliar with Buckner's style, surprises abound, especially considering how his Hammond sound would preclude the more legato Wurlitzer or Farfisa sonic palate that was too slow for jazz improvisation in the '60s. As there are too few Milt Buckner recordings in contemporary catalogs, this is as close to his essential period as is available. ~Michael G. Nastos

Album: Rockin' With Milt (Disc 1)
Bitrate: MP3@320K/s
Time: 50:14
Size: 115.0 MB
Styles: Hammond B3 jazz
Year: 1955/2011

[2:46] 1. Movin' With Mitch
[5:10] 2. Lean Baby
[2:52] 3. Bernie's Tune
[2:16] 4. Easy To Love
[2:56] 5. Rockin' With Milt
[2:47] 6. Blues For Me
[5:34] 7. Robbin's Nest
[2:02] 8. Slaughter On 125th Street
[2:23] 9. Little Miss Maudlin
[2:42] 10. Take The 'A' Train
[2:15] 11. Hey Now, Zorina!
[2:02] 12. Deep Purple
[3:06] 13. Count's Basement
[2:50] 14. Wild Scene
[2:24] 15. We'll Be Together Again
[3:33] 16. The Late, Late Show
[2:28] 17. The Beast

Rockin' With Milt (Disc 1)

Album: Rockin' With Milt (Disc 2)
Bitrate: MP3@320K/s
Time: 55:32
Size: 127.1 MB
Styles: Hammond B3 jazz
Year: 1955/2011
Art: Front

[2:26] 1. Jumpin' At The Woodside
[2:21] 2. Blue And Sentimental
[2:49] 3. Mighty Low
[2:38] 4. One O'clock Jump
[2:23] 5. Jumpin' At The Zanzibar
[2:32] 6. When You Wish Upon A Star
[2:14] 7. Night Mist
[2:38] 8. Good Time Express
[2:21] 9. Dinner Date
[2:11] 10. Second Section
[3:04] 11. Lullaby Of The Leaves
[2:37] 12. Easy Come, Easy Go Lover
[2:06] 13. Turquoise
[2:23] 14. Our Engagement Day
[2:19] 15. Let Me Love You
[2:55] 16. When Sunny Gets Blue
[2:33] 17. All Or Nothing At All
[3:09] 18. You're My Girl
[2:52] 19. Someone Else's Love
[2:07] 20. Irresistible You
[2:37] 21. Idle Gossip
[2:05] 22. You Are My Love

Rockin' With Milt (Disc 2)

Betty Bennett - The Song Is You

Bitrate: MP3@320K/s
Time: 52:38
Size: 120.5 MB
Styles: Jazz vocals
Year: 1990
Art: Front

[3:02] 1. I Thought About You
[3:20] 2. Everytime
[2:25] 3. The Eagle And Me
[4:54] 4. Some Other Spring
[2:37] 5. Wished On The Moon
[2:39] 6. Dusty Springfield
[2:21] 7. Oh You Crazy Moon
[4:29] 8. The Song Is You
[4:14] 9. You Must Believe In Spring
[3:11] 10. No More Blues
[5:38] 11. Humpty Dumpty Heart/Do You Know Why
[2:38] 12. They Say It's Spring
[4:23] 13. Young Folks/Two For The Road
[3:41] 14. Wonder Why
[2:58] 15. Just Because We're Kids

Betty Bennett (vcl), Mundell Lowe (g), Bob Cooper (ts), George Cables (p), Monty Budwig (b), Roy McCurdy (d).

"It's easy to be a fan of Betty Bennett, she sings impeccably in tune, she keeps wonderful time, she invariably chooses good tunes and she is backed by first-rate musicians. On this album, Bob Cooper really gets some steam going in his solos, and Mundell Lowe is not only a fine soloist but as expert and sensitive accompanist as you will find anywhere." ~Andre Previn (From the inside liner-notes).

"On her first album in almost 40 years, Betty Bennett is joined by a sterling, veteran group of musicians (including her husband, guitarist Mundell Lowe). Her voice is a bit huskier than it was when she was singing with Alvino Rey, Charlie Barnet, and Claude Thornhill, and there's a bit of a quiver from time to time, but those minor flaws won't prevent the listener from enjoying this session.

The album starts off with "I Thought About You," which is done in a fast tempo, with the venerable Bob Cooper's tenor featured along with Lowe's guitar. A winsome "Everytime" follows, again with Lowe and Cooper sharing the spotlight. In addition to better-known standards, Bennett includes some rare material, such as the Harold Arlen/Yip Harburg song "The Eagle and Me" (which Dooley Wilson sang in the 1944 movie Bloomer Girl) and "Just Because We're Kids." The title tune, "The Song Is You," is the album's barnburner, featuring an excellent Cooper solo. "Some Other Spring" is done with a quirky but interesting beat. On the other lyrical paeans to spring, "You Must Believe in Spring" and Bob Haymes' "They Say It's Spring," Bennett shows that even after almost 40 years, she has not lost her ability to thoroughly explore and express the emotional value of the songs she sings. If anything, the emotional value has become richer and more mature with time. Nor has she lost her ability to swing, which she does admirably on such uptempo songs as "No More Blues." Big-band days are recalled with a medley of "Humpty Dumpty Heart" and "Do You Know Why," which were Glenn Miller and Tommy Dorsey favorites, respectively.

All in all, a very satisfying outing by a singer who has been away from the recording studio for far too long."

The Song Is You

Angelo Debarre Quartet - Live At Le Quecumber

Bitrate: MP3@320K/s
Time: 58:59
Size: 135.0 MB
Styles: Gypsy jazz, Swing
Year: 2007
Art: Front

[4:44] 1. Fantasie (Sur Une Danse Norvégienne)
[2:56] 2. Django's Tiger
[4:41] 3. Limehouse Blues
[5:16] 4. Artillerie Lourde
[5:27] 5. Vamp
[4:49] 6. Place De Brouckère
[4:11] 7. Speevy
[6:13] 8. Lentement Mademoiselle
[3:33] 9. Impromptu
[4:09] 10. Boléro
[4:48] 11. Porto Cabello
[3:49] 12. Féérie
[4:16] 13. My Sérénade

The foremost Gypsy guitarist in the world and a legend amongst European Gypsies, Angelo DeBarre has astonished audiences world-wide with his virtuosity for the past two decades. He is one of the most versatile guitarists of our time and is now the recognised master of the style originated by Django Reinhardt and Stephane Grappelli at the Hot Club of Paris. Formed in 2000, this UK based quartet has been touring the world and is known for their cutting edge approach to the later period of the Reinhardt repertoire.

This long awaited 2nd CD from the Angelo DeBarre Quartet catches the band live at the tail end of a 2 month tour in 2007. Recorded live at Le QuecumBar, London's world premier Gypsy Swing venue, the quartet rocks through 13 tracks of mostly little played material and shows the band to be at the top of the pile of current European Swing groups. Featuring Angelo Debarre (gtr), Dave Kelbie (gtr), Christian Garrick (vl), Andy Crowdy (bass).

Live At Le Quecumber

Clark Terry - One On One

Bitrate: MP3@320K/s
Time: 66:05
Size: 151.3 MB
Styles: Piano jazz
Year: 2000
Art: Front

[5:08] 1. L-O-V-E (Love) (Feat. Monty Alexander)
[4:30] 2. Just For A Thrill (Feat. Geri Allen)
[3:40] 3. Liza (All The Clouds'll Roll Away) (Feat. Eric Lewis)
[4:06] 4. The Intimacy Of The Blues (Feat. Kenny Barron)
[3:21] 5. You Can Depend On Me (Feat. John Lewis)
[4:52] 6. Memories Of You (Feat. Roland Hanna)
[8:09] 7. Honeysuckle Rose (Feat. Benny Green)
[3:58] 8. Willow Grove (Feat. Barry Harris)
[5:33] 9. Solitude (Feat. Tommy Flanagan)
[4:06] 10. Blue Monk (Feat. Don Friedman)
[6:54] 11. Misty (With Billy Taylor)
[3:48] 12. Swingin' The Blues (Feat. Junior Mance)
[3:36] 13. Jungle Blues (Feat. Eric Reed)
[4:22] 14. Skylark (Feat. Marian Mcpartland)

Right in the middle of celebrating his 79th birthday, Clark Terry went into the studio for several days to record 14 duets with a different pianist on each track, with many of them being veterans of many record dates and/or concerts with him. Terry remains one of the most easily identifiable trumpeters and flügelhorn players in jazz, so much so that more than one critic has claimed the ability to identify him after just one note. Each track is dedicated to a great performer of the past, though no attempt is made to copy famous recordings, of course. Terry's brilliant flügelhorn swings mightily along with Monty Alexander on the surprising dedication to Nat King Cole of "L.O.V.E.," which was a hit for him after Cole had all but quit playing piano and enjoyed even greater success as a popular singer. The choice of Lil Hardin Armstrong's "Just for a Thrill" is also an interesting one, versus her better known "Struttin' With Some Barbecue"; Terry's fat tone on his big horn is well complemented by Geri Allen. Terry scats an imitation of brushes on cymbals to introduce "Swingin' the Blues" with Junior Mance before switching to muted trumpet. Old friend Marian McPartland works with Terry to produce a mesmerizing rendition of "Skylark." Also present are Sir Roland Hanna, Kenny Barron, John Lewis, Barry Harris, Tommy Flanagan, Don Friedman, Billy Taylor, Benny Green, Eric Reed, and Eric Lewis. There is not one performance that rates less than excellent within this very highly recommended CD. ~Ken Dryden

One On One

George Shearing & Stephane Grappelli - The reunion

Styles: Piano And Violin Jazz
Year: 1976
File: MP3@320K/s
Time: 42:46
Size: 98,6 MB
Art: Front

(3:02)  1. I'm Coming Virginia
(4:48)  2. Time After Time
(3:57)  3. La Chanson de Rue
(4:06)  4. Too Marvelous for Words
(4:10)  5. It Don't Mean a Thing
(5:06)  6. Makin Whoopee
(4:20)  7. After You've Gone
(4:25)  8. Flamingo
(3:12)  9. Star Eyes
(5:37) 10. Folks Who Lives On the Hill

A wonderful duo release from '76 with pianist George Shearing collaborating with violinist Stephane Grappelli. Shearing's sessions are usually more introspective and light than upbeat and hot, but Grappelli's soaring, exuberant violin solos seem to put a charge into Shearing, who responds with some of his hottest playing in many years. 
~ Ron Wynn  http://www.allmusic.com/album/the-reunion-mw0000649727

Personnel:  George Shearing  (piano);  Stephane Grappelli (violin);  Andrew Simpkins (bass);  Rusty Jones (drums).

The reunion

Denise King - Now Ain't That Love

Styles: Jazz, Vocal
Year: 1996
File: MP3@320K/s
Time: 64:27
Size: 148,2 MB
Art: Front

(3:13)  1. Body and Soul
(3:57)  2. Like Someone in Love
(6:52)  3. The Lamp is Low
(7:04)  4. Don't Explain
(6:06)  5. 'Round Midnight
(6:01)  6. I'll Remember April
(8:31)  7. Medley: You Send Me, Since I Fell For You, Let Me Love You Tonight
(6:15)  8. Stolen Moments
(5:45)  9. Embraceable You
(5:00) 10. Cherokee
(3:14) 11. Lover Man
(2:25) 12. Rhythm-A-Ning

Influenced by Nancy Wilson, Marlena Shaw and Sarah Vaughan, Denise King is an expressive, big-voiced singer who combines jazz with elements of R&B, blues and gospel. King was born and raised in Philadelphia, where she was exposed to R&B as a child and discovered jazz at 12 thanks to an uncle who was an avid record collector. After graduating from high school, the Philadelphian entered the medical field and earned her living as a technician and a family-planning counselor. King was in her early 30s when she started doing club gigs around Philly, and eventually, she became a full-time singer. Though she's no stranger to standards, one of King's strong points has been her ability to provide jazz interpretations of rock and soul hits -- in fact, she has turned everything from Santana's "Evil Ways" to Ruby & the Romantics' "Our Day Will Come" into swinging acoustic jazz. King started recording in the 1990s, offering Live In Japan: I Remember You in 1993, Now Ain't That Love in 1996 and Simply Mellow in 1997. ~ Alex Henderson  https://itunes.apple.com/us/artist/denise-king/id136807150#fullText

Personnel:  Denise King – Vocals;  Orrin Evans – Piano;  Matt Parrish - Bass (1, 7-10 & 12);  Lee Smith - Bass (2-6, 11 & 12);  Greg McDonald – Drums;  Sam Reed - Tenor Sax

Now Ain't That Love

Kermit Ruffins - World On A String

Styles: Vocal And Trumpet Jazz
Year: 1992
File: MP3@320K/s
Time: 41:23
Size: 95,9 MB
Art: Front

(3:30)  1. Monday Night In New Orleans
(3:22)  2. Honey Chile
(2:44)  3. I've Got The Wold On A String
(3:11)  4. Kermit's Second Line
(5:12)  5. Georgia On My Mind
(5:59)  6. Girl Of My Dreams
(3:43)  7. Rosetta
(2:24)  8. Happy Birthday
(2:46)  9. When It's Sleepy Time Down South
(4:44) 10. When My Dreamboat Comes Home
(3:42) 11. The Glory Of Love

The music on this first solo effort from trumpeter Kermit Ruffins is so good-natured and joyous that one can mostly overlook its derivative nature. Ruffins clearly had a good time playing trumpet (and occasionally singing) on such numbers as "Monday Night In New Orleans," "Girl of My Dreams" and "When My Dreamboat Comes Home." Not everything works on the date: "Rosetta" is taken much too fast for the musicians; there are a few too many average vocals; Ruffins did not have that original a sound yet; and some of the performances are quite predictable. So, although pianist Ellis Marsalis, bassist Walter Payton and banjoist Danny Barker are in the band (along with some younger lesser-known players), this is only a slightly above average set of New Orleans jazz. ~ Scott Yanow  http://www.allmusic.com/album/world-on-a-string-mw0000113730

Personnel: Kermit Ruffins (vocals, trumpet); Doreen Ketchens (clarinet); Lucien Barbarin (trombone); Anthony Lacen (tuba); Ellis Marsalis (piano); Danny Barker (banjo); Walter Payton (bass); Shannon Powell (drums); James Andrews (background vocals).

World On A String

Steve Davis - Update

Styles: Trombone Jazz
Year: 2006
File: MP3@256K/s
Time: 58:56
Size: 108,5 MB
Art: Front

(7:58)  1. Marie Antoinette
(6:51)  2. Fenja
(5:03)  3. Bird Lives
(6:25)  4. Grove's Groove
(8:57)  5. The Maze
(5:09)  6. Daydream
(5:04)  7. Wildflower
(7:46)  8. Moment To Moment
(5:39)  9. Leanin' & Preenin'

By necessity, jazz trombonists tend to be inspired by music of the early jazz and swing eras, because the instrument lost favor around the time bop became ascendant and all young jazz fans wanted to become either Charlie Parker or Miles Davis. Massachusetts-born, New York-based trombonist Steve Davis bucks that trend, however: he's a post-bop player all the way, down to covering Jackie McLean's Parker tribute, "Bird Lives." (Guest trumpeter Roy Hargrove contributes an outstanding, fluid solo on this track as well.) Update is a small-combo date featuring Davis and Hargrove in front of a four-piece rhythm section, with a song selection featuring two by Wayne Shorter, a lovely rendition of Billy Strayhorn's underappreciated gem "Daydream," and a cool, Miles-like take on Ray Drummond's little-known composition "Leanin' and Preenin'" that shows off a killer walking bassline by Nat Reeves. Unexpected song choices, smart arrangements, and Davis' excellent, understated playing make Update one of Davis' strongest albums as a leader. ~ Stewart Mason  http://www.allmusic.com/album/update-mw0000428293

Personnel: Steve Davis (trombone); Nat Reeves (bass instrument); Peter Bernstein (guitar); Roy Hargrove (trumpet, flugelhorn); Anthony Wonsey (piano); Joe Farnsworth (drums).

Update