Showing posts with label Thailand. Show all posts
Showing posts with label Thailand. Show all posts

Monday, June 22, 2015

Sara Jones - Daydream A Little

Bitrate: MP3@320K/s
Time: 59:47
Size: 136.9 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[3:49] 1. Garota De Ipanema
[2:43] 2. Aquarela Do Brazil
[4:38] 3. Overjoyed
[4:04] 4. I'll Take Romance
[5:12] 5. Les Feuilles Mortes
[4:58] 6. Some Other Time
[2:54] 7. Embraceable You
[3:30] 8. Only Trust Your Heart
[7:06] 9. The Look Of Love
[3:14] 10. Dream Dancing
[4:57] 11. Mona Lisa
[5:15] 12. At Seventeen
[4:01] 13. Tristeza
[3:20] 14. Chega De Saudade

Romero Lubambo, guitar; Nilson Matta, bass; Duduka Da Fonseca, drums; Paul Langosch, bass - tracks 4,6,7,10,12; Kevin Watt, flugelhorn - track 2,4,9;

From the first notes that Sara Jones sings on her debut CD, "Daydream A Little," it is obvious that a bright new vocalist is already making her mark on the music world. Her voice is very appealing, inviting and youthful. She revitalizes “The Girl From Ipanema” in a version that owes little to Astrud Gilberto--she swings, and her rendition is full of joy. In fact, one can easily imagine and even hear her smiling through her music.

The same qualities are heard throughout "Daydream A Little," a mixture of jazz and Brazilian standards that also includes a few superior pop songs. Teamed with guitarist Romero Lubambo, bassist-producer Paul Langosch, and the members of Trio da Paz, Sara Jones' debut is memorable, musical and infectious.

Born in Thailand and raised on the Eastern shore of Maryland, she began performing music as a pianist. “My Mom, grandmother and great aunt played piano so there was always a piano in the house,” remembers Sara. “I caught the bug when I was five. Although I mostly played classical music, I also listened to a lot of my grandparents' records and tapes of big bands.” Sara did not start singing seriously until she was in high school, winning the lead in the musical Anything Goes where she enjoying performing Cole Porter's music.

Daydream A Little

Thursday, October 30, 2014

The Asian Jazz All Stars Power Quartet - Live At The Living Room

Bitrate: 320K/s
Time: 71:45
Size: 164.3 MB
Styles: Fusion
Year: 2012
Art: Front

[13:54] 1. Carrot Cake
[19:22] 2. African Skies
[ 8:48] 3. This Guy's In Love
[11:49] 4. Wrappin' It Up
[17:50] 5. Tiramisu (For Hino)

The name says it all; four of Asia's leading jazz musicians—Singaporean pianist/organist Jeremy Monteiro, Philippine saxophonist Tots Tolentino, Hong Kong guitarist Eugene Pao and Thai drummer, Hong Chanutr Techatana-nan—combine to produce a powerful, electro-acoustic jazz fusion which draws inspiration from the Larry Goldings/Peter Bernstein/Bill Stewart trio. Recorded at the Living Room, Bangkok during a month-long jazz festival in June 2011 to celebrate the venue's tenth anniversary, this recording captures the quartet in exuberant mood.

After thirty years at the piano, Monteiro returned to his early love, the Hammond organ, in recording Groovin' at Groove Junction (Jazznote Records, 2009)—nominated for an Independent Music Award—and his organ sound leaves a large imprint on the session. Peter Bernstein's grooving, Blue Note-flavored "Carrot Cake" opens proceedings with strong solos from tenor player Tolentino and Monteiro. Gigging with his organ trio Organamix these last couple of years has sharpened Monteiro's organ chops, and his playing is confident and imaginative. Pao in turn stretches his digits, showing the kind of tasteful attack that has seen him work with pianists Chick Corea and Herbie Hancock, guitarist Joe Pass , saxophonist Jackie McLean, and drummers Jack DeJohnette and Bill Bruford.

A nineteen-minute interpretation of "African Skies" pays homage to its creator, saxophonist Michael Brecker. Pao, Tolentino and Monteiro all performed and/or recorded with Brecker, and the quartet really cooks on this free-spirited workout. Tolentino wisely follows his own path on a rousing tenor exploration, rather than trying to emulate the foremost post-Coltrane tenorist that Brecker was. Monteiro ratchets up the intensity a notch with a searching, extended solo before the quartet shifts down a gear, setting Pao loose with the task of bringing things back to the boil, which he does with a fluid, bluesy solo with plenty of bite. Chanutr Techatana-nan's effervescent, driving rhythms are a key to the dynamism of this track, and the quartet's energy throughout the recording.

Burt Bacharach/Hal David's "This Guy's in Love" provides a beautiful oasis of slowly swinging calm, with Tolentino and Pao's lyricism to the fore. Another fine Monteiro solo opens Larry Goldings "Wrappin' it Up," before Tolentino picks up the reins with a snaking solo which gains gradually in potency. This mid-tempo number showcases more measured, though no less impressive playing from the quartet and Pao in turn shines with a mazy run.

Tolentino's swinging "Tiramisu"—dedicated to Japanese trumpeter Terumasa Hino—clocks in at almost eighteen minutes and is perhaps the most ambitious and satisfying tune of the CD. The quartet burns on this hard-grooving number for the first eight minutes. Monteiro then unfolds a vaguely spacey solo over a drone before launching into adventurous improvised waters. Pao's liveliest playing of the session sets the seal on a powerful performance.

Jazz-fusion—for want of a better term—is alive and kicking in Asia, as this excellent recording demonstrates. So far, only Asian audiences have been fortunate to see this incendiary quartet on tour. Hopefully, it will go into the studio with some original material soon and launch itself beyond Asia. ~Ian Patterson

Jeremy Monteiro: organ; Eugene Pao: guitar; Tots Tolentino: tenor saxophone; Hong Chanutr Techatana-nan: drums.

Live At The Living Room