Monday, January 21, 2019

Marc Copland, Tim Hagans - Between The Lines

Styles: Piano And Trumpet Jazz
Year: 2000
File: MP3@320K/s
Time: 63:13
Size: 145,7 MB
Art: Front

(5:54)  1. Nefertiti
(9:26)  2. Passing giants
(5:07)  3. Three in one
(8:07)  4. I loves you Porgy
(6:28)  5. When will the blues leave
(7:46)  6. Estaté
(7:32)  7. On Green Dolphin Street
(7:00)  8. Rainy night house
(5:47)  9. Canteloup Island

Piano/trumpet duets are somewhat rare in jazz history, particularly in more modern areas of jazz. The pianist has to function as the complete rhythm section while the trumpeter has to have enough variety in sound, ideas, and moods to hold one's attention. Pianist Marc Copland and trumpeter Tim Hagans succeed in all of these areas during their stimulating set. The music they perform is often lyrical and searching, although their versions of Thad Jones' "Three in One" and Ornette Coleman's "When Will the Blues Leave" are also swinging. There is nowhere to hide during duets, but Copland (who often plays dense chords) and Hagans make every note count. This project rewards repeated listenings. ~ Scott Yanow https://www.allmusic.com/album/between-the-lines-mw0001190180

Personnel:  Marc Copland - piano; Tim Hagans - trumpet

Between The Lines

Lita Roza - Have You Heard

Styles: Vocal
Year: 2016
File: MP3@320K/s
Time: 27:46
Size: 64,2 MB
Art: Front

(2:44)  1. Have You Heard
(2:59)  2. That Old Black Magic
(3:25)  3. Don't Get Around Much Anymore
(1:56)  4. It's a Boy
(2:52)  5. Volare Nel Blu Dipinto Blu
(2:13)  6. Stranger Things Have Happened
(2:37)  7. Blacksmith Blues
(3:27)  8. Guilty
(3:13)  9. I Surrender Dear
(2:16) 10. How Much Is That Doggie in the Window

Lita Roza was born Lilian Patricia Lita Roza on March 14, 1926 in Liverpool to Elizabeth Anne and Francis Vincent Roza, a Spanish marine engineer and part-time pianist at a local nightclub. The eldest of seven children, she auditioned as a dancer at the age of 12 in a pantomime to help support the family, eventually working up to performing with the comedian Ted Ray and actress Noel Gordon in the show Black Velvet. Because life was becoming too dangerous in London during the blitz of 1940, her family wanted her back in Liverpool. She turned to singing on her return and managed to get a job as a resident singer in a Merseyside club called The New Yorker. Shortly afterwards, she signed to become a singer with the Harry Roy Orchestra, one of Britain's leading wartime big bands, although when Roy was booked to tour the Middle East, the young Lita Roza was not allowed to join them, being only 17 years old. At just 18, she retired from show business, marrying James Shepherd Holland, one of the Canadian servicemen who was stationed in the U.K.; they moved to Miami. The marriage did not last, however, and after the war she returned to Britain, finding work with another top bandleader of the time, Ted Heath, alongside Dickie Valentine and Denis Lotis. As many of her contemporaries, she combined working with a big band with a career as a solo singer, and in 1953, she recorded a version of Patti Page's "How Much Is That Doggie in the Window," which topped the charts in April for one week, easily beating off the challenge of the Page version, and only the eighth number one song in the then recently introduced British charts. Despite its success, Roza hated the song and would never perform it in public. 

She left the Ted Heath band and married Ron Hughes, a trumpet player. She was voted Top Girl Singer of 1951-1952 in the Melody Maker dance band polls and won the Top Female Singer category in New Musical Express from 1951-1955 consecutively. Another couple of minor solo hits followed, "Hey There" and "Jimmy Unknown," but despite releasing a total of 55 singles and four albums on Decca Presenting Lita Roza, Listening in the After-Hours, Love Is the Answer, and Between the Devil and the Deep Blue Sea  her record sales were halted by the arrival of rock & roll and in the mid-'50s she concentrated on television work (including her own show Lita Roza Sings and several appearances with Ted Heath and on the new TV pop show Six Five Special, the only pop show on TV in the mid-'50s) and working in cabarets around the world including in Australia, New Zealand, and the Flamingo Hotel in Las Vegas.  She was asked to join a series of Ted Heath reunion concerts in 1982 along with Denis Lotis and Don Lusher and most of the original musicians from the band. In 2001, Roza was honored as the first artist with a bronze disc placed on the Wall of Fame in Matthew Street, opposite the Cavern Club, which featured all the acts from Liverpool who had achieved a number one to date including everyone from Frankie Vaughan, Michael Holiday, and the Beatles to Sonia, Mel C, and Atomic Kitten. Throughout the late '90s and into the 21st century, Universal Music, which owns the rights to Roza's Decca recordings, released several compilations of her songs as well as her final album, Between the Devil and the Deep Blue Sea, and Ted Heath Singles 1951-1953. She gave her final performance on Radio Merseyside in November 2002. Lita Roza died at her home in London on August 14, 2008; she was 82 years old. ~ Sharon Mawer https://www.allmusic.com/artist/lita-roza-mn0000496575/biography

Have You Heard

Andy LaVerne - Know More

Styles: Piano Jazz 
Year: 2000
File: MP3@320K/s
Time: 66:33
Size: 153,1 MB
Art: Front

(7:53)  1. Fire wire
(6:21)  2. Think tank
(9:03)  3. Sudden wealth syndrome
(7:09)  4. Where and when
(6:22)  5. Wiggle room
(7:32)  6. Waltz king
(5:00)  7. Know more
(8:54)  8. Wholistic
(8:14)  9. Happenstance

Andy LaVerne's long relationship with Steeplechase has produced many memorable dates, and this trio session of original works, with bassist Jay Anderson and drummer Billy Hart, is no exception. The lively, constantly shifting opener "Fire Wire" is actually based on the chord changes to "Stella by Starlight," but one has to play close attention. "Where or When" is a bittersweet ballad (which has no relation to the standard "Where or When"), while "Wholistic" seems to have its roots as a blues, but the wild improvisation that is built upon its base is pure magic. 

"Sudden Wealth Syndrome," although a funny title, is a driving post-bop piece with dark overtones and a catchy hook. While it is unlikely that any of LaVerne's tunes may catch on well enough to become jazz standards, they will stand up to repeated listening over the decades very nicely indeed. ~ Ken Dryden https://www.allmusic.com/album/know-more-mw0001180896

Personnel:  Piano, Composed By – Andy LaVerne;  Bass – Jay Anderson; Drums – Billy Hart

Know More

Stanley Cowell - Setup

Styles: Piano Jazz 
Year: 1994
File: MP3@320K/s
Time: 60:03
Size: 138,5 MB
Art: Front

(11:04)  1. Departure
( 7:14)  2. Setup
( 6:31)  3. Varions
( 7:14)  4. Bright Passion
( 9:21)  5. Bip Bip Bam
(10:06)  6. Sendai Sendoff
( 8:29)  7. Carnegie Six

While standards have played a major role on many of Stanley Cowell's albums, the acoustic pianist sticks to his own compositions on Setup. That fact alone makes this 1993 session especially noteworthy, for Cowell is a gifted, if underrated, composer. Cowell's talents as a composer are illustrated by memorable post-bop or hard bop pieces that range from the haunting "Bright Passion" and the mysterious title song to the Thelonious Monk-influenced "Varions." Thankfully, he has some hard-swinging allies to help him bring the material to life, including trumpeter Eddie Henderson, tenor saxman Rick Margitza, trombonist Dick Griffin, bassist Peter Washington, and drummer Billy Hart. Cowell was 52 when he recorded Setup, and his supporters continued to hope that eventually, he would become a bigger name in the jazz world. ~ Alex Henderson https://www.allmusic.com/album/setup-mw0000239899

Personnel:  Stanley Cowell - piano; Eddie Henderson - trumpet; Dick Griffin - trombone; Rick Margitza - tenor saxophone; Peter Washington - bass; Billy Hart - drums

Setup