Monday, August 27, 2018

Houston Person - Very Personal

Styles: Saxophone Jazz
Year: 1980
File: MP3@320K/s
Time: 41:33
Size: 96,4 MB
Art: Front

(4:20)  1. Daydream
(5:37)  2. Peace
(6:25)  3. Chicago Serenade
(4:36)  4. Steppin' Into Beauty
(6:25)  5. I'll Let You Know
(7:42)  6. Berkshire Blues
(6:26)  7. God Bless The Child

A departure for tenor saxophonist Houston Person, normally a soul jazz, blues, funk, and ballads player. This is more mainstream jazz and hard bop, with Person working alongside pianist Cedar Walton, trombonist Curtis Fuller, bassist Buster Williams, and drumer Vernell Fournier. All those who felt that Person couldn't play bop changes were left looking silly when this came out in 1980. ~ Ron Wynn https://www.allmusic.com/album/very-personal-mw0000870509

Personnel:  Houston Person - tenor saxophone;  Curtis Fuller - trombone;  Cedar Walton - piano;  Buster Williams - bass;  Vernel Fournier - drums.

Very Personal

Benny Green & Russell Malone - Jazz at the Bistro

Styles: Piano And Guitar Jazz
Year: 2003
File: MP3@320K/s
Time: 61:38
Size: 141,3 MB
Art: Front

(4:49)  1. Ask Me Now
(3:01)  2. Tale of the Fingers
(5:02)  3. A Bientôt
(5:45)  4. Sing
(4:47)  5. When Lights are Low
(3:54)  6. Wabash
(4:42)  7. How Deep is Your Love?
(6:44)  8. The Intimacy of the Blues
(5:04)  9. Lazy Bird
(5:01) 10. Love Letters
(0:29) 11. Russell's Introduction
(2:42) 12. Quiet Girl
(0:34) 13. Benny's Introduction
(2:48) 14. Hand-Told Stories
(6:07) 15. The Intimacy of the Blues

Russell Malone can play it all  rock, pop, country, blues, jazz you name it. But as anyone who has heard his recording knows, he's most at home (and comfortable) when he's playing jazz. And we as listeners are rewarded with some of the most beautiful sounds, tones and phrasing possible on the guitar. On Jazz at The Bistro, Malone is joined by pianist Benny Green. While live recordings in small rooms (and St. Louis's The Bistro is a small club) can be even more difficult to properly record than "regular" live recordings, Jazz At The Bistro is an excellent testament to Malone's and Green's virtuosity. Malone's guitar is accompanied only by Green on piano. Their music is at times fast-paced and exciting and at other times laid-back and smooth. This dichotomy is best heard by listening to the upbeat "Tale of the Fingers" and comparing it ot "A Beintot." Both are beautiful and fantastic tracks and both couldn't be more different. Jazz at The Bistro is comprised of fifteen tracks recorded over a span of four nights in the club. Malone and Green manage to put a fresh spin on many familiar '70s radio hits like the Carpenters' "Sing (Sing A Song)," "How Deep Is Your Love?" by the Bee Gees, Thelonious Monk's "Ask Me Now" (which also serves nicely as the CD's opening track) and Roberta Flack's "Killing Me Softly." They also do justice (even without bass, drums and sax) to Cannonball Adderley's "Wabash," Billy Strayhorn's "Intimacy of the Blues," and John Coltrane's "Moment's Notice/Lazy Bird." Malone and Green also play some of their own compositions. The highlights are Green's "Quiet Girl" and Malone's "Hand-Told Stories." As with all Telarc recordings, the sound quality is superb. The music is crystal clear. Although the album only features two instruments and the song choices are quite ambitious, Green and Malone make the recording work by improvising both in arrangement and attitude. ~ Mike Perciaccante https://www.allaboutjazz.com/jazz-at-the-bistro-benny-green-telarc-records-review-by-mike-perciaccante.php

Personnel: Benny Green - Piano, Russell Malone - Guitar.

Jazz at the Bistro

Hurricane Smith - The Best Of Hurricane Smith

Styles: Vocal, Pop/Rock 
Year: 1998
File: MP3@320K/s
Time: 39:00
Size: 90,1 MB
Art: Front

(2:37)  1. Don't Let It Die
(2:39)  2. Writer Sings The Song
(3:25)  3. Oh Babe What Would You Say
(3:04)  4. Who Was It
(4:29)  5. My Mother Was Her Name
(3:58)  6. Beautiful Day Beautiful Night
(2:59)  7. Back In The Country
(2:57)  8. Getting To Know You
(3:48)  9. Many Happy Returns
(3:24) 10. Wonderful Lily
(2:46) 11. Auntie Vi's
(2:50) 12. Take Suki Home

Norman "Hurricane" Smith was a man who enjoyed two very different careers in music, first as a top recording engineer and later as a pop singer who scored Top Ten hits in the United States and the United Kingdom. Born in North London, England on February 22, 1923, Smith served in the Royal Air Force during World War II as a glider pilot. After the war, he began pursuing his interest in music, playing drums and piano with several trad jazz combos. Smith's career as a jazz musician never really took off, and in 1959, he took a position as an apprentice recording engineer at EMI's Abbey Road recording studio in London. (At that time, EMI didn't hire apprentice engineers over 28, so the 35-year-old Smith fudged his age on the application.) He started as a tape operator and was advanced to balance engineer, working under EMI staff producer George Martin. Smith was at the controls when a scruffy young beat combo from Liverpool came to Abbey Road to record an audition for Martin; it was in part due to Smith's enthusiasm for the song "Love Me Do" that Martin chose to sign the Beatles to a recording contract. 

From 1962 to 1965, Smith was George Martin's right-hand man in the studio, engineering all the Beatles' recording sessions and earning the nickname "Norman Normal" from John Lennon. In 1966, EMI made Smith an A&R man and producer, and he signed Pink Floyd to the label, producing their first two albums, as well as producing the Pretty Things' pioneering concept album S.F. Sorrow and several LPs for Barclay James Harvest. In 1972, Smith decided to take some time off from the recording studio to become a performer; clearly influenced by classic pop and jazz sounds as well as the era of the British musical hall, he adopted the stage name Hurricane Smith (taken from the title of a film he liked), and recorded a handful of sentimental, old-fashioned tunes he'd written, which he performed with his warm, slightly rough voice. One of those songs, "Oh Babe, What Would You Say?" became a surprise hit in the U.S. and the U.K., and suddenly the middle-aged recording engineer became a pop star. Smith would score a few more hits in England but was destined to be a one-hit wonder in the United States, and by the mid-'70s, he'd returned to producing and engineering. In the '80s, Smith retired from the music business and took up horse breeding, but in 2003, he cut a new album as Hurricane Smith, From Me to You, in which he re-recorded several of his old hits and shared stories of his life in music. Smith also wrote a privately published book, John Lennon Called Me Normal, about his years working with the Beatles. Published in 2007, he promoted the book with readings at Beatles fan conventions; they were his last public appearances, and he died on March 3, 2008.~ Mark Deming 
https://www.allmusic.com/artist/hurricane-smith-mn0001007298/biography

The Best Of Hurricane Smith

Norah Jones - Live At Ronnie Scotts

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 90:11
Size: 207,4 MB
Art: Front

(1:08)  1. Intro
(3:34)  2. Sleeping Wild
(6:08)  3. Don't Be Denied
(5:29)  4. After the Fall
(6:46)  5. Sinkin' Soon
(5:16)  6. Out on the Road
(4:26)  7. And There Was You
(4:31)  8. It's a Wonderful Time for Love
(7:35)  9. Fleurette Africaine (African Flower)
(7:17) 10. Flipside
(5:15) 11. Day Breaks
(6:40) 12. Nightingale
(4:29) 13. Tragedy
(6:13) 14. Little Broken Hearts
(3:46) 15. Carry On
(4:42) 16. Don't Know Why
(6:49) 17. I've Got to See You Again

Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio. The group play tracks from Jones’ sixth solo album Day Breaks and a selection of hits from her extensive catalogue including the hit singles, 'Carry On', ‘Flipside' and 'Don’t Know Why'. ~ Editorial Reviews https://www.amazon.com/Live-Ronnie-Scotts-Norah-Jones/dp/B07B5Y6PNP

Live At Ronnie Scotts