Tuesday, July 23, 2019

Peter Asplund - Satch as such

Styles: Trumpet Jazz
Year: 2011
File: MP3@320K/s
Time: 73:10
Size: 168,6 MB
Art: Front

( 1:58)  1. Satch As Such
(10:20)  2. West end blues
( 7:13)  3. I'm confessin' (that I love you)
( 8:48)  4. Do you know what it means to miss New Orleans?
( 8:41)  5. I can't give you anything but love
( 4:40)  6. Ain't misbehavin
( 9:37)  7. I cover the waterfront
( 7:19)  8. When it's sleepy time down south
( 7:29)  9. Hello Dolly
( 6:58) 10. What a wonderful world

Satch as Such is a music album from 2000 with Peter Asplund and his orchestra. The album is a tribute to the 100-year-old Louis Armstrong with Armstrong's most famous songs modernly newly arranged for big band and trumpet soloist. The events are written by Mikael Råberg , Helge Albin , Bo Sylvén , Göran Strandberg , Staffan Odenhall , Magnus Lindgren and Magnus Blom. https://sv.wikipedia.org/wiki/Satch_as_Such

Personnel: Peter Asplund,Hans Dyvik,Patrik Skogh, Anders Gustafsson and Fredrik Oscarsson - trumpet;  Mikael Råberg , Dicken Hedrenius , Karin Hammar and Mattis Cederberg - trombone;  Johan Hörlen, Magnus Blom, Per "Texas" Johansson , Karl-Martin Almqvist , Magnus Lindgren and Alberto Pinton - saxophones;  Jacob Karlzon - piano;  Hans Andersson - bass;  Johan Löfcrantz Ramsay - drums;  Rigmor Gustafsson and Magnum Coltrane Price - song

Satch as such

Clare Teal - That's The Way It Is

Styles: Vocal
Year: 2001
File: MP3@320K/s
Time: 49:20
Size: 114,4 MB
Art: Front

(2:54)  1. Messin´with Fire
(3:51)  2. Night And Day
(6:06)  3. You´re My Thrill
(3:06)  4. Love Is A State Of Mind
(4:25)  5. Heber, The Receiver
(4:15)  6. That´s The Way It Is
(4:12)  7. Ill Wind
(4:31)  8. How Little We Know
(4:59)  9. Sleep, Little Man
(3:44) 10. Our Love Is Here To Stay
(4:13) 11. Speak Low
(2:58) 12. Circle Moon

Clare Teal is an exciting singer with intense warmth and passion whose delicate phrasing and heartfelt interpretation of lyrics are the very essence of her music. The tunes Clare selected for the album indeed mirror her tastes in music ranging from her dynamic originals 'Messin' with Fire' and 'Heber' to the sophisticated ballad artistry of 'You're My Thrill' and 'Ill Wind'. ~ Editorial Reviews https://www.amazon.com/Thats-Way-Clare-Teal/dp/B00005LOJR

That's The Way It Is

Heather Bennett - Suite Talk

Styles: Piano Jazz
Year: 2003
File: MP3@320K/s
Time: 64:18
Size: 148,8 MB
Art: Front

(6:03)  1. Cadillac Roundup
(1:12)  2. Silent Witness
(5:42)  3. Cacti
(3:59)  4. Giddy-Down
(6:31)  5. 'Nite Awl
(5:34)  6. Falling
(7:16)  7. Rattlesnake Dance
(5:46)  8. Mustangs
(5:10)  9. Sweets
(5:51) 10. Deep Fried Tumbleweed
(6:58) 11. Blue Bonnet
(4:11) 12. Taps For A.D.

To listen to the Pianist, Composer, Singer Heather Bennett is to browse through a well-assorted choice of Straight-Ahead transformed for modern times. Echos of Hard-Bop, Bebop, Post-Bop, Originals, modern interpretations of Pop Numbers... With a definite knowledge of tradition, her compositions impressively present an intelligent path from the present to the future of Jazz through her expressive, powerful, but also lyrical piano playing. Heather Bennett, daughter of a classical pianist, majored in music in Texas and North Carolina (Magna cum Laude in Jazz-Performance) and has lived in the "Big Apple" since 1997 where she stays quite active in numerous musical projects. There she initiated, among other things, a female quintet with bassist Erin Wright, worked with muscians like Ingrid Jensen, Ed Schuller, Georg Schuller, Randy Brecker, Ari Hoenig and constantly plays with her groups in the NYC Jazz Clubs. Recently her 4th and latest CD "Suite Talk" appeared with, among others, Drummer Billy Hart and Bassist Rufus Reid. Don't Forget To Check Out Heather Bennett's Other CD's "Suite Talk" and "New Light"https://store.cdbaby.com/cd/hbennett2

Personnel: Heather Bennett - Piano, Billy Heart - Drum, Dennis Irwin - Bass, Dave Pietro - Alto Sax

Suite Talk

Bob Holz - Silverthorne

Styles: Jazz, Post Bop
Year: 2019
File: MP3@320K/s
Time: 59:58
Size: 137,8 MB
Art: Front

(4:46)  1. Intervals
(5:52)  2. Less Is More
(7:29)  3. The Point
(6:15)  4. Riptide
(5:27)  5. Vince
(5:15)  6. Reasons
(6:22)  7. Silverthorne
(6:33)  8. Larry's Blues
(5:10)  9. Pick Myself Up
(6:46) 10. Subliminal Son

Here's a solid jazz fusion album sans the megalomaniacal soloing sprees and impossibly complex time signatures brought to us by highly regarded session drummer and bandleader Bob Holz, who reaps the benefits of A-listers such as guitarist Mike Stern, trumpeter Randy Brecker and other notables. And while drummers are not frequently heralded for their compositions and arrangements, Holz excels in these areas via his several originals that are enhanced with tuneful choruses and assertive soloing ventures. Moreover, the artists translucently morph the core elements of fusion with jazzy horns, dynamic soloing episodes and a presiding sense of camaraderie that underscores the entire production. Stern imparts stinging solos as he often zooms in for the kill on several tracks atop the drummer's pumping back beats. Yet Holz is a near flawless timekeeper amid concise accents, and snappy fills as he keeps the train a rollin' throughout. Pieces such as "The Joint" merge upbeat balladry and catchy melodies contrasted by Stern's ominous phrasings and Brecker's authoritative and twirling reformation of a given theme, often seasoned with harmonious choruses. From a holistic perspective, the ensemble's sense of the dynamic often spawns contrapuntal motifs to Holz' amenable harmonic content, and in this manner, they're able to maintain a firm grip on the jazz fusion aspects, although some of these works are outlined with contemporary jazz elements. Essentially, the musicians are afforded plenty of improvisational space. They also inject an airy samba groove into "Vince," where the trumpeter aims for the upper registers with his use of vibrato, joined by Austrian guitar hero Alex Machacek for silky unison lines and tuneful melodic intervals. The band integrates jazz-flavored R&B and funk into a memorable hook during "Silverthorne," and closes out the program with a radiant straight-four groove on "Subliminal Sun," amped by Stern and Brecker's lyrical lines and gritty outbreaks. Simply stated, Holz and associates dish out a rather wholesome embodiment of jazz fusion enough to satisfy hardcore fuzoid fans and for those who like their contempo jazz incorporated with a little more meat and less sugar. ~ Glenn Astarita https://www.allaboutjazz.com/silverthorne-bob-holz-mvd-audio-review-by-glenn-astarita.php

Personnel: Bob Holz: drums & percussion (1,2,6); Alex Acuna: percussion (3,4,5,9,10); Mike Stern: guitar (3,7,8,10); Ralphe Armstrong: bass (3,7,8,10); Jamie Glaser: guitar (2); Randy Brecker: trumpet (3,7,8,1); Brandon Fields: saxophone (1,2,4,5,6,9); Billy Steinway: keyboards; Alex Machacek: guitar (1,4,5,9); Andrew Ford: bass (1,4,5,9); Ada Rovatti: saxophone (3,7,8,10).

Silverthorne