Saturday, May 2, 2015

Hal Singer - Rent Party

Bitrate: MP3@320K/s
Time: 41:52
Size: 95.9 MB
Styles: Jump blues, Jazz-blues
Year: 1984/2009
Art: Front

[2:55] 1. Cornbread
[2:23] 2. Teddy's Dream
[2:41] 3. One For Willie
[2:31] 4. Neck Bones
[2:33] 5. Rent Party
[2:23] 6. Singer Song
[2:21] 7. Rice And Red Beans
[2:22] 8. Swing Shift
[2:45] 9. Hot Rod
[2:19] 10. Rock 'n Roll
[3:08] 11. Indian Love Call
[2:19] 12. The Frog Hop
[2:55] 13. Hometown-Down For Dean
[2:46] 14. Easy Living
[2:22] 15. Hound's Tooth
[3:03] 16. Crossroads

Singer started performing in the 1930s and on into the 1940s in the bands of Ernie Fields, Jay McShann and Oran "Hot Lips" Page, among others, then in the late 1940s cut records backing Brownie McGhee and also with the groups The X-Rays and The Lem Davis Sextet before forming his own Sextet (and briefly an Octet). A recording contract with Savoy resulted in 7 singles, a number of which are presented here (which first came out in 1984 as vinyl LP Savoy Jazz SJL 1147).

During the height of the British Invasion, following a tour of Europe with Earl "Fatha" Hines, Singer chose to make his new home near Paris where, among others, he played with the likes of Charlie Watts - the famed drummer of The Rolling Stones - and his jazz band, as well as the legendary Duke Ellington. In fact, he can be heard in the Duke's acclaimed album Paris Soul Food, recorded in 1969. In 1981, at age 62, he was also part of the 1981 Rocket 88 live album by the British group of the same name, and later recorded two of his own albums for JSP records, owned by John Stedman, "Swing On It" and "Big Blues" - the latter also involving Jimmy Witherspoon. Another album, "Royal Blue," was done at age 70 in 1990 in collaboration with Al Copley for Black Top Records. That same year he had a role in the film Taxi Blues, and in 1999, after he turned 80, he was the subject of the documentary film Keep The Music Going.

This album, in terms of his more prominent singles, is probably the best of what's out there covering this unsung saxophonist, with digitally-remastered sound and original vinyl sleeve notes written by Phil Schaap. The other personnel involved in these original Savoy recordings are: tenor saxophonists Buddy Lucas and Sam Taylor, alto saxophonist Dave McRae, baritone saxophonist Leslie Johnakins, trumpeter Willie Moore, trombonists Milt Larkins and Chips Outcalt, pianists Wynton Kelly, Kelly Owens and George Rhodes, guitarist Mickey Baker (of Mickey & Sylvia fame), bass players George Duvivier, Frank Skeete, Leonard Gaskin and Walter Page, and drummers Sol Hall, Heywood Jackson, Panama Francis and Bobby Donaldson. ~AvidOldiesCollector

Rent Party

Laura Karst - Little Did I Dream

Bitrate: MP3@320K/s
Time: 49:30
Size: 113.3 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[3:04] 1. Nobody Else But Me
[3:54] 2. When Springtime Turne To Fall
[3:36] 3. Que Reste-T-Il De Nos Amours
[4:46] 4. There's No You
[4:16] 5. Autumn Serenade
[3:59] 6. Desafinado
[5:34] 7. Guess I'll Hang My Tears Out Of Dry
[4:39] 8. Little Did I Dream
[6:03] 9. Everybody's Song But Me Own
[3:57] 10. Devil May Care
[5:36] 11. Turn Out The Stars

Laura Karst: vocals; Adam Shulman: piano; Doug Pohorski: acoustic bass; Joey Niehuis: drums; Jim Schneider: tenor saxophone.

Laura Karst debut solo release Little Did I Dream is a delightfully produced and well thought out gem that is as entertaining a release as you can find. With jazz having more sub genres on the family tree and the female vocalist branches clearly split into the wondrous and exciting as Christmas morning and as forgettable as my sister's Thanksgiving dinner. Little Did I Dream easily moves onto the wondrous and exciting branch with an eclectic yet incredibly likable song selection and a first call band backing her talents.

An entertaining release, well paced and flawlessly arranged this is how you sing jazz!

Little Did I Dream

Charlie Byrd - Rhythm Of Life

Bitrate: MP3@320K/s
Time: 78:07
Size: 178.8 MB
Styles: Bossa Nova, Guitar jazz
Year: 2014
Art: Front

[4:38] 1. Satin Doll
[3:15] 2. My Heart Stood Still
[5:26] 3. The House Of The Rising Sun
[3:41] 4. Speak Low
[4:11] 5. What's New
[1:44] 6. Nice Work If You Can Get It
[2:59] 7. Nuages
[3:25] 8. Don't Explain
[1:53] 9. Taking A Chance On Love
[2:49] 10. Moonlight In Vermont
[5:42] 11. Four O'clock Funk
[3:45] 12. Little Girl Blue
[1:27] 13. Interlude
[2:41] 14. Makin' Whoopee
[9:39] 15. Taboo
[3:21] 16. Django
[4:35] 17. Buck's Hill
[3:37] 18. My Funny Valentine
[5:23] 19. To Ginny
[3:47] 20. Ring Them Harmonics

In 1962 Charlie Byrd and his trio traveled to South America under the sponsorship of the State Department. When he returned to the US he made the landmark recording with Stan Getz Jazz Samba. Unlike the Laurindo Almeida and Bud Shank recordings of Brazilian music, this record caught on with the listening public and made Charlie Byrd a household name.

Rhythm Of Life

Nils Lofgren - The Loner: Nils Sings Neil

Bitrate: MP3@320K/s
Time: 56:42
Size: 129.8 MB
Styles: Heartland rock, Roots
Year: 2008
Art: Front

[3:48] 1. Birds
[3:18] 2. Long May You Run
[3:18] 3. Flying On The Ground
[3:11] 4. I Am A Child
[3:39] 5. Only Love Can Break Your Heart
[5:32] 6. Harvest Moon
[3:56] 7. Like A Hurricane
[4:19] 8. The Loner
[6:05] 9. Don't Be Denied
[3:15] 10. World On A String
[4:20] 11. Mr. Soul
[3:18] 12. Winterlong
[3:47] 13. On The Way Home
[2:12] 14. Wonderin'
[2:37] 15. Don't Cry No Tears

Nils Lofgren is a guitar hero who does great work in the employ of others and is wildly inconsistent as a solo artist and vocalist. Lofgren is at his best when he can strut his stuff on electric guitar, so why would anyone want to listen to an album of him performing Neil Young tunes on acoustic guitar and piano? The Loner: Nils Sings Neil sounds like a truly misguided idea for an album, but against the odds it turns out to be a sweet and heartfelt surprise, a moving interpretive album and one of Lofgren's best solo efforts to date. Lofgren can't bring the same kind of fire to his acoustic guitar work that he does on electric, and his voice is a wavering tenor that doesn't carry a lot of weight, but Lofgren has the advantage of recording and touring with Young in the past, and it's clear that these songs speak to something in his heart -- he knows this music, and when he sings he hits a clear and unaffected emotional bull's-eye. At first, it's hard not to wish that Lofgren had overdubbed a bit of accompaniment on these tracks, but let the album sink in and the spare, minimal recording and arrangements work in favor of the songs; the nakedness of these performances brings the emotional core of the material front and center, and Lofgren sings "Only Love Can Break Your Heart," "Don't Be Denied," and "Don't Cry No Tears" with sincere clarity, allowing each word to carry its full message. Of course, it doesn't hurt that Neil Young is one of rock's finest songwriters and Lofgren has chosen 15 superb selections from his catalog, but there's more to cutting a good cover than simply picking a good song. The Loner: Nils Sings Neil demonstrates that Lofgren knows what makes these songs so powerful, and he doesn't cover up the essentials with these spare but soulfully direct interpretations; the result is a small and simple triumph. ~Mark Deming

The Loner: Nils Sings Neil

Randy Weston - Solo, Duo & Trio In A Modern Mood (2-Disc Set)

Sources: CD 1, tracks #11-8 from the Riverside album “Cole Porter in a Modern Mood” (RLP 2508 10-inch); Tracks #9-14 from the Riverside album “The Randy Weston Trio” (RLP 2515 10-inch). CD 2, tracks #1-4 from the Riverside album “Randy Weston Trio and Solo” (RLP 12-227) which also includes the tracks of the 10" RLP 2515. Which also includes the tracks of the 10" RLP 25; Tracks #5-14 from the Riverside album “Get Happy” (RLP 12-203). 24-Bit Digitally Remastered..

Influenced by Thelonious Monk and the laconic, almost conversational style of John Lewis, Randy Weston’s work on these mid-1950s solo, duo and trio sessions nevertheless marked him out as a pianist different from anyone else.

Grounded in bop, his playing has a compositional quality and sophistication that belie its deceptive simplicity. And he could stamp his personality on well-known material, subtly refracting its colours through the prism of a singular imagination; there are striking performances here of such as “Lover” and a remarkable “If You Could See Me Now”, while Cole Porter is treated with rare astringency, even on the playful “I Get A Kick Out Of You”. And the delicate probing of line, harmony, time and mood of “We’ll Be Together Again”—rounded off with a whimsically upbeat little flourish—is filled with the sense of an elusively original mind at work.

His influence in jazz, like his profile, should have been greater, but he was to move on to his ethnic musical roots in Africa, and further enrich his music.

Album: Solo, Duo & Trio In A Modern Mood (Disc 1)
Bitrate: MP3@320K/s
Time: 56:21
Size: 129.0 MB
Styles: Piano jazz
Year: 2012
Art: Front

[4:31] 1. Get Out Of Town
[3:11] 2. I Get A Kick Out Of You
[3:00] 3. I Love You
[4:43] 4. In The Still Of The Night
[4:31] 5. Just One Of Those Things
[3:38] 6. Night And Day
[2:53] 7. What Is This Thing Called Love
[3:10] 8. I've Got You Under My Skin
[3:45] 9. Sweet Sue
[3:44] 10. Pam's Waltz
[6:56] 11. Solemn Meditation
[5:06] 12. Again
[3:29] 13. Zulu
[3:36] 14. If You Could See Me Now

Solo, Duo & Trio In A Modern Mood (Disc 1)

Album: Solo, Duo & Trio In A Modern Mood (Disc 2)
Bitrate: MP3@320K/s
Time: 53:57
Size: 123.5 MB
Styles: Piano jazz
Year: 2012
Art: Front

[3:58] 1. Little Girl Blue
[4:11] 2. We'll Be Together Again
[4:27] 3. Softness
[4:05] 4. Lover
[3:45] 5. Get Happy
[2:54] 6. Fire Down There
[4:11] 7. Where Are You
[3:09] 8. Dark Eyes
[3:36] 9. Summertime
[4:00] 10. Bass Knows
[5:19] 11. Bass Knows
[2:53] 12. C-Jam Blues
[4:22] 13. A Ballad
[3:00] 14. Twelfth Street Rag

Solo, Duo & Trio In A Modern Mood (Disc 2)

Lela & Joe Kaplowitz - With Every Breath

Styles: Vocal And Piano Jazz
Year: 2012
File: MP3@320K/s
Time: 71:20
Size: 165,2 MB
Art: Front

(6:36)  1. Blues In Red Hook
(8:18)  2. Keep On Going
(7:31)  3. With Every Breath
(6:35)  4. I Love Myself
(6:06)  5. Home
(8:21)  6. Please Say
(7:27)  7. I Celebrate The Life
(6:02)  8. Sisters
(6:32)  9. Sand Story
(7:48) 10. Bolero

Croatian singer Lela Kaplowitz sings con brio and gleeful abandon. Eastern Europe has always been a hotbed terrain for big band music, with creativity exploding after the end of the Cold War. Kaplowitz and her husband/pianist/arranger Joe Kaplowitz emerge fully formed and swinging on With Every Breath. The pair employ the wares of the Croatian Radio-Television Jazz Orchestra (think an Eastern WDR) and spin out ten finely crafted big band pieces. Joe Kaplowitz proves more than capable as arranger for a large ensemble. "Blues in Red Hook" bristles with swinging invention and a complex and sprawling solo by the pianist. "Keep on Going," the disc's first vocal raps a Latin vibe blistering voice and trumpet. Singer Kaplowitz's voice is resonant and robust, whether at full gale or sotto voce. These are the two aspects of the recording that stand out: the arrangements and singing. The arrangements are tight and the composing laces intricate with complex heads and solos woven together in an almost tactile manner. 

Kaplowitz's singing is simply superb. She draws forth all of the blues and church from "Sisters," a languid stroll that allows for torch singing of the flame-throwing variety. Kaplowitz scats a bluestreak with trumpets and guitar in a New Orleans orgy of broken counterpoint. "Sand Story" begins in a hail of free jazz, before a vocal refrain defines a direction that flows into a Caribbean groove tempered with a steady rimshot. Breezy, but intense, the piece possesses a provocative symmetry reflecting that of the entire recording. ~ C.Michael Bailey  http://www.allaboutjazz.com/lela-and-joe-kaplowitz-with-every-breath-lela-kaplowitz-self-produced-review-by-c-michael-bailey.php
 
Personnel: Lela Kaplowitz: vocals; Joe Kaplowitz: piano, arranger; Croatian Radio- Television Jazz Orchestra, Saša Nestorovic: director.

Quincy Davis - Songs In The Key of Q

Styles: Jazz, Big Band
Year: 2013
File: MP3@320K/s
Time: 56:21
Size: 129,3 MB
Art: Front

(10:48)  1. Everybody's Peace
( 8:31)  2. Walnut Creek
( 4:25)  3. Soar
( 3:12)  4. Ponder This
( 8:16)  5. Cold Rain
( 5:03)  6. See You Tomorrow
( 3:52)  7. Epiphany
( 5:52)  8. Matter Factual
( 5:16)  9. Erica's Song
( 1:01) 10. Ponder This (Reprise)

This is a wonderful debut album by Quincy Davis, who has long been highly regarded as one of the great jazz drummers of his generation. In this album, listeners can finally enjoy a compelling glimpse into the mind and soul of Davis as a composer. Davis' music can be described as very "melodic, sophisticated, introspective, soulful and catchy". His playing can be described as simply "refreshing". While the roots of jazz are deeply embedded throughout the album, you will hear no cliches what-so-ever. http://www.cdbaby.com/cd/quincydavis

He is joined by a stellar band: Dayna Stephens (tenor sax), Warren Wolf (vibraphone), Xavier Davis (piano), Vicente Archer (bass) and Richie Goods (electric bass, 1 track).

Eddie Jefferson - The Main Man

Styles: Vocal
Year: 1996
File: MP3@320K/s
Time: 32:54
Size: 75,8 MB
Art: Front

(3:58)  1. Jeannine
(3:21)  2. Night Train
(3:19)  3. Moody's Mood For Love
(3:05)  4. Body & Soul
(3:28)  5. Confirmation
(3:54)  6. Benny's From Heaven
(4:11)  7. Summertime
(3:22)  8. Freedom Jazz Dance
(4:12)  9. Exactly Like You

Eddie Jefferson's final recording before his tragic death is a tour de force session that showcases a love for big-band type horn sections, his indefatigable ability to scat and write original vocalese lyrics, and his enthusiasm for life. At a time when his overdue star was rising, Jefferson compiled a list of his most well-known numbers, a few standards, and modified songs with his newly penned words, then modified them into different stories of life and the pitfalls of romance. Leon Thomas and Inner City head honcho Irv Kratka produced the session, while Slide Hampton did most of the excellent arrangements and plays trombone. The horn section also features sidekick alto saxophonist Richie Cole, tenor saxophonist Junior Cook, baritone saxophonist Hamiet Bluiett, and unsung trumpeter Charles Sullivan, with the brilliant pianist Harold Mabern, bassist George Duvivier, and drummer Billy Hart in the rhythm section. 

Done in 1977, these tracks have all become classics and distinct identifiers as to what made Jefferson the main cog in progressive vocal jazz circles for all time. If you are a student of jazz vocals, then the classic ballad "Moody's Moody for Love" subtitled "There I Go" should be high on any list for analysis, while a controlled take of "Exactly Like You" is exemplary for the way Jefferson could play it straight, scat like no one else, and encourage bandmembers like Sullivan and Mabern to play solos just on the edge of the mainstream. "Jeannine" and "Bennie's from Heaven" are Jefferson's ultimate storyboard adaptations, the former an extra tasty soul-jazz groove about a flighty lover gone from sight, the latter a quizzical tale of a soldier returned from duty to find a pregnant wife, stating "Benny must be from heaven, 'cause he darn sure ain't from me." At heart a bebopper, Jefferson wails on "Confirmation," perfectly exclaiming it's the music that saved the nation and allowed it to be free, while "Summertime" steams with the ripeness of that season, as he extrapolates wonderfully on the main lyric, with adept knowledge in a brilliant display on his keen powers of observation. 

"Night Train" is another soul-jazz exercise in wishful thinking on bringing his baby back, and is as closely identified as any song Jefferson ever interpreted, while "Freedom Jazz Dance" has a fairly straight lyric relating to his days as a tap dancer that has been interpreted by many others after his passing, and is another tune prime for close study. Jefferson was exploring "the out cats" at this time, and was seeking a means to make his music more progressive, and there are hints at this stylistic evolution on this recording. After being out of print for many decades, The Main Man is finally available, and stands as a shining testament to perhaps the last truly great and innovative jazz singer in the modern era. ~ Michael G.Nastos  http://www.allmusic.com/album/main-man-mw0000900528

The Main Man     

Lenny Welch - Songs You Love To Hear

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 32:51
Size: 92,5 MB
Art: Front

(3:00)  1. Since I Fell for You
(2:53)  2. You Don't Know Me
(3:51)  3. Ebb Tide
(3:25)  4. Little Man You've Had A Busy Day
(2:57)  5. You Send Me
(3:14)  6. Unforgettable
(2:44)  7. Only You
(3:37)  8. Smoke Gets In Your Eyes
(2:30)  9. Climb Every Mountain
(4:34) 10. My Way

Singer Lenny Welch was born Leon Welch on May 15, 1938 in Asbury Park, NJ. He started singing as a youngster, assembling groups and participating in talent shows. In his late teens, Welch and his group auditioned for Decca Records in New York. The executives loved "Lenny," which they called Leon, because name flowed better. Decca recorded Welch solo on a couple of promising 45s but the sales were dismal. Two years passed before his next break. Coley Wallace, a prize fighter, introduced Welch to Archie Bleyer, the owner of Cadence Records. The association clicked and "You Don't Know Me" was his first release, it made some noise, but it was the second Cadence single, "Since I Fell for You," a a number five pop hit in 1963, that brought the mass sells and accolades; he also scored with "Ebb Tide," and was on his way to becoming another Johnny Mathis when two devastating circumstances occurred. For starters, and reasons unknown, Archie Bleyer folded Cadence in September of 1964, the label he had started in December 1952. (Cadence had built the careers of many artists including Andy Williams, the Everly Brothers, and Johnny Tillotson; Andy Williams purchased the companies' masters from Bleyer and reissued them on his Barnaby label, but signed with Columbia Records to release his new recordings, while Bleyer retired to Wisconsin.) Lenny's last Cadence release, "If You See My Love" in 1964, charted at number 92. He also contributed vocals to Eddie Harris' 1964 LP Cool Sax, Warm Heart. But after a couple of hits and one LP release, Since I Fell for You in 1963, Welch was shopping for a new deal.

The second setback came from Uncle Sam. Lenny stayed involved in music while serving his country. He did record hops and weekend dates to promote his new releases on Kapp Records, but nothing significant happened until his duty ended. He landed with Kapp shortly after Cadence closed and charted with "Darling Take Me Back," "Two Different Worlds" (1965), "Please Help Me, I'm Falling" (1966), and "The Right to Cry" in 1967. Unexpectedly, Welch then took another hiatus; this time to get his mind together, and to practice and research his musical skills and sell his image. 

While compared to Johnny Mathis and other ballad singers, Welch wasn't playing the cushy Las Vegas and Lake Tahoe gigs, his albums didn't sell like Mathis' or Andy Williams'. The leave of absence was a big mistake; he came back, and began gigging at some major clubs, but it never really happened for him like he envisioned. Attempted comebacks in the '70s didn't pan out, including a marvelous single on the Cur label entitled "To Be Loved/Glory of Love" b/w "My Heart Won't Let Me." Dwindling interest caused the handsome, velvet-voiced singer with the super personality to become a "whatever happened to . . ." topic. 

You can hear his work on Anthology (1958-1966), on Taragon Records, and the Collectables reissue of Since I Fell for You. He recorded three albums on Kapp: Two Different Worlds (1965), Rags to Riches (1966), and Lenny, in 1967. Bio ~ Andrew Hamilton  http://www.allmusic.com/artist/lenny-welch-mn0000201022/biography