Joe Turner - Poor Butterfly

Bitrate: MP3@320K/s
Time: 54:17
Size: 124.3 MB
Styles: Piano jazz, Jazz-blues
Year: 2008
Art: Front

[3:54] 1. Poor Butterfly
[2:37] 2. Taboo
[3:15] 3. Just One Of Those Things
[3:29] 4. I'm Crazy About My Baby
[4:05] 5. If I Had You
[3:05] 6. I'm Coming Virginia
[3:55] 7. Out Of Nowhere
[2:25] 8. Carolina Shout
[2:13] 9. On The Loch Lomond
[4:53] 10. Paris Blues
[4:20] 11. Between The Devil And The Deep Blue Sea
[3:02] 12. Jada
[2:03] 13. Route 66
[4:43] 14. I Cover The Waterfront
[3:45] 15. Poor Butterfly (Take 1)
[2:26] 16. On The Loch Lomond (Take 1)

Though endlessly confused with the singer Big Joe Turner, pianist Joe Turner came from a completely different direction, following the James P. Johnson/Fats Waller stride tradition, armed with a superb technique and a fine sense of swing. Born in Baltimore, he started to learn the piano from his mother at age five and began to make a name for himself in Harlem as a teenager shortly after his move to New York in 1925. He was an accompanist to Adelaide Hall in a duo, first with Alex Hill and then Francis Carter, the latter with whom he and Hall toured Europe in 1931. He remained in Europe through 1939 when war broke out, upon which he returned to the U.S. to work as a singer.

After playing with Sy Oliver's army band in 1944-1945 and Rex Stewart in 1946, Turner returned to the continent, residing in Hungary in 1948 and then Switzerland from 1949 to 1962. He settled in Paris in 1962 in a residency at La Calvados, continued to play engagements elsewhere in Europe and occasionally the U.S., and eventually survived to became the last major active stride pianist of his era. Among his few available albums is a 1984 project with Knocky Parker and his Houserockers on Southland. ~bio by Richard S. Ginnell

Recording Date: August 3, 1971 - May 21, 1974

Poor Butterfly

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Hot Club De Suède - Hommage A Django

Bitrate: MP3@320K/s
Time: 56:22
Size: 129.0 MB
Styles: Guitar jazz, Gypsy jazz
Year: 2011
Art: Front

[4:02] 1. Daphne
[5:26] 2. Stardust
[3:26] 3. The Great Gadjo
[4:07] 4. Bye Bye Blues
[4:50] 5. Melodie Au Crepuscule
[5:05] 6. La Vie En Rose
[1:46] 7. Sie Will Nicht Blumen, Auch Nicht Schokolade
[3:45] 8. I'll Be Seeing You
[3:34] 9. Swing De Paris
[4:46] 10. Jungle Book/I Wanna Be Like You
[5:33] 11. Hommage A Django
[4:41] 12. Where Or When/Babes In Arms/The Lady Is A Tramp
[5:12] 13. Autumn In Kokkola

Gustav Lundgren was born in Stockholm 1980. He started to play guitar when he was 12 years old. For the first 3 years of his musical career Jimi Hendrix was his biggest role model. At 15 years of age Gustav began studying at Södra Latin in Stockholm. Södra Latin is a school that has a program for young jazz musicians and many of Sweden's prominent musicians started their careers here. During this period he met some of the most talented young players in Swedish modern jazz such as Jonas Kullhammar, Andreas Öberg, Fredrik Lindborg and Carl Bagge. During this period he listened to guitar players like: Pat Matheny, Max Schultz, Kurt Rosenwinkel, Bireli Lagrene and most of all the great John Schofield.

In November 2001 Gustav founded a brand new project, the Django Reinhardt tribute band called Hot Club de Suede featuring Andreas Öberg & Hampus Lundgren. The group became an immediate success. Gustav toured around Europe for 5 years with HCdS, they also made one tour to the USA with singer Connie Evingson. The group has collaborated with guests-stars like Jimmy Rosenberg (NL), Yorgui Loeffler (FR), Ola Kvernberg (N), Basily (NL), Lars Erstrand, Bengan Janson & Magnus Lindgren (S). They have released three albums, "avec” SJRCD002 (2002) "Hommage a Django" sitcd9309 (2004) & "Stockholm Sweetnin'" (2006) .

Hommage A Django

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Jonah Jones - Jonah Jones/Glen Gray + That Righteous Feelin'

Bitrate: MP3@320K/s
Time: 67:53
Size: 155.4 MB
Styles: Trumpet jazz
Year: 2014
Art: Front

[2:07] 1. Baubles, Bangles And Beads
[3:20] 2. Echoes Of Harlem
[2:46] 3. Two O'clock Jump
[2:40] 4. I Can't Get Started
[3:45] 5. Boy Meets Horn
[2:40] 6. Hot Lips
[2:48] 7. After You've Gone
[2:28] 8. West End Blues
[2:30] 9. Ciribiribin
[2:46] 10. Tenderly
[3:01] 11. Sugar Blues
[2:58] 12. Apollo Jumps
[2:02] 13. Yes Indeed
[2:20] 14. Mandy
[2:50] 15. Work Song
[2:26] 16. Ramblin' Rose
[3:13] 17. Spanish Harlem
[2:03] 18. The Lonesome Road
[1:53] 19. The Preacher
[2:41] 20. 'deed I Do
[3:00] 21. Memories Are Made Of This
[2:38] 22. Jonah's Sermon
[3:03] 23. Look Up
[2:29] 24. Down By The Riverside
[1:35] 25. Sometimes I'm Happy
[1:39] 26. Tommy Tommy

2 LPs on 1 CD + Bonus Tracks. “Jonah Jones / Glen Gray” (ST-1660) 1962 [#1-12]; “That Righteous Feelin’” (ST-1839) 1962 [#13-24]; Bonus Tracks [#25-26] “June Christy with the Jonah Jones Quartet” (Capitol EP 4457) released in 1960.

Tracks #1-12: Jonah Jones, Joe Graves, Conrad Gozzo, Uan Rasey, Shorty Sherock, Mannie Klein, trumpets; Milt Bernhart, Joe Howard, Lew McCreary, George Roberts, trombones; Abe Most, clarinet, alto sax; Arthur 'Skeets' Herfurt, alto sax; Plas Johnson, Babe Russin, tenor saxes; Chuck Gentry, baritone sax; Ray Sherman, piano; Jack Marshall, guitar; Mike Rubin, bass; Nick Fatool, drums. Benny Carter, arranger, conductor. On #1,2 & 7 Al Porcino, trumpet, Ken Shroyer, trombone, and Morty Corb, bass, replace Rasey, Roberts and Rubin. Tracks #13-24: Jonah Jones, trumpet, vocals; Andre Persiani, percussion; Dick Hyman, organ, piano; Bob Bain & Howard Roberts, guitars; John Brown, bass; Danny Farrar, drums; The Jubilee Four, vocals. Tracks #25-26: Jonah Jones, trumpet, vocals; Teddy Brannon, piano; John Brown, bass; George 'Pops' Foster, drums; June Christy, vocal. Recorded in in Los Angeles, December (#1-12) 1961, November (#13-24), 1962; and October 1960 (#25 & 26). Stereo · 24-Bit Digitally Remastered

Jonah Jones zoomed to popularity in the late ‘50s. He found a successful formula and used it to brighten the hit charts with a succession of bouncy albums on Capitol Records. His quartet was one of the three newcomers in the Top 10 wide variety of small groups listed in the “favorite Instrumental” Billboard lists in 1958.

This is a powerful joining of forces, with trumpet man Jonah Jones taking the lead in front of the Casa Loma styled Benny Carter arrangements for big band. The tunes are all closely associated with other famous horn men—James, Armstrong, Stewart, Eldridge, Berigan, etc—while the impeccable studio band radiates a goodly fire of its own behind Jones. On “That Righteous Feelin’” the voices of the Jubilee Four keep in a handclapping mood the fresh, sanctifying gospel sounds of Jonah Jones with Dick Hyman and the New Disciples of Rhythm. Everything about it sounds right—or righteous!

Jonah Jones/Glen Gray + That Righteous Feelin'

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Trijntje Oosterhuis - Sundays In New York

Bitrate: MP3@320K/s
Time: 59:09
Size: 135.4 MB
Styles: Jazz vocals, Soul jazz
Year: 2011
Art: Front

[3:19] 1. Everything Has Changed (Imaani's Song)
[3:29] 2. Ain't Nothing Like The Real Thing (Feat. Frank McComb)
[4:07] 3. Oh What A Beautiful Morning
[4:52] 4. People Get Ready
[3:50] 5. Trust In Me
[3:45] 6. Another Saturday Night
[3:58] 7. I Wish You Love
[4:31] 8. Crying Over You (In Remembrance Of Little Willie John)
[4:45] 9. When I Fall In Love
[3:33] 10. Here You Come Again
[2:16] 11. The Best Things In Life Are Free
[5:03] 12. Try A Little Tenderness
[3:32] 13. It's Too Soon To Know
[3:06] 14. Everything Has Changed (Feat. Candy Dulfer)
[4:56] 15. You And I

In early 2011, Oosterhuis released the album Sundays in New York. The CD was given away free to lucky readers of the Saturday 15 January 2011 edition of the Dutch newspaper AD.

Alto Saxophone – Jeffrey Clayton (tracks: 1 to 10), Keith Fiddmont (tracks: 3, 6 to 9); Arco Bass – John Clayton (tracks: 10); Baritone Saxophone – Lee Callet (tracks: 1 to 9); Bass – Christoph Luty (tracks: 3, 6 to 10), Ricky Minor* (tracks: 1, 2, 4, 5); Drums – Jeff Hamilton (tracks: 3, 6 to 10), Teddy Campbell (tracks: 1, 2, 4, 5); Guitar – Graham Dechter (tracks: 3, 6 to 10), Paul Jackson Jr*(tracks: 1, 2, 4, 5); Keyboards – David Delhomme, J. Wayne Linsey; Percussion – Luis Conte (tracks: 3, 4, 9); Piano – Tamir Hendelman (tracks: 3, 6 to 10); Tenor Saxophone – Charles Owens (tracks: 3, 6 to 9), Rickey Woodard (tracks: 1 to 10); Trombone – George Bohanon (tracks: 1 to 10), Ira Nepus (tracks: 1 to 4, 6 to 9), Maurice Spears (tracks: 3, 6 to 9), Ryan Porter (tracks: 2, 3, 6 to 9); Trumpet – Bijon Watson (tracks: 1 to 10), Gil Gastellanos* (tracks: 3, 6 to 9), Kai Palmer* (tracks: 3, 6 to 9), Sal Cracchiolo (tracks: 1 to 3, 5 to 9), Scotty Barnhart (tracks: 3, 6 to 9).

Sundays In New York

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The Tymes - Best Of The Tymes

Bitrate: MP3@320K/s
Time: 52:31
Size: 120.2 MB
Styles: R&B, Pop-Soul
Year: 2005
Art: Front

[2:18] 1. So Much In Love
[2:51] 2. Wonderful! Wonderful!
[2:24] 3. Come With Me To The Sea
[2:27] 4. Stranger In Paradise
[2:32] 5. Malibu
[2:17] 6. Words Written On Water
[2:14] 7. Anymore
[2:08] 8. Somewhere
[2:20] 9. Here She Comes
[2:36] 10. Hello Young Lovers
[2:26] 11. Way Beyond Today
[2:30] 12. One Little Kiss
[2:35] 13. Address Unknown
[2:10] 14. Wonderland Of Love
[2:33] 15. To Each His Own
[2:10] 16. Chances Are
[2:41] 17. My Summer Love
[2:09] 18. The Magic Of Our Summer Love
[2:17] 19. The Lamp Is Low
[2:20] 20. And That Reminds Me
[2:17] 21. View From My Window
[2:05] 22. Goodnight My Love

Philadelphia's Tymes were one of the sweetest vocal groups to ever step into a recording studio. Led by the warm, expressive tenor of George Williams, whose voice and phrasing were heavily influenced by Johnny Mathis, and blessed with a producer at Cameo Parkway Records, Billy Jackson, who knew exactly how to record them, the Tymes hit right out of the box with their debut single, the sparse and elegant ballad "So Much in Love" in 1963. Written by Williams, the song was given a simple, floating arrangement by Jackson that was driven by what would become the group's trademark finger snaps and featuring smooth-as-honey vocals by Williams and fellow group members Al "Ceasar" Barry, George Hilliard, Norman Burnett, and Donald Banks. the Tymes followed this classic with a version of "Wonderful! Wonderful!" (the song that launched Mathis' own career in 1957) that was every bit as strong as "So Much in Love," and completed the hat trick with a third impressive single, "Somewhere." Everything the Tymes recorded with Jackson at Cameo Parkway had this same high quality, and the future looked more than bright, but the group's run on the pop charts pretty much ended with the advent of Beatlemania in 1964, which signaled a sea change in the recording industry. For some reason Cameo Parkway never released the Tymes catalog on CD until 2005, and this collection marks the debut of the Tymes in the digital age, some 40 years after these classic ballads were recorded. Gorgeously arranged and sung, the tracks compiled here have an elegant, timeless quality that works in part because of their simple sparseness, which allows the Tymes plenty of breathing room to do what they do best, which is sing like the angels sing. "So Much in Love," "Wonderful! Wonderful!," and "Somewhere" are all here, along with other gems like "Here She Comes" (one of the few instances where the Tymes go upbeat) and the sublime "The Lamp Is Low." Better late than never, this CD is essential listening for fans of the vocal group genre. ~Steve Leggett

Recording Date: April, 1963 - September, 1964

Best Of The Tymes

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Ronnie Cuber - Ronnie

Bitrate: MP3@320K/s
Time: 63:24
Size: 145.2 MB
Styles: Hard bop, Saxophone jazz
Year: 2009
Art: Front

[5:52] 1. Thermo
[5:48] 2. Gloria's Step
[8:31] 3. Four
[6:58] 4. The Duke
[6:09] 5. Daahoud
[5:35] 6. I Didn't Know What Time It Was
[7:14] 7. Ah-Leu-Cha
[3:29] 8. Love Theme From Summer Of 42
[7:17] 9. All The Things You Are
[6:29] 10. Watch What Happens

Baritone saxophonist Ronnie Cuber is an alum of many bands since arriving in New York City in the mid-'60s, including stints with George Benson, Woody Herman, Lionel Hampton, and the Mingus Big Band, though the big-toned reed player has recorded sporadically as a leader. This is his fourth CD for Steeplechase and one of his best sessions, featuring pianist Helen Sung (who replaced Kenny Drew, Jr. after his departure), fellow Mingus Big Band sideman Boris Kozlov on bass, plus drummer Jonathan Blake. Cuber's approach to his instrument incorporates both the gruffness of Pepper Adams and the lyricism of Gerry Mulligan in a style that is comfortably his own. Six of the ten tracks are jazz compositions, including Scott LaFaro's superb yet rarely recorded "Gloria's Step," which also showcases Sung and Koslov along with the leader. Cuber's blustery yet loping take of Dave Brubeck's "The Duke" almost seems to sing, while the quartet negotiates two demanding bop vehicles (Clifford Brown's "Daahoud" and Charlie Parker's "Ah Leu Cha") with finesse. The heartfelt treatment of Michel Legrand's "Theme from Summer of '42" (also known as "The Summer Knows") and the buoyant, playful setting of Richard Rodgers' "I Didn't Know What Time It Was" bring new light to these familiar standards. ~Ken Dryden

Ronnie

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Various - Rampart Street Rumba: Hannibal In New Orleans

Bitrate: MP3@320K/s
Time: 44:49
Size: 102.6 MB
Styles: Cuban jazz, Retro soul, Contemporary blues
Year: 2001
Art: Front

[6:15] 1. Cubanismo - Ain't Got No Home
[5:08] 2. Cubanismo - Junco Partner
[4:44] 3. James Booker - Taxicab Blues
[5:14] 4. James Booker - Mother-In-Law
[2:54] 5. Mem Shannon - Stranger In My Home
[3:36] 6. Mem Shannon - Pixie
[3:30] 7. Mem Shannon - I Hear You Knockin'
[3:28] 8. Taj Mahal - The Hoochi Coochi Coo
[1:18] 9. Taj Mahal - Ode To Benny Hill
[4:07] 10. Yockamo All-Stars - Play The Guitar Son
[4:31] 11. Yockamo All-Stars - Rampart Street Rumba

Havana. New Orleans. Sister cities of sinful past and sizzling present, baking in the Caribbean heat. Yeah, that's right -- our own New Orleans, northernmost port of the Caribbean, steeped in the same legacy of seafaring French and Spanish, swashbucklers, slavery, suppressed Indian tribes and, on a lighter note, a glorious musical melting pot. That's what MARDI GRAS MAMBO: ¡Cubanismo!" IN NEW ORLEANS is all about: Where Bourbon St. hits the Malecón.

Indeed, it would be hard to find another city so proud of its many varieties of cuisine, architecture, and music than New Orleans. Except of course, Havana. Where ¡Cubanismo! brought a vast knowledge of Cuban son, mambo, cha-cha-chá, danzon and timba, Patscha, Bingham and crew were ready to rumble with second line marches, New Orleans R&B, hot jazz, smoky swamp blues, Mardi Gras Indian chants, and the vast musical gumbo of their own hometown. ~Tom Moon

Rampart Street Rumba: Hannibal In New Orleans

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Katie King - Harry's Fight

Styles: Jazz, Vocal
Year: 2008
File: MP3@320K/s
Time: 61:01
Size: 141,4 MB
Art: Front

(6:47)  1. Harry's Fight
(5:00)  2. Across The Universe
(6:44)  3. All Or Nothing At All
(5:18)  4. 50 Ways To Leave Your Lover
(4:30)  5. Last Night
(4:59)  6. Do I Move You?
(2:10)  7. Alone Together
(4:39)  8. Come Together
(2:45)  9. Wayfaring Stranger
(5:24) 10. Throw it Away
(4:57) 11. And Now
(4:37) 12. The Inch Worm
(3:06) 13. Here Comes The Sun

View the Cd detail page to paraphrase a line from the film, "Jerry Maguire," vocalist Katie King "had me at (her musical) 'hello' " on this album. This lady is, without a doubt, the finest singer I've heard in years. She can handle any style, and her unique approach makes each style her own. Her voice is marvelous and her phrasing impeccable, and she hits every note dead-on. There's no "hunting," yet she can "bend" her voice for effect as necessary. This album includes 13 tunes: covers of three Beatles songs ("Across The Universe," "Come Together," and "Here Comes The Sun"); one each from Nina Simone ("Do I Move You?") and Abbey Lincoln ("Throw It Away"); and three written by King herself ("Harry's Fight," "Last Night," and "And Now"). 

The traditional "Wayfaring Stranger" is done with only bass accompaniment; you'll also enjoy a marvelous version of Paul Simon's "Fifty Ways To Leave Your Lover" and the most moving rendition of "All or Nothing at All" that I've ever heard. "Alone Together" isn't far behind, and "The Inchworm" caps things off. She does it all! If her singing weren't enough, King is backed by as tasty and swinging a quartet as you'll ever hear: Bill Anschell on piano; Jeff Johnson on Bass; Craig Flory on sax, bass clarinet and flute; and D'Vonne Lewis on drums. Thank goodness for vocalists like King, who are wise enough to surround themselves with such consummate artists. This isn't King's first album  she has released three others but it is her first in nearly a decade. (She took time off to raise a family.) Needless to say, I really look forward to her next. http://www.cdbaby.com/cd/KatieKing

Personnel:  Katie King – vocals; Bill Anschell – piano;  Craig Flory - saxophone, bass clarinet, flute;  Jeff Johnson – bass;  D’vonne Lewis – drums

Harry's Fight

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James Williams, Art Blakey, Ray Brown - Magical Trio 1

Styles: Hard Bop, Piano Jazz
Year: 1987
File: MP3@320K/s
Time: 50:08
Size: 115,1 MB
Art: Front

(7:35)  1. Hammerin'
(5:54)  2. Buhaina, Buhaina
(6:26)  3. The Night We Called it a Day
(6:53)  4. The Soulful Mr. Timmons
(5:09)  5. Love Letters
(5:57)  6. Mean What You Say
(6:10)  7. You're Lucky to Me
(6:01)  8. J's Jam Song

The first of three CDs headed by pianist James Williams that feature his Magical Trio (a recording group rather than a regular band), this strong outing matches the inventive hard bop stylist with bassist Ray Brown and his former employer, drummer Art Blakey. They perform three of Williams' compositions (including "The Soulful Mr. Timmons"), one piece by Brown, Thad Jones' "Mean What You Say," three underplayed standards plus the trio's ad-lib "J's Jam Song." A high-quality modern mainstream outing. ~ Scott Yanow Rovi  http://www.artistdirect.com/nad/store/artist/album/0,,186199,00.html

James Williams (piano), Ray Brown (bass), Art Blakey (drums)

Magical Trio 1

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The Jive Aces - King Of Swingers

Styles: Swing
Year: 2012
File: MP3@320K/s
Time: 54:32
Size: 126,6 MB
Art: Front

(2:49)  1. Oh Babe
(2:47)  2. Sheilk of Araby
(3:08)  3. I Wanna Be Like You
(3:14)  4. I'll Be Seeing You
(2:00)  5. Oh Maria
(2:57)  6. Hey Boy,Hey Girl
(4:57)  7. Sing.Sing, Sing
(3:03)  8. Bring Me Sunshine (Single Version)
(2:36)  9. Nothin's to Good for My Baby
(4:47) 10. Just a Gigolo/ I Ain't Got Nobody
(4:16) 11. Bring Me Sunshine
(4:00) 12. Angelina/ Zooma Zoom
(2:48) 13. That Old Black Magic
(2:46) 14. Over the Rainbow
(3:49) 15. King of Jive
(4:28) 16. Basin Street Blues

2012 debut album from the UK's top Jive & Swing band. The Jive Aces are renowned for their hot, swinging music and high-energy stage show playing songs made famous by such greats as Bobby Darin, Louis Prima and Sammy Davis Jr. as well as a selection of superb originals. King of the Swingers: A Salute to Louis Prima was recorded in Hollywood, California and features very special guests such as Kenny Ball, Ray Gelato and Toni Elizabeth Prima (daughter of Louis Prima and Keely Smith) and includes their hit version of the classic "Bring Me Sunshine". ~ Editorial Reviews  http://www.amazon.com/King-Swingers-Jive-Aces/dp/B0074H0R8W

King Of Swingers

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Rez Abbasi Acoustic Quartet - Intents and Purposes

Styles: Guitar Jazz
Year: 2015
File: MP3@320K/s
Time: 53:30
Size: 123,0 MB
Art: Front

(7:57)  1. Black Market
(7:35)  2. Butterfly
(8:00)  3. Joyous Lake
(4:56)  4. Resolution
(8:30)  5. Medieval Overture
(5:53)  6. Red Baron
(4:45)  7. Low-Lee-Tah
(5:50)  8. There Comes A Time

Mr. Abbasi succeeded in making some fairly cerebral intricacies feel intuitive and touched by a higher source. ~ The New York Times

An amazing guitarist...unique and beautiful music and best of all very original...I'm really impressed. ~ Pat Metheny

One of jazz's most intriguing journeys - Abbasi takes a bold step in resisting any stereotyping. ~ JazzTimes

In his hands, the globe's music feels relentlessly new and progressive. ~ LA Times

If you're like me, one of the things that irritates you about 1970s-era jazz-rock fusion is the frequent overproduction, which often came across as an attempt to gussy up the sonics while at the same time dumbing-down the music itself. For this fascinating and brilliant album, guitarist Rez Abbasi takes a handful of classics of the fusion genre and strips away all that stuff, performing them with an acoustic quartet (guitar, vibes, bass, drums) and revealing several of them (notably Weather Report's 'Black Market' and Herbie Hancock's 'Butterfly') to have quite a bit more substance than we might have suspected at the time. On a few tracks Abbasi plays a fretless guitar, which adds a strange and kind of nifty timbral dimension to the group s already unique sound. A must for all jazz collections. ~ Rick Anderson

In his hands, the globe's music feels relentlessly new and progressive. ~ LA Times 

~ Editorial Reviews 

http://www.amazon.com/Intents-Purposes-Rez-Abbasi/dp/B00LFMZZXY

Personnel:  Rez Abbasi (Guitar);  Bill Ware (Vibraphone);  Stephan Crump (Bass);  Eric McPherson (Drums).

Intents and Purposes

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