Thursday, September 13, 2018

Marlene Verplanck - You'd Better Love Me

Size: 145,7 MB
Time: 61:31
File: MP3 @ 320K/s
Released: 1977/1997
Styles: Jazz Vocals
Art: Front & Back

01. While We're Young (4:29)
02. You Leave Me Breathless (3:47)
03. What I Was Warned About (2:20)
04. Easy Street (2:27)
05. Tenderly (2:18)
06. An Occasional Man (2:39)
07. Have Yourself A Merry Little Christmas (2:27)
08. Love (3:08)
09. Love All The Quiet Flower People (2:58)
10. If I Gave You (2:49)
11. Accent On Youth (2:28)
12. You Go To My Head (2:30)
13. The Boy Next Door (2:09)
14. The Crickets Are Calling (1:38)
15. I Know Your Heart (2:45)
16. This Funny World (3:09)
17. The Winter Of My Discontent (2:29)
18. Gone With The Wind (2:15)
19. You Are For Loving (2:38)
20. Ev'ry Time (4:19)
21. Tiny Room (2:56)
22. You'd Better Love Me (2:43)

Marlene VerPlanck paid tribute to the Great American Songbook. VerPlanck, who grew up in Newark, New Jersey listening to Frank Sinatra and Ella Fitzgerald on WNEW radio, collaborated throughout her long career with her husband, arranger, composer, and conductor Billy VerPlanck. Her 17th album, 2000's My Impetuous Heart, reunited her with some old friends, including jazz pianist Hank Jones and special guests jazz pianists George Shearing and Marian McPartland and guitarist Bucky Pizzarelli. VerPlanck's career was a long string of success stories, which showcased her as a versatile singer with a gorgeous, pliable voice that knew how to tell a story.

She started singing at age 19. Her career stretched back to the '50s when she worked with Tex Beneke and Charlie Spivak. Her first big break came in 1955 when she teamed up with pianist Hank Jones, flutist Herbie Mann, trumpeter Joe Wilder, bassist Wendell Marshall, and drummer Kenny Clarke on I Think of You with Every Breath I Take on Savoy Records. She met her husband while performing with Charlie Spivak's band, then both moved over to the Dorsey Brothers Orchestra. Tommy Dorsey died in 1956, so the VerPlancks decided to stay in New York City to pursue studio work with the likes of Sinatra, Perry Como, Tony Bennett, Antonio Carlos Jobim, Blood, Sweat & Tears, and even Kiss. Millions of people outside the jazz world first heard VerPlanck's voice, though, doing jingles in the '60s: "Weekends were made for Michelob/Yeah!" and "Winston tastes good like a cigarette should!" and "Mmm good/Mm-mm good/That's what Campbell's Soups are/Mm-mm good." After thousands of commercial jingles and hours and hours of studio session work in New York, the VerPlancks decided to settle down in their house in Clifton, New Jersey, and began performing and recording together.

Their first recording together was A Breath of Fresh Air, arranged, produced, and conducted by Billy VerPlanck in 1968. In 1976, Marlene VerPlanck hooked up with North Carolina-based composer/pianist Loonis McGlohon, who hired her to do two installments of a radio show he co-hosted called Alec Wilder's American Popular Song. Afterwards, she recorded Marlene VerPlanck Sings Alec Wilder, and later, after Wilder's death, she appeared on the radio show The American Popular Singers, co-hosted by McGlohon and opera singer Eileen Farrell. Ver Planck performed at Carnegie Hall, Michael's Pub, and the Rainbow Room in New York City. She appeared on Entertainment Tonight, The Today Show, and CBS Sunday Morning. In the Digital Mood, featuring VerPlanck, Mel Tormé, and Julius La Rosa with the Glenn Miller Orchestra, became the first big-band CD to go gold in the '90s. VerPlanck remained active as a live performer and recording artist in the 2000s and 2010s, following up the aforementioned My Impetuous Heart with such albums as Once There Was a Moon (2008), One Dream at a Time (2010), Ballads... Mostly (2013), and The Mood I'm In (2016), all released by the Audiophile Records label. Marlene VerPlanck died in January 2018 in Manhattan at the age of 84. ~ by Robert Hicks

You'd Better Love Me

Janet Planet & John Harmon - Da Capo

Size: 125,6 MB
Time: 53:34
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz Vocals
Art: Front

01. To Be Yet Again (3:26)
02. Lucky Me (3:07)
03. The Gift Of Surrender (4:49)
04. Sundowner (4:35)
05. In A Perfect World (A Father's Dream) (4:02)
06. Child Of Light - A Lullabye (6:06)
07. Today And Everyday (4:21)
08. Half A Bubble Off (3:53)
09. Lately (3:13)
10. Another Lonely Spring (3:45)
11. The Time Is Right (2:57)
12. El Tigre (6:05)
13. I Raise My Glass (To You) (3:07)

This collection of pieces reflects a musical relationship of over 40 years with the remarkable talents of my dear friend, Janet Planet. What a joy it was revisiting some of our earliest collaborations and the flood of memories they rekindled! Da Capo...from the beginning...Thinking back, we've shared a profound musical journey! I feel both privileged and humbled to have been a part of it. - John Harmon

Da Capo

Phil Allen's Concert Jazz Band - North Greenbush Blues

Size: 137,6 MB
Time: 59:01
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz: Big Band
Art: Front

01. North Greenbush Blues (Feat. Scott Hall, Dave Fisk & Wayne Hawkins) (7:13)
02. Speed Trap (Feat. Kevin Barcomb & Dylan Canterbury) (6:00)
03. Winter Birds (Feat. Nate Giroux & Steve Lambert) (6:25)
04. Sodwanna Bay (Feat. Phil Allen & Dylan Canterbury) (6:13)
05. Why Are You Blue (Feat. Tyler Giroux & Lee Russo) (7:17)
06. Fragile Creature (Feat. Chris Pasin) (5:15)
07. Georgia Grump (Feat. Phil Allen & Tyler Giroux) (7:33)
08. Barbara (Feat. Wayne Hawkins & Phil Allen) (6:38)
09. Northbeach (Feat. Dave Fisk, Steve Lambert & Wayne Hawkins) (6:23)

North Greenbush Blues marks the recorded debut of Indiana-born, New York State-based trombonist Phil Allen's glove-tight and remarkably robust Concert Jazz Band. The album has many pleasures, but what stands out most are Allen's impressive charts, which give the ensemble ample sustenance and reason to shine. Allen wrote six of the album's nine tunes and arranged every number including Dylan Canterbury's fast-moving "Speed Trap," Chris Pasin's melodious "Fragile Creature" and Gary McFarland's emotive "Why Are You Blue?"

The twelve-member ensemble encompasses three trumpets, four saxophones, two trombones and rhythm. Allen and Tyler Giroux play valve trombone exclusively, while tenors Kevin Barcomb and Nate Giroux alternated on the album's two recording dates, in June and July 2017. The rhythm, meanwhile, is in the capable hands of pianist Wayne Hawkins, bassist Lou Smaldone and drummer Michael Benedict. The CJB saunters from the starting gate with the sharply-grooved title theme, named for the town to which Allen and his wife Barbara relocated after moving from Colorado in 2014. Baritone saxophonist Scott Hall is the first among a number of engaging soloists to arrive, followed on the "Blues" by alto Dave Fisk and pianist Hawkins.

Canterbury's aptly named "Speed Trap" is one of the album's trio of "burners," the others being Allen's "Georgia Grump" (a brisk workout for the trombones based on "Sweet Georgia Brown") and emphatic "Northbeach," which rings down the curtain. Soloists are Hawkins, Barcomb and Canterbury on "Speed Trap," Allen and Tyler Giroux on "Georgia Grump," and Hawkins, trumpeter Steve Lambert and alto Dave Fisk on "Northbeach." Allen's "Winter Birds" is a lovely medium-tempo theme with tasteful solos by Lambert and Nate Giroux, "Sodwanna Bay" a lustrous waltz showcasing Allen and Canterbury. Tyler Giroux and alto Lee Russo are front and center on "Why Are You Blue?," trumpeter Pasin on his own "Fragile Creature." Allen wrote the tender ballad "Barbara," on which he solos with Hawkins (on electric piano), for his wife.

In sum, a generally impressive debut by Allen's Concert Jazz Band, which seems destined to move onward and upward as it advances toward maturity. ~by Jack Bowers

Personnel: Phil Allen/leader, valve trombone, Dave Fisk/Alto Sax, Lee Russo/Tenor - Soprano Sax, Flute, Nate Giroux/Tenor Sax, Kevin Barcomb/Tenor Sax, Scott Hall/Bari Sax, Dylan Canterbury/Trumpet - Flugel, Chris Pasin/Trumpet - Flugel, Steve Lambert/Trumpet - Flugel, Tyler Giroux/Valve Trombone, Wayne Hawkins/Piano - Fender Rhodes, Lou Smaldone/Bass, Mike Benedict/Drums

North Greenbush Blues

Dee Bell - Lins, Lennox, & Life

Size: 105,5 MB
Time: 45:36
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz, Bossa Nova
Art: Front

01. By Chance (5:20)
02. After The Storm (5:38)
03. Crying Of The Waters (3:34)
04. Boa Nova (5:14)
05. Evolution (4:45)
06. Believe What I Say (3:27)
07. What Might Have Been (4:38)
08. Stay By Me (4:21)
09. That Old Black Magic (3:06)
10. Primitive (5:29)

Dee Bell has had a musical love affair with Ivan Lins for 41 years. “Many years ago,” recalls Dee, “the singer Maria Marquez turned me on to a lot of Brazilian music by giving me a tape of several of her favorite artists. Ivan Lins was represented many times and I fell in love with his music. I have listened to his recordings ever since and probably know every song that he has written.”

Ivan Lins, who is now 73, is arguably the most important Brazilian composer to emerge since Antonio Carlos Jobim and a very popular performer. He made a strong impact on the scene starting at the beginning of the 1970s and many of his songs have become popular including “Madalena,” “Love Dance,” “The Island,” and “Velas Icadas.”

Dee Bell has had a wide-ranging life that included performing in an a cappella trio from the age of ten, playing clarinet in her high school band, graduating from Indiana University in pre-med and art, co-founding and running the Earth Kitchen vegetarian restaurant in Bloomington, Indiana, teaching music in five schools, and recording several notable recordings. Her Concord Jazz debut, Let There Be Love, had Stan Getz as a sideman, trumpeter Tom Harrell was on One By One; both albums with Eddie Duran.

Sagacious Grace with Houston Person and John Stowell came out on the Laser label in 2010. 2014’s Silva-Bell-Elation matched her with her collaborator since 2012, arranger-composer-pianist Marcos Silva who has toured with Flora Purim, Toninho Horta and Edu Lobo. Silva arranged, produced and played keyboards on all of the selections on Lins, Lennox & Life.

This new project consists of six Ivan Lins’songs (the rst three have English lyrics by Dee), an original by Silva, two numbers by Annie Lennox, and the standard “That Old Black Magic.” “For a long time, I have wanted to make it easier for people to understand Ivan Lins’ music in English. My lyrics are essentially translations of what Ivan was communicating in each song.”

The set begins with the gentle “By Chance” which has Dee’s lyrics to “Acaso.” The performance not only introduces her warm and alluring voice but the fine trumpet playing of Erik Jekabson whose melodic playing on this number and “Evolution” will remind some of the lyricism of Chet Baker.

“After the Storm” is a perfect example of what Dee calls Brazilian Swing, a merging of her mellow swing style over the Brazilian rhythms provided by Marcos Silva, bassist Tyler Harlow, and drummer Zach Mondlick. “Crying of the Waters” (“Choro das Aguas”) is a particularly beautiful Lins’ song, one that benefits from Dee’s new English lyrics. “Boa Nova,” which features Dee singing Lins’ words in Brazilian, is described by her as “a sweet, fun, happy, little song in which a man sees a woman and is inspired to sing about every beautiful thing that comes to mind.”

Lins’ “Evolution,” which has lyrics by Brock Walsh, includes political thoughts that Dee says “drives the point home with what is happening these days.” To complete the Ivan Lins portion of the CD, Dee sings Patti Austin’s lyrics to his upbeat “Believe What I Say.”

Marcos Silva’s wistful “What Might Have Been” was written after sharing a plane ride with a woman when he knew that, despite their mutual attraction, they would never get together. Sandwiching an infectious version of “That Old Black Magic” are a pair of complementary tunes by Annie Lennox (the love song “Stay By Me” and the laidback “Primitive”) that are given a Brazilian treatment by the musicians and recorded for the simple reason that “I love her tunes.”

In conclusion, the singer says, “The new release is intended as a healing and calming CD, my balm for our current weary world.” It also serves as a perfect introduction to the musical magic of Ivan Lins and the beautiful singing of Dee Bell. ~Scott Yanow, jazz journalist/historian

Lins, Lennox, & Life

Jeff Hackworth - The Heart of the Matter

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 60:43
Size: 144,6 MB
Art: Front

(6:51)  1. Big Bad Boogaloo
(5:44)  2. Fool That I Am
(5:53)  3. That Old Black Magic
(6:34)  4. 3rd Avenue Blues
(8:13)  5. September Song
(6:00)  6. Sweet Tea
(7:09)  7. The Heart of the Matter
(7:15)  8. Mr. Gentle and Mr. Cool
(6:59)  9. Tres Palabras

Veteran tenor saxophonist Jeff Hackworth doesn't fool around much on his most recent musical project and gets right to The Heart of The Matter, unveiling his seventh album as leader and follow up to his previous critically-acclaimed Soul To Go! (Big Bridge Music, 2014). Employing a muscular approach to the saxophone, Hackworth's tenor voice is pronounced here leaving little doubt that one is in for a bit of tenor madness from one of the finest reed men around. Containing four originals and fresh new treatments of five well-known standards, the music is contemporary straight ahead with a touch of soul, blues, burners and ballads all in one nice musical package that goes right to the heart.  A mainstay of New York's vibrant jazz scene, Hackworth naturally selects a group of top notch New York City sidemen to accompany him on this album but eschews the standard bass and the piano instruments in lieu of the organ and guitar for a distinctive rhythm section. Featured here are drummer Vince Ector with guitarist Ed Cherry and organist Kyle Koehler rounding out the cast of this non-standard, different, stylish and very formidable quartet. Ector's rolling drum solo intro on Hackworth's original chart "Big Bad Boogaloo" gets the music going on the steamy side with a lively up tempo burner that showcases the more than appreciable chops of the leader. Floyd Hunt's 1947 composition "Fool That I Am," is the first ballad performed here with Hackworth doing a marvelous job on one soulful tenor solo after another with one of the finest version of the standard recorded to date. The magic continues on the following Arlen/Mercer classic "That Old Black Magic," featuring all of the bandmates on separate solos in one fine swinging rendition of the standard. The original "September Song" is somewhat special for Hackworth as he states "I like to tell a story when I improvise and this song...sets the stage..." and so this one certainly does, telling a tale of great music. 

The saxophonist pays homage to "The Sugar Man" or "Mr. T" as he was better known, the late great Stanley Turrentine would have been more than pleased with Hackworth's "Sweat Tea" and the bluesy title track, both tunes displaying superb examples of tenor voicings Mr. T would have identified with. The set begins to close on an often overlooked composition by the great Duke Ellington with Hackworth and crew delivering a superb rendition of "Mr. Gentle and Mr. Cool," then finalizing the album on a delicate embrace of the gorgeous "Tres Palabras."  Tenorist Jeff Hackworth makes it quite clear that The Heart of the Matter, is providing good music, and on that account, Hackworth and crew craft another delicious statement worth repeated spins and more serious attention, well done! ~ Edward Blanco https://www.allaboutjazz.com/the-heart-of-the-matter-jeff-hackworth-big-bridge-music-review-by-edward-blanco.php

Personnel:  Jeff Hackworth: tenor saxophone;  Ed Cherry: guitar;  Kyle Koehler: organ;  Vince Ector: drums.

The Heart of the Matter

Lou Rawls - When You Hear Lou, You've Heard It All

Styles: Vocal
Year: 1977
File: MP3@320K/s
Time: 38:12
Size: 89,7 MB
Art: Front

(4:05)  1. Lady Love
(3:30)  2. I Wish It Were Yesterday
(3:56)  3. One Life To Live
(3:11)  4. Dollar Green
(3:50)  5. Trade Winds
(4:23)  6. There Will Be Love
(3:27)  7. Unforgettable
(3:16)  8. That Would Do It For Me
(4:35)  9. I Coulda, Woulda, Shoulda
(3:56) 10. Not The Staying Kind

A smooth, often delightful album that kept Lou Rawls squarely in the love/romantic/mellow circle that he'd been scoring in throughout the late '70s. Gamble and Huff were really trimming the productions and keeping things laid-back and casual, while Rawls' emphatic, smoky vocals carried the day. They weren't getting huge pop hits, but were on the R&B charts steadily, and the album just missed the pop Top 40. ~ Ron Wynn https://www.allmusic.com/album/when-you-hear-lou-youve-heard-it-all-mw0000653080

Personnel:  Lou Rawls – Vocals;  Barbara Ingram, Carla Benton, Yvette Benson – Backing vocals;  Charles Collins – Drums;  Michael "Sugarbear" Foreman – Bass;  Dennis Harris, Roland Chambers – Guitar;  Edward Green, Leon Huff – Keyboards;  Davis Cruse – Congas, bongos;  Don Renaldo – Strings, horns

When You Hear Lou, You've Heard It All

Antonio Adolfo & Orquestra Atlantica - Encontros

Styles: Piano Jazz, Big Band
Year: 2018
File: MP3@320K/s
Time: 53:01
Size: 122,6 MB
Art: Front

(5:19)  1. Partido Samba-Funk
(4:29)  2. Pentatonica
(4:33)  3. Atlantica
(4:21)  4. Luizao
(4:29)  5. Milestones
(6:42)  6. Saudade
(4:51)  7. Capoeira Yá
(6:12)  8. Africa Bahia Brasil
(5:03)  9. Delicada Jazz Waltz
(6:58) 10. Sa Marina

After forty years of gigging around the world with a who's who of jazz instrumentalists and singers, the celebrated Brazilian pianist/composer Antonio Adolfo has realized his life-long dream of writing for and recording with a world-class big band and what a band it is: the remarkable Orquestra Atlantica from Adolfo's home country, formed in 2012 and molded since then into a superior ensemble fully capable of carrying out his every wish and desire. On Encontros, the Orquestra adeptly performs nine of Adolfo's sunny compositions and one jazz standard, Miles Davis' "Milestones," neatly arranged by Atlantica trumpeter Jesse Sadoc (seven tracks) and saxophonist Marcelo Martins (three). As one would expect, the music on offer is expressly Brazilian in tone and temper which places an enormous exclamation mark on the winning side of the ledger. On top of which, Adolfo's themes ranging from samba, Frevo and capoeira to waltz, ballad and Afro-Brazilian are invariably agreeable and charming. Impressive as each one is, however, Adolfo saves the best for last: a big-band arrangement of his biggest hit, "Sa Marina," written in 1967 and released globally as "Pretty World" with lyrics by Alan and Marilyn Bergman. The new version embodies handsome solos by Adolfo and tenor saxophonist Martins, crisp exchanges between baritone Levi Chaves and trombonist Aldivas Ayres, and more exemplary work by the cleanly recorded ensemble.  The opener, "Partido Samba-Funk," is explicitly designed for dancing as well as listening. Adolfo's nimble piano is front and center alongside alto Danilo Sinna and trumpeter Sadoc. 

The ensemble is on top of its game, as it is on "Atlantica," a medium-tempo ballad named for the band and featuring Martins and guitarist Leo Amuedo, and "Luizao," a lively samba that salutes the late bassist Luizao Maia. The forceful solo is by valve trombonist Serginho Trombone (yes, that really is his name). Bop meets Frevo on the impulsive "Milestones," wherein tight ensemble work by the horns enwraps lustrous solos by Adolfo and accordionist Marcos Nimrichter.  The mood darkens on "Saudade," whose fluid rhythms underscore earnest statements by Adolfo's piano and Sadoc's flugelhorn, then lightens again on "Capoeira Ya," which turns the spotlight on an unusual Brazilian dance that is combined with martial art as well as on ace guitarist Nelson Faria. Adolfo teams with alto Sinna to enhearten "Africa Bahia Brazil," which celebrates the African influence in Brazilian culture and precedes the gentle "Delicada Jazz Waltz," whose lyrical solos are neatly designed by Adolfo and Nimrichter. "Sa Marina" rings down the curtain on a consistently bright and pleasing album that was a long time coming but well worth the wait. ~ Jack Bowers https://www.allaboutjazz.com/encontros-orquestra-atlantica-antonio-adolfo-aam-music-review-by-jack-bowers.php

Personnel: Antonio Adolfo: piano;  Nelson Faria, Claudio Jorge, Leo Amuedo: guitars;  Jorge Helder: bass;  Rafael Barata: drums;  Dada Costa: percussion;  Danilo Sinna: alto saxophone and flute;  Marcelo Martins: tenor saxophone and flute;  Marcos Nimrichter: accordion;  Ze Renato: vocals.

Encontros

Fay Claassen - Dutch Songbook

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 65:59
Size: 152,2 MB
Art: Front

( 7:36)  1. Find That Screw
( 6:53)  2. Aan De Amsterdamse Grachten
(10:38)  3. Reach for the Rose
( 8:35)  4. Is Dit Alles
( 5:47)  5. Zonder Jou
( 5:21)  6. Opzij, Opzij, Opzij
( 7:42)  7. Dat Mistige Rooie Beest
( 7:21)  8. Five Up High
( 6:03)  9. Keep Me in Your Dreams

This album is a live recording of vocalist Fay Claassen and the WDR Big Band conducted by Torsten Maass with its fantastic soloists at the "Jazz-Schmiede" Düsseldorf on November 28th, 2015. In November 2015, Fay was asked by the management of the WDR Big Band to put together a programme with music from the Netherlands. Fay had carte blanche to choose all the music and have it arranged for her and the WDR Big Band. The music is a selection of Fay's favourite songs by Dutch composers such as Herman van Veen, Benjamin Herman and Cor Bakker. https://www.propermusic.com/product-details/Dutch-Songbook-256818

Dutch Songbook