Wednesday, November 1, 2023

Dave Stryker - Blue Soul (Feat. Bob Mintzer & WDR Big Band)

Styles: Guitar Jazz
Year: 2020
File: MP3@320K/s
Time: 58:06
Size: 136,3 MB
Art: Front

(5:40) 1. Trouble Man
(6:07) 2. Aha
(7:20) 3. What's Going On
(6:46) 4. Came To Believe
(6:57) 5. Blues Strut
(6:27) 6. When Doves Cry
(5:31) 7. Wichita Lineman
(6:07) 8. Shadowboxing
(7:06) 9. Stan's Shuffle

Bob Mintzer had an idea. The renowned tenor saxophonist, who serves as principal conductor of Cologne, Germany's world-class WDR Big Band, had made several appearances as guest artist with guitarist Dave Stryker's New York-based organ trio and was so impressed that he thought it would be a good idea to re-orchestrate some of Stryker's music for big band and invite the guitar maestro to return the favor by traveling to Germany and performing as guest artist with the WDR ensemble, an offer that Stryker accepted without pause. Was Mintzer's idea credible? In a word, yes the evidence of which abounds on the superb album Blue Soul, wherein Stryker, Mintzer and the WDR merge forces to brighten a trio of Stryker's handsome themes and others by Marvin Gaye ("Trouble Man," "What's Going On"), Prince ("When Doves Cry"), Jimmy Webb ("Wichita Lineman"), Stanley Turrentine ("Stan's Shuffle") and Mintzer's breezy "Aha." Stryker solos adroitly on every track, Mintzer on "Aha," "Stan's Shuffle" and Stryker's prancing "Blues Strut," while the WDR does its part to lend warmth and substance to every number. Stryker's other compositions, the cantering "Came to Believe" and assertive "Shadowboxing," stand out among the album's many pleasurable moments.

Stryker and organist Billy Test share blowing space on Gaye's earnest, blues-based "Trouble Man," which raises the curtain and paves the way for "Aha" and the second offering from Gaye, "What's Going On," a carefree showpiece for Stryker, Test and alto Karolina Strassmayer. A second alto, Johan Horlen, sparkles on "Came to Believe" before Stryker and Mintzer take charge on what is arguably the album's piece de resistance, the bright and irrepressible "Blues Strut." Horlen and drummer Hans Dekker undergird Stryker on the fast-paced "When Doves Cry," trombonist Andy Hunter sparkles on "Wichita Lineman," Dekker and tenor Paul Heller on "Shadowboxing," after which Stryker and Mintzer strike the ideal note on an exemplary codicil, the buoyant "Stan's Shuffle." Mintzer's idea, as it turns out, was far better than good; it was brilliant. All hands are resolute and standing firm, and Blue Soul is an appetizing entree that should command pride of place on any big-band enthusiast's menu. ~ Jack Bowers https://www.allaboutjazz.com/blue-soul-dave-stryker-with-bob-mintzer-and-the-wdr-big-band-strikezone-records

Personnel: Dave Stryker: guitar; Bob Mintzer: saxophone; Wim Both: trumpet; Rob Broynen: trumpet; Andy Haderer: trumpet; : trumpet; Johan Horlen: saxophone, alto; Karolina Strassmayer: saxophone, alto; Olivier Peters: saxophone, tenor; Paul Heller: saxophone, tenor; Jens Neufang: saxophone, baritone; Ludwig Nuss: trombone; Raphael Klemm: trombone; Andy Hunter: trombone; Mattis Cederberg: trombone; Billy Test: piano; John Goldsby: bass; Hans Dekker: drums.

Blue Soul (Feat. Bob Mintzer & WDR Big Band)

Kenny Burrell - Jazzmen Detroit

Styles: Guitar Jazz
Year: 1956
File: MP3@320K/s
Time: 33:52
Size: 77,9 MB
Art: Front

(5:57)  1. Afternoon in Paris
(4:46)  2. You Turned the Tables on Me
(5:28)  3. Apothegm
(5:21)  4. Your Host
(5:37) 5. Cottontail
(6:40)  6. Tom's Thumb

This Savoy CD lists Kenny Burrell as session leader, but it is clearly a group effort that could easily have been attributed to Pepper Adams or pianist Tommy Flanagan. Burrell has the edge, though, in writing credits with the contribution of two tunes: the quietly assured "Your Host" and the bluesy, hard bop line "Tom's Thumb." Adams offers his leisurely, sophisticated "Apothegm" to the date. Flanagan, for his part, is pure elegance, subtlety, and swing. With the exception of drummer Kenny Clarke, all the players hail from the motor city.

Coming up through the same hometown music scene may help account for the fine group interplay. It's also apparent the musicians had the luxury of working through these six tunes before sitting down to record. The result does full justice to the fine writing and arranging and allows for thoughtfully developed improvisations. Ensemble entries are crisp and assured, as are the entrances by all soloists. Burrell favors a dry, clean attack here, while Adams reins in his more full-throated tendencies. Clarke, Flanagan, and bassist Paul Chambers support with consummate taste. The overall mood may be a bit too polite, but this remains a classy, near classic performance. There's no padding, although, at 33 minutes, the running time is brief. The sound recording is excellent.By Jim Todd  http://www.allmusic.com/album/jazzmen-detroit-mw0000097797

Personnel: Kenny Burrell (guitar); Pepper Adams (baritone saxophone); Tommy Flanagan (piano); Paul Chambers (bass); Kenny Clarke (drums).

Jazzmen Detroit