Showing posts with label Andi Kissenbeck. Show all posts
Showing posts with label Andi Kissenbeck. Show all posts

Thursday, April 6, 2017

Pete York & Young Friends - Basiecally Speaking

Bitrate: MP3@320K/s
Time: 52:29
Size: 120.2 MB
Styles: Swing, Contemporary jazz
Year: 2013
Art: Front

[3:33] 1. Groovin' For Basie
[3:25] 2. Tickle Toe
[5:00] 3. Splanky
[4:09] 4. Jumpin At The Woodside
[4:29] 5. Moten Swing
[3:33] 6. Flip Flop And Fly
[5:28] 7. Lil' Darling
[5:39] 8. Shiney Stockings
[4:00] 9. Cute
[3:19] 10. Gee Baby Ain't I Good To You
[3:47] 11. Lester Leaps In
[3:50] 12. Broadway
[2:12] 13. Roll 'em Pete

Drums, Vocals – Pete York; Guitar, Vocals – Torsten Goods; Organ [Hammond] – Andi Kissenbeck; Tenor Saxophone – Gabor Bolla; Bass – Wolfgang Schmid.

It all goes back to year 1965. Spencer Davis Group was recording a single for the label Phillips Germany after having released its number one hit “Keep on Running”. Alongside the guitarist and a former German teacher Spencer Davis, Steve Winwood and his older brother Muff also the upcoming drummer Pete York was a member of the band. The producer of the session was Siggi Loch. “We’ve been friends ever since,” Pete York, who turned 70 in August, reminisces. “Maybe it is Siggi’s birthday present that I got the chance to release this album on ACT.”

The present is called „Basiecally Speaking“. As you might guess due to the title, the album is all about Count Basie. York explains: “Basie was almost my first connection with jazz after Louis Armstrong. When I was 15, my mother took me to see his concert. It was unforgettable, particularly due to his energetic drummer Sonny Payne. His big band had such power and dynamics. Basie used the whole language of music and was famous for his musical humour as well as for his economic way of playing the piano. Every note mattered and was swinging. I have tried to include all these things in my music. Most of all, I learnt from Basie what not to play.”

Basiecally Speaking

Wednesday, April 5, 2017

Andi Kissenbeck's Club Boogaloo - Hammond's Delight

Bitrate: MP3@320K/s
Time: 58:07
Size: 133.0 MB
Styles: B3 Organ jazz
Year: 2008
Art: Front

[5:35] 1. Return Of The Prodigal Son
[4:25] 2. Cat Walk
[5:18] 3. Oops, Too Short
[4:24] 4. I Ain't Got Nothing But The Blues
[5:35] 5. Ramblin
[5:36] 6. Blues For Joey
[5:59] 7. Waiting For The Sunrise
[6:20] 8. Bj-Blues
[4:03] 9. T-Bone Blues
[5:26] 10. Song For Dave
[5:22] 11. Refinnej Blues

Andreas Kissenbeck – Org | Torsten Goods - gitar, vocals | Lutz Häfner - sax | Andrej Lobanov- trompet | Jean-Paul Höchstädter - drums.

The name denotes its significance: organ jazz in the tradition of Lou Donaldson, Lonnie Smith, Joey DeFrancesco and George Benson. The groove is the basis – funk, shuffle, swing and boogaloo. In addition, there are melodies and harmonies from blues, funk, soul and modern jazz. The Hammond B 3 always plays a pivotal role. It is played by Andi Kissenbeck, who teaches at the music colleges of Wurzburg and Munster in addition to his activities as organist and pianist (concerts and tours with Bennie Bailey, Jiggs Wigham and Bobby Shew, among others). His fellow musicians on the other instruments – who also belong to the best and most experienced jazz musicians in Germany – are skilled in playing powerfully without sounding forced. When the fantastic voice of Torsten Goods is added, an unrivaled ambience is created! Goods, known thanks to his successful albums released by ACT, plays above all his guitar, which he also used with a great deal of success playing along with Les Paul, Bob James and Chris Potter. On the other hand, Lutz Häfner is not only in demand as a saxophonist (among others with Maria Schneider’s Jazz Orchestra, Ingrid Jensen and Billy Hart) beyond the borders of Germany, he is also an excellent arranger. Andrej Lobanov – also known to the connoisseurs of the Jazz thing Next Generation series from the band of Krischkowsky – teaches at Leipzig Music College in the meantime and has already played with stars such as Randy Brecker and Dave Brubeck. Jean-Paul Höchstädter, who formally honed his skills in big bands (RIAS Big Band, HR Big Band, NDR Big Band), can often be heard playing with musicians ranging from Tony Lakatos to Till Brönner today.It is not surprising that this group has been working successfully with the young Kissenbeck for years. In addition to unrestrained joy of playing, you sense the will to make music that is not only demanding, but which is also entertaining in the best sense of the word. Pieces by Ornette Coleman, Duke Ellington and others but above all Kissenbeck’s own compositions contribute to combine modern influences and consciousness of tradition. This is not surprising either when you know that he recently published a two-volume compendium on jazz theory at Bärenreiter Publishing House recently. No doubt about it, the man knows what he is doing.

Hammond's Delight