Ray Bryant - The Madison Time & A Hollywood Jazz Beat

Size: 155,7 MB
Time: 67:27
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz
Art: Front

01. The Madison Time, Part 1 (3:05)
02. The Madison Time, Part 2 (2:42)
03. Centerpiece (4:21)
04. Split T, Part 1 (4:03)
05. Split T, Part 2 (5:18)
06. Hit It!, Part 1 (3:13)
07. Hit It!, Part 2 (4:08)
08. Young Buddy (3:59)
09. The Huckle-Buck (5:06)
10. On Green Dolphin Street (2:15)
11. Ruby (3:07)
12. Invitation (2:56)
13. Secret Love (2:18)
14. An Affair To Remember (2:29)
15. The High And The Mighty (2:08)
16. Exodus (1:59)
17. Laura (4:30)
18. Three Coins In The Fountain (3:20)
19. El Cid (2:20)
20. Tonight (1:50)
21. True Love (2:09)

Although he could always play bop, Ray Bryant's playing combined together older elements (including blues, boogie-woogie, gospel, and even stride) into a distinctive, soulful, and swinging style; no one played "After Hours" quite like him. The younger brother of bassist Tommy Bryant and the uncle of Kevin and Robin Eubanks (his sister is their mother), Bryant started his career playing with Tiny Grimes in the late '40s. He became the house pianist at The Blue Note in Philadelphia in 1953, where he backed classic jazz greats (including Charlie Parker, Miles Davis, and Lester Young) and made important contacts. He accompanied Carmen McRae (1956-1957), recorded with Coleman Hawkins and Roy Eldridge at the 1957 Newport Jazz Festival (taking a brilliant solo on an exciting version of "I Can't Believe That You're in Love with Me"), and played with Jo Jones' trio (1958). Bryant settled in New York in 1959; played with Sonny Rollins, Charlie Shavers, and Curtis Fuller; and soon had his own trio. He had a few funky commercial hits (including "Little Susie" and "Cubano Chant") that kept him working for decades. Bryant recorded often throughout his career (most notably for Epic, Prestige, Columbia, Sue, Cadet, Atlantic, Pablo, and Emarcy), and even his dates on electric piano in the '70s are generally rewarding. However, Bryant was heard at his best when playing the blues on unaccompanied acoustic piano. After a lengthy illness, Ray Bryant died in Queens, New York on June 2, 2011; he was 79 years old. ~by Scott Yanow

The Madison Time & A Hollywood Jazz Beat

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Antoinette Montague - World Peace In The Key Of Jazz

Size: 127,2 MB
Time: 54:37
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues Vocals
Art: Front

01. Ain't Gonna Let Nobody Turn Me Round (3:44)
02. Imagine (3:54)
03. If I Had A Hammer (6:02)
04. Hard Times (4:53)
05. God Bless The Child (6:01)
06. How I Got Over - Contemporary (3:59)
07. Here's To Life (4:34)
08. Oh, What A Beautiful Morning (4:22)
09. All This Love (4:33)
10. And So It Is (3:05)
11. How I Got Over - Traditional (5:50)
12. What The World Needs Now (3:35)

Jazz and blues singer Antoinette Montague was born in Newark, NJ, where she grew up. She attended Seton Hall University and graduated with a degree in English. She moved to Fairfield, CT, and became a vice president of human resources at Boardroom, Inc., in Stamford, CT. All of that constitutes her non-music career. At the same time, she maintained a semi-professional career as a singer, initially in gospel and R&B groups after college, then, when she came under the tutelage of blues singer Carrie Smith, in blues and jazz. The vice president of the International Women in Jazz organization, she performed extensively with jazz groups in the New York metropolitan area. Eventually, she was able to record her own album, Pretty Blues, released by Consolidated Artists Productions in 2006. ~by William Ruhlmann

World Peace In The Key Of Jazz

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Mongo Santamaria - Live In The Netherlands

Size: 178,6 MB
Time: 77:13
File: MP3 @ 320K/s
Released: 2011
Styles: Jazz: Latin Jazz, Afro-Cuban Jazz
Art: Front

01. Untitled ( 8:21)
02. Bonita ( 4:39)
03. Untitled ( 4:37)
04. Amanecer ( 6:37)
05. Para Ti ( 7:51)
06. Afro Blue (12:55)
07. Sofrito ( 9:10)
08. A Mi No Me Enganan (14:34)
09. Mambo Mongo ( 8:25)

A Mongo Santamaria concert is a mesmerizing spectacle for both eyes and ears, and even in his seventies, this seemingly ageless Cuban percussionist/bandleader could energize packed behemoth arenas such as the Hollywood Bowl. A master conguero, Santamaria at his best creates an incantatory spell rooted in Cuban religious rituals, quietly seating himself before his congas and soloing with total command over the rhythmic spaces between the beats while his band pumps out an endless vamp (a potent example on records is the hypnotic "Mazacote" available on Afro-Roots [Prestige]). He has been hugely influential as a leader, running durable bands that combine the traditional charanga with jazz-oriented brass, wind, and piano solos, featuring such future notables as Chick Corea and Hubert Laws. He also reached out into R&B, rock, and electric jazz at times in his long career. No Cuban percussionist, with the possible exception of Santana's Armando Peraza (and let's not count Desi Arnaz!), has reached more listeners than Mongo.

Ramon "Mongo" Santamaria originally took up the violin but then switched to drums before dropping out of school to become a professional musician. A performer at the Tropicana Club in Havana, Mongo traveled to Mexico City with a dance team in 1948 and then moved to New York City in 1950, where he made his American debut with Pérez Prado and spent six years trading percussive barrages with Tito Puente and performing and recording with Cal Tjader (1957-1960). Mongo's first significant recordings in America were made in 1958 for Fantasy; his second Fantasy album, Mongo (1959), contained a composition called "Afro-Blue," which quickly became a Latin jazz standard, taken up by John Coltrane, Dizzy Gillespie, and others.

Santamaria's breakthrough into the mass market may have come as a result of a bad night at a Cuban nightclub in the Bronx in 1962. As the story goes, only three people showed up in the audience, so the musicians held a bull session in which the substitute pianist for the gig, Herbie Hancock, demonstrated his new blues tune, "Watermelon Man." Everyone gradually joined in, the number became a part of Mongo's repertoire, and when producer Orrin Keepnews heard it, he rushed the band into a studio and recorded a single that leaped to the number ten slot on the pop charts in 1963.

The success of Santamaria's cross-pollination of jazz, R&B, and Latin music on "Watermelon Man" and a string of Battle and Riverside albums led to a high-profile contract with Columbia that resulted in a wave of hot, danceable albums between 1965 and 1970. With a brighter, brassy sound propelled by trumpeter Marty Sheller's driving charts, often covering hits of the day, the Santamaria band perfectly reflected the mood of the go-go '60s, and Mongo continued to mix genres into the '70s. Santamaria then returned to his Afro-Cuban base, recording for Vaya in the early '70s, teaming with Gillespie and Toots Thielemans for a live gig at Montreux for Pablo in 1980, recording several albums for Concord Picante (1987-1990), a sole effort for Chesky in 1993 and a return to the Fantasy fold via its Milestone subsidiary in 1995. He died on February 1, 2003, at Baptist Hospital in Miami, following a stroke. ~by Richard S. Ginell

Live In The Netherlands

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Jr Volcano Choy - Lava Flow

Size: 151,5 MB
Time: 65:31
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: World Fusion, Latin Jazz, Vocals
Art: Front

01. Lava Flow (2015 Rendition) ( 8:19)
02. A Time For Love ( 5:53)
03. Hawaiinesia ( 6:22)
04. Delirio ( 7:23)
05. Lava Flow (Original Rendition) ( 8:19)
06. You Were Standing There ( 4:50)
07. Wahine Ilikea ( 5:55)
08. Man With The Horn ( 5:04)
09. Daahoud (Live Performance) (13:22)

One Of Hawaii's Finest Jazz Artists: Jr Volcano Choy

"I would describe my new release, Lava Flow, in a similar fashion as does CD Baby: “An eclectic album of jazz flavors that will satisfy the hunger pangs of any musical palate, with main courses being dished out by way of major league performances by the musicians on this album.” Yes, eclectic is an accurate term describing my many influences not only musically, but also culturally and ethnically. Hawaii is well known as the “melting pot” of the Pacific and so this album reflects that “melting pot” influence. For example, I sing in three languages on this one (English, Spanish and Hawaiian)."

Lava Flow

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Timo Lassy - Love Bullet

Size: 102,2 MB
Time: 43:21
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front

01. Love Intro (0:26)
02. Green Pepper Strut (5:27)
03. Love Bullet (3:49)
04. Hip Or Not (4:32)
05. Fast Fabio (2:34)
06. Stay Close (5:21)
07. We Jazz Theme (6:28)
08. Waltz Unsolved (4:11)
09. Undecided (8:10)
10. Bullet Outro (2:18)

Finnish tenor player Timo Lassy started his career in Amsterdam and returned to his homeland to do some notable work with the Five Corners Quintet and then with Fiver Corners alumnus Jukka Eskola (Review) , who guests on trumpet here. In a part of the world where electronic music tends to dominate, Lassy has remained faithful to acoustic playing, and performs adroit, world class hard bop and soul jazz.

Having recently supported singer Joyce Elaine Yuille on her debut album (reviewed here), Lassy is now back as a leader on this CD, his fifth album, with virtually the same line-up as featured accompanying Yuille: the gifted Georgios Kontrafouris on keyboards, Antti Lötjönen on bass and Abdissa Assefa percussion. They’re a great unit and freed of the discipline of comping, they really soar here.

The title Green Pepper Strut suggests Memphis Rn'B of the Booker T variety, and initially delivers this in spades, a funky, honking, hand-clapping treat with Timo Lassy probing forward and Kontrafouris adding characteristically virtuosic slabs of Wurlitzer. But it rapidly moves into a more polished CTI mode and then onto increasingly complex and modernistic pastures, with Kontrafouris ably conducting the tour and displaying all kinds of ability on the keyboard as he adapts along the way. It’s virtually a compact fifty year survey of popular jazz idioms, returning to its rhythm and blues roots as it wraps up.

Love Bullet presents wonderful soft cloud-of-sound sax from Lassy, alternately gorgeously gruff and beguilingly gossamer, supported by judicious vibes, lazy, lambent and concise, from Panu Savolainen. Subtle keyboard stabs courtesy of Kontrafouris help to set the pace. Hip or Not has a strong soul jazz feel with a hint of modernist astringency. There are superb chiming and shimmering keyboard passages with smart use of space, and lucid virile trumpet from Jukka Eskola. He hands over to Lassy, who raises his game in the afterglow of Eskola’s solo, playing spiky and eloquent tenor. The drumming — from Teppo Mäkynen — and Abdissa Assefa’s percussion are outstanding, contributing a Latin feel.

Undecided is a feature for Jukka Eskola and is initially suggestive of Freddie Hubbard in his prime, but soon Eskola, and indeed the whole ensemble, are evoking electric era Miles Davis in a sweetly thunderous, roiling and rolling workout. Bullet Outro is hypnotically rhythmic, weaving a pattern of percussion (great work by Assefa, in cahoots with Teppo Mäkynen), supported by Kontrafouris’s trademark keyboard stabs, before Lassy comes in to offer a tender commentary. ~by Andrew Cartmel

Love Bullet

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Nat King Cole Trio - The Best Of The Nat King Cole Trio: Instrumental Classics

Bitrate: MP3@320K/s
Time: 51:39
Size: 118.2 MB
Styles: Small combo jazz, Piano jazz
Year: 1992
Art: Front

[2:25] 1. Jumpin' At Capitol
[3:18] 2. The Man I Love
[3:17] 3. Body And Soul
[2:54] 4. Prelude In C Sharp Minor
[2:55] 5. What Is This Thing Called Love
[3:09] 6. Easy Listening Blues
[2:16] 7. Sweet Georgia Brown
[3:00] 8. This Way Out
[2:53] 9. Smoke Gets In Your Eyes
[2:36] 10. Honeysuckle Rose
[2:31] 11. Rhumba Azul
[3:10] 12. Moonlight In Vermont
[2:38] 13. How High The Moon
[2:47] 14. I'll Never Be The Same
[3:11] 15. These Foolish Things
[3:18] 16. Laugh! Cool Clown
[2:34] 17. Bop-Kick
[2:37] 18. Peaches

When Nat King Cole started he had to overcome the perception that small groups were not viable entertainment (this was the big band heyday.) What he did, with two kindred spirits - Oscar Moore and Johnny Miller - was to prove that not only could a small trio be a powerhouse, but a drummer was not needed. Pretty heady stuff for the times.

The tracks on this album are not only superb examples of the virtuoso musicianship of Cole, Moore and Miller, but rivaled what was arguably the greatest rhythm section in jazz: Basie, Freddie Green, Walter Page and Papa Jo Jones. However, unlike the All American Rhythm Section, Nat's trio have to also handle melody and harmony. Their music excelled in all three, and especially harmony which set the trio apart from any other small group of not only the era, but just about any trio that has since followed.

Regarding the instruments in the ensemble: Oscar Peterson came close to achieving the same level of musicianship in his earlier trio, which included Herb Ellis on guitar and Ray Brown on bass. One of the best examples of their music (and a good comparison to this album) is Oscar Peterson Trio At The Stratford Shakesperean Festival. This same format was successfully employed by another piano great, Hank Jones, with this album showcasing yet another drummerless piano trio that set high standards: The Very Best Of 1953-1960.

However, it all started with Nat who was fortunate to have found both Johnny Miller and Oscar Moore (and Moore's later replacement, Irving Ashby.) As great as Nat was on piano Moore and Miller made significant contributions to the trio's success, and a careful listen to this album and how they played off each other will illustrate that. ~Mike Tarrani

The Best Of The Nat King Cole Trio: Instrumental Classics

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Charly Antolini - Jazz-Power

Bitrate: MP3@320K/s
Time: 59:28
Size: 136.2 MB
Styles: Contemporary jazz
Year: 2007
Art: Front

[7:09] 1. The King
[6:38] 2. Willow Weep For Me
[4:08] 3. Please, Close The Door
[4:12] 4. I'm Coming Virginia
[6:42] 5. Lover Come Back To Me
[4:05] 6. You're My Everthing
[4:55] 7. What Is This Thing Called Love
[5:33] 8. Cry Me A River
[6:34] 9. In Walked Bud
[6:21] 10. Moten Swing
[3:05] 11. C-Jam Blues

Charly Antolini (born May 24, 1937 in Zürich) is a Swiss jazz drummer. Antolini started playing the traditional Swiss Basler drum and in 1956 went to Paris where he played with Sidney Bechet, Bill Coleman among others, and playing in the Oldtime Jazz Band "The Tremble Kids" with trumpeter Oscar Klein and clarinettist Werner Keller.

In 1962 he went to live in Stuttgart, Germany where he spent 5 years playing with bassist Peter Witte and pianist Horst Jankowski in the SWR Bigband led by Erwin Lehn. He also played in big bands with Kurt Edelhagen, Peter Herbolzheimer and Max Greger in the NDR Bigband. In 1976 he set up his own band, "Charly Antolini's Jazz Power", originally featuring Steve Hooks (tenor sax); Andrei Lobanov (trumpet); David Gazarov (keyboards) and Rocky Knauer (bass), although later members were Len Skeat and Brian Lemon. In the 80s he toured Germany, Italy and Denmark with Benny Goodman, as well as with Lionel Hampton, Barbara Dennerlein, Albert Mangelsdorff, Earl Hines, Roy Eldridge, Jimmy Giuffre, Art Farmer, Oliver Nelson, Art Van Damme, Stuff Smith, Baden Powell among others. In the late 80s-early 90s he recorded three live albums with British tenor saxophonist Dick Morrissey and in 1994 he set up the band Super Trio with pianist Dirk Raufeisen and bassist Jimmy Woode. At the end of 2004 Herman Rarebell, Pete York and Antolini formed a three drummer project called Drum Legends, and released a live CD and DVD. He also toured the Soviet Union. Charly lives in Munich - Germany and tours regularly with his own band Jazz Power.

Jazz-Power

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Benny Carter, Billy Eckstine - Billy Eckstine Sings With Benny Carter

Bitrate: MP3@320K/s

Time: 50:32

Size: 115.7 MB

Styles: Vocal jazz, Standards

Year: 1988/2013

Art: Front

[5:22] 1. You'd Be So Nice To Come Home To

[3:32] 2. My Funny Valentine

[3:51] 3. Here's That Rainy Day

[3:52] 4. Summertime

[3:52] 5. A Kiss From You

[3:45] 6. Memories Of You

[4:40] 7. I've Got The World On A String

[3:51] 8. Now That I Need You

[4:39] 9. Over The Rainbow

[3:56] 10. September Song

[3:43] 11. My Name

[5:24] 12. Didn't We

Billy Eckstine's final recording (although he would live until 1993) finds the 72-year old singer showing his age. Mr. B's famous baritone voice at this late date only hints at his earlier greatness although his phrasing and enthusiasm uplift what could have been a depressing affair. Ironically altoist Benny Carter (who was 79) still sounds in his prime on alto and he takes an effective trumpet solo on "September Song." Singer Helen Merrill opens and closes the set by interacting vocally with Eckstine on "You'd Be So Nice to Come Home To" and "Didn't We." Eckstine, backed by a trio headed by his longtime pianist Bobby Tucker, does his best on such songs as "My Funny Valentine," "Memories of You" and "Autumn Leaves" but his earlier recordings are the ones to get. ~Scott Yanow

Billy Eckstine Sings With Benny Carter    

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Ariana Savalas - Sophisticated Lady

Styles: Vocal Jazz
Year: 2014
File: MP3@320K/s
Time: 26:22
Size: 60,5 MB
Art: Front

(4:27)  1. One Man Show
(4:43)  2. Peel Me a Grape
(3:16)  3. Shotgun
(5:22)  4. Too Late
(4:26)  5. Perfect Man
(4:07)  6. Sophisticated Lady

The youngest daughter of actor Telly Savalas and his wife Julie, Ariana Savalas is a singer/songwriter, dancer, and actress. Following the death of her father in 1994 when Ariana was seven, she and her family moved to her mother's home state of Minnesota, where Ariana studied at a convent high school to participate in its theater program. Her career as a pop singer got an early start when she recorded a song at a mobile karaoke station while on vacation in Austria in her teens. The song made its way to the label Startrax, for whom she recorded a single and an EP produced by European producer Jack White (not to be confused with the former White Stripes founder). This led to Savalas touring Europe and appearing on Austrian television. Following her tour, she was accepted into London's Royal Academy of Dramatic Art, where she studied acting and Shakespeare. 

Meanwhile, she taught herself piano and began writing songs inspired by Queen, David Bowie, and the Beatles as well as Frank Sinatra and other jazz and vocal pop stars from the '40s and '50s. After moving to Los Angeles, Savalas landed the lead role in the independent film Miriam, about holocaust survivor Miriam Shafer; her other acting credits include the film Akrasia and a role on the CBS drama Criminal Minds. During this time, she also pursued her music, performing as a jazz singer on the cabaret scene and recording her debut album, Kingdom, with producer Mark Portmann. Her debut single, Perfect Man, arrived in January 2012 and featured Grey's Anatomy's Eric Dane in its music video. Bio ~ Heather Phares  http://www.allmusic.com/artist/ariana-savalas-mn0002374392/biography

Sophisticated Lady

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Jessy J - My One And Only One

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 48:08
Size: 110,7 MB
Art: Front

(3:37)  1. Una Mas
(4:14)  2. My One and Only One
(5:16)  3. Lovesong
(4:26)  4. The Tango Boy
(3:52)  5. Paraíso Mágico
(6:15)  6. Back To the Basics
(6:23)  7. You're Makin' Me High
(4:53)  8. Siempre
(4:28)  9. Cuba
(4:39) 10. Strawberry Letter 23

Jessy J's solo albums Tequila Moon (2008), True Love (2009), Hot Sauce (2011) and Second Chances (2013) mark her constant way to fame and popularity in the smooth jazz community. Her fifth project is My One and Only One, scheduled for release May 26th, 2015. Paul Brown, Gregg Karukas, Roberto Vally, Sergio Gonzalez, Richie Gajate, Michael Ripoll, Zoux, Oskar Cartaya, Ruslan Sirota, Alex Al, Taku, Michael Angel, Frank Abraham, Iajhi Hampden, Bryant Siono, Norman Jackson, Jay Gore, Lee Thornberg, Dave Hooper, Ronnie Gutierrez, Janis Leibhart & Dave Darlington are mentioned as supporting musicians on her website. Jessy is toying gladly with her Mexican American ancestry. Many of her songs have a Latin American reference like the starting Una Mas. Capricious but warm on the skin like a soothing spring breeze soars the melody. The title track is more down to earth, so if she tried to retain My One and Only One.

Lovesong previous recorded by alternative rock band The Cure and British singer Adele is essential reinterpreted and immaculately limited to the melody. Swaying comes along The Tango Boy, the first single of the new album. Backed by a powerful horn arrangement, electric piano, Paul Brown on guitar, this is a tight show opener. On Paraíso Mágico Jessy J dives into the Latin American world sharing the melody on flute and vocally. Back To The Basics is enhanced with Brazilian rhythmic instruments, an awesome piano solo and a jazz-inspired Jessy on sax. With You’re Making Me High, Toni Braxton's former hit single from her album Secrets, Jessy moves on solid ground. Singing in Spanish belongs to Jessy's repertoire. 

With the euphonious Siempre she is in her element. In 2014 Jessy J had the pleasure of visiting Havana, Cuba for the International Jazz Festival. Cuba is at the same time remembrance and tribute to this island and their inhabitants connected with the music. Strawberry Letter 23, legendary by The Brothers Johnson, was also covered by Quincy Jones, the group Kiara, Tevin Campbell and Phil Upchurch. A melody worth to replay. The packaging makes music. Jessy J's appearance is outstanding, her stage presence is always a highlight for every event especially since she has preserved her naturalness. With such a jump start each album of her will succeed. http://www.smooth-jazz.de/firstview/JessyJ/MyOneAndOnlyOne.htm

My One And Only One

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Anne Sofie Von Otter, Brad Mehldau - Love Songs Disc 1 And Disc 2

American jazz pianist and composer Brad Mehldau and Swedish mezzo-soprano Anne Sofie von Otter pair up on this two-disc set of love songs. The first disc is devoted to Mehldau's Love Songs, a seven-song cycle commissioned by Carnegie Hall, KölnMusik, and Wigmore Hall. He takes as his texts five poems by Sara Teasdale and one each by e.e. cummings and Philip Larkin. Although the influence of American vernacular music is evident throughout, these are clearly not pop songs; they fit better in the "New American Art Song" category exemplified by composers like Ricky Ian Gordon, Jake Heggie, and John Musto. Mehldau's songs are notable for their generous lyricism, subtly complex rhythmic drive, a gift for melody, and a potent emotional punch. Although they make a striking set all together and each song is fully successful, "Twilight" and "Dreams" are especially evocative and memorable. 

The texts describe a variety of romantic experiences, but Mehldau's settings are essentially positive and optimistic. Not so the majority of songs on the second disc, most of which have the character of profoundly melancholy torch songs. About half are French, by composers such as Michel Legrand, Jacques Brel, and Léo Ferré, and there are songs by Joni Mitchell (the heartbreaking "Marcie"), Bob Telson ("Calling You"), and Leonard Bernstein ("Some Other Time"), among others. Von Otter does not have the sound of a crossover artist, but she has the maturity and flexibility to being just the right looseness and expressive freedom to these songs to make her performances fully persuasive. Her tone is full and pure, and her investment in the songs is absolute. Mehldau's exceptionally sensitive and inventive accompaniments contribute immeasurably to the success of the album. The sound is appropriately warm and intimate, but is a little on the close side on the second disc. ~ Stephen Eddins  http://www.allmusic.com/album/love-songs-mw0002044857

Personnel:  Anne Sofie von Otter (Vocal), Brad Mehldau (Piano)

Disc 1

Styles: Vocal, Chanson

Year: 2010

File: MP3@320K/s

Time: 30:48

Size: 70,9 MB

Art: Front

(5:43)  1. It May Not Always Be So

(4:02)  2. We Met At The End Of The Party

(2:19)  3. Child, Child

(2:51)  4. Twilight

(4:39)  5. Because

(5:30)  6. Dreams

(5:41)  7. Did You Never Know?

Love Songs Disc 1

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Disc 2

File: MP3@320K/s

Time: 48:27

Size: 111,6 MB

Art: Front

(4:14)  1. Avec le temps

(4:03)  2. Pierre

(3:58)  3. Marcie

(3:22)  4. Something Good

(5:14)  5. Chanson de Maxence

(4:11)  6. Chanson des vieux amants

(2:39)  7. Sakta vi ga genom stan

(2:42)  8. Att angora en brygga

(4:12)  9. Dis, quand reviendras-tu?

(3:10) 10. What Are You Doing the Rest of Your Life?

(4:08) 11. Calling You

(2:26) 12. Blackbird

(4:03) 13. Some Other Time

Love Songs Disc 2

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