Saturday, February 25, 2023

Henry Hall & The BBC Dance Orchestra - Waltz in Swingtime

Styles: Swing, Big Band
Year: 2022
File: MP3@320K/s
Time: 30:19
Size: 70,2 MB
Art: Front

(2:56) 1. I Like Bananas
(2:54) 2. I'm Putting All My Eggs In One Basket
(2:59) 3. It's A Sin To Tell A Lie
(2:58) 4. Life Begins When You're In Love
(2:50) 5. Waltz In Swingtime
(2:55) 6. We Saw The Sea
(3:08) 7. Music Goes Round And Around
(3:06) 8. Rusty And Dusty
(3:05) 9. Somewhere At Sea
(3:23) 10. Would You

Born. Henry Robert Hall, 2 May 1898, Peckham, London, England, d. 28 October 1989, Eastbourne, Sussex, England. After winning three musical scholarships, Hall studied piano, trumpet and harmony at the Trinity School of Music. In his teens he worked for the Salvation Army, and wrote several marches, one of which, ‘The Sunshine March’, he adapted later as his closing BBC radio signature tune, ‘Here’s To The Next Time’. After service as an officer in the Royal Artillery in World War I, he formed his own trio, called the Variety Three. When the trio disbanded in 1922, Hall was engaged as relief pianist at the LMS Railway’s Midland Hotel, Manchester.

A year later he became resident band leader there, and for the next 10 years was musical director of the LMS’ Group of over 30 hotels, while also fronting his own band, on the trumpet. He made his first broadcast from one of the hotels, the Gleneagles, in 1924, and in the same year started to record for Columbia Records. In 1932 he became a national figure when he was chosen by the patriarchal Lord Reith to replace Jack Payne as leader of the BBC Dance Orchestra. His appointment was greeted with reservations in some quarters because of his apparent lack of showmanship and gimmickry so prevalent in many of the 30s dance bands. These fears proved to be unfounded. With his unassuming manner and proven musicianship, Hall led the Dance Orchestra to even greater popularity than before.

The only flamboyant feature of the band was their electric-blue uniforms which Reith insisted they wear on broadcasts, even though no-one could see them! In 1933, the first broadcast from Radio City, New York, featured Hall and the BBC Dance Orchestra, and the band jointly topped the bill with Gracie Fields when Europe’s largest cinema, the Gaumont State, Kilburn in north London, was opened. Hall was also guest conductor on the maiden voyage of the luxury Cunard liner, the Queen Mary. Henry Hall’s Guest Night, credited by some as the first ‘chat’ show, ran for nearly 1, 000 editions.

Hall played the popular songs of the day and featured stars of the entertainment world such as Flanagan and Allen, Elsie And Doris Waters, Noël Coward and Gracie Fields. Henry Hall’s Guest Night, introduced somewhat hesitantly by Hall with his catch phrase: ‘This is Henry Hall speaking, and tonight is my Guest Night’, ran on and off for the best part of 20 years, although Hall left the BBC in 1937 and toured the UK with a 16-piece orchestra. He continued touring for 10 years while still broadcasting regularly.

Early in 1948 he disbanded his orchestra to concentrate on his entertainment agency, Henry Hall Enterprises, dealing with dance bands, compositions, plays and films. Later in 1948, he took over the Grand Theatre in the popular summer resort of Blackpool and ran a new band for two seasons to accompany some of the artists he had discovered. These included Donald Peers, Norman Wisdom, David Hughes and Reginald Dixon, but he turned down Vera Lynn because he thought her voice was unsuitable for broadcasting.

His recordings were limited somewhat by his broadcasting work and the need to provide ‘something for everybody’. The first records to be released with his BBC Dance Orchestra were Bing Crosby’s theme song ‘Where The Blue Of The Night (Meets The Gold Of The Day)’, and ‘Songs That Are Old Live Forever’. Later releases included ‘What’s The Name Of That Song’, ‘One, Two, Button Your Shoe’, ‘Butterflies In The Rain’, ‘Eccentric’, ‘Little Man You’ve Had A Busy Day’, ‘The Man On The Flying Trapeze’, ‘Southern Holiday’, ‘East Wind’, and his opening and closing themes, ‘It’s Just The Time For Dancing’, and ‘Here’s To The Next Time’. His version of ‘The Teddy Bear’s Picnic’, with Hall on vocal, has become a perennial favourite with children.

In 1934 Hall had his solitary US chart entry, ‘Play To Me Gypsy’, and in 1936 he engaged the notable jazz musician Benny Carter to appear with, and arrange for the band. However, union problems meant that his contributions were restricted. He continued to conduct orchestras for recording and radio, and made his farewell broadcast as a band leader in 1969, although he made occasional television appearances until 1970, featuring regularly in the BBC television series Face The Music. One of radio’s most popular figures, at the peak of his career he is reputed to have received 35, 000 letters a year while making eight broadcasts a week. He was awarded the CBE in 1970 for his services to music during a career that spanned 50 years. https://www.allmusic.com/artist/henry-hall-mn0000954987/biography

Waltz in Swingtime

Buddy Rich - Sound Of Fury (Live Remastered)

Styles: Jazz, Post Bop
Year: 2022
File: MP3@320K/s
Time: 47:51
Size: 110,0 MB
Art: Front

( 3:57) 1. 'Round Midnight
( 5:58) 2. Groovin' Hard
( 5:34) 3. Chelsea Bridge
( 2:01) 4. Banter
( 8:01) 5. Watson's Walk
( 5:32) 6. Theme From Love Story
( 3:53) 7. Superstar
(11:18) 8. Time Being
( 1:33) 9. Love For Sale

Arguably the greatest jazz drummer of all time, the legendary Buddy Rich exhibited his love for music through the dedication of his life to the art. His was a career that spanned seven decades, beginning when Rich was 18 months old and continuing until his death in 1987. Immensely gifted, Rich could play with remarkable speed and dexterity despite the fact that he never received a formal lesson and refused to practice outside of his performances. Born Bernard Rich to vaudevillians Robert and Bess Rich on September 30, 1917, the famed drummer was introduced to audiences at a very young age.

By 1921, he was a seasoned solo performer with his vaudeville act, "Traps the Drum Wonder." With his natural sense of rhythm, Rich performed regularly on Broadway at the age of four. At the peak of Rich's early career, he was the second-highest paid child entertainer in the world. Rich's jazz career began in 1937 when he began playing with Joe Marsala at New York's Hickory House. By 1939, he had joined Tommy Dorsey's band, and he later went on to play with such jazz greats as Dizzy Gillespie, Charlie Ventura, Louis Armstrong and Gene Krupa.

Rich was regularly featured in Jazz at the Philharmonic during the late 1940s. He also appeared in such Hollywood films as Symphony of Swing (1939), Ship Ahoy (1942) and How's About It (1943). Throughout the 1960s and 1970s, Rich toured with his own bands and opened two nightclubs, Buddy's Place and Buddy's Place II. Both clubs were regularly filled to capacity by fans of the great master drummer. After opening Buddy's Place II, Rich introduced new tunes with elements of rock into his repertoire, demonstrating his ability to adapt to his audience's changing tastes and establishing himself as a great rock drummer. Known for his caustic humor, Rich was a favorite on several television talk shows including the Tonight Show with Johnny Carson, the Mike Douglas Show, the Dick Cavett Show and the Merv Griffin Show.

During these appearances, audiences were entertained by Rich's constant sparring with the hosts and his slights of various pop singers. This famed musician received outstanding recognition throughout his career. The Downbeat Magazine Hall of Fame Award, the Modern Drummer Magazine Hall of Fame Award and the Jazz Unlimited Immortals of Jazz Award are just a few of his numerous honors. Rich gained international attention for such master compositions as his 10-minute West Side Story medley.

During his lengthy career, Rich toured around the globe, performing for millions of fans and several world leaders including the King of Thailand, King Hussein of Jordan the Queen of England, and U.S. presidents Franklin Roosevelt, John F. Kennedy and Ronald Reagan. On April 2, 1987, Rich died of heart failure following surgery for a malignant brain tumor. Longtime friend, Frank Sinatra, spoke a touching eulogy at Rich's funeral. Today, Buddy Rich is remembered as one of history's greatest musicians. According to jazz legend Gene Krupa, Rich was "The greatest drummer ever to have drawn breath."
ttps://www.allaboutjazz.com/musicians/buddy-rich

Sound Of Fury (Live Remastered)

Ahmad Jamal - Live in Paris (1971)

Styles: Piano Jazz
Year: 2022
File: MP3@320K/s
Time: 39:45
Size: 91,2 MB
Art: Front

(15:32) 1. Bogota
(10:19) 2. Manhattan Reflections
(13:53) 3. Effendi

Following the release of two incredible previously unreleased live sessions by jazz greats Pharoah Sanders and Archie Shepp, the French label Transversales Disques has now issued the third of their brilliant Lost ORTF Recordings series featuring a 1971 Paris recording featuring legendary pianist Ahmad Jamal and his trio.

Recorded on June 25, 1971 at the Grand Auditorium Studio 104 in the Maison de la Radio, the trio, who also features Jamil Nasser on double bass and Frank Gant on drums perform expanded renditions of three tracks often associated with Ahmad, including “Bogota” (by Richard Evans), “Effendi” (by McCoy Tyner), and his own composition, “Manhattan Reflections”, which was first introduced on his classic Freeflight full-length for Impulse!.

This well-crafted unearthed live session truly captures Ahmad Jamal and his group at the beginning of what could arguably be his most exploratory and experimental period. Definitely a must-own LP for any Ahmad Jamal fan!
https://beatcaffeine.com/transversales-disques-unearths-incredible-live-1971-recording-of-ahmad-jamal-trio/

Personnel: Ahmad Jamal - (piano, Fender Rhodes); Jamil Nasser - (double bass); Frank Gant - (drums)

Live in Paris (1971)

Efraïm Trujillo & Rembrandt Frerichs - The Standards Collection

Styles: Saxophone And Piano Jazz
Year: 2022
File: MP3@320K/s
Time: 39:06
Size: 90,0 MB
Art: Front

(3:42) 1. Blue In Green
(2:52) 2. Voyage
(8:47) 3. Peace (Live)
(3:42) 4. Prince Of Darkness
(5:05) 5. Think Of One
(4:24) 6. Come Sunday
(3:17) 7. Seven Steps To Heaven
(4:25) 8. Stompin' At The Savoy
(2:47) 9. One Finger Snap

Over the past fifteen years, saxophonist Efraïm Trujillo and pianist Rembrandt Frerichs have become renowned as leading musicians. They regularly encountered each other in various settings, but they never managed to get a new project off the ground together. During the corona crisis they performed as an occasional duo at the Bimhuis and their performance of Horace Silver's composition 'Peace' in particular received extremely enthusiastic reactions. This piece has therefore been included on their fresh CD and expanded with recent recordings made in Trujillo's Studio Theemsweg. Poetic “The Standards Collection Vol. 1' is the appropriate name of their album: a production filled with more and less known repertoire. The well-known 'Blue in Green', which starts, is given a glowing performance.

In his piano solo Frerichs refers to the great innovator Lennie Tristano (1919-1978). This is followed by the rhythmic 'Voyage' by pianist Kenny Barron and Silver's 'Peace', recorded at the Bimhuis. This last exercise is also now a highlight, with poetic play by Trujillo and Frerichs. Funky Their performance of Wayne Shorter's 'Prince of Darkness' provides a completely different groove, a lyrical composition that seems to gain depth in this intimate configuration.

A nice contrast is the almost funky version of 'Think of One' by Thelonious Monk, in which Frerichs supports Trujillo's playing with beautiful bass lines. Their interpretation of Ellington's gospel 'Come Sunday' is almost religious in character, again interspersed with a rhythmic piece: Victor Feldman's 'Steven Steps to Heaven'. Spicy Nice and fat is their performance of the swing classic 'Stompin' at the Savoy', a piece to sit back comfortably that can of course count on a contemporary twist with an excellent Trujillo in the lead role. Almost naturally, this special album ends with a piece by the grand master of the current jazz piano: Herbie Hancock. His classic 'One Finger Snap' can count on a spicy approach from this fantastic duo. We can already look forward to 'The Standard Collection Vol. 2'!Translate By Google http://www.jazzenzo.nl/?e=4990

Personnel: Efhraim Trujillo tenor saxophone, Rembrandt Frerichs piano

The Standards Collection